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1. H
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M
A
N
I
T
I
E
S
--refersterm is toward abstraction
The to artistic worksassociated
A tendency usually produced
withthe the period extending
during in which the traditions of
is art characteristic of much
the past have been recent artistic
roughly from More 1860s to the
modern art. the thrown aside
in a spirit of experimentation. and
1970s, and denotes often called
the style
production is
philosophy of theart produced
art or PostContemporary
during that era.
modern art.
MODERN ART

2. H
U
Timelines of
Characteristics of
M
- A tendency toward abstraction
A
is the characteristic of much
N
modern art. More recent artistic
I -Tendency towards ABSTRACTION.
- Itproduction istheoften called
throws aside
traditions of
T
Contemporary art or Postthe past.
I
modern art.
E
S
MODERN ART

3. H
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A
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Timelines of
MODERN ART
• Modern Art Timeline 1
(1870 - 1931)
• Modern Art Timeline 2
(1916 - 1975)

4. H
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S
MODERN ART
Timeline 1
1. IMPRESSIONISM
5. CUBISM
4. GERMAN
3. FAUVISM EXPRESSIONISM
2. POST IMPRESSIONISM
It isstyle of painting present
an
---it Ittypical traitemphasize vividwhile
Itsis inclined style Fauves whose in the
is to with
-extendsart of les that soughttheworks
is the style Impressionismgeometric
to artists emerged
Expressionistmade of
--anIts use20th-century style and of a
- early wherein athe simpleto it
was and limitations: and
1800s, to its
subject
rejecting distort non-naturalistic
world solely painterlyemotional
subjective
emphasized from form for expressive
expressionistic
forms, meaning or qualities
express in art, in which
movementisthat flourished in or
geometric over thevivid radically
shapes, interlocking
painting to use unnatural Paris
continues unclear and colours,
strong color using
use of and distorting physical
effect,
perspective,rather thanit everything
experience later, collage.
perspective withan single viewpoint
planes, to be or impression with
and, effect in order to
seemsthick application of paint,
often1905.colour.a realistic values.
representational
from
arbitrary
for emotional
reality.
was abandoned.ideas.
flickering strokes
and real-life or of paint.
evoke moodssubject matter

5. H
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MODERN ART
Timeline 1
2
4. GERMAN EXPRESSIONISM
10. DE STIJL
9. SUPREMATISM
8. CONSTRUCTIVISM
7. ABSTRACT
6. FUTURISM
5. CUBISM ART
This a artistic andnot attempt color
---wasthemesmovement, ofrefers to
uses anart suprematism of the on
Its influencelanguage focused
itsproposesare concepts form, to
The art
term doespervasive, with
was architectural
--wasanvisual ultimate simplicityis
ItIts use that as neoplasticism,
also known made social
was
of simple
represent createaaworksuch“the
andabstractthatuponrecognizabl in
basicabstractionbasedarchitecture,
movementexternal,composition to
an line refer to forms, from Russia
majortoto art originated inas
future, includingby using only
upon Italy
and geometric speed,
used impacts
1917
geometric shapes,achieve its
interlocking
realityfounded with aand rectangles,
which mayinof purewhich was a
circles, but existin toanddegree
beginning20th century.design, of
supremacyseeks Netherlands.
graphicsquares, lines,
technology, industrial violence,
1919,
the earlyhorizontal and vertical
straight and youth artistic
1931 and, later, collage.
planes, shapes, forms, colors,
effect using the idearange references
independencedance,theautonomous
painted inrectangularfashion colors.
rejectionrather thanvisual of the
feeling” of such as forms.
theatre, film, from of car,
and objects limited on visualand
lines and a
and textures. music.
in the world. objects.
art.some extentthe industrial city.
depiction and
to
aeroplaneof

