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A Stylistic Analysis of Graphic Emoticons
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Martin Ebner
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Presentation held at ED-Media2008
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Most of what is considered characteristics of literary language nevertheless has its Roots in everyday uses of language and can best be studied with some reference to these uses. Just as there are no firm lines of division between 'poetic' and ' ordinary ' language so it would be artificial to enforce a clear division between the languages of poetry considered as verse literature and that of other literary kind as prose. The creative writer and more particularly the poet enjoy unique freedom. Among users of the language, without respect to the social or historical contexts to which they belong. This means: among other things. The poet can draw on the language of past Ages, or can borrow features belonging to other non literary use of language.
Foregrounding By Muhammad Azam
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MUHAMMAD AZAM, VICE PRINCIPAL IMSB G-6/4, ISLAMABAD
Deviation and parralelism copy
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This slide contain the description about the Register Transfer Language and Micro-Operation
Register transfer and micro operation
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Lightning Talk by Takashi Iba, Ph.D. in media and governance, Professor at Faculty of Policy Management, Keio University. at the30th Conference on Pattern Language of Programs (PLoP2023), IL, USA, Oct. 25, 2023 In pattern languages of practices, the target readers are not limited to engineers or professionals. Instead, they span a broad spectrum of the general public, from children to the elderly. For example, our pattern languages of practices cover topics such as reading, learning, parenting while working, living naturally and creatively, living well with dementia, and realizing a good digital society. The intended audience for these patterns ranges from elementary school students to college students, parents in their child-rearing years, and the elderly aged 70 and above. Believing that we needed to go beyond traditional methods of delivering content, such as dense texts and diagrams in books, articles, or websites, we have sought new modes of expression over the past decade. In this talk, I will introduce our endeavors. They include "Pattern Cards" that facilitate reflection and dialogue, especially in workshops; "Pattern Objects" that embed pattern names and illustrations into everyday items; "Pattern Coins" that circulate within a community, inspiring practice; "Pattern Song" that weaves the important messages of patterns into lyrics; and "Pattern Manga" that tells a story expressing the effect of conducting certain patterns. By showcasing these new prototypes, I hope to inspire you and expand your horizons on how pattern languages can be expressed and delivered.
Exploring New Ways of Expressing and Delivering Pattern Languages: Endeavors ...
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Recommandé
Most of what is considered characteristics of literary language nevertheless has its Roots in everyday uses of language and can best be studied with some reference to these uses. Just as there are no firm lines of division between 'poetic' and ' ordinary ' language so it would be artificial to enforce a clear division between the languages of poetry considered as verse literature and that of other literary kind as prose. The creative writer and more particularly the poet enjoy unique freedom. Among users of the language, without respect to the social or historical contexts to which they belong. This means: among other things. The poet can draw on the language of past Ages, or can borrow features belonging to other non literary use of language.
Foregrounding By Muhammad Azam
Foregrounding By Muhammad Azam
MUHAMMAD AZAM, VICE PRINCIPAL IMSB G-6/4, ISLAMABAD
Deviation and parralelism copy
Deviation and parralelism copy
Navera Rahman
This slide contain the description about the Register Transfer Language and Micro-Operation
Register transfer and micro operation
Register transfer and micro operation
Kamal Acharya
Foregrounding in Literature
Foregrounding
Foregrounding
Faiza Sandhu
Lightning Talk by Takashi Iba, Ph.D. in media and governance, Professor at Faculty of Policy Management, Keio University. at the30th Conference on Pattern Language of Programs (PLoP2023), IL, USA, Oct. 25, 2023 In pattern languages of practices, the target readers are not limited to engineers or professionals. Instead, they span a broad spectrum of the general public, from children to the elderly. For example, our pattern languages of practices cover topics such as reading, learning, parenting while working, living naturally and creatively, living well with dementia, and realizing a good digital society. The intended audience for these patterns ranges from elementary school students to college students, parents in their child-rearing years, and the elderly aged 70 and above. Believing that we needed to go beyond traditional methods of delivering content, such as dense texts and diagrams in books, articles, or websites, we have sought new modes of expression over the past decade. In this talk, I will introduce our endeavors. They include "Pattern Cards" that facilitate reflection and dialogue, especially in workshops; "Pattern Objects" that embed pattern names and illustrations into everyday items; "Pattern Coins" that circulate within a community, inspiring practice; "Pattern Song" that weaves the important messages of patterns into lyrics; and "Pattern Manga" that tells a story expressing the effect of conducting certain patterns. By showcasing these new prototypes, I hope to inspire you and expand your horizons on how pattern languages can be expressed and delivered.
