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some optometry works of martin bakero
1. VERSE IS THE REVERB OF SEVER AS
VERB IS THE REVERSE OF DEATH ?
1
Exhibition by Martin Bakero
2. verse is the reverse of sever
as verb is the reverb of verse
?
sever the reverse of
verse
in the verb of the version
invention is the sever of
version
a verse in invention
is reverse of sever reverb off
verb
is the reverb of reverse
a verse among the verbs ?
¿ es suelo lo que suena en el
sueño o el sueño suena en el
suelo ?
suele el sueño sonar
que el suelo en el sueño es el
trueno que estreno
es el sueño que suele
sonar
soler que es el suelo del
trueno donde suena lo que
est-ce vers le revers d’un rêve
sueño en el suelo
où le rêve de l’envers es vrai ?
¿ el sonar del trueno
extremo en el suelo que
c’es vrai le vers est
sueño soñar ?
un rêve sévère le vers est un
revers
c’es rêve le vers à l’envers
c’es vrai l’envers du rêve
c’es vers un rêve vrai
sévère est l’envers du vrai
est-ce l’envers du vrai
rêve le revers du rêve vers ?
2
6. BLACK AND WHITE - legends
a. chaosmose /A4 impression numérique
b. nailsnails / A4 sérigraphie
c. fear delays love / A4 impression numérique
d. silence / A5 handmade (ink on paper)
e. silence of my grand other / A4 fire laser print
f. verbification / A4 fire laser print
g. snake ego egg / A4 impression numérique
h. spidermind / A4 impression numérique
i. emanation from a word /A4 impression numérique
j. bliztard / A4 fire laser print
k. he ego splits / A4 fire laser print
l. letterflies / A4 impression numérique
m. ox&gen / A4 impression numérique
n. music is the ring / A4 impression numérique
o. dancing spots / A4 impression numérique
p. cantar palarmas / A4 impression numérique
q. transparientes 21 / A4 impression numérique
6
11. COLORS - legends
a. fearless bacterias / A3 téchnique mixte (photogravure-inkjet)
b. meaning’s resistance / A3 téchnique mixte (photogravure-inkjet)
c. skililing / A4 photo and inkjet print
d. reverés / A4 impression numerique
e. museumnation / A3 photo
f. rib tongue / A4 impression numérique
g. en la mancha de la panza rocinea dulcinante don quijote / 100 x 150
cms impression numerique
h. vulcanize the speculation / A4 impression numérique
i. preconception / A4 impression numérique
j. under the upon name / A4 impression numérique
k. teospiralhuacan / A4 photogravure
l. inside the scarabee / A4 impression numérique
m. palestine protects israel / A4 impression numérique
n. salva salvador / A4 impression numérique
o. ha llegado carta / serigraphie
p. others mothers / A4 impression numérique
11
15. PAINTINGS - legends
a. against the miasma/ 200 x 80 cms acrylique
b. t(a)ime (e)space/ 35 x 25 acrylique over wood
c. tide in knots / 35 x 25 acrylique over wood
d. only wait the infinite / 35 x 25 acrylique over wood
e. as you like it / 35 x 25 acrylique over wood
f. sound is spacetime / 35 x 25 acrylique over wood
g. spiderider / 35 x 25 acrylique over wood
h. split spoil split spirit / 35 x 25 acrylique over wood
i. dollshow class / 35 x 25 acrylique over wood
j. gamma cassiopeia / 35 x 25 acrylique over wood
k. o(the)r / 35 x 25 acrylique over wood
l. commit/ 35 x 25 acrylique over wood
15
19. OBJECTS - legends
a. half full / fire print laser over wood
b. half empty / fire print laser over wood
c. sound shower / for eight headphones/ metal structure 200 x 80 x 40 cms
d. vacuum poetry / vacuum cleaner reverse motor system expelling poetry / 50x 40 x 40 cms
e. fleuve / print over cotton/ 300 x 70 cms
f. flamme / print over cotton / 120 x 400 cms
g. sempiternelle / 3D impression over wood structure / 40 x 40 x 20
h. pasion poison / 3D impression over wood structure/ 45 x 100 x 10
19
20. We will propose to the visitor two possibilities in order to perambulate the exposition. A normal one, where he can visite at his own; and another one, where the artist
will invite to the people to visite the exposition with a personal introduction to the
works.
20
21. ABOUT
“Martin Bakero moves out of lines of sight and into vortices of light, thicknesses of eye’s
swimming.” “We are called to find ourselves in these almost delirious expeditions.”
(William Rowe)
“Martin Bakero’s variegated array of visual poetic imaginings plays within and at the edges
of multilingual lettristic, phonemic, and verbal sense, delving into the microparticular inner
levels of those elements and springing out of them to mystic realms of cryptolinguistic visual
labyrinths that dazzle, baffle, and delight the eye” (Paul Dutton).
-Extracts from Abjects, Veer Books, 2013.21
Martín Bakero is a poet, musician and psychotherapist (therapoet). He has presented performances, lectures,
films, expositions, installations and radio programs in many locations throughout Europe and North, Center
and South-America. He has experimented with combinatorial, permutation, genetic, astrobiology, quantum
mechanics, sound, vision and psychics arts. He studied electro- acoustic composition in the conservatory of Paris
and teach in the University of Paris, México and Chile specializing in sever personality disorders and sound
poetry.
He participated in workshops with Meredith Monk, Joan La Barbara, Alejandro Jodorowsky, Ramuntcho Matta
among others artists. He make workshops for “therapoets” all around the world. He created the pneumatic and
electropneumatic poetry, he’s working now in “Acousmantic” poetry.
During the last time he made some creative sound residences and performances in Avatar (Québec), National
center for arts (México) and Proposta (Barcelona). He’s member of LaBoRaToiRe, Motor Nightingale, Buzos
Tácticos, M’Other, Futures Primitives, Mutiques and pnEUmAtIkOs, where he works with other artistes, scientists,
mystiques...in different rehearsals about the bounds between poetry, music, vision and reality.
He created the festival Festina Lente and the Laboratory of electropneumatic poetry (Laboratoire d’electropoésie
acousmantique) in Paris.
web site: www.therapoetics.org