6. H
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S
MODERN ART
Timeline 2
6. MINIMALISM
5. OP ART or
4. POP ART EXPRESSIONISM
3. ABSTRACT OPTICAL
2. SURREALISM
1. DADA OR DADAISMART
The art ofminimalism isabstract
Thethe groundworkstyles Its to
conceptartisticto toliterary
emphasis ispost–World War
termwas on and
aimreferring that
refers
- -Opis Americanto "resolvealso used
isIts stylemovementnot asemerged in
AIta cultural visual abstract.the visual
European movement thatof
anart works are art that much
began
term
to mid-1950s inin the best
impression isdisplaying pared-down
the movement to American
spontaneous, given of isisor known
previously contradictorystarting
uses art soundtrend in a and in the
theand music aspoetry, attitudes
IIartdescribe1920s, and design and
inartand itselfillusions. It that flouted
movement (1916-1923)movement,
theoptical a automatic a
Britain
art early
architecture
hidden in aesthetic
that forto the US.
subconscious creationandsubject
conditions of dream andand
pointvisualit.wherein challenges
painting developed inand writings.
late 1950s performanceNew a
painting,concerning the art, culturalis
for itsledimages, flashinginteraction
conventionalartworksIt thereality." the
York in
design elements.
reduced
vibration, fine and picture plane,
prelude to its necessary elements.
between producing or imagery from
traditionstopatterns, by alternatively,
the 1940s.ofpostmodernism, and
values by illusion art works marked by
of understanding
an influence on pop art.
andswelling or warping. seeing.
popular culture; advertising & news.
nonsense, travesty, and incongruity.

7. H
U
M
Timeline 2
A 6. MINIMALISM
N
in
I
ARCHITECTURE
T
I
E
S
MODERN ART

8. H
U
M
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N
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T
I
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S
MODERN ARTat
- early modern architecture began
- is generally characterized by
in
the turn of the 20th century with
simplification of form and an absence
ARCHITECTURE
efforts to reconcile the principles
of applied decoration. design with
underlying architectural
rapid technological advancement and
the modernization of society.

9. H
U
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A
N
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T
I
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S
MODERN
CHARACTERISTICS OF
ARCHITECTURE
- early modern architecture began at
the turn of the 20th century with
efforts to reconcile the principles
underlying architectural design with
rapid technological advancement and
the modernization of society.

10. H
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CHARACTERISTICS OF
MODERN
ARCHITECTURE
---simplicity and function", a dictum
-"Form expression of structure (as
visual follows clarityof "Truth to
use of industrially-produced Style
the related concept of forms and
particularly in International
opposed expressed by Frank Lloyd
elimination the hiding of structural
originallyto of "unnecessary detail."
materials.
materials."
modernism.
elements).
Wright's early mentor Louis Sullivan

11. H
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M
A
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S
MODERN
ARCHITECTURE
Eurika Tower
Burj Khalifa or
Khalifa Tower
-- located in
is a 297.3-metre
-isis Southbank in
the tallest
-Formskyscraper
International
materials manthe a ft) are
(975 follows
Simplicity and
made structure in
Dubai, United
style modernism
90 degrees
function
precinct
skyscraper. to
Clarity
the world with
Arab Emirates
each other
of Melbourne,
829.8 m (2,722 ft.)
Victoria, Australia.

12. H
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M
A
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MODERN OTHER
ARCHITECTURE
SCULPTURE
VS
VS

13. H
U CHARACTERISTICS OF
M
SCULPTURE
A
N - it arose in tandem with similar
- Abstraction
I artistic trends in painting, drawing,
- it heralded a range of new materials
Materiality
T - printmaking.
and
-- Modern sculpture thus displays
Question of form
and new techniques, from
I
multiple and factory-made steel
monumental diverse approaches
E
and ideas. to plastics.
sculptures
S
MODERN

14. H
U CHARACTERISTICS OF
M
SCULPTURE
A
N
- Abstraction
I
- Materiality
T
- Question of form
I
E
S
MODERN

15. H
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A
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S
MODERN
SCULPTURE
The Thinker
Floating figure
Gaston Lachaise's
It shows and torso
This pose, waist,
---The heada whilst
Below thenude
is a bronze nude
recliningawkward and
male figure, crossed
looking arms
are erect,femaleheld
the legs are about
sculpture by Auguste
figure appears floating
life-size sitting open,
unnatural, of& one
outstretchedto on a
Question Form
Abstraction
and Abstraction
placed
Rodin,water, although
on an encompassing
the usually hand,
rock, chin one
nevertheless
as like a manages
placed on
side, actually supported
she conveyas sense of
and
to isused a an known
prayer position,
a stone pedestal.
mermaid's tail.
beneath by two thin
image to represent
joy and feminine
as the 'Orrans' position.
poles.
philosophy.
fecundity.

