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 The literature of a formative past by the various groups
  of people who inhabited the archipelago
 A literature of varying human interest
 Close to the religious and political organizations of the
  ancient Filipinos
 The verses were addressed to the ears rather than the
  eyes
 Verses composed and sung were regarded as group
  property

 Versification:
   Octosyllabic
      Legendary and religious poems
   Dodecasyllabic
      Romance
Dalawang Balon
Hindi Malingon

Sa araw ay Bunbong
Sa gabi ay dahon
Sang dalagang marikit
Nakaupo sa tinik



Kung bayaa’y nabubuhay
Kung himasi’y namamatay
 Made up of one or more measured lines with rhymes
  and may consist of 4 to 12 syllables
 Showcase the Filipino wit, literary talent, and keen
  observation of the surroundings
 Involves reference to one or two images that symbolize
  the characteristics of an unknown object that is to be
  guessed
 To entertain. Living in remote areas, before the advent of
    electricity, families would sit around the fire and the elders
    would quiz the younger generation with riddles.
   To educate. Riddles serve the function of passing down
    knowledge from one generation to the next. They require
    thinking in order to solve them.
   To titillate. Many old Filipino riddles contain double
    entendres that were intended to amuse the men and shock
    the women.
   To curse, without expressly cursing. A riddle could be
    made up against an enemy, rival town, or suitor.
   To preserve the culture. Riddles communicate the old
    ways from one generation to the next.
 Ate mo, ate ko, Ate ng lahat ng tao.(My sister, your
  sister, everyone's sister)
 Atis (Sugar Apple)
 Epigrams/maxims/proverbs


 Short poems that have been customarily been used
  and served as laws or rules on good behavior by our
  ancestors
 Allegories or parables that impart lessons for the
  young
 Often expressing a single idea, that is usually satirical
  and had a witty ending
 Maxims- rhyming couplets (5,6,8 syllables)
 Ex of salawikain
   Ang matapat na kaibigan, tunay na maaasahan. - - -You
    will know a true friend in time of need.
 Ex of Sawikain
   kumukulo ang dugo
    "blood is boiling" = is very angry
   isulat sa tubig
    "write on water" = forget about it

  Ex of Maxims
   Pag hindi ukol,
    Hindi bubukol.
    -means
    What is not intended for one will not bear fruit.
 Used in witchcraft or enchantments


 Sa hinaba-haba ng prusisyon
Sa simbahan din pala ang tuloy

Hele hele
Bago kyeme
 Halimbawa (for example):

 Tabi, tabi po, Ingkong
 Makikiraan po lamang.
 Used in teasing or to comment on a persons’
 acutations
   “Catitibay ca tolos
  Sacaling datnang agos
  Aco’ I momonting lomot
  Sa iyo’ I popolopot”
 Nag-almusal mag-isa
Kaning lamig, tinapa;
Nahulog ang kutsara
Ikaw na sana, sinta
 A quatrain with seven syllables each with the same
 rhyme at the end of each line
   No title
   7-7-7-7
   AABB
      Ex. “Tahak ng tingin, tulak
             ng sulyap, yakap, lapat
            ng titig sa balikat.
            hatak pa, kindat, hakat”
 traditional poetry of the Hanunoo Mangyans of
    Oriental Mindoro which is normally inscribed on
    bamboo using a pre-Colonial syllabic writing system
    called the Surat Mangyan .
   seven-syllable metric lines
   can be composed of more than four lines
   usually chanted
   teaches lessons about life
   recited by parents to educate their children, by the
    youth to express their love, by the old to impart
    experiences, or by the community in tribal ceremonies
 on some occasions like burial rites, the ambahan is
 used for entertainment


                            Sugot nga maaw kunman
                            Tangdayan no ma-amban
                            Sabungan no manuywan
                             Impad las yami daywan
                           Hanggan buhok timbangan
                           Hanggan sa balod pangdan
                            Bugkat di way yamungan
                              Bilang dayi bunlagan
                              No kang tinaginduman
                            Kang magpahalimbaw-an
                              Ga bugtong ti bilugan
 (Isn't this the truth with all:
  If the wife is good and kind,
  the husband reasonable,
  you have always friends around,
  like long hair drooping so nice.
  Till the final burial mount,
  you'll be sleeping on one mat.
  You don't want to separate
  Putting down my thoughts like this:
  An example very clear,
  being TWO, you're only ONE.)
 derived from Philippine folk literature, which is the
  traditional oral literature of the Filipino people. This
  refers to a wide range of material due to the ethnic mix
  of the Philippines
 There are many different creation myths in Philippine
  mythology, originating from various ethnic groups.
   Story of Bathala
   Visayan version
   The legend of Maria Makiling
 Presence of different deities
   Ex. Bathala
      Lakambakod

