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Contents
Where do the music robots come from?
(aka history lesson)
– Robotical instruments
– Robot Bands
My Robots
– MR-808
– Glitch Robot
How to create, build & play robots
„Hello,
I am Moritz Simon Geist from Sonic Robots“
Music robots
History and famous representatives
19th
Century: Piano Robots
Pic: player piano ~ 1900 Wikipedia
19th
Century: Piano Robots
Piano robot „Pianista“ 1863, Source: Wikipedia
Modern Life:
20th
and 21th
Century robots
● Spread of DIY- and maker culture since
the 80s.
● Since 2000s: Rise of DIY techniques
(Arduino, 3D Printing)
● Explotational character of musicians
(and technicians)
Tonal String Robots
„Mechabass“, J. McVay2003
Pic: J. McVay
Link
Tonal String Robots
„Guitarbot“, Eric Singer,
2003
Pic: LEMUR
Percussiv Drum Robots
„Yellow drum machine“
automous, driving Robot
Pic: letsmakerobots.com
Percussiv Drum Robots
Felix Thorn: Felix machines
Pic: Felix Thorn
Music robots
Technically Conceptional
Tonal Robots
● Piano robots
● String robots
● Percussive, tonal robots
Rhythm-Robots
Deterministic
Controlled by humans
Anthropomorph-autonomous
Iterativ patterns
„AI“
Reacting autonomously to
surrounding
Robot Bands
Z-Machines
(JP)
Z-machines live in Tokyo 2013 Source: metro.co.uk
Compressorhead
Screenshot from http://www.youtube.com/watch?v=WqE9zIp0Muk © Frank Barnes /
Compressorhead
MR-808 Installation
Mechanic Rhythm 808
MR-808 (Geist): Pic: Jürgen Lösel
Installation MR-808
TR-808 Manual, 1981, Pic: Roland
MR-808: Goals
● No more sound creation
inside the computer
● Extending creativity
● Visual appealing
MR-808 (Geist): Toms,
Pic: Jürgen Lösel
MR-808 (Geist): Claps,
Pic: GEIST
MR-808 (Geist): Claps,
Pic: GEIST
MR-808 (Geist): Claps,
Pic: GEIST
Lesson learned: thermoforming
MR-808: Case
● Wooden case
● Many technics like 3D/Printing, vacuum molding
MR-808 (Geist): Buttons
Sonic Robots: Glitch Robot
(2014)
Glitch Robot
Glitch Robot
Glitch Robot
Glitch Robot
How to build
music robots
Why building instruments that
- sound worse,
- are harder to transport
- are more difficult to build and
maintain
.. than its digital counterpart?
Music Robots – WHY?
The pyramid of sound creation
The POSC explains the connection between sound and technology.
Source: GEIST
The pyramid of sound creation
→ Music robots cover many subjects – thats what makes it
so interesting.
Motivation
● Appealing Interaction (visuals & sound)
● Making sound visible
● Extension of musical possibilites, hacking
music
● Robots as extensions from body
● Last but not least: world domination
Build music Robots: Think
Goal is to find a cool sound.
● Through Experimentation
● Through planning
Build music Robots: Think
Experimentation
Build music Robots: Think
Planning
Wanted: a cool bassdrum sound
● Sinus like
● Clean
● Decaying
Source:
http://ua726.co.uk/2012/04/18/diy-808-bass-drum/
→ What physical object sounds like that in real life?
Build music Robots: Think
Planning
Pro Tip: ask
a circuit
Source:
http://ua726.co.uk/2012/04/18/diy-808-bass-drum/
Build music Robots: Think
● Planning
● → What physical object sounds like that in real
world?
Build music Robots:
Time for the Workshop!
Build music Robots: Make
● Best sine wave is
created by a metal
tongue
● Marimba like
● Pitch can be
precisly adjustes
with tension
CAD-Construction
Build music Robots: Make
3D-Printing
Electrical Circuitery
Build music Robots: Make
What do we need from the electrical side?
