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Art in the 3 rd  Dimension:  Architecture ,[object Object],[object Object],[object Object],[object Object]
Key Issue for Every Building ,[object Object],[object Object],[object Object]
Key Issue for Every Building ,[object Object],[object Object],[object Object]
Architecture: Art and Science ,[object Object],[object Object],[object Object]
Forces a Structure Works with ,[object Object],[object Object],[object Object]
Forces a Structure Works with ,[object Object],[object Object],[object Object]
Forces a Structure Works with ,[object Object],[object Object],[object Object]
Structures:  Post and Beam (Also known as  Post and Lintel ) Example: Stonehenge, Salisbury, England, c. 2500 BCE Post and Beam: Weight Distribution Beam (or Lintel) Post Post
Structures:  Post and Beam (Also known as  Post and Lintel ) Example: Temple of Poseidon, Athens, c. 430 BCE  Post and Beam: Weight Distribution Beam (or Lintel) Post Post
Structures:  Post and Beam (Also known as  Post and Lintel ) Example: Frank Lloyd Wright, Ennis House, 1924.  Post and Beam: Weight Distribution Beam (or Lintel) Post Post
Structures:  Arches Arches: Weight Distribution Example: Byzantine Cathedral, Jerada, Syria, 5 th  century CE
Structures:  Arches Arches: Weight Distribution Example: Great Mosque at Cordoba, Spain, 10 th  century CE
Structures:  Arches Arches: Weight Distribution Example: Triumphal Arch of Trajan, Benevento, Italy, c. 98-117 CE.
Structures:  Arches Arcade: Weight Distribution
Structures:  Arches Arcade Example: Pont du Gard (Aqueduct), France, c. 1 st  century CE
Structures:  Vaults Barrel Vault Groin Vault
Structures:  Vaults Barrel Vault Barrell Vault Example: Arena Chapel, Padua, Italy, 1303 CE
Structures:  Vaults Groin Vault Palazzo della Ragione, Venice, Italy, 16 th  century
Structures:  Domes Dome on Squinches Dome on Pendentives Dome on a cylinder
Structures:  Domes Dome on Squinches Example: Alai Gate, New Delhi, India, 1311.
Structures:  Domes Dome on Pendentives Example: Hagia Sophia, Istanbul, Turkey, 563 CE.
Structures:  Domes Dome on a Cylinder Example: Dome of the Rock, Jerusalem, 693 CE
Structures:  Buttresses Pier Buttress Flying Buttress
Structures:  Buttresses Pier Buttress Example: Westminster Abbey, London, c. 1245.
Structures:  Buttresses Flying Buttress Example: Cathedral de Notre Dame, Paris,  1163-1345 CE.
Structures:  Suspension Suspension Structure Example: Jeppesen Terminal Building, Denver International Airport, 1994
Structures:  Shell Shell Structure Example: Sydney Opera House, Sydney, Australia, 1957-1973.
Materials Innovative:  Stones Inca Stonework (no mortar), Cuzco, c.  13 th  century CE Stonewall with Mortar
Material Innovations:  Concrete Concrete Example: Pantheon, Rome, 126 CE
Material Innovations:  Cast Iron Cast Iron Example: Joseph Paxton, Crystal Palace, London, 1850-1851.
Material Innovations:  Steel Steel Beams Example: Ludwig Mies van der Rohe,  New York, 1956-1958
Question: How does a building interact  with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
Question: How does a building interact  with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
Question: How does a building interact  with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
Question: How does a building interact  with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
Question: How does the viewer fit into or interact  with the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Human
Question: How does the viewer interact with or form  the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th  century CE
Question: How does the viewer interact with or form  the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th  century CE
Question: How does the form of the building echo the  practical and ideological functions of the  building? The Roman Basilica
Question: How does the form of the building echo the  practical and ideological functions of the  building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
Question: How does the form of the building echo the  practical and ideological functions of the  building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
Question: How does the form of the building echo the  practical and ideological functions of the  building? The Christian Basilica.
Question: How does the form of the building echo the  practical and ideological functions of the  building? The Christian Basilica, Aula Palatina, built 3 rd  century by Constantius Chlorus, converted to a church in the late 4 th  century
Question: How does the form of the building echo the  practical and ideological functions of the  building? Hagia Sophia, Istanbul, Turkey, c. 563 CE.
Question: How does the form of the building echo the  practical and ideological functions of the  building? Frank Gehry, Disney Concert Hall, Los Angeles, 2003.
Question: How does the form of the building echo the  practical and ideological functions of the  building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.
Question: How does the form of the building echo the  practical and ideological functions of the  building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.