Exploring New Ways of Expressing and Delivering Pattern Languages: Endeavors ...
Exploring New Ways of Expressing and Delivering Pattern Languages: Endeavors ...
Takashi Iba
Cartooning for gender equality
Cartooning for gender equality
Alexander Decker
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Alexander Decker
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101 week 6 session 2
lisyaseloni
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guest437cb61
145 研究ノート Entertaining Religious Ideas in Animation through the Study of Religious Elements in Japanese Anime Saeedeh Mousavi Abstract In recent years, animation has established itself as one of the most important aspects of cultural policies in Islamic republic of Iran due to the recognition of the dominating power of this media toward young generations. The Iran’s approach is to produce religiously themed animation in order to convey Islamic and national values to the audiences, particularly since the 1979 Islamic Revolution. But this kind of products has always suffered from the lack of public appeal and as a result, the industry in Iran has come across various problems to develop further. The goal of this study is to explore for utilizing religious ideas in Japanese anime which can be practicable for the animation industry of a religiously oriented country like Iran. Thus, this study tries to explore what options the animation industry of Iran can learn from the Japanese experiences. Keywords: Animation, Manga, Anime, Religion, Japan, Iran Introduction In Japan, drawing illustrated stories as an artistic tradition goes backs to the 12th century. During the past centuries this art form has been vastly popular among different social groups. Manga and anime, which can be considered as modern day descendants of the long-lasting culture of depicting pictorial novels in Japan, primarily act as means for story-telling and entertainment. But, a more precise look at the content and usage of these media has said to reveal that they also comprise an extremely potential capacity which connote proselyte and promote religious ideas. 同志社グローバル・スタディーズ 第 4 号146 According to Richard Gardner (2008, 200), manga and anime in Japan has first played a role in distributing specific religious doctrines and thus received much attention, immediately after the 20th March 1995 poisonous gas attack on the Tokyo subway lines committed by the members of the religious group ‘Aum Shinrikyo.’ 1 Real reasons behind the Aum’s act are still a matter of investigation. Yet, some scholars started to discuss about a negative role that fictional media such as manga and anime possibly played in this incident, as the extent of the crimes committed by Aum became clear. They asserted that those kind of media might have led to a mental inability in distinguishing reality from illusion, fantasy, or simulation. The Sarin gas attack, aside from killing twelve people and causing the injury of hundreds of people, led to a nationwide concern about the issue of social problem which can be caused by any religious group that originally appears to be a marginal group. Contemporary Japan is considered as a nonreligious society. Many Japanese people do not consider themselves as members of a specific religious group. But, a mixture of various religious elements is considered to be embedded in people’s mind in a homogen ...
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145 研究ノート Entertaining Religious Ideas in Animation through the Study of Religious Elements in Japanese Anime Saeedeh Mousavi Abstract In recent years, animation has established itself as one of the most important aspects of cultural policies in Islamic republic of Iran due to the recognition of the dominating power of this media toward young generations. The Iran’s approach is to produce religiously themed animation in order to convey Islamic and national values to the audiences, particularly since the 1979 Islamic Revolution. But this kind of products has always suffered from the lack of public appeal and as a result, the industry in Iran has come across various problems to develop further. The goal of this study is to explore for utilizing religious ideas in Japanese anime which can be practicable for the animation industry of a religiously oriented country like Iran. Thus, this study tries to explore what options the animation industry of Iran can learn from the Japanese experiences. Keywords: Animation, Manga, Anime, Religion, Japan, Iran Introduction In Japan, drawing illustrated stories as an artistic tradition goes backs to the 12th century. During the past centuries this art form has been vastly popular among different social groups. Manga and anime, which can be considered as modern day descendants of the long-lasting culture of depicting pictorial novels in Japan, primarily act as means for story-telling and entertainment. But, a more precise look at the content and usage of these media has said to reveal that they also comprise an extremely potential capacity which connote proselyte and promote religious ideas. 同志社グローバル・スタディーズ 第 4 号146 According to Richard Gardner (2008, 200), manga and anime in Japan has first played a role in distributing specific religious doctrines and thus received much attention, immediately after the 20th March 1995 poisonous gas attack on the Tokyo subway lines committed by the members of the religious group ‘Aum Shinrikyo.’ 1 Real reasons behind the Aum’s act are still a matter of investigation. Yet, some scholars started to discuss about a negative role that fictional media such as manga and anime possibly played in this incident, as the extent of the crimes committed by Aum became clear. They asserted that those kind of media might have led to a mental inability in distinguishing reality from illusion, fantasy, or simulation. The Sarin gas attack, aside from killing twelve people and causing the injury of hundreds of people, led to a nationwide concern about the issue of social problem which can be caused by any religious group that originally appears to be a marginal group. Contemporary Japan is considered as a nonreligious society. Many Japanese people do not consider themselves as members of a specific religious group. But, a mixture of various religious elements is considered to be embedded in people’s mind in a homogen.