● ΜC like Atmega328
● MIDI-IN: One note triggers one Actor
● Power Amplifier (Mosfets)
● Actor: Motor, Solenoid
● Power supply (e.g. 12V / 10A)
● Case
Build music Robots: Make
Build music Robots: Make
Start coding:
● Midi In stream
● Each note triggers one Pin on the
Atmega
● MIDI-Channel select
● Pitch or CC to controll Motor
speed or servo
Software e.g. Arduino
Build music Robots: Make
What we did so far:
● Build mechanics
● Build electronics
● Programm µC (Arduino)
● Mechanical system imposes delay from
trigger to sound
● Latency within the µC
● Latency can be up to several 100ms
Latency Control
● The most important method to
make music robot coordinated
playable
● Time manipulation of MIDI data
● All sounds can be heard in time
without delay
Latency Control
Latency Control (1)
Latency Control (2)
Latency Control (3)
Latency control – MAX/MSP
Latency control – Max Msp
Latency control - Summary
TOP:
• Needed to make robot playable (music)
• Measurement: by simple I / O Tool, signal- Response
time is measured
FLOP:
• No more live control
• latency is static
Glitch Robot / Bass
Last Step:
Make awesome music!
ALL YOUR BOTS ARE
BELONG TO US
THANK YOU
@simongeist
www.sonicrobots.com
Upcoming shows
● 03.08-10.08, Berlin [DE], Krake Festival
● 29.08.2015, Duisburg [DE], Ruhrtriennale w/ Mouse
on Mars and Tyondai Braxton
● 25.09.2015, Hamburg [DE], Reeperbahnfestival

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Music robots and techno robots - History, building and playing

Notes de l'éditeur

  1. Was uns in den nächsten 30 Minuten erwartet: - Beginnen mit Definition: Was ist mechanische Klangerzeugung; - Grundlagen bis zurück zum automatischen Klavier - Verschiedene Beispiele und andere Projekte - Hauptteil: Zu meiner Installation MR-808 - Aufbau, Elektronik und Programmierung - Essentiellen Teil herausgegriffen: Latenzsteuerung NEXT: Person
  2. - Musiker und Maker Szene zugehörig fühlen - Von frühester Kindheit an viel geschraubt gelötet und programmiert und gleichzeitig viel Musik gemacht - Klassische AusPicung: Klarinette, Klavier, Gitarre, Bass. - Durch Ingenieurstudium (Mechatronik) - Viele Kunstinstallationen und Circuit Bending Tracker, Musik Veröffentlichungen IDM - Seit 2003 Arbeit mit robotischen Klangerzeugern – präparierten Schallplattenspielern Erste Installationen, zuletzt MR-808 (2010-2012) NEXT: Definition
  3. Klavierroboter - Beginn der mechanischen Klangerzeugung, - Wild West Filme - 1863 französischer Ingenieur Foureaux: „Pianista“, Weltausstellung 1876 in Philadelphia - Lochpapierstreifen regeln Hammermechanik - angetrieben per Hand oder Fuß Bekannter: Pianola von Edwin Votey, entweder als Vorsetzer oder als komplettes Klavier Bis zum Siegeszug der Schallplatte millionenfach verkauftes kommerzielles Produkt Ende: Yamaha Disklavier NEXT: Saiteninstrumente
  4. Klavierroboter - Beginn der mechanischen Klangerzeugung, - Wild West Filme - 1863 französischer Ingenieur Foureaux: „Pianista“, Weltausstellung 1876 in Philadelphia - Lochpapierstreifen regeln Hammermechanik - angetrieben per Hand oder Fuß Bekannter: Pianola von Edwin Votey, entweder als Vorsetzer oder als komplettes Klavier Bis zum Siegeszug der Schallplatte millionenfach verkauftes kommerzielles Produkt Ende: Yamaha Disklavier NEXT: Saiteninstrumente
  5. - Neue robotische Saiteninstrumente – Vielzahl - - Herausheben: Guitarbot von Eric Singer LEMUR League of Electronic Musical Urban Robots Brooklyn 2000 - bekannteste Künstlergruppe Rockefeller Foundation Zusammenarbeit mit Pat Metheny, They Might Be Giants - Fast Blue Air: Roland Olbeter, FESTO gesponsored, Saiteninstrument Druckluft