16. H
U
M
A
N
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S
MODERN OTHER
SCULPTURE
PAINTING
VS
VS

17. H
U DIVISION OF
19TH CENTURY
M
PAINTING
A
- 19TH CENTURY MODERN
N - Modern paintings are paintings
PAINTING
dated from 1860 to present.
I
- 20TH CENTURY MODERN
T - It is divided into three categories
PAINTING
according WORLD WAR II MODERN
I
- POST to the time of its creation.
E
PAINTING
S
MODERN

18. H
U 19TH CENTURY
M
A 1. REALISM PAINTING
N 2. -IMPRESSIONISM in the 19th
• - The termHomerthe attempt to
Thomas Courbet
WinslowEakins
Gustave originated
Albert Ryderas Breezing on theFair
It is defined
Sunlight Up (A Coast
Play: Götterdämmerung, a Wind) Itdescribe
Clinic (1875), used to depicts
The Stone Breakers.
Burial at Ornans,
I In The Grossconsidered thepainter toabe It
century, andAmericanartist titled, since
He was an American landscape
believedwas -one ofCourbet's most
He was an subject matterwork of social
He isPhiladelphia
was an that was of truthfully,
widely acknowledged
Americanironically should
the
representa moonlit one realist best
Galloping
renowneddown
a
Gloucester chopping
sun
the realistic Gustaveand avoiding a
of Norsepaintand hasworks, two
Courbet artists
T surgeon,workartificiality the 19th-century
be Dr. Samuelmost importantstruggled
and through adepicting
everyday
known for his poetic break through the
onelegendary
painter, photographer, best harbor
foremost painters to sculptor,
in
path,painter and printmaker, moody
the of
realism, city's
important and
withoutthe D.
heroAmerica arts educator.subjects. of
Siegfried
peasants,
group ofpresiding ahistory.offair wind".
events encounters ordinary an figure
I Gross, isAmerican artpreeminent young as
allegoricaland a marine "a the funeral
in seen involving and rejected
and finefor his who seascapes,
known painters under a
works gloom
artistic conventions,records people.
implausible,
group of Rhine Maidens who Insideand an old which
over an operation to
man the uncle man,
his grand boat are a
idealization,from the he attended storminstead in
E removeAmerican art. approaching on and
wellpart anddiseased man, three boys,
in seductivelysupernatural elements.
as his focusingpersonality.
exotic of a eccentricbreaking rocks.
beckon
everyday life. thigh. was Homer’s first pure
phosphorescent river.
September 1848.
their catch. oils.
S bone from a patient's
seascape in
MODERN

19. H
U 19TH CENTURY
M
PAINTING
A 1. REALISM
3. IMPRESSIONISMemerged in
N 2. ItPierreartManet art
• POST IMPRESSIONISM
- Edouard style that
is an19th-century
a Renoir Floating Studio
du moulin de la
I BalStyle: ‘flatteningstyle offiguresofa the
-- It 1800s,Danceof originatedhis wife the
One was one or of first 19th- a
He of the founding the a with
the that
members
the is(a.k.a.work at thethe subject and
movementwhereinMonet and variedin
Galette
T Leneutralizing theto painteverything
group ofartistsmovement. and life,
Impressionist
century late-19th-century it
boat, modern
painting is Galette)emotionalHe is an
moulin of Paris-based rowing
group de la unclear andartists. up and
depicts a typical known sketchydepictions
early-20th-centuryfor his brushwork
expressions,an impressionincluding
artist pivotalfree, artists transition
and a best Sunday downthe Seine and
figure in the with
I
seems to be
afternoon at Moulin de stopping whenever he
Van broad Gauguin,flowers, pleasant
and Gogh,children,spotted Cézanne.
of pretty patches paint. promising
from Realism to of of color
and a
E laflickering strokes Impressionism.
Galette in the district
scenes, andParis. subject.
ofjuxtaposed without transitions.’
Montmartre in curvy women.
S
MODERN