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145 研究ノート Entertaining Religious Ideas in Animation through the Study of Religious Elements in Japanese Anime Saeedeh Mousavi Abstract In recent years, animation has established itself as one of the most important aspects of cultural policies in Islamic republic of Iran due to the recognition of the dominating power of this media toward young generations. The Iran’s approach is to produce religiously themed animation in order to convey Islamic and national values to the audiences, particularly since the 1979 Islamic Revolution. But this kind of products has always suffered from the lack of public appeal and as a result, the industry in Iran has come across various problems to develop further. The goal of this study is to explore for utilizing religious ideas in Japanese anime which can be practicable for the animation industry of a religiously oriented country like Iran. Thus, this study tries to explore what options the animation industry of Iran can learn from the Japanese experiences. Keywords: Animation, Manga, Anime, Religion, Japan, Iran Introduction In Japan, drawing illustrated stories as an artistic tradition goes backs to the 12th century. During the past centuries this art form has been vastly popular among different social groups. Manga and anime, which can be considered as modern day descendants of the long-lasting culture of depicting pictorial novels in Japan, primarily act as means for story-telling and entertainment. But, a more precise look at the content and usage of these media has said to reveal that they also comprise an extremely potential capacity which connote proselyte and promote religious ideas. 同志社グローバル・スタディーズ 第 4 号146 According to Richard Gardner (2008, 200), manga and anime in Japan has first played a role in distributing specific religious doctrines and thus received much attention, immediately after the 20th March 1995 poisonous gas attack on the Tokyo subway lines committed by the members of the religious group ‘Aum Shinrikyo.’ 1 Real reasons behind the Aum’s act are still a matter of investigation. Yet, some scholars started to discuss about a negative role that fictional media such as manga and anime possibly played in this incident, as the extent of the crimes committed by Aum became clear. They asserted that those kind of media might have led to a mental inability in distinguishing reality from illusion, fantasy, or simulation. The Sarin gas attack, aside from killing twelve people and causing the injury of hundreds of people, led to a nationwide concern about the issue of social problem which can be caused by any religious group that originally appears to be a marginal group. Contemporary Japan is considered as a nonreligious society. Many Japanese people do not consider themselves as members of a specific religious group. But, a mixture of various religious elements is considered to be embedded in people’s mind in a homogen ...
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145 研究ノート Entertaining Religious Ideas in Animation through the Study of Religious Elements in Japanese Anime Saeedeh Mousavi Abstract In recent years, animation has established itself as one of the most important aspects of cultural policies in Islamic republic of Iran due to the recognition of the dominating power of this media toward young generations. The Iran’s approach is to produce religiously themed animation in order to convey Islamic and national values to the audiences, particularly since the 1979 Islamic Revolution. But this kind of products has always suffered from the lack of public appeal and as a result, the industry in Iran has come across various problems to develop further. The goal of this study is to explore for utilizing religious ideas in Japanese anime which can be practicable for the animation industry of a religiously oriented country like Iran. Thus, this study tries to explore what options the animation industry of Iran can learn from the Japanese experiences. Keywords: Animation, Manga, Anime, Religion, Japan, Iran Introduction In Japan, drawing illustrated stories as an artistic tradition goes backs to the 12th century. During the past centuries this art form has been vastly popular among different social groups. Manga and anime, which can be considered as modern day descendants of the long-lasting culture of depicting pictorial novels in Japan, primarily act as means for story-telling and entertainment. But, a more precise look at the content and usage of these media has said to reveal that they also comprise an extremely potential capacity which connote proselyte and promote religious ideas. 同志社グローバル・スタディーズ 第 4 号146 According to Richard Gardner (2008, 200), manga and anime in Japan has first played a role in distributing specific religious doctrines and thus received much attention, immediately after the 20th March 1995 poisonous gas attack on the Tokyo subway lines committed by the members of the religious group ‘Aum Shinrikyo.’ 1 Real reasons behind the Aum’s act are still a matter of investigation. Yet, some scholars started to discuss about a negative role that fictional media such as manga and anime possibly played in this incident, as the extent of the crimes committed by Aum became clear. They asserted that those kind of media might have led to a mental inability in distinguishing reality from illusion, fantasy, or simulation. The Sarin gas attack, aside from killing twelve people and causing the injury of hundreds of people, led to a nationwide concern about the issue of social problem which can be caused by any religious group that originally appears to be a marginal group. Contemporary Japan is considered as a nonreligious society. Many Japanese people do not consider themselves as members of a specific religious group. But, a mixture of various religious elements is considered to be embedded in people’s mind in a homogen.