 Mythical creatures
   Aswang
   Dila
   Diwata
   Dwende
   Tikbalang
   Mankukulam
 Ifugao – Hudhud hi Aliguyon
 Ilocos – Biagni Lam-ang
 Bicol - Ibalon
 Mindanao – Darangan
 Panay – Hinilawod
 Bagobo - Tuwaang
 Kalinga – Ulaliim
 Manobo – Agyu or Olahing
 Subanon - Sandayo
 Aliguyon
   the exploits of Aliguyon as he battles his arch-enemy, Pambukhayon
 Biagni Lam-Ang
   tells of the adventuresvof Lam-Ang who exhibits extraordinary
    powers at a very early age.
 Ibalon
   the story of three Bicol heroes: Baltog, Handiong, Bantiong
 Hinilawod
   oldest and longest epic poem in Panay
   the exploits of three Sulodnon demigod brothers, LabawDonggon,
    Humadapnon and Dumalapdap of ancient Panay
IBALON FESTIVAL




Hinilawod
 a form of folk lyric which expresses the people’s hopes,
  aspirations, and lifestyles
 repetitive and sonorous, didactic and naive
 traditional songs and melodies
 inspired by the reaction of the people to their
  environment
 uyayi – lullaby
 komintang – war song
 kundiman – melancholic love song
 harana – serenade
 tagay – drinking song
 mambayu – Kalinga rice-pounding song
 subli – dance-ritual song of courtship /marriage
 Tagulaylay- songs of the dead
WAKAS
 So you guys please check out these videos that I want
    to show in the presentation and tell me which one.
   And if you guys have something to add please do telll
    and tell the other group members please
   I expect that some of yall do some research on what
    was said in the ppt so youll be ready on Wednesday
   http://www.youtube.com/watch?v=xJJGmcqRgQc
   http://www.youtube.com/watch?v=GdF90pbY8jQ
   http://www.youtube.com/watch?v=LNSN4p-
    vbqI&feature=related
   http://www.youtube.com/watch?v=Vtqzps4le0U

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Pre colonial philippine literature