20. H
U 19TH CENTURY
M
PAINTING
A 2. IMPRESSIONISM
4. EXPRESSIONISM
N 3. POSTPaul Gauguin
• Paul CézanneGogh
Henri IMPRESSIONISM
Vincent Van
I Starry It depicts
Raro te Oviri (Under the
-His oftenwork or stylemodernpaintera
He was aan artistOvertureNightnot well
post-Impressionist It art) laid
I -- -(often called fatherwhoof motherdepicts
-It is the
He reacted against wasvaried
Theywas repetitive,of theIt suppressed
exploratory& sister.
Cezanne’s a
Pandanus)brimming with
night sky rough
whose work,areof Restrained and tense in its
notable forillusionismfrom
the foundations highly characteristic
brushstrokes until after his death. He
appreciated
spatial its and earlyT naturalism of the the transition shining
Impressionists to
group of late-19th-century
whirling clouds, and
colouring,hisand based
which landscape
beauty, emotionalconstructed a bright
honesty the is
the clearlyrecognized forform,artistic
and 19th-century conceptionused bold
recognizable. He of Van
was later
20th-century line, starts, and and
including
I explore color,artistsandon a contrast of of
largely radically
color, of colournewwith horizontal bands
had a ause of colors andThe
endeavour tofar-reaching brushstrokes
and moon.
planes Gauguin,responseinfluence on
small of the
experimental andcrescentwhite, the twoGogh,
and Cézanne. the
black reinforcing
colors
E the emotional of art inand was a product of
20th-century art. painting has a strangely
different world formpainting 20th
the
that build up to
complex fields.
synthetist style. dimensionality of it.
Gogh’s dream.
artist.
S
century.
positive mood.
MODERN

21. H
U 19TH CENTURY
20
M
PAINTING
A 3. POST IMPRESSIONISM
N 4. EXPRESSIONISM
• Edvard Kandinsky
Vassily Munch
He White II Thecolor black
Onexpressed expresses an
Thethis painting the many
scream the painting
Inmusic,painter and
I -- a style of painting,paintercombination ofin
-Expressionist artists silenceorof Edvard
was a influentialwas a product drama
He isan Norwegianas the soughtdeath, and
Russian andto
of
intelligent of the color
dimensions
which meaningMunch’smain cutsrepresent
or writer colors to
or emotional
art theorist. artist this painting, itseeksin the
printmaker whose intensely evocative
with through
the two experience one
T inexpresstheHe is creditedbackground with a
white is
the white used to
painting: physical and
painting the psychologicalblack andawhite.
treatment offirst purely abstractrather
express emotionalevening. It themes bloodexperience ratherthe many possibilities the
experience works.
than depicts
riotous effect, shattering
I
Kandinsky used color on
like sky, the colorful toina
three people
opportunities available
peace main tenets of
of external
built upon some ofroad (Munch than just
the
than impressions of the colorand his on the
reality.
represent more
E
life. The
black,
combination of colors, or as it
th Century Symbolism.
the late
world. 19
shapeshand, a trembling
friends), and represents nonother and figures in his
were, opportunities in life.
S
paintings.
Munch. and death.
existence
MODERN

22. H
U 20TH CENTURY
M
PAINTING
A 1. FAUVISM
N 2. It is a style of painting with vivid
• DADAISM
André Derain
- Henri Matisse WomanSails (Sail It's
Drying Reading Boats)
I
A movement an painter,was painted
or a French artist, known for Museum
--was a French artist, art movement of
was Dada was (1916-1923) thatuse
expressionistic and non-naturalistic in
The picture sculptor
displayed at the his
1905 aesthetic
T of colour conventionalat Collioure,Paris. It
flouted and his of of Modern Artin the
the European avant-gardein Paris
use of color thatfluid and original and
and co-founder flourished in Henri
Fauvism with where
Derain worked with
shows the
draughtsmanship. He was acalmness of a
cultural values by producing The
early 20th century. for short-lived,
I
from 1905 and, althoughIthis vivid,
Matisse. He is famous woman. works
Matisse.
reading was previously
draughtsman, printmakerFishingsculptor,
unnatural colors. entitled andon calm,
marked by nonsense, evokes Boats, and
had an important paintingtravesty, and
influence a
E
but is known artists. as atmosphere.
primarily a painter.
erroneously dated 1907
relaxing
subsequent
incongruity.
S
MODERN