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the topic revolves around manga , a Japanese origin form of comics and how they provide different content for different age groups . it has emerged as of late into a subculture and spread across the globe and people enjoy its diversity .
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chibisidd
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Lloyd Yeo
Ethnographic animation, a novel form of visual ethnography, is capable of recording and representing traditional cultures, experiences, memories and other non-textual historical materials and cultural elements of ethnic minority groups. As a medium tasked with recording facts, how to ensure that the content displayed by ethnographic animation is true and accurate is an issue that animators need to pay attention to. Based on the author's ethnographic animated short film Longhorn Miao’s Love Songs, this paper demonstrates that establishing a balanced relationship between etic and emic perspectives and applying participatory design methods in the process of ethnic animation practice can effectively help community members express their cultural views and voice through animation, thus showing the cultural interpretation of ethnic minorities to the greatest extent. The research results of this paper will provide a reference paradigm for animation practice related to ethnic minorities.
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lymelyte83
: This paper aims to find out that the movie poster plays a role in communication (promotion) which is an important requirement in the film industry, especially in the horror film is quite popular in Indonesia. This research is done by using the method of literature study and its description with qualitative by taking theory of Roland Barthes on the sub section "photographic message", from the meticulous data found less strongly made movie poster. The weakness of this research is because only digging from a little poster film only, researchers found lack of literacy on film poster maker in Indonesia.
Symbolic Language: Poster Film „Gasing-Tengkorak‟
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AJHSSR Journal
comicsliteraturereview3_14_15
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Brian Ramsay
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Canvas zur Unterstützung des didaktischen Designs von technologiegestützten Lehrveranstaltungen; Sprache: deutsch
ReDesign your lecture Canvas [de]
ReDesign your lecture Canvas [de]
Martin Ebner
MOOC Maker Canvs for MOOC development; language: english
MOOC-Maker Canvas [eng]
MOOC-Maker Canvas [eng]
Martin Ebner
MOOK-Maker Canvas zu Erstellung eines MOOC; Sprache: deutsch
MOOC-Maker Canvas [de]
MOOC-Maker Canvas [de]
Martin Ebner
Präsentation Veranstaltung BMBWF, September 2020
Digitale Lehre in Zeiten von COVID-19 an einer Technischen Universität
Digitale Lehre in Zeiten von COVID-19 an einer Technischen Universität
Martin Ebner
Workshop an der Hochschule Luzer, September 2020
MOOCs als Teil des zukünftigen digitalen Lernens
MOOCs als Teil des zukünftigen digitalen Lernens
Martin Ebner
Präsentation GMW Konferenz 2020, Winterthur, CH
Der Ansatz der „Citizen Science“ bei der Erstellung von Lehrmaterialien in ei...
Der Ansatz der „Citizen Science“ bei der Erstellung von Lehrmaterialien in ei...
Martin Ebner
Plus de Martin Ebner
(20)
Maker Education
Maker Education
Digitalisierung der Lehre – warum, wozu, wie?
Digitalisierung der Lehre – warum, wozu, wie?
Evaluation Design for Learning with Mixed Reality in Mining Education based o...
Evaluation Design for Learning with Mixed Reality in Mining Education based o...
