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Teh/YC Mani Nilchiani  MFA Design & Technology  Parsons The New School for Design ArtScience  PSAM.5570.B   . Fall 2011 Prof. Victoria Vesna . TA:  Hilal Koyuncu
//ABSTRACT ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
//CONCEPT/TOPIC ,[object Object],[object Object],[object Object],[object Object]
//CONCEPT/TOPIC  contd. ,[object Object],[object Object],[object Object],[object Object],[object Object]
//CONTEXT & PRECEDANTS ,[object Object],[object Object],[object Object],[object Object]
//CONTEXT & PRECEDANTS ,[object Object],[object Object],Conway’s Game of Life:  The particles emerge to build a complex system. The algorithm is simple: any particle with four neighbors, or no neighbor will perish. Only those with 2 or 3 neighbors will survive. Image: http://plife.sourceforge.net/ Snowflakes:  Excellent examples of emergent entities in nature. Image: http://wikipedia.org
//CONTEXT & PRECEDANTS ,[object Object],Programmed emergent patterns:  The applets clearly demonstrate emergent systems in which the particles emerge based on a mathematical equation. These interactive applets serve as first-hand experience of emergent complex systems. The user can modify the values in the equation and watch the shift in the emergence process. Images from applets on:  http://www.cmp.caltech.edu/~mcc/Patterns/
//CONTEXT & PRECEDANTS ,[object Object],[object Object],[object Object],[object Object]
//CONTEXT & PRECEDANTS ,[object Object],Manfred Mohr:  His generative artworks from the late 60’s showcase excellent examples of imagery created by programmed algorithms. Images: http://www.emohr.com/
//CONTEXT & PRECEDANTS ,[object Object],C.E.B. Reas:  Process 11 (Software 2) 2006 custom software, computers, projectors dimension variable
//PROJECT PROPOSAL ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
//Project Proposal  contd. Installation Diagram:  The ratio of Tehran-related elements and NYC-related elements will change on the basis of position of the audience in relation with the interactive piece. The dashed line, and words “Tehran” and “NYC” will be printed and installed on the ground. A built-in camera input will detect the position of the audience and change the generative algorithm accordingly.
//CONCLUSION ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
//NOTES ,[object Object],[object Object],[object Object]
//REFERENCES ,[object Object],[object Object],[object Object],[object Object],[object Object]
//BIBLIOGRAPHY ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Mani nilchiani parsons_artsci_midterm-1

  • 1. Teh/YC Mani Nilchiani MFA Design & Technology Parsons The New School for Design ArtScience PSAM.5570.B . Fall 2011 Prof. Victoria Vesna . TA: Hilal Koyuncu
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. //Project Proposal contd. Installation Diagram: The ratio of Tehran-related elements and NYC-related elements will change on the basis of position of the audience in relation with the interactive piece. The dashed line, and words “Tehran” and “NYC” will be printed and installed on the ground. A built-in camera input will detect the position of the audience and change the generative algorithm accordingly.
  • 13.
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  • 15.
  • 16.