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Architecture upload

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Structures: Post and Beam (Also known as Post and Lintel ) Example: Stonehenge, Salisbury, England, c. 2500 BCE Post and Beam: Weight Distribution Beam (or Lintel) Post Post
  • 9. Structures: Post and Beam (Also known as Post and Lintel ) Example: Temple of Poseidon, Athens, c. 430 BCE Post and Beam: Weight Distribution Beam (or Lintel) Post Post
  • 10. Structures: Post and Beam (Also known as Post and Lintel ) Example: Frank Lloyd Wright, Ennis House, 1924. Post and Beam: Weight Distribution Beam (or Lintel) Post Post
  • 11. Structures: Arches Arches: Weight Distribution Example: Byzantine Cathedral, Jerada, Syria, 5 th century CE
  • 12. Structures: Arches Arches: Weight Distribution Example: Great Mosque at Cordoba, Spain, 10 th century CE
  • 13. Structures: Arches Arches: Weight Distribution Example: Triumphal Arch of Trajan, Benevento, Italy, c. 98-117 CE.
  • 14. Structures: Arches Arcade: Weight Distribution
  • 15. Structures: Arches Arcade Example: Pont du Gard (Aqueduct), France, c. 1 st century CE
  • 16. Structures: Vaults Barrel Vault Groin Vault
  • 17. Structures: Vaults Barrel Vault Barrell Vault Example: Arena Chapel, Padua, Italy, 1303 CE
  • 18. Structures: Vaults Groin Vault Palazzo della Ragione, Venice, Italy, 16 th century
  • 19. Structures: Domes Dome on Squinches Dome on Pendentives Dome on a cylinder
  • 20. Structures: Domes Dome on Squinches Example: Alai Gate, New Delhi, India, 1311.
  • 21. Structures: Domes Dome on Pendentives Example: Hagia Sophia, Istanbul, Turkey, 563 CE.
  • 22. Structures: Domes Dome on a Cylinder Example: Dome of the Rock, Jerusalem, 693 CE
  • 23. Structures: Buttresses Pier Buttress Flying Buttress
  • 24. Structures: Buttresses Pier Buttress Example: Westminster Abbey, London, c. 1245.
  • 25. Structures: Buttresses Flying Buttress Example: Cathedral de Notre Dame, Paris, 1163-1345 CE.
  • 26. Structures: Suspension Suspension Structure Example: Jeppesen Terminal Building, Denver International Airport, 1994
  • 27. Structures: Shell Shell Structure Example: Sydney Opera House, Sydney, Australia, 1957-1973.
  • 28. Materials Innovative: Stones Inca Stonework (no mortar), Cuzco, c. 13 th century CE Stonewall with Mortar
  • 29. Material Innovations: Concrete Concrete Example: Pantheon, Rome, 126 CE
  • 30. Material Innovations: Cast Iron Cast Iron Example: Joseph Paxton, Crystal Palace, London, 1850-1851.
  • 31. Material Innovations: Steel Steel Beams Example: Ludwig Mies van der Rohe, New York, 1956-1958
  • 32. Question: How does a building interact with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
  • 33. Question: How does a building interact with its environment? Frank Lloyd Wright, Fallingwater (The Edgar Kaufmann Residence), Bear Run Pennsylvania, 1936.
  • 34. Question: How does a building interact with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
  • 35. Question: How does a building interact with its environment? Johnson Wax Building, Racine, Wisconsin, 1936.
  • 36. Question: How does the viewer fit into or interact with the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Human
  • 37. Question: How does the viewer interact with or form the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th century CE
  • 38. Question: How does the viewer interact with or form the space? Hagia Sophia, Istanbul, Turkey, c. 563 CE. Agia Dynami, Athens, Greece, c. 15 th century CE
  • 39. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica
  • 40. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
  • 41. Question: How does the form of the building echo the practical and ideological functions of the building? The Roman Basilica, a reconstruction of Trajan’s Basilica Ulpia, c.
  • 42. Question: How does the form of the building echo the practical and ideological functions of the building? The Christian Basilica.
  • 43. Question: How does the form of the building echo the practical and ideological functions of the building? The Christian Basilica, Aula Palatina, built 3 rd century by Constantius Chlorus, converted to a church in the late 4 th century
  • 44. Question: How does the form of the building echo the practical and ideological functions of the building? Hagia Sophia, Istanbul, Turkey, c. 563 CE.
  • 45. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Gehry, Disney Concert Hall, Los Angeles, 2003.
  • 46. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.
  • 47. Question: How does the form of the building echo the practical and ideological functions of the building? Frank Lloyd Wright, Guggenheim Museum, New York, 1959.

Notes de l'éditeur

  1. A masonry arch 1. Keystone 2. Voussoir 3. Extrados 4. Impost 5. Intrados 6. Rise 7. Clear span 8. Abutment
  2. A masonry arch 1. Keystone 2. Voussoir 3. Extrados 4. Impost 5. Intrados 6. Rise 7. Clear span 8. Abutment
  3. A masonry arch 1. Keystone 2. Voussoir 3. Extrados 4. Impost 5. Intrados 6. Rise 7. Clear span 8. Abutment
  4. A masonry arch 1. Keystone 2. Voussoir 3. Extrados 4. Impost 5. Intrados 6. Rise 7. Clear span 8. Abutment
  5. A masonry arch 1. Keystone 2. Voussoir 3. Extrados 4. Impost 5. Intrados 6. Rise 7. Clear span 8. Abutment
  6. The first form of concrete. Devised by the Romans over two thousand years ago some of their concrete structures and buildings are still standing so it is also the longest lasting form of concrete.