Client draft for my media project.

1. World War 1 In Huntingdon
Written By
Paula Perez and Louis Davis.
Based on, if any
Address
Phone Number

2. 1
MY DOCUMENTARY WILL BE ABOUT
WORLD WAR 1. THIS IS AN EVENT TAKES
PLACE IN HUNTINGDON AROUND
SEPTEMBER AND ITS USUALLY ON FOR
TWO DAYS. THERE ARE ALWAYS EVENTS
HAPPENING IN THE FIELD, TENTS, ARENA
AND SO ON. IN THIS DOCUMENTARY YOU
GET TO SEE BRITISH, AUSTRIANS, RUSSIANS
AND GERMANS SOLDIERS SHOOTING IN
THE ARENA, SOLDIERS RIDING HORSES
AND LOTS OF INTERVIEWS FROM PEOPLE
IN THE TENTS TO FIND OUT WHAT IT IS
THAT THEY'RE DOING TO TAKE PART IN
THIS EVENT TO RANDOM PEOPLE OF THE
AUDIENCE WHICH CAME TO VISIT THE
MAJOR EVENT.
THE MAN THEME OF THIS DOCUMENTARY
ITS OBVIOUSLY WAR AND HISTORY.
I'M HOPING THE DOCUMENTARY WILL BE
AT LEAST 6 MINUTES LONG.
IT'S COMMON SENSE THAT THE SEPIA
EFFECT GIVES ANY FILM AN OLD FILM
SENSE WHICH IS WHY I ADDED THE EFFECT
ON SOME OF THE SHOTS WHICH I BELIEVE

3. 2
FITTED WITH THE STORYLINE OF THE
DOCUMENTARY. THERE'S AN INTERVIEW
WITH A LADY IN ONE OF THE TENTS
WHICH EXPLAINS WHAT HAPPENS TO THE
SOLDIERS WHEN THEY ARE SERIOUSLY
HURT AND HOW THEY ARE TAKEN CARE
OF.
I THOUGHT THIS WAS A REALLY
INTERESTING AND UNIQUE EVENT TO
FILM AND MAKE INTO A DOCUMENTARY
AS A LOT OF PEOPLE WILL RELATE TO THE
EVENT. QUITE A LOT OF PEOPLE TOOK
PART IN THIS EVENT AND ACTUALLY
DRESSED UP AND WERE HAPPY TO BE
INTERVIEWED FOR THIS DOCUMENTARY
ALONG WITH THE PEOPLE WHO CAME TO
SEE IT AND ENJOYED IT. THERE WERE
PEOPLE FROM A REALLY YOUNG AGE TO
AN OLD AGE WHICH WAS INTERESTING.
THE EVENT ATTRACTS DIFFERENT
AUDIENCES AS THERE ARE GUNS WHICH
WILL BE MORE LIKELY TO ATTRACT MEN,
EITHER OLD OR YOUNG AND THERE WERE
ALSO HORSES WHICH PRETTY MUCH
ATTRACTS KIDS.

4. 3
IF I WAS TO FILM THIS AGAIN I WOULD
MAKE SURE I'D HAVE A MICROPHONE
SHIELD AS I DIDN'T HAVE ONE WHILE WE
WERE OUT FILMING BECAUSE WE FORGOT
AND THE SOND WAS ACTUALLY A HUGE
PROBLEM WHEN IT CAME TO EDITING THE
FILM AS I DIDN'T REALISE HOW WINDY IT
ACTUALLY WAS AND I SHOULD HAVE
REMEMBERED TO BRING IT. I WOULD ALSO
GET SOME MORE CUTAWAYS AND GET
MORE INTERVIEWS AS THE SOUND WENT
DODGY FROM MANY INTERVIEWS AND I
COULD HARDLY USE THEM ALL. ALSO
MAKE SURE THE MICROPHONE IS NOT IN
THE SHOT AS IT MAKES IT LOOK REALLY
UNPROFESSIONAL.
I WOULD HOPE THAT THIS
DOCUMENTARY GETS SHOWN IN
DIFFERENT KIND OF FILM FESTIVALS ALL
AROUND THE WORLD TO HAVE A WIDER
VARIETY OF AUDIENCES.
THE BUDGET WOULD BE MINIMAL AS I
WONT HAVE TO PAY FOR ANYTHING
CONSIDERING I CAN BORROW THE
EQUIPMENT AND THE EVENT WAS FREE

