A presentation from Museums and the Web 2010.
Europeana, Europe's multimedia on-line library, museum and archive, currently grants access to the cultural holdings of Europe's twenty-seven member states. It includes more than 5.5 million books, maps, recordings, photographs, archival documents, paintings, and films from national libraries and cultural institutions. Europeana’s goal is to open up new ways of exploring Europe's heritage through free access to the collections and treasures via a single Web portal that is available in all the official EU languages (http://ec.europa.eu/information_society/ doc/factsheets /071-europeana-en.pdf).
Europeana is currently in prototype; the full service will launch later in 2010. The operational Europeana portal will provide improved search functionality and access to over 10 million objects. A follow-up release in 2011 will showcase multilingual and semantic Web features. ATHENA's role is to harvest holdings from Europe's museums and similar collections across the cultural sector, and to facilitate their integration into Europeana.
This paper will discuss this ambitious project from the point of view of the organizational strategies required to coordinate the pan-European, ATHENA Network, as well as the thesauri and multilingual developments that the partners are currently dealing with towards the integration of digital content.
Session: Multi-Institutional Collaboration: Process [organizations]
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MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum Holdings into Europeana
1. ATHENA : A Mechanism for Harvesting Europe's Museum Holdings into Europeana Monika Hagedorn - Saupe, Germany Susan Hazan, Israel Rossella Caffo, Italy Georgia Angelaki, The Netherlands
2. What is Europena? A common access point to Europe’s digital cultural and scientific heritage “ A digital library that is a single, direct and multilingual access point to the European cultural heritage.” European Parliament, 27 September 2007 “ A unique resource for Europe's distributed cultural heritage… ensuring a common access to Europe's libraries, archives and museums.” Horst Forster, Director, Digital Content & Cognitive Systems Information Society Directorate, European Commission Title: Surprise! man standing behind a woman covering her eyes Description: Size: 28.5 x 20.5 cm (Outer Border: 45.5 x 34 cm.) Source: Bowes-OAI Provider: CultureGrid ; Uk Identifier: http://www.thebowesmuseum.org.uk/collections/objects/category/11/7600/ Subject: 1706 Type: Image Relation: Bowes Museum Surprise
11. Europeana Group of Projects HOPE CARARE ASSETS EU-Funding: 38.2 M. EURO Athena Archives Portal Europe [APEnet] STERNA BHL Europe EU Screen Video Active European Film Gateway Europeana Local Europeana Travel MIMO Judaica Europeana Connect Europeana v1.0 Europeana.eu Arrow Presto Prime Europeana Foto Europeana Regia Natural Europe Think Motion
13. Europeana Group of Projects APENET Archives Libraries Museums TV archives National Aggregators Regional Aggregators Horizontal Aggregators Vertical Aggregators The European Library ATHENA European Film Gateway Film archives Euscreen MLAs www.bam-portal.de MLAs Culture.fr MLAs Cultura.it
17. Jukka is 43 and works at a university as an ethnomusicologist. He is divorced, has no children, but about to marry his current girlfriend, who he met two years ago on one of his frequent journeys. He is very good at all sorts of electronic devices and heavily into online social networking. In his current job he works with automatic music analysis of Hindustani classical music Interests: Jukka’s main interest is Hindustani classical music (which was the topic of his PhD thesis) and he moderates a forum on this topic. At least once a year, he travels to participate in music festivals and conferences related to his job. He always looks for concerts in the towns and countries he visits. He spends most of his free time doing things related to his music interest and to his job, and it is difficult for him to separate job and free time. He is part of both professional and social networks related to his interests and job, with a lot of friends and contacts. Jukka is member of the society for ethnomusicology, and has previously held a position as a visiting professor at the University of Bombay. Media use: Jukka is technically literate, working with specialist databases and he will write a new search application or macro if the existing possibilities don’t work well enough for his purposes. He is an early adopter of mobile technologies, and is always on his iPhone, talking, texting, browsing the web and listening to mp3s downloaded from P2P-sites. Jukka downloads music from his favourite websites and whenever he gets a new lead on something interesting. He gets a lot of information from magazines specialised in internet technology or