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Audio for Picture Overview
           •   Sound for picture can be grouped
               into the following stems:
               •   Dialog (ie. Spoken word)

               •   Sound FX

               •   Music/Score

           •   Often different “teams” of people
               work on producing the audio for each
               of the above 3 elements.
           •   During the final mix or “dub” these 3
               elements are brought together.

               1
Picture Soundtrack
              Overview
                                    Production Dialogue
             Dialogue / Narration
                                           ADR

                                    Narration/Voiceover

                                    Animation Dialogue


  Picture     Foley / Sound FX
                                           Foley

Soundtrack                               Sound FX

                                         Ambience

                                       Musical Score

                                     Jingle Music (Ads.)

                    Music           Environmental Music

                                     Soundtrack Music

                              2
Dialogue
       •   Dialogue (spoken word) is
           usually recorded on location
           during filming (production) by a
           team consisting of the Boom
           Operator, Sound Mixer and
           Cable/Utility Person.
       •   The sound crew’s aim is to
           capture dialogue from the
           actors as cleanly as possible
       •   They may also attempt to
           capture some “room tone” and
           a few environmental sounds
   3
Location Audio Equipment
                                                                           •   Recording dialogue on-set is
                                                                               usually done using a boom
                                                                               microphone. These mics tend
                                                                               to have a highly directional
                                                                               polar pattern to avoid spill
Sennheiser MK416 Boom Mic
                                              Mackie 1202 Mixer
                                                                               and noise.
                                                                           •   Small lavalier (spot)
                                                                               microphones are also used in
                                                                               some cases.
                                                                           •   Recording is done via a small
                                Countryman B6 Lavalier Mic - used in
                                                                               mixer to a portable medium
                                      addition to boom mics.
                                                                               such as a Nagra, DAT or
     Nagra V Digital Recorder
                                                                       4       Hard Disk Recorder.
Location Recording Formats
                                                                 •   Location (aka production)
                                                                     audio was originally
                                                                     recorded to analog tape
                                                                     (usually 1/4 inch and in
 Nagra III - 1962. This was a mono deck that used 1/4 inch           mono).
                         analog tape.


                                                                 •   The de facto standard
                                                                     device for many years was
                                                                     the NAGRA tape deck.
                                                                 •   Later versions had 2 tracks
                                                                     plus a time-code track
 Nagra IV - 1971. This upgrade included 2 mic inputs and
                    a built in limiter                               (Nagra IV - STC)
                                                             5
Location Recording
                              Formats
                                                                                    •   Analogue formats
                                                                                        were eventually
                                                                                        replaced with digital
                                                                                        devices.

   Nagra V - 2002. This device records in stereo at a resolution of up to 24
                                                                                    •   Nagra has brought out
bit/96 kHz to an internal hard drive. It is fully SMPTE compatible and records in
                            BWF (Wav) file format.
                                                                                        the Nagra V which
                                                                                        records to an internal
                                                                                        hard drive

                                                                                6
Location Recording Formats




The Nagra VI digital audio recorder was awarded the TEC Award for “Outstanding Technical Achievement” at a
             ceremony in New York on Saturday October 10th 2009 during the 127th AES show.

                             What has happened to the Nagra IV?

                                                   7
Location Recording Formats


                                                                        •   Other hard disc based
 Fostex FR-2. Records 2 tracks of audio with time-code to a PC
                                                                            recorders have been
                                                                            released most of
          card at a resolution of up to 24 bit/96kHz.



                                                                            which can transfer files
                                                                            directly into Pro
                                                                            Tools.
Zaxcom Deva V. This device records up to 10 tracks to an internal
          hard drive and backs up to a DVD drive.