5. 1. Establishing S.
Shot of
the
field.
2. Mid-shot
The
intervi
ew.
3. Mid-shot
The
Intervi
ew.
4. Close-up S.
Cutaway
of the
equipme
nt
being
shown.
5. Mid-Shot
Cuts
back to
the
intervi
ew.
4
AND NO ONE EXPECTED TO GET PAID FOR
APPEARING ON A DOCUMENTARY.
I'D PAY FOR MY OWN TRANSPORT THERE
BUT THAT'S ABOUT IT.
EXT. HUNTINGDON. FIELD. MORNING
THE CAMERA CREW ARRIVES AT THE FIELD
WITH ALL THEIR EQUIPMENT READY TO START
FILMING. THEY GO OVER TO THE BRITISH
SOLDIERS TO ASK THEM SOME QUESTIONS.
RICHARD :
Hey Patrick, so what are you dressed
as?
PATRICK:
Im dressed in a uniform of an
Austrian/Hungarian and this is battle
dress for 1914. Even though its the sky
blue and the red.
RICHARD:
Right, lets have a look at some of
your equipment.So you went into war
with a savour?
PATRICK:
Yes a savour. This is actually an
original.

6. 6. Mid-Shot
Carryin
g on
with
the
intervi
ew.
7. Mid-Shot
Carryin
g on
with
the
intervi
ew.
8. Establishing S.
Of
Richard
and the
crew in
the
field
finding
people
to
intervi
ew.
9. Mid-Shot
Richard
intervi
ewing a
woman
in a
tent.
10. Close-up S.
A
cutaway
of the
object
the
woman
had.
11. Long Shot
Crew
walking
with
people
on the
backgro
und.
12. Close-up S
Of the
music
bow
being
played
as it
spins
around.
13. Mid-Shot
The man
talking
about
the
music
box.
5
RICHARD:
Wow, so this is actually a really
vicious way of killing someone then?
PATRICK:
Most of them were made for the head and
shoulders.
RICHARD AND THE CAMERA CREWS MOVE
AROUND THE AREA TO TRY AND FIND SOMEONE
ELSE TO INTERVIEW OR JUST TO FILM AND
THE MANAGE TO FIND A WOMAN IN A COSTUME
PLAYING AN OLD FASHIONED GUITAR.
RICHARD:
Hello, so we've got a woman here, what
are you doing with that?
WOMAN 1:
Hello, yeah women went along to war as
well. I am actually playing this old
thing which is about 20 years old.
THEY CARRY ON WALKING ALONG AND THEY
FIND A MAN WITH AN OLD MUSIC BOX.
RICHARD:
A music box... I haven't seen one of
those in years! would you mind
explaining how it works?
MAN 1:
Yeah sure. We've got some tiny needles
in this box and you put it here then
you put it down to it touches the disc
(MORE)

7. 14. Close-up S
The
needles
being
shown.
15. Mid-Shot
Back to
the
intervi
ew.
16. Mid-Shot
Back to
Richard
17. Over-shoulder S.
From
Richard
to the
man.
1. Tracking shot
The
camera
moving
after
the
charact
ers.
2. Mid-Shot
Intervi
ew with
Richard
and the
woman.
3. Close-up
Woman
taking.
4. tracking shot
Cutaway
of the
room
(beds)
6
which then it starts to play.
MAN 1 (CONT'D)
RICHARD:
What happens to the needle?
MAN 1:
We throw it away as it wastes away as
it plays the music, then we add another
needle to keep it playing.
RICHARD:
How long have you had this music box?
MAN 1:
Oh God... I'd say about... 10 to 20
years.
INT. HUNTINGDON. TENT. MORNING
THEY ARRIVE TO A TENT WHERE THERE'S A
WOMAN INSIDE WILLING TO EXPLAIN TO THEM
WHAT KIND OF TENT IT IS AND WHAT IT WAS
USED FOR.
RICHARD:
Hello, so this is a tent used in the
war right?
WOMAN 2:
Hi, yes it is. It was mainly used for
the men that got hurt during battle and
they needed somewhere to rest and get
some looking after before going back,
so this is where they would come unless
(MORE)

