8. Structures: Post and Beam (Also known as Post and Lintel ) Example: Stonehenge, Salisbury, England, c. 2500 BCE Post and Beam: Weight Distribution Beam (or Lintel) Post Post
9. Structures: Post and Beam (Also known as Post and Lintel ) Example: Temple of Poseidon, Athens, c. 430 BCE Post and Beam: Weight Distribution Beam (or Lintel) Post Post
10. Structures: Post and Beam (Also known as Post and Lintel ) Example: Frank Lloyd Wright, Ennis House, 1924. Post and Beam: Weight Distribution Beam (or Lintel) Post Post
11. Structures: Arches Arches: Weight Distribution Example: Byzantine Cathedral, Jerada, Syria, 5 th century CE
12. Structures: Arches Arches: Weight Distribution Example: Great Mosque at Cordoba, Spain, 10 th century CE
13. Structures: Arches Arches: Weight Distribution Example: Triumphal Arch of Trajan, Benevento, Italy, c. 98-117 CE.
30. Material Innovations: Cast Iron Cast Iron Example: Joseph Paxton, Crystal Palace, London, 1850-1851.
31. Material Innovations: Steel Steel Beams Example: Ludwig Mies van der Rohe, New York, 1956-1958
32. Question: How does a building interact with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
33. Question: How does a building interact with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
34. Question: How does a building interact with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
35. Question: How does a building interact with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
36. Question: How does the viewer fit into or interact with the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Human
37. Question: How does the viewer interact with or form the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th century CE
38. Question: How does the viewer interact with or form the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th century CE
39. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica
40. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
41. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
42. Question: How does the form of the building echo the practical and ideological functions of the building? The Christian Basilica.
43. Question: How does the form of the building echo the practical and ideological functions of the building? The Christian Basilica, Aula Palatina, built 3 rd century by Constantius Chlorus, converted to a church in the late 4 th century
44. Question: How does the form of the building echo the practical and ideological functions of the building? Hagia Sophia, Istanbul, Turkey, c. 563 CE.
45. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Gehry, Disney Concert Hall, Los Angeles, 2003.
46. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.
47. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.
The first form of concrete. Devised by the Romans over two thousand years ago some of their concrete structures and buildings are still standing so it is also the longest lasting form of concrete.