1. 10 things to know
about audio
By Regina McCombs of the
Poynter Institute for Media Studies
2. 10 rules of audio production
1. Audio has power
1. Storycorps
doesn’t need to be fancy to add to story
3. 10 rules of audio production
2. Ask the right questions
people need to explain what happened for your
audience (avoid yes/no questions)
avoid multipart questions
pre-interview
call on phone to get a sense of personality, accent,
etc.)
use non-verbal feedback
4. 10 rules of audio production
3. Gather environmental sound
get source to stop talking while capturing audio
listen
get ambient sound
think texture
5. 10 rules of audio production
4. Plan in the field
what do I need this person to tell me
be thinking about story arc
develop characters
o like with feature stories
grab users, pull them in, leave them satisfied
story in three words (who did what)
6. 10 rules of audio production
5. know your gear
you’ll learn this the hard way eventually
7. 10 rules of audio production
6. What you get in the field is what you get
No second takes
No excuses
No editing can add actualities or voice of subject
Get multiple sources to say the same thing
8. 10 rules of audio production
7. Listen
listen to hear in the same way you’ve learned to
see to observe
listen to what other professionals/students are
doing
9. 10 rules of audio production
8. Monitor your audio
10. 10 rules of audio production
9. craft your story
know what you have, not what you think you have
log or take notes
“write”
don’t be afraid of narration
natural sound pieces sometimes lack information
facts, research, and accuracy are just as important
in an audio piece as they are in print
11. 10 rules of audio production
10. Keep it tight (short)
get others to listen
Decide where you can cut, then cut deeply
review
12. Need Questions?
• What was the happiest moment of your life
• What are you most proud of?
• What are the most important lessons you've
learned in life?
• What is your earliest memory?
• How would you like to be remembered?
13. 10 things to know about
audio production
By Regina McCombs of the
Poynter Institute for Media Studies