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Photography Project I:

 Macro Photography




      Misa Yamada

     Photography 4
Project Outline
     In this first photography project, I decided to choose macro

  photography. I chose macro photography because I find that it is

fascinating to be able to observe an object that is extremely small in a

   one to one ratio that is greatly larger than the actual size of the

                                  object.




     Researched Notes and Examples
      The definition of macro photography is close-up photography

usually of objects that can barely be seen by the naked eye. In which

macro photography is photographed in the ratio scale of one to one

that makes the size of the subject a lot greater than its actual life size.

In order to create macro photography, a macro lens is needed unless

using a normal digital camera with the macro mode setting. Although

using a typical compact digital camera will not create the full affect

and dimensions of an actual one to one macro sized photograph.
http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html

      Macro lenses are designed specifically for close-up

photography that has the capability of producing larger scales of the

subject, which is the one to one ratio size. In macro photography,

when using a macro lens the subjects almost invisible details make it

possible to view all the tiny specific aspects of each detail. Also in

macro lenses, they are built with a long barrel that makes it able to

focus on the subject closely and most modern macro lenses are able

to focus continuously to infinity. Macro lenses may also be optimized

to provide exceptional optical quality when it is used for normal

photography as well as providing its best performance at its highest

magnification.
http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html

      To construct basic macro photography, the lens should be

zoomed right at the one to one ratio and the distance between the

camera lens and the subject that controls the depth of field is what

focuses and clarifies the visibility of the subject. Accordingly, to

capture an object that is fine with a lot of textures and details, if the

camera has the live-view mode, it should be put on live-view and

either placed onto a tripod or an area that is stable and solid. While

the camera lens is zoomed to the one to one ratio size, the camera

can just be moved closer or away from the object, depending on the

desired depth of field. Also when shooting macro photography, like in

any other type of photography, the lighting is essential as well. To

create a photograph that is clear and in focus, the lighting assists the
aperture and shutter speed to capture a focused picture.




      http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html

      Thus, I decided on the macro photography unit because I found

it spectacular to be able to take photographs at a one to one scale to

capture the specific details that can barely be seen by the naked eye

itself. While starting and studying the different basic aspects in

starting out macro photography, I practiced shooting subjects that

were very small. The subjects I started out shooting with was small

letterings from keyboards, cell phones, and other random objects.

From shooting different small subjects, I was able to capture details

and clearly see details. Having practiced shooting several objects, I

was going to settle on one subject; flowers, although as seen in my

contact sheet that I did not only focus on flowers. During my research
on macro photography, I was only able to practice and study the

basic fundamentals. In which I enjoyed practicing and would like to

further my study on macro photography in an in depth manner.




http://media.photobucket.com/image/macro+photography+flowers+/Keefers_/Keefer

s_Macro%20Photography/Keefers_MacroPhotography1003.jpg




http://www.google.co.th/imgres?

q=macro+photography+flowers&hl=en&sa=X&biw=1280&bih=658&tbm=isch&tbnid=ebz71uesBGdgoM:&imgrefurl=htt

p://visuallens.wordpress.com/2008/06/&docid=ojyd38NYFFLp6M&imgurl=http://visuallens.files.wordpress.com/200
8/06/img_3817a.jpg&w=500&h=370&ei=MEFUT4u-

H4eJrAey7cmzDQ&zoom=1&iact=hc&vpx=559&vpy=193&dur=452&hovh=182&hovw=246&tx=123&ty=98&sig=11714

3587651300761450&page=1&tbnh=132&tbnw=175&start=0&ndsp=18&ved=1t:429,r:2,s:0




Links:

http://en.wikipedia.org/wiki/Macrophotography

http://photo.net/learn/macro/

http://www.bmpt1.com/




                               Contact Sheet
Final Selections
Final Selection Descriptions:
1. The photograph above is of a yellow flower that shows the

   fine details of the flower’s stigma. I chose this photograph

  because the depth of field shows clarity towards the center

                          of the flower.

2. The second photograph I chose is of a flower’s stigma and

  anthers. I chose this photography because the background

     is a light white color that makes the photograph look

       smooth and soft, with an interesting composition.

 3. The third photo I chose is part of a red rose is vibrantly

    colored with a clear view of the rose petals. I decided to

    shoot pictures of red roses because I tried to imitate the

     photo example shown above with the water droplets

                 although it was not successful.

 4. The fourth photo is of a double-sided gold ring that has

        different illustrations on both sides. I chose this

    photograph because I think that with the illustration in

     focus and the ring out of focus creates an interesting

                          composition.
5. The fifth photo is the other side of the double-sided gold

      ring with the other illustration. Again, I think that the

   composition and the way the ring itself fades into a dusk of

             whiteness create a smooth appearance.