8. 5. Mid-Shot
Carryin
g on
with
the
intervi
ew.
1. Establishing S
The
camera
crew
going
to the
arena.
2. Over-Shoulder
Over
Richard
to see
the man
talking
.
3. Point of view
Of the
horse.
4. Mid-Shot
Carryin
g on
with
the
intervi
ew.
5. Mid-Shot
Carryin
g on
with
the
intervi
ew.
6. Tracking Shot
Richard
walking
arounf
the
field
event.
7. Mid-Shot
Richard
intervi
ewing
people.
7
it was something really serious and
WOMAN 2 (CONT'D)
complicated to treat then they would
get sent to the hospital where they
could get some further and more
professional help.
EXT. HUNTINGDON. ARENA. MORNING.
THE CAMERA CREW GOES OVER TO THE ARENA
TO TALK TO THE MEN WITH THE HORSES.
RICHARD:
Excuse me, are these horses yours?
MAN 2:
Only this brown one which is really
young, so he's not fully trained, which
makes today a big day for him.
RICHARD:
So do you think he's going to be ready
to perform in front of people today?
MAN 2:
(laughs)
I hope so. It might take him a while to
get comfortable but yeah i think he
should be okay.
THEY GO OFF INTERVIEWING RANDOM PEOPLE
ON THE FIELD ABOUT TODAY'S EVENT.
RICHARD:
Excuse me, what do you think about
(MORE)

9. 8. Close-up S.
Girl
talking
about
the
event.
9. Long-Shot.
Richard
moving
on to
someone
else.
10. Mid -shot
Intervi
ew with
a man.
11. Mid shot High Angle
The
daughte
r
smiling
.
12. Mid Shot High Angle
The son
looking
to his
right
(where
the
guns
are)
13. Mid-Shot
Carryin
g on
with
the
intervi
ew.
14. Mid Shot
Back to
richard
.
15. Mid Shot
Back to
the
man.
16. Long Shot
Of
Richard
and the
man
with
his
kids.
8
today's event?
RICHARD (CONT'D)
GIRL 1:
Oh I think its going great so far, i
mean i come every year and i enjoy it.
Its nice what they're doing.
RICHARD:
Okay, thank you. Hey what do you think
about today's event?
MAN 3:
Oh well, this is actually the first
time i attend this even as i don't live
in Huntingdon, but my daughter wanted
to come and see the horses and my son
is interested in all these guns and war
sort of stuff so i thought it'd be
interesting to take them to see it.
RICHARD:
And how far did you travel to get to
this Huntingdon event today then?
MAN 3:
Well, we drove here so it only took us
about 30 minutes to 45 minutes as we
live in cambridge, so fortunately the
travel wasn't that long.
RICHARD:
Okay, thank you for your time.
EXT. HUNTINGDON. FIELD. AFTERNOON.

10. 1. Cutaways
There
will be
lots of
cutaway
s at
least 7
of the
equipme
nt
soldier
s wore,
weapons
, tents
and so
on.
2. Over-Shoulder
Of the
woman
as
Richard
speaks.
3. High Angle
As the
woman
is
sitting
down.
4. High Angle
Of the
man
talking
as he
is
sitting
down.
5. Mid-Shot
Back to
Richard
carryin
g on
with
the
intervi
ew.
6. Long shot
Of the
three
of them
talking
.
9
GUNS FIRING IN THE ARENA AND THERE
WILL BE A VOICE OVER OF THE GERMANS
EXPLAINING TO THE PUBLIC ABOUT THEIR
EQUIPMENT SUCH AS THEIR COSTUMES AND
WHY THEY WORE WHAT THEY DID AND ALSO
ABOUT THEIR GUNS AND HOW THEY WORK.
THERE WILL ALSO BE A SHOT OF A WOMAN
AND A MAN SINGING IN A SMALL CARRIAGE
SINGING ALONG AS THEY PLAY INSTRUMENTS
SUCH AS THE PIANO.
RICHARD:
Hey, so do you do this performance
every year?
WOMAN 3:
Yeah we both do, we have been doing
this for about...
MAN 4 :
4 years? Something like that.
RICHARD:
How comes you do this every year?
WOMAN 3:
Well i think its something to do, i
mean its different and its definitely
fun.
MAN 4:
Yeah also i've always been passionate
about guns and war so this is something
that definitely interests me.

11. 7. Mid-Shot
Richard
finishi
ng the
intervi
ew.
1. Handheld
The
camera
being
moved
from
left to
right
to show
the
room.
2. Voiceover
3. Mid-shot
The
woman
talking
.
4. close-up S.
Of the
rice
being
shown.
5. mid-shot
Richard
talking
.
6. mid-shot
Woman
laughin
g then
talking
.
7. Long shot
Men
fightin
g in
the
arena
as a
cutaway
.
10
RICHARD:
Okay well thank you for your time,
great performance.
INT. HUNTINGDON. KITCHEN. AFTEROON.
WE GO INSIDE TO SEE THE KITCHEN AND
WHAT THEY USED TO COOK DURING WAR. ALL
WE SEE ARE PANS AND RICE.
RICHARD:
Hey, would you mind telling us why
you've got rice?
GIRL 2:
No of course not. We've got rice
because it was something that was easy
to obtain back then and it was also
healthy and easy to cook.
RICHARD:
Not trying to be sexist but were women
more likely to cook back then?
GIRL 2:
(laughs)
Yeah, it was more likely to see a woman
cooking than a man mainly because the
men were in battle so the women stayed
inside looking after the ones that were
hurt or just simply cooking.
EXT. HUNTINGDON. FIELD. AFTERNOON.