  • 1.
  • 2.  The literature of a formative past by the various groups of people who inhabited the archipelago  A literature of varying human interest  Close to the religious and political organizations of the ancient Filipinos  The verses were addressed to the ears rather than the eyes
  • 3.  Verses composed and sung were regarded as group property  Versification:  Octosyllabic  Legendary and religious poems  Dodecasyllabic  Romance
  • 4. Dalawang Balon Hindi Malingon Sa araw ay Bunbong Sa gabi ay dahon
  • 5. Sang dalagang marikit Nakaupo sa tinik Kung bayaa’y nabubuhay Kung himasi’y namamatay
  • 6.  Made up of one or more measured lines with rhymes and may consist of 4 to 12 syllables  Showcase the Filipino wit, literary talent, and keen observation of the surroundings  Involves reference to one or two images that symbolize the characteristics of an unknown object that is to be guessed
  • 7.  To entertain. Living in remote areas, before the advent of electricity, families would sit around the fire and the elders would quiz the younger generation with riddles.  To educate. Riddles serve the function of passing down knowledge from one generation to the next. They require thinking in order to solve them.  To titillate. Many old Filipino riddles contain double entendres that were intended to amuse the men and shock the women.  To curse, without expressly cursing. A riddle could be made up against an enemy, rival town, or suitor.  To preserve the culture. Riddles communicate the old ways from one generation to the next.
  • 8.  Ate mo, ate ko, Ate ng lahat ng tao.(My sister, your sister, everyone's sister)  Atis (Sugar Apple)
  • 9.  Epigrams/maxims/proverbs  Short poems that have been customarily been used and served as laws or rules on good behavior by our ancestors  Allegories or parables that impart lessons for the young  Often expressing a single idea, that is usually satirical and had a witty ending  Maxims- rhyming couplets (5,6,8 syllables)
  • 10.  Ex of salawikain  Ang matapat na kaibigan, tunay na maaasahan. - - -You will know a true friend in time of need.
  • 11.  Ex of Sawikain  kumukulo ang dugo "blood is boiling" = is very angry  isulat sa tubig "write on water" = forget about it Ex of Maxims  Pag hindi ukol, Hindi bubukol. -means What is not intended for one will not bear fruit.
  • 12.  Used in witchcraft or enchantments  Sa hinaba-haba ng prusisyon Sa simbahan din pala ang tuloy Hele hele Bago kyeme
  • 13.  Halimbawa (for example): Tabi, tabi po, Ingkong Makikiraan po lamang.
  • 14.  Used in teasing or to comment on a persons’ acutations  “Catitibay ca tolos Sacaling datnang agos Aco’ I momonting lomot Sa iyo’ I popolopot”  Nag-almusal mag-isa Kaning lamig, tinapa; Nahulog ang kutsara Ikaw na sana, sinta
  • 15.  A quatrain with seven syllables each with the same rhyme at the end of each line  No title  7-7-7-7  AABB  Ex. “Tahak ng tingin, tulak ng sulyap, yakap, lapat ng titig sa balikat. hatak pa, kindat, hakat”
  • 16.  traditional poetry of the Hanunoo Mangyans of Oriental Mindoro which is normally inscribed on bamboo using a pre-Colonial syllabic writing system called the Surat Mangyan .  seven-syllable metric lines  can be composed of more than four lines  usually chanted  teaches lessons about life  recited by parents to educate their children, by the youth to express their love, by the old to impart experiences, or by the community in tribal ceremonies
  • 17.  on some occasions like burial rites, the ambahan is used for entertainment Sugot nga maaw kunman Tangdayan no ma-amban Sabungan no manuywan Impad las yami daywan Hanggan buhok timbangan Hanggan sa balod pangdan Bugkat di way yamungan Bilang dayi bunlagan No kang tinaginduman Kang magpahalimbaw-an Ga bugtong ti bilugan
  • 18.  (Isn't this the truth with all: If the wife is good and kind, the husband reasonable, you have always friends around, like long hair drooping so nice. Till the final burial mount, you'll be sleeping on one mat. You don't want to separate Putting down my thoughts like this: An example very clear, being TWO, you're only ONE.)
  • 19.  derived from Philippine folk literature, which is the traditional oral literature of the Filipino people. This refers to a wide range of material due to the ethnic mix of the Philippines  There are many different creation myths in Philippine mythology, originating from various ethnic groups.  Story of Bathala  Visayan version  The legend of Maria Makiling
  • 20.  Presence of different deities  Ex. Bathala  Lakambakod  Mythical creatures  Aswang  Dila  Diwata  Dwende  Tikbalang  Mankukulam
  • 21.  Ifugao – Hudhud hi Aliguyon  Ilocos – Biagni Lam-ang  Bicol - Ibalon  Mindanao – Darangan  Panay – Hinilawod  Bagobo - Tuwaang  Kalinga – Ulaliim  Manobo – Agyu or Olahing  Subanon - Sandayo
  • 22.  Aliguyon  the exploits of Aliguyon as he battles his arch-enemy, Pambukhayon  Biagni Lam-Ang  tells of the adventuresvof Lam-Ang who exhibits extraordinary powers at a very early age.  Ibalon  the story of three Bicol heroes: Baltog, Handiong, Bantiong  Hinilawod  oldest and longest epic poem in Panay  the exploits of three Sulodnon demigod brothers, LabawDonggon, Humadapnon and Dumalapdap of ancient Panay
  • 24.  a form of folk lyric which expresses the people’s hopes, aspirations, and lifestyles  repetitive and sonorous, didactic and naive  traditional songs and melodies  inspired by the reaction of the people to their environment
  • 25.  uyayi – lullaby  komintang – war song  kundiman – melancholic love song  harana – serenade  tagay – drinking song  mambayu – Kalinga rice-pounding song  subli – dance-ritual song of courtship /marriage  Tagulaylay- songs of the dead
  • 27.  So you guys please check out these videos that I want to show in the presentation and tell me which one.  And if you guys have something to add please do telll and tell the other group members please  I expect that some of yall do some research on what was said in the ppt so youll be ready on Wednesday  http://www.youtube.com/watch?v=xJJGmcqRgQc  http://www.youtube.com/watch?v=GdF90pbY8jQ  http://www.youtube.com/watch?v=LNSN4p- vbqI&feature=related  http://www.youtube.com/watch?v=Vtqzps4le0U