6. The last photo I chose is of another ring that has small fine

   skulls around it. In which I chose this photograph because

    the composition with the other details in the back out of

   focus makes the eye focus on the focused skull then it leads

                   you to the out of focus areas.

(All photographs above were taken on manual and live-view

           mode while placed on a sturdy table.)

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Macro photography

  • 1. Photography Project I: Macro Photography Misa Yamada Photography 4
  • 2. Project Outline In this first photography project, I decided to choose macro photography. I chose macro photography because I find that it is fascinating to be able to observe an object that is extremely small in a one to one ratio that is greatly larger than the actual size of the object. Researched Notes and Examples The definition of macro photography is close-up photography usually of objects that can barely be seen by the naked eye. In which macro photography is photographed in the ratio scale of one to one that makes the size of the subject a lot greater than its actual life size. In order to create macro photography, a macro lens is needed unless using a normal digital camera with the macro mode setting. Although using a typical compact digital camera will not create the full affect and dimensions of an actual one to one macro sized photograph.
  • 3. http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html Macro lenses are designed specifically for close-up photography that has the capability of producing larger scales of the subject, which is the one to one ratio size. In macro photography, when using a macro lens the subjects almost invisible details make it possible to view all the tiny specific aspects of each detail. Also in macro lenses, they are built with a long barrel that makes it able to focus on the subject closely and most modern macro lenses are able to focus continuously to infinity. Macro lenses may also be optimized to provide exceptional optical quality when it is used for normal photography as well as providing its best performance at its highest magnification.
  • 4. http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html To construct basic macro photography, the lens should be zoomed right at the one to one ratio and the distance between the camera lens and the subject that controls the depth of field is what focuses and clarifies the visibility of the subject. Accordingly, to capture an object that is fine with a lot of textures and details, if the camera has the live-view mode, it should be put on live-view and either placed onto a tripod or an area that is stable and solid. While the camera lens is zoomed to the one to one ratio size, the camera can just be moved closer or away from the object, depending on the desired depth of field. Also when shooting macro photography, like in any other type of photography, the lighting is essential as well. To create a photograph that is clear and in focus, the lighting assists the
  • 5. aperture and shutter speed to capture a focused picture. http://www.macrophotography.com/Galleries/Flower.R01/Flower.R01.html Thus, I decided on the macro photography unit because I found it spectacular to be able to take photographs at a one to one scale to capture the specific details that can barely be seen by the naked eye itself. While starting and studying the different basic aspects in starting out macro photography, I practiced shooting subjects that were very small. The subjects I started out shooting with was small letterings from keyboards, cell phones, and other random objects. From shooting different small subjects, I was able to capture details and clearly see details. Having practiced shooting several objects, I was going to settle on one subject; flowers, although as seen in my contact sheet that I did not only focus on flowers. During my research
  • 6. on macro photography, I was only able to practice and study the basic fundamentals. In which I enjoyed practicing and would like to further my study on macro photography in an in depth manner. http://media.photobucket.com/image/macro+photography+flowers+/Keefers_/Keefer s_Macro%20Photography/Keefers_MacroPhotography1003.jpg http://www.google.co.th/imgres? q=macro+photography+flowers&hl=en&sa=X&biw=1280&bih=658&tbm=isch&tbnid=ebz71uesBGdgoM:&imgrefurl=htt p://visuallens.wordpress.com/2008/06/&docid=ojyd38NYFFLp6M&imgurl=http://visuallens.files.wordpress.com/200
  • 8.
  • 9.
  • 11. Final Selection Descriptions: 1. The photograph above is of a yellow flower that shows the fine details of the flower’s stigma. I chose this photograph because the depth of field shows clarity towards the center of the flower. 2. The second photograph I chose is of a flower’s stigma and anthers. I chose this photography because the background is a light white color that makes the photograph look smooth and soft, with an interesting composition. 3. The third photo I chose is part of a red rose is vibrantly colored with a clear view of the rose petals. I decided to shoot pictures of red roses because I tried to imitate the photo example shown above with the water droplets although it was not successful. 4. The fourth photo is of a double-sided gold ring that has different illustrations on both sides. I chose this photograph because I think that with the illustration in focus and the ring out of focus creates an interesting composition.
  • 12. 5. The fifth photo is the other side of the double-sided gold ring with the other illustration. Again, I think that the composition and the way the ring itself fades into a dusk of whiteness create a smooth appearance. 6. The last photo I chose is of another ring that has small fine skulls around it. In which I chose this photograph because the composition with the other details in the back out of focus makes the eye focus on the focused skull then it leads you to the out of focus areas. (All photographs above were taken on manual and live-view mode while placed on a sturdy table.)