Effects of Remote Learning on Practitioner Integration
Effects of Remote Learning on Practitioner Integration
Making of an Open Makerspace in a Secondary Vocational School in Austria: Dev...
Making of an Open Makerspace in a Secondary Vocational School in Austria: Dev...
The relation of prior IT usage, IT skills and field of study: A multiple corr...
The relation of prior IT usage, IT skills and field of study: A multiple corr...
Change of IT equipment and communication applications used by first-semester ...
Change of IT equipment and communication applications used by first-semester ...
School Start Screening Tool
School Start Screening Tool
Speech-based Learning with Amazon Alexa
Speech-based Learning with Amazon Alexa
www – was wirkt weiter? Hochschule virtuell
www – was wirkt weiter? Hochschule virtuell
TU Graz Lessons Learnt COVID-19 & Digitalisierungsprojekte in der Lehre
TU Graz Lessons Learnt COVID-19 & Digitalisierungsprojekte in der Lehre
Digitale Kompetenzen – vom europäischen Rahmenwerk zum Online-Kurs
Digitale Kompetenzen – vom europäischen Rahmenwerk zum Online-Kurs
MOOC map (Version 3)
MOOC map (Version 3)
ReDesign your lecture Canvas [eng]
ReDesign your lecture Canvas [eng]
ReDesign your lecture Canvas [de]
ReDesign your lecture Canvas [de]
MOOC-Maker Canvas [eng]
MOOC-Maker Canvas [eng]
MOOC-Maker Canvas [de]
MOOC-Maker Canvas [de]
Digitale Lehre in Zeiten von COVID-19 an einer Technischen Universität
Digitale Lehre in Zeiten von COVID-19 an einer Technischen Universität
MOOCs als Teil des zukünftigen digitalen Lernens
MOOCs als Teil des zukünftigen digitalen Lernens
Der Ansatz der „Citizen Science“ bei der Erstellung von Lehrmaterialien in ei...
Der Ansatz der „Citizen Science“ bei der Erstellung von Lehrmaterialien in ei...
Dernier
Welcome to my Personal Brand Exploration Presentation! In this engaging and insightful presentation, I take you on a journey to discover the essence of my professional identity as a digital marketer. Through a blend of visual storytelling and strategic insights, I showcase the key elements that define my personal brand and highlight my unique value proposition in the digital marketing realm. In this presentation, you will: Gain an understanding of the objectives and significance of personal branding in the digital age. Explore the core values, strengths, and passions that shape my professional persona. Witness the creative process behind developing a cohesive visual identity and brand narrative. Learn how I leverage my skills, experiences, and aspirations to create meaningful connections with my audience and stakeholders. Discover the strategic approach I take in aligning my personal brand with industry trends, market demands, and future career goals. Whether you're a fellow digital marketer, a potential employer, or simply curious about the power of personal branding, this presentation offers valuable insights and inspiration. Join me as we delve into the world of personal branding and unlock the potential of crafting a compelling professional identity in today's competitive landscape.
Uneak White's Personal Brand Exploration Presentation
Uneak White's Personal Brand Exploration Presentation
uneakwhite
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30-minute NetSpeed Nuggets virtual session focused on using Storytelling, Purpose, Action, Relationships, and Kudos (SPARK) to design and deliver engaging virtual training. Use stories to frame key learning points. Explain a clear purpose for each activity. Make your virtual training action-oriented, build relationships to increase engagement, and create a positive learning environment with kudos.
Putting the SPARK into Virtual Training.pptx
Putting the SPARK into Virtual Training.pptx
Cynthia Clay
Achieve your short-term investing objectives while removing all financial risk and maintaining 100% transparency.
