3. CONTINUITY THE CUT’S ARE NOT OBVIOUS APPEARS TO BE CONTINUAL WITH NO PATCHING TOGETHER, HENSE THE NAME. SHOULD BE SMOOTH IN TRANSITION. SHOULD NOT JUMP BETWEEN SHOTS. SHOULD ALL COME TOGETHER AS ONE.
4. MONTAGE SOVIET AND HOLLYWOOD ARE THE TWO DIFFERENT TYPES. SOVIET: IS VERY OBVIOUS, WITH CUTS NOT RELATING TO EACHOTHER SO SHOTS SEEM DISSCONNECTED. VERY SHORT AND SHARP. HOLLYWOOD: ALSO KNOWN AS ‘MONTAGE SEQUENCE’, SHOTS ARE DELIBERATELY MADE SHORT AND USUALLY PRESENT THE NARRATIVE.
6. CUTTING RATE SPEED OR FREQUENCY USED IN A SCENE CAN BE USED FOR DIFFERENT EFFECT, FOR EXAMPLE, TO CREATE TENSION. COMMON IN ACTION FILMS TO INCREASE THE FREQUENCY AS THE CLIMAX OF THE SCENE DRAWS CLOSER.
7. CUTTING RHYTHM PACE OF CUT CHANGES FAST CUT SPEEDS FOR ACTION AND TENSION, SLOW CUT SPEEDS FOR CALM SCENES. PROVOKES EMOTION FROM AUDIENCE.