                                                                    8
ADR - Automated Dialogue
      Replacement
                •   ADR is the process of re-
                    recording dialogue from an
                    actor once filming has ceased
                    (post production).
                •   ADR is (usually) done in a
                    studio with the actor viewing
                    themselves on screen and re-
                    speaking their lines.
                •   ADR is often required for
                    scenes that contain a lot of
                    background noise and the
                    location sound is unusable.
            9   •   NB - Narration is also recorded in this way.
Foley
       •   Foley effects are sounds that
           accompany live action/movement on
           the screen.
       •   They include footsteps, clothes
           rustling, doors opening etc - sounds
           that are difficult to capture during
           filming.
       •   Foley sounds are recorded during
           post production on a dedicated
           foley studio/stage by a foley artist
           whilst viewing the picture.
       •   Foley is named after Jack Foley
           (1891-1967) who is credited as
           being the inventor of foley.
  10
Sound FX
        •   Sound FX are classed as any
            other sounds, besides Foley,
            that are non-dialogue and non-
            musical. Example - explosions,
            gunshots, mechanical sounds
            etc.

        •   Sound FX also includes any
            non-synchronous sounds (eg.
            off camera sounds that don’t
            require sync to picture)

   11
12
Music in Picture
                                                Empire Strikes Back (1980). Soundtrack
                                                  Contains the score written by John
                                                               Williams




                                                                                              •   Music included in film/TV etc
                                                                                                  can take several forms:
                                                                                                  •   Score
  Walk The Line (2006). Soundtrack album                                                          •   Performed/environmental
contains songs performed by the actors in the
                    movie                                                                             music

                                                                                                  •   Soundtrack music

                                                                                              •   Music is usually included to
                                                                                                  create/convey a “mood” for
                                                            Top Gun (1986). Soundtrack
                                                            album contains several songs
                                                                                                  the visual action. It can also
                                                               heard during the movie.            be, in some cases, part of
                                                                                                  the action.
                                                                                         13
Musical Score
                                  •   Often a composer may be
                                      hired to write a musical score
                                      for a picture.

                                  •   A rough “cut” of the film will
                                      be given to them after shooting
                                      and the composer will work
Warner Bros Scoring Stage
                                      from that.

                                  •   The method of
                                      production/recording for the
                                      score will depend on the
                                      budget for the picture. Larger
                                      budgets allow for a full
                             14
                                      orchestra (see left).
15
The Final Dub (Mix)
                                                      •   Once all the elements of the
                                                          soundtrack have been
                                                          recorded and edited, they are
                                                          then mixed together.

                                                      •   This process is referred to as
Film Dub Stage at Soundfirm Studios. Melbourne            “Dubbing” and is carried out
                                                          (usually) on a Dub Stage.

                                                      •   A dub stage will be located in a
                                                          cinema-type area and (usually)
                                                          house a large format console
                                                          to handle the multiple signals
                                                          involved in a soundtrack.
Film Dub Stage at Twickenham Studios, London
                                                 16

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Sound Design - From Zero to Hero