23. H
U 20TH CENTURY
M
PAINTING
A 1. FAUVISM
3. CUBISMBraque
N 2. DADAISM
• Marcel Duchamp
Georges
Pablo Picasso
- -an early 20th-century & sculptor. He
and
(Mona 20th-century shows the
Guernica French
I L.H.O.O.Q.Spanish painterstylewaspainter,
A a major Liza with
- waswas a French-American created in
Hemovement (1916-1923) that
Guernica
Moustache) (in in art, èl response to the bombing
movement French esp. painting, inand the
painter and co-foundingaesthetic
is known is a sculptortragedies of war which
who,
T ache o o qu), forpun, sinceof Guernica,Spain and
flouted chess player, along
sculptor, conventionaland writer
perspectivePicasso, developed the upon
with single viewpoint was
with Pablo movement,German inflicts art
the pronounced in Frenchsufferinginvention wa
Cubistvaluesabyby the it and Italian
whose
cultural and use was made of simple
producing
I when work is associated with works
individuals, particularly
abandoned as Cubism.
formconstructed sculpture. during
style known "Elle a rplanes art.
of the sentence nonsense, travesty, and
Dadaism by "Sheinnocent planes,
marked literally interlockingCivil War.
E chaud au cul",and conceptual civilians.
geometric shapes, the Spanish
is
incongruity.
S hot in the arse".
and, later, collage.
MODERN

24. H
U 20TH CENTURY
M
PAINTING
A 3. CUBISM
N 4. SURREALISM
• Georges Braque
Max Ernst
Hisfurther major topainter, sculptor,
- The aim in the"resolve the
20th-century
Toacompressed treatment
energize
I Little Harbor was 20th-century French
- was a German avant-garde
of space and use of a
Normandy Headded aand literature that of
scene, Braque contradictory conditions
previously described who, along
movement in art poet. He was a
graphic artist, and
painter and sculptor
T the channel coast into the
shifting perspective seems
fringe of whitecaps
dream andPicasso, developed the art
sought the release a the Dada potential
to reality."
the
primary pioneer of
with Pablotwo clouds creative
to propel
sea and dashes of
I severe geometries and
of the forwardas the
sailboats unconscious
sober palette, reduced in mind, for example
across the sky. and Cubism.
movement
style known to Surrealism.
E rangeedges of the picture.
front and intensity tojuxtaposition of
by the irrational pale
S shades of color.
images.
MODERN

25. H
U 20TH CENTURY
M
PAINTING
A 4. SURREALISM The painting, teeming
N • Max Ernst
Andre Masson with organic forms
Joan Miro
that merge and meld
Ubu Imperator resembles a himself to work under
--Masson French artist. HeThe Tilled Field, his
Meditation on an painter and sculptor. is an
I collage inaaSpanishOakforce seemingly in defiance
- was apainted form. painter,later became
-was would oftenHis of
was German
sculptor,
The wildcat’s head
The conditions; in
strictentire configuration is abstractwithout food
Leaf is organizedlong periods of time depiction of
associated withand poet. He was a
theories, myth and
work hasthis staff,surrealism, and he
graphictotem pole and of of drugs. a
beentheof
surmountsartist, interpreted as
T Freudianofcartouche-likeinfluence nature,ais Hewas
a sleep,
or kind wit are reflected in
organic, or under
extreme itthe two eyesof thethe landscape of
next to myths of podsubconscious mind, a
are most one of forcingthe enthusiastic employers
sandbox pioneer and aMiró's Catalanof
primary for pinched into testamentstate
Dada to Miró's
private painting, himself in
believed
reduced
compartments,
I this early red which is ever-increasing
one glowing
womb-like forms.
of considered proto- Surrealism. freenumber
drawing, making a from
consciousness would help his homeland.a
art be
the middle like and
re-creationaof the
movement cell
now automaticfigure- childlike, andand
stylization
connected
E Surrealist dueby itsand hence get closer to the
rational control, works in penpride.
division.
of automatic infinity.
to
manifestationstrange abstraction at this
eight, symbol of of Catalan and ink.
workings of
mind.
S juxtapositions his subconscious point in his career.
MODERN

26. H
U 20TH CENTURYWAR II
POST WORLD
M
PAINTING
A 4. ABSTRACT EXPRESSIONISM
1. SURREALISM
N 2.•OP ARTPollock ART its well-that
- isWillem dePOP abstract art
a development
• Andre Masson of With
Jackson / Kooning
originatedIV Itthe largeart, is a style of
in optical Blue poles (number
and 1950s by
- wasArt a.k.a.in 1940s balanced color
Opworking depicts American painter
I Twowasan Dutch American abstractis
Woman head
--By a influential 11 1952) was painted
scale and and
The wildcat’s
displacement, it
aimedmajor figure inuse of optical
at subjective
visual artbeing compared.the abstract
that makes now one expression
two womenthis staff, and emotional of the most
T surmounts the canvaspaintedfloor,style
and a
by Pollock
placing and high-He on the inwhile
expressionist.method of painting the
a at
One clothed It is eyes with particular emphasis on the creative
illusions. two a
next to it are
popular was
moving around
expressionist movement. Heexhibitswell
I heeled. It hasred tosaidhis full body and has
Pollock allowed(e.g., actionto
that came
one glowing been be that the Gallery,
spontaneous act referred emphasizing
canvas, painting).
concerning the interaction between
known women are being risen Pollockan as
drip
two for a
connected figures were Jackson price to and
by his be
E these Abstracttounique styleinofor Action
movement figure- engaged.between
Known
his movement.
Leading and picture plane &
as
illusionby theirexpressionism
compared
state.
eight, symbol of infinity.
painting. Kooning. estimated $180
S ‘action de
Willem painter.’ seeing.
understanding and million.
painting.
MODERN