12. 1. Long shot
The
british
soldier
and
richard
.
2. Long shot
The
austria
ns and
richard
.
1. Establishing S. Handheld
Camera
crew
and
richard
going
to the
arena.
2. Mid-shot
The
soldier
talking
.
3. long shot
cutaway
of men
riding
horses
and
stabbin
g
cabbage
s.
4. Mid shot
Cutaway
of a
man
stabbin
g a
cabbage
and
falling
.
5. Voiceover
11
WE GET THE BRITISH SOLDIERS THIS TIME
TALKING ABOUT THEIR EQUIPMENT SUCH AS
THEIR COSTUMES AND WHAT THEY CONSIST OF
AND ALSO ABOUT THEIR WEAPONS AND HOW
THEY WERE USED DURING A BATTLE.
RIGHT AFTER THAT WE GET THE AUSTRIANS
DOING THE SAME. IN THE ARENA TALKING
ABOUT THEIR EQUIPMENT SUCH AS COSTUME
AND ALSO THEIR WEAPONS.
EXT. HUNTINGDON. ARENA. AFTERNOON.
WE GO TO THE ARENA TO SEE THE SOLDIERS
ON THEIR HORSES DOING A SHOW SUCH AS
THE SOLDIERS GETTING THEIR SWORDS OUT
AND RIDING THE HORSES PAST THE CABBAGES
WHICH THEY HAVE TO STAB WITH THEIR
SWORD AS THEY GO PAST THEM.
RICHARD:
Hey so what does this consist of?
SOLDIER 1:
Well this is pretty much training for
both the horse and the man riding it.
They have to stab the cabbages and
bring them back and if they do they get
3 points. If they stab it and bring it
half way then that's 2 points but if
they stab it but it falls straight
away then sadly that's only 1 point.
RICHARD:
So have you attended this event every
year?

13. 6. Mid-Shot
Carryin
g on
with
the
intervi
ew.
7. Close-up
Richard
intervi
ewing.
8. Mid shot
man
being
intervi
ewed.
9. Long shot
Horses
in the
arena.
10. Mid shot
Back to
the
soldier
talking
.
11. Long-shot
back to
richard
.
1. Tracking shot
Camera
crew
and
Richard
walking
over to
a tent.
12
SOLDIER 1:
Yeah i have for the past 6 years or so.
RICHARD:
So what is it like working with horses?
SOLDIER 1:
(laughs)
Well it can be a bit of a tough job as
they don't always do what they're
supposed to, but you know, they're
horses they don't act the same way as
humans.
RICHARD:
Do you own any of the horses?
SOLDIER 1:
Actually i don't, no, but i train my
friend's one over there with him and
its tough but its worth it, you know?
To think that pretty much everything
they learn its because of you.
RICHARD:
Yeah it must be rewarding. Anyway thank
you for your time.
EXT. HUNTINGDON. FIELD. AFTERNOON.
WE WALK OVER TO THIS SMALL TENT WHERE
WE SEE THIS MAN MAKING SMALL SOLDIER
FIGURES AND WE APPROACH TO HIM TO HAVE
A SHORT INTERVIEW WITH HIM.

14. 2. mid shot
Louis
intervi
ewing.
3. Close-up
Of the
man
talking
4. Extreme close up
Of the
metal
liquid.
5. Close up
Cutaway
of the
man
showing
us the
procces
s.
6. Mid-Shot
Carryin
g on
with
the
intervi
ew.
7. Mid-Shot
Back to
the
man.
8. Mid shot.
Of
louis
laughin
g.
9. Extreme close up Handheld
Of the
figures
being
shown
on the
table.
10. Long shot
Both of
them
talking
with
the
figures
on the
shot.
13
LOUIS:
Hey, would you mind telling us how you
make these figures?
MAN 5 :
No, of course not. I have this metal
shaped soldiers and this hot liquid
which is a silverish colour. I pour it
in and wait a few seconds until it
cools down and gets the soldier shape
and i just open it and get the soldier
out. Its really straight forward, it
just takes time to do it and make the
liquid for it.
LOUIS:
Oh right so its not too complicated
then. Do you attend this event every
year?
MAN 5:
I do yeah, when you get to this age
there's no much to do
(laughs)
LOUIS:
( (laughs)
So what do you do with the little
figures then?
MAN 5:
Well I keep some of them because i
like soldiers and the other ones i out
them on this table and sell them to
people.

