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1. Elementsof
Art&Design
Adapted from Project ARTiculate’s Elements & Principles of Art
http://www.projectarticulate.org

2. Line
The path of a point moving through space is a
line. Lines may be explicit (right, Matisse) or
implied (left, Hopper)

3. Shape
& Form
Shape implies form and is perceived as 2-
dimensional (below, Twombly), while form
implies depth, length, and width and is
perceived as 3-dimensional (right, Michelangelo)

4. Color
All of the colors are derived from the
three primary colors (red, blue, and
yellow) and black and white. Color
has three properties: hue, value, and
intensity (right, Ojibwe beadwork)

5. Value
Value refers to
the relative level
or darkness or
lightness of a
color in terms of
contrast (left,
Raphael)

6. Texture
The tactile (touchable) qualities of an
object, actual or implied (right, Bernini
and left, Rauschenberg)

7. Space
& Perspective
Space is the area in which art is
organized. Perspective is representative of
volume of space or a 3-D object on a flat
surface (above, Escher, right, Da Vinci)

8. Principlesof
Art&Design
Adapted from Project ARTiculate’s Elements & Principles of Art
http://www.projectarticulate.org

9. Pattern
Pattern is the repetition or reoccurrence of a
design element, exact or varied, that
establishes a visual beat (left, Warhol and
above, Klimt)

10. Rhythm
& Movement
Rhythm or movement is the suggestion
of motion through the use of various
elements (above, Pollock, and right, an
unknown artist, India)

11. Proportion
& Scale
Proportion is the size relationship of parts
to a whole and to one another. Scale is to
relate size to a constant, such as a human
body (left, Serra, below, a woman adds
tiny details to a Pueblo plate).

12. Balance
Balance is the impression of
equilibrium in a pictorial or sculptural
composition. Balance is often referred
to as symmetrical, asymmetrical, or
radial (above, a photo of a flower, and
to the right, Copley)

13. Unity
Unity is achieved when the components of a
work of art are perceived as harmonious,
giving the work a sense of completion (left,
Hokusai, below, Manet)

14. Emphasis
Emphasis is the created center of interest,
the place in an artwork where your eye first
lands (left, Toulouse-Lautrec, above,
O’Keeffe)