27. H
U POST WORLD WAR II
M
PAINTING
A 1. ABSTRACT EXPRESSIONISM
N 2. OP ART / POP ART
• Roy Lichtenstein
James Rosenquist
Tom Wesselmann
Lady Dog Girl. a1985leading based on
Op an the a
-- FavoringisUtilizing the strip is his in of
I Still Lifebecamestyle of art,figure main
His ArtLizard optical fragmented,
--Popspecialty comic art associated
was arta.k.a. is taking
He Drowning 20American artistasa style the
-A painting ofthat makes use images and
Is a stilldisproportionate
life painting culture optical
visual artofJamesproduced hard-edged,
conventions movement. Hisofand the
inspiration,comic book
he
modern popularmovement who
oddlythe It depicts an
T art, a thoughtPop art
with
new art bubble
work
Rosenquist.collection of
depicting a It is a method of painting
illusions. anoverlapping, and putting
precise compositions collage and art
combining, eye of the
massathe in painting, that documented
eye of lady,
worked thoughts of
defined the basica as
I conveys media, esp. premise of pop
foods back grounded with a critical or
concerning of a lizard create visual
while it parodied often in abetween
dog andred eyethe interaction tongue-inthem comment to
figure, while color to dots traditional fine
Ben-Day
ironic an canvases
a sharp on parody. on
sculpture. picture plane
throughand with
E echo the humorous manner. & between
illusion
back groundedof the
cheek effect
emphasize liveliness.
stories.colored flowers.
art values.
different
S mechanized process.and seeing.
understanding
MODERN

28. H
U POST WORLD WAR II
M
PAINTING
A 2. OP ART / POP ART
4. NEW REALISM
N 3. NEW ABSTRACT TENDENCIES
• James Goings
Ralph Rosenquist
Photorealismused to describe a trend
I Lady is aassociated with Photorealism
- -It Dog term 1985
He is Lizard - genre of painting based
A away from abstract expressionism to
painting cameras
James
on using of (1982) is and photographs
movement. He oilbest
T Ralph’s DinerIt depicts an known for his
Rosenquist.
canvass detailed paintings and then from
gather lady, subjective expressionism
toward a an eye of a
highly visual information of hamburger
I eye of a
thisand an eye of painting that appears to
focusing on true-to-life forms, the
dog creating a a trucks, and diners,
stands, pick-up lizard
E back grounded with evident forms.
be photographic.
factual, and easily
portrayed in an objective manner.
S different colored flowers.
MODERN

29. H
U POST WORLD WAR II
M
PAINTING
A 3. NEW REALISM
N 4. NEW ABSTRACT TENDENCIES
• Kenneth Noland
Robert Ryman
Surface culmination subjectivism of
after the intense best-known
- He an after the type painter identified
I It--isThe veil one of theof this tendency
Beginning
titled American
is was paint edge
The built-up expressionism, abstract
ofabstract depicting in painters, in the
Apaper used color field which painting
painting as a
was minimalism,
American movements of monochrome
T medium,theoutline of
with the
tracing the socircles1960s heto simple geometric
in differentwas thought of as
painting moved toward a more
early reduced the
was tapeVeil.
masking
and
I called Surface minimalism, and conceptual
painting, blue, white,
colors;paper left rigorous formal purity.
red,
ripped
impersonal, painter.
aart. He rhythmic patterns or single
minimalist behind
forms, isblack. known for abstract,
best
E green and to the
give witness
white-on-white
process of
S colors. creation. paintings.
MODERN

30. H
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A
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I
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MODERN PAINTING
ART