electronic media. He is heavily into social networking (500+ contacts on LinkedIn) and shares the newest information with his professional social network - if possible, in real time. Search strategy: Jukka is confident in his ability to use all kinds of search. He likes to explore search results and to pull in any new information he can find on his way. If a website looks promising he will explore all its corners, just in case something might prove interesting or entertaining. He shares his findings with his students and although in his classes he is strict about relevance and credibility of sources, he encourages them to go out and explore the internet for themselves. Relationship to Europeana: He found out about Europeana from a link on a blog. He read about Europeana in a blog, and thinks it could be interesting to follow. For him as an ethnomusicologist there might be new possibilities in the sound archives from all over Europe. Even if the site doesn’t have Hindustani music as such, there might be an opportunity to dig into musical influences across Europe. WORKGROUP 1.1 PERSONNAS - JUKKA
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20. Feedback on Europeana using dichotomic pairs (summarised) The evaluation of the dichotomic pairs which included characteristics such as attractive, fun, well organised, exciting, easy to use, interesting and unique and their opposites, positioned on a scale from 1 to 10, which aimed to establish how participants would rate such characteristics. WORKGROUP 1.1 - User and Functional Testing
21. Tobii X50 Eye tracker recording eye movement as user navigates Europenana WORKGROUP 1.1 - User and Functional Testing
30. CIDOC data Harvesting and Interchange Working Group is chaired by Erin Coburn from the Getty museum in LA, USA and Regine Stein, Bildarchiv Foto Marburg, Germany
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46. To enable all these processes, ATHENA has created a series of National Contact Points, each taking on a leadership role in their own country . Currently included are most of the European member states : Belgium, Bulgaria, Cyprus, Czech Republic, Estonia, Finland, France, Germany, Greece, Hungary, Italy, Latvia, Luxembourg, Malta, the Netherlands, Poland, Romania, Slovak Republic, Slovenia, Sweden, and the United Kingdom . In addition, Azerbaijan, Israel, and Russia, as associate members , are harvesting their collections into Europeana via ATHENA National Contact Points Whats next?
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49. Contact your national representative to join ATHENA today Belgium Bulgaria Cyprus Czech Republic Estonia Finland France Germany Greece Hungary Israel Italy Latvia Luxembourg Malta The Netherlands Poland Romania Slovak Republic Slovenia Sweden United Kingdom .
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51. Monika Hagedorn - Saupe, Germany Susan Hazan, Israel Rossella Caffo Italy Georgia Angelaki, The Netherlands
Notes de l'éditeur
The vision of Europeana project universe is for groups of institutions to get together, to aggregate their data, to create either sector or thematic websites which also be harvested by Europeana. [CLICK] In this vision, Europeana V1.0 and EuropeanaConnect are closely interlinked with each other. V1.0 will create the fully operational version of Euroepana over next 2 years [CLICK] This is an overview of the independent projects’ relation to Europeana and their main goal, which is to bring normalised, standardised content to Europeana. Some of them are “dark aggregators” in the making, such as EuropeanaTravel or EuropeanaLocal. These will not be accessible to users but will create aggregations of content available through Europeana. EFG is of major importance in this equation because of its film specificity. All these projects help creating Europeana, which is owned by the Europeana Foundation and funded by projects of the EU. The Europeana Foundation is a partner in each of these projects to try to help them in standards and normalisation and to ensure open communication channels. [CLICK] In the outer group, there are Digitisation or Preservation projects that support Europeana in its long term vision. ARROW for example addresses issues behind “Orphan and out of print work”. Arrow’s objective is to make it easy for libraries to digitise work and make it accessible to the network through rights clearance mechanisms. Orange coloured projects are portals in their own right as well as content providers to Europeana. HOPE, CARARE and ASSETS are new this year, as are Europeana foto, Europeana Regia, Natural Europe, Think Motion.......Europeana has no direct partnership involvement with these but is a subcontractor to advise on metadata preparation and for content ingestion.
The slide will be completed with action buttons to show aggregation, horizontal and vertical