15. 11. Voiceover
Cutaway
of the
field,
showing
the
locatio
n of
that
tent.
12. Cutaway Handheld
Of the
people
attendi
ng to
the
tent
and
buying
figures
.
1. voiceover
2. Mid shot
Alex
signing
up
3. Point of view
From
Alex.
4. Over-Shoulder
From
the
man.
5. Mid shot
of the
intervi
ew.
14
LOUIS:
How much do you sell them for?
MAN 5:
£1.30 for 2 or 80p for 1.
LOUIS:
Okay thank you for your time.
INT. HUNTINGDON. TENT. AFTERNOON.
RICHARD:
Well i am now, in the recruiting tent
and this young man is going to sign up
for war.
MAN 6:
Hello, whats your name?
ALEX:
Alexander Purvis.
MAN 6:
Right, then ill ask you the first
question. Are you willing to be
attested for the service in the
territorial force for the term of four
years provided his majesty should so
long require your service for the
country.
ALEX:
Yes.

16. 6. long shot
Of the
whole
tent.
7. Cutaway
of
posters
in the
tent
8. voiceover
9. Cutaway
Of
where
the
tent is
10. mid shot
alex
answeri
ng.
11. Mid-Shot
Carryin
g on
with
the
intervi
ew.
12. low angle
Alex
answeri
ng
questio
ns.
13. Long shot
Alex
moving
closer
to the
table
to
sign.
15
MAN 6:
Second question. Have you received
notice stating the liabilities by
enlisting and do you understand them?
ALEX:
Yes.
MAN 6:
Good. Do you now belong to, or have
you ever served in the royal navy army,
marines, special reserve, territorial
force, volunteers or army reserve? If
so , estate which unit.
ALEX:
None.
MAN 6:
Good. I will now state that under the
provisions of section 13 and 99 of the
army act of a person knowing that makes
false answer to any question contained
with this paper, he renders himself
liable for punishment. Next bit, i need
you to sign this. So if you sign there
please.
ALEX GETS CLOSER TO THE TABLE AND
SIGNS THE PIECE TO PAPER TO ENLIST
HIMSELF TO WAR.

17. 14. Mid-shot
carryin
g on
with
the
intervi
ew.
15. Close up
Alex's
face.
16. mid-shot
of man
talking
.
17. voiceover
cutaway
s of
the
events.
16
MAN 6:
Thank you very much, and i am a
witness that you have been the one to
sign this. Now if you could take the
bible and hold it in your left hand,
and raise your right hand and repeat
after me. I, and state your name.
ALEX:
I, Alexander Purvis
MAN 6:
Swear by almighty God.
ALEX:
Swear by almighty God.
MAN 6:
That i will be faithful.
ALEX:
That i will be faithful.
MAN 6:
And by true and bear true allegiance.
ALEX:
And by true and bear true allegiance.
MAN 6:
To His Majesty, King George the fifth.

18. 18. Long shot
inside
of tent
with
alex
and the
man.
19. mid shot
of alex
and the
man.
17
ALEX:
To His Majesty, King George the fifth.
MAN 6:
His heirs and successors.
ALEX:
His heirs and successors.
MAN 6:
And that I will.
ALEX:
And that I will.
MAN 6:
As in duty bound.
ALEX:
As in duty bound.
MAN 6:
Honestly and faithfully.
ALEX:
Honestly and faithfully.
MAN 6:
Defend His Majesty.

19. 20. voiceover
cutaway
s of
the
horses,
arena,
weapons
and
soldier
s.
21. mid shot
intervi
ew
18
ALEX:
Defend His Majesty.
MAN 6:
His heirs and successors.
ALEX:
His heirs and successors.
MAN 6:
In person.
ALEX:
In person.
MAN 6:
Crown.
ALEX:
Crown.
MAN 6:
And dignity.
ALEX:
And dignity.
MAN 6:
Against all enemies.

20. 22. long shot
intervi
ew.
19
ALEX:
Against all enemies.
MAN 6:
According to the conditions of my
service.
ALEX:
According to the conditions of my
service.
(MORE)

21. 20