Falcon Invoice Discounting: Empowering Your Business Growth
Falcon Invoice Discounting: Empowering Your Business Growth
Falcon investment
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In our research paper titled "Qualitative Analysis on Tax Evasion and Reasons for Reluctance to Join ATL in Pakistan," we delve into the intricate dynamics of tax compliance and explore the underlying reasons why individuals in Pakistan might hesitate to become a part of the Active Taxpayer List (ATL) within the framework of business law and taxation. With a multidisciplinary approach, our team of five researchers embarked on an in-depth exploration of tax evasion behaviors and the factors influencing them. Through qualitative analysis, we aimed to unravel the complex interplay of socio-economic, cultural, and institutional factors shaping tax compliance attitudes among Pakistani taxpayers. Drawing on a diverse range of qualitative research methods, including interviews, focus groups, and content analysis, we gathered rich insights from a diverse sample of individuals representing various sectors of the economy. By immersing ourselves in the lived experiences and perceptions of taxpayers, tax advisors, and legal experts, we uncovered nuanced perspectives on tax evasion practices and attitudes toward ATL membership. Our findings highlight the multifaceted nature of tax evasion in Pakistan, shedding light on both the motivations driving non-compliance and the barriers to ATL enrollment. From perceived inefficiencies in the tax system to cultural norms and trust deficits in governmental institutions, our research identifies a myriad of factors contributing to tax evasion behavior and reluctance to join ATL. Furthermore, our study offers valuable implications for policymakers, tax authorities, and business stakeholders seeking to enhance tax compliance and foster a culture of transparency and accountability in Pakistan's taxation landscape. By addressing the underlying drivers of tax evasion and promoting the benefits of ATL membership, policymakers can design more effective strategies to broaden the tax base and promote sustainable economic development. In conclusion, our research paper represents a comprehensive endeavor to deepen our understanding of tax compliance dynamics in Pakistan and elucidate the complexities surrounding ATL enrollment. By unraveling the intricacies of tax evasion behaviors and attitudes, we hope to contribute to informed policymaking and foster a culture of tax compliance and integrity in Pakistan's business and taxation environment.
Challenges and Opportunities: A Qualitative Study on Tax Compliance in Pakistan
Challenges and Opportunities: A Qualitative Study on Tax Compliance in Pakistan
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Mckinsey foundation level Handbook for Viewing
Mckinsey foundation level Handbook for Viewing
Nauman Safdar
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Arti Languages Pre Seed Teaser Deck 2024.pdf
Arti Languages Pre Seed Teaser Deck 2024.pdf
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How BiH plans to respond to EU ETS/CBAM
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
Admir Softic
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Falcon stands out as a top-tier P2P Invoice Discounting platform in India, bridging esteemed blue-chip companies and eager investors. Our goal is to transform the investment landscape in India by establishing a comprehensive destination for borrowers and investors with diverse profiles and needs, all while minimizing risk. What sets Falcon apart is the elimination of intermediaries such as commercial banks and depository institutions, allowing investors to enjoy higher yields.
Falcon Invoice Discounting: The best investment platform in india for investors
Falcon Invoice Discounting: The best investment platform in india for investors
Falcon Invoice Discounting
A presentation for League City Art League.
How to Get Started in Social Media for Art League City
How to Get Started in Social Media for Art League City
Eric T. Tung
To date, nearly 50 countries have fully or partially legalized cannabis for medical and/or recreational use. Our Interactive Cannabis Legalization World Map covers all countries and territories and is updated regularly. https://cannabusinessplans.com/cannabis-legalization-map/
Cannabis Legalization World Map: 2024 Updated
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Falcon invoice discounting offers businesses a strategic financial tool to optimize cash flow, fuel growth, and enhance operational efficiency. By leveraging accounts receivable as collateral, businesses can unlock liquidity and seize opportunities with confidence. With flexible funding solutions, transparent terms, and personalized support, Falcon invoice discounting stands as a reliable partner in navigating the complexities of modern business finance.
Falcon Invoice Discounting: Unlock Your Business Potential
Falcon Invoice Discounting: Unlock Your Business Potential
Falcon investment
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Uneak White's Personal Brand Exploration Presentation
Uneak White's Personal Brand Exploration Presentation
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Putting the SPARK into Virtual Training.pptx
Putting the SPARK into Virtual Training.pptx
Falcon Invoice Discounting: Empowering Your Business Growth
Falcon Invoice Discounting: Empowering Your Business Growth
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Challenges and Opportunities: A Qualitative Study on Tax Compliance in Pakistan
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Mckinsey foundation level Handbook for Viewing
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Dr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
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Jual Obat Aborsi ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan Cytotec
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Falcon Invoice Discounting: The best investment platform in india for investors
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How to Get Started in Social Media for Art League City
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A Stylistic Analysis of Graphic Emoticons
1.
A Stylistic Analysis
of Graphic Emoticons: Can they be Candidates for a Universal Visual Language of the Future? Junichi Azuma University Marketing and Distribution Sciences, Kobe, Japan Martin Ebner Graz University of Technology, Graz, Austria
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