  6. - Neue robotische Saiteninstrumente – Vielzahl - - Herausheben: Guitarbot von Eric Singer LEMUR League of Electronic Musical Urban Robots Brooklyn 2000 - bekannteste Künstlergruppe Rockefeller Foundation Zusammenarbeit mit Pat Metheny, They Might Be Giants - Fast Blue Air: Roland Olbeter, FESTO gesponsored, Saiteninstrument Druckluft
  7. - Percussive Drumrobots - Zu denen auch die MR-808 gehört - vergleichsweise einfach zu bauen, es gibt Unzahl von automatisierten Schlagzeugen, Bassdrums, Djemben ,anderen Rhythmus paraphernalia - hier 2 besondere herausgegriffen - Stickyboy Pnematischer Drumrobot von Frank Barnes 2007 Repertoire Black Sabbath’s AC/DC - Yellow drum machine autonomer fahrender Drum robot von Frits Lyneborg NEXT: TR-808 Roland
  8. - Percussive Drumrobots - Zu denen auch die MR-808 gehört - vergleichsweise einfach zu bauen, es gibt Unzahl von automatisierten Schlagzeugen, Bassdrums, Djemben ,anderen Rhythmus paraphernalia - hier 2 besondere herausgegriffen - Stickyboy Pnematischer Drumrobot von Frank Barnes 2007 Repertoire Black Sabbath’s AC/DC - Yellow drum machine autonomer fahrender Drum robot von Frits Lyneborg NEXT: TR-808 Roland
  9. NEXT: Ziele
  10. Erste programmierbare Drummachine der japanischen Firma Roland 1981 → Revolution/ Musikalische Zäsur Vorher: Feste Rhythmen wie Wurlitzer Sideman 1950er Jahren Entwicklung zum wichtigsten Drumcomputer, Einfluss auf viele Musiker und Musikrichtungen 1200$ .. immer noch billiger als im selben Jahr LINN Drum LM1 (5000$) George Linn Entstehung und Entwicklung HipHop und Techno ohne TR-808 nicht vorstellbar „Nothing sounds quite like an 808“
  11. Klangerzeugung aus dem PC herausholen → Ohne auf die Strukturen elektronischer Musik zu verzichten Aktuelle Software Sounderzeugung (Ableton Live, Reason) - unendlich viele Möglichkeiten – Ideen werden weggeschwemmt Ansatz MR-808: Kreativität durch Begrenzung der Möglichkeiten Visualisierung durch Verknüpfung von optischen Reizen mit NEXT: Umsetzung, Case
  12. Case aus Holz Designed in Sketchup (leider!) 5 Teile, passt genau in einen großen Sprinter (Klassiker: man entwirft und baut etwas sehr großes, und dann passt es nicht mehr durch die Tür)
  13. Verschiedene Künstler, Interviews & Papers: Felix Thorn, Ajay Kapur, Eric Singer, Trimpin, Die Meisten Musiker mit Interesse in Roboterengineering - oder umgekehrt, also Ingenieure mit Interesse für Musik (letztere in Community immer etwas angegriffen: tolle Installation, aber am Ende -->Gitarre) Displacement of Consciousness (n. Proust) D.h. Veränderung der Wahrnehmung von Musik, Medien durch Synchronisierung mit anderen Reizen XXX Klang weiter erforschen NEXT: Grundlagen, Russolo
  14. Implementierung in MAX/MSP Wichtigste Technik, um Anschläge zu synchronisieren Zeitliche Manipulation der MIDI-Daten Ziel alle Klänge müssen ohne Verzögerung zueinander erklingen können Grund Physikalischer Weg beim Anschlag Latenz bei elektrischer Wandlung Latenz bis 100ms
  15. Implementierung in MAX/MSP Wichtigste Technik, um Anschläge zu synchronisieren Zeitliche Manipulation der MIDI-Daten Ziel alle Klänge müssen ohne Verzögerung zueinander erklingen können Grund Physikalischer Weg beim Anschlag Latenz bei elektrischer Wandlung Latenz bis 100ms
  16. Alle Signale werden um die Maximallatenz nach vorne geschoben D.h. Alle Signale kommen früher als der Clock
  17. Zusammenfassend: Man benötigt Latenzsteuerung, um einen Roboter spielbar zu machen. Ohne das – fast unmöglich Musikroboter in ein Setup zu integrieren Messung: einfaches E/A Tool, Signal, Antwort wird gemessen. Probleme: Latenz statisch Zwei weitere Konzepte: Als Regelsystem, wo die Position des Klöppels gemessen wird FPGA