  • 1. Audio for Picture Overview • Sound for picture can be grouped into the following stems: • Dialog (ie. Spoken word) • Sound FX • Music/Score • Often different “teams” of people work on producing the audio for each of the above 3 elements. • During the final mix or “dub” these 3 elements are brought together. 1
  • 2. Picture Soundtrack Overview Production Dialogue Dialogue / Narration ADR Narration/Voiceover Animation Dialogue Picture Foley / Sound FX Foley Soundtrack Sound FX Ambience Musical Score Jingle Music (Ads.) Music Environmental Music Soundtrack Music 2
  • 3. Dialogue • Dialogue (spoken word) is usually recorded on location during filming (production) by a team consisting of the Boom Operator, Sound Mixer and Cable/Utility Person. • The sound crew’s aim is to capture dialogue from the actors as cleanly as possible • They may also attempt to capture some “room tone” and a few environmental sounds 3
  • 4. Location Audio Equipment • Recording dialogue on-set is usually done using a boom microphone. These mics tend to have a highly directional polar pattern to avoid spill Sennheiser MK416 Boom Mic Mackie 1202 Mixer and noise. • Small lavalier (spot) microphones are also used in some cases. • Recording is done via a small Countryman B6 Lavalier Mic - used in mixer to a portable medium addition to boom mics. such as a Nagra, DAT or Nagra V Digital Recorder 4 Hard Disk Recorder.
  • 5. Location Recording Formats • Location (aka production) audio was originally recorded to analog tape (usually 1/4 inch and in Nagra III - 1962. This was a mono deck that used 1/4 inch mono). analog tape. • The de facto standard device for many years was the NAGRA tape deck. • Later versions had 2 tracks plus a time-code track Nagra IV - 1971. This upgrade included 2 mic inputs and a built in limiter (Nagra IV - STC) 5
  • 6. Location Recording Formats • Analogue formats were eventually replaced with digital devices. Nagra V - 2002. This device records in stereo at a resolution of up to 24 • Nagra has brought out bit/96 kHz to an internal hard drive. It is fully SMPTE compatible and records in BWF (Wav) file format. the Nagra V which records to an internal hard drive 6
  • 7. Location Recording Formats The Nagra VI digital audio recorder was awarded the TEC Award for “Outstanding Technical Achievement” at a ceremony in New York on Saturday October 10th 2009 during the 127th AES show. What has happened to the Nagra IV? 7
  • 8. Location Recording Formats • Other hard disc based Fostex FR-2. Records 2 tracks of audio with time-code to a PC recorders have been released most of card at a resolution of up to 24 bit/96kHz. which can transfer files directly into Pro Tools. Zaxcom Deva V. This device records up to 10 tracks to an internal hard drive and backs up to a DVD drive. 8
  • 9. ADR - Automated Dialogue Replacement • ADR is the process of re- recording dialogue from an actor once filming has ceased (post production). • ADR is (usually) done in a studio with the actor viewing themselves on screen and re- speaking their lines. • ADR is often required for scenes that contain a lot of background noise and the location sound is unusable. 9 • NB - Narration is also recorded in this way.
  • 10. Foley • Foley effects are sounds that accompany live action/movement on the screen. • They include footsteps, clothes rustling, doors opening etc - sounds that are difficult to capture during filming. • Foley sounds are recorded during post production on a dedicated foley studio/stage by a foley artist whilst viewing the picture. • Foley is named after Jack Foley (1891-1967) who is credited as being the inventor of foley. 10
  • 11. Sound FX • Sound FX are classed as any other sounds, besides Foley, that are non-dialogue and non- musical. Example - explosions, gunshots, mechanical sounds etc. • Sound FX also includes any non-synchronous sounds (eg. off camera sounds that don’t require sync to picture) 11
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  • 13. Music in Picture Empire Strikes Back (1980). Soundtrack Contains the score written by John Williams • Music included in film/TV etc can take several forms: • Score Walk The Line (2006). Soundtrack album • Performed/environmental contains songs performed by the actors in the movie music • Soundtrack music • Music is usually included to create/convey a “mood” for Top Gun (1986). Soundtrack album contains several songs the visual action. It can also heard during the movie. be, in some cases, part of the action. 13
  • 14. Musical Score • Often a composer may be hired to write a musical score for a picture. • A rough “cut” of the film will be given to them after shooting and the composer will work Warner Bros Scoring Stage from that. • The method of production/recording for the score will depend on the budget for the picture. Larger budgets allow for a full 14 orchestra (see left).
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  • 16. The Final Dub (Mix) • Once all the elements of the soundtrack have been recorded and edited, they are then mixed together. • This process is referred to as Film Dub Stage at Soundfirm Studios. Melbourne “Dubbing” and is carried out (usually) on a Dub Stage. • A dub stage will be located in a cinema-type area and (usually) house a large format console to handle the multiple signals involved in a soundtrack. Film Dub Stage at Twickenham Studios, London 16