portfolio daniel lie english version

Nylon strings, six ravenala
madascariensis plants, a crys-
tal quartz. 10 m X 4m X 7m.
This installation placed in
Tomie Ohtake Institute had
as elements the nylon strings,
the traveler’s tree (ravenala
madascariensis) and a crystal
quartz. Each element em-
bodied a specific time: the
organic time with the plants,
the inorganic time with the
quartz and the manufactured
time, with the nylon. To
enhance the organic time the
plants were hanged from the
celling of the space and left
there with no water, dying
with time, as an offering.
daniel lie time trinity edp award’s show
tomie ohtake institute
são paulo, brazil, 2014

Detail, two weeks after the
opening of the show.

Time process in the work,
time gap between pictures is
around 3 weeks.

Detail, crystal quartz
suspended by nylon strings
and the installation from a
different point of view, from
the entrance of the hall.

Scrotum, in Portuguese Escro-
to, has a double connotation
in Brazil. In one side the
source of male life, reproduc-
tion. In other side, a strong
coursing, which means a
dishonest person.
The plants and objects chosen
for this work had a relation
with the male world, like the
monstera deliciosa plant who
is popularly named in Portu-
guese as “Adam’s Ribs”.
In this installation the plants
are cultivated within the pe-
riod of exhibition but the fruits
are left to rot. The pulleys that
gives the installation a balan-
ce, are there to enhance the
changes of time. As soon as
the fruits roots the installation
changes its structure.
The installation was showed
for the period of three months.
daniel lie scrotum 9th
residency redbull station são paulo, brazil, 2014

The installation was entire-
ly suspended by pressure
clamps that were attached to
the sealing structures.
daniel lie scrotum 9th
residency redbull station são paulo, brazil, 2014

Central structure made by met-
al chain, fruits, metal hook,
rope and a smoke quartz.
This structure counter bal-
anced with the other elements
of the installation by a pulley
system.
Side view and detail of the
smoke quartz.
daniel lie são paulo, brazil, 2014scrotum 9th
residency redbull station

Two jackfruits, a crystal
quartz, nylon and pulleys
were placed in a system of
balance. The quartz had the
same weight of the fruits.
With the passage of time the
jackfruit rot and lost weight.
Thus the work changed it’s
initial configuration.
This work has a relationship
with the personal histories of
the artist.
Two jack fruits, nylon, crystal
quartz mineral and pulleys.
daniel lie transitory gallery
redbull station
when my father donated a
kidney

Detail, two months after the
opening of the exhibition.
daniel lie transitory gallery
redbull station
when my father donated a
kidney

Empty coconuts taken from
the garbage of the beaches
of Rio were placed in a scale
system.
The initial balance between
the opposite sides was shifted
when the fruits started to
perish, thus altering it’s initial
position.
daniel lie abre alas 11
gentil carioca gallery
speculation of the coconut price II:
annual tax reajustment
rio de janeiro, brazil, 2015
View and detail: two ladders,
a piece of wood, rope, metal
chain, industrial plastic seal,
brazilian flag made of trans-
parent plastic, empty coco-
nuts, 2,60 x 2,23 x 60 cm.

Project Trilogy is composed
by three simultaneous solo
exhibitions from may to august
of 2015 in São Paulo city.
“Meus Sentimentos” at
Oficina Cultural Oswald de
Andrade,“Covenant with the
Future” at Centro Cultural São
Paulo and “Lie Liong Khing”at
gallery Casa Triângulo. The
position of the three shows
formed a triangle in São
Paulo city.
In the pictures, details of the
fruit totens of each show, in
which had a growth progres-
sion, from left to right the sizes
are 1,5m, 3m and 4,5m.
daniel lie project trilogy são paulo, brazil, 2015

12 wreath of white flower,
12 easels paintings, tropical
fruits, metal chain, metal
hook, metal clamps and ropes
6 meters of diameter X 4m.
daniel lie meus sentimentos oficina cultural oswald de
andrade
Meus Sentimentos is a sen-
tence that is communally used
when someone passes away.
It is expresses compassion
and sympathy towards the
ones that are related with the
deceased one. Meus senti-
mentos means in English “My
Fellings.”

View from above and detail.
daniel lie meus sentimentos oficina cultural oswald de
andrade

Installation in distinct periods
of time, until the collapse of
the structures - two months
and a half after the opening
of the exhibition.
daniel lie oficina cultural oswald de
andrade
meus sentimentos são paulo, brazil, 2015

Lie Liong Khing is the ar-
tist’s first solo show at Casa
Triangulo gallery. The title of
the exhibition is an homage,
meaning the name of the
artist Indonesian father.
The exhibition is composed
by the installation Guilhermi-
na-Esperança and by a series
of objects developed from his
personal collection of objects.
Frontal view of the exhibition.
daniel lie casa triângulo gallerylie liong khing- individual são paulo, brazil, 2015

Guilhermina - Esperança
2 plants philodendron bipinna-
tifidum, dyed ropes in gradient
from yellow to red, turmaline
mineral, tropical fruits vaccum
sealed, sacs of oranges, metal
chain, metal hook, pulleys,
plastic sheets, reflexive tape.
The central Toten rots in spa-
ce, the plants are cultivated.
Installations size: 4,5m X
7,5m X 3m.

Five objects in the 1o floor of
the gallery.
From left to right: “Condomí-
nio II”; “Transição”; “Honesti-
dade, Objetivo e Intenção”.
View from the exhibition and
detail: “Honestidade, Objeti-
vo e Intenção”. Opal, wood,
ametist, gold leaf, picture,
reflecive tape, rope, metal
hooks, plastic. 109 x 66 cm.

View from the exhibition and
detail: “My pussy is my pow-
er”. Leather jacket, plastic,
picture, agate, obsidian.172
x 22 cm.
Five objects in the 1o floor of
the gallery.
From left to right: “Memory
Stick ou Pau de memória”;
“My pussy is my power”.

10 plants philodendron bip-
innatifidum, 2 tropical fruits
totens (1 vacuum sealed, 1
air sealed), 1 structure with
green coconuts, 2 structures
with minerals( turmaline e
dark quartzo), ropes, metal
chains, metal hooks, pulley
sistem, plastic sheets, reflexive
tapes.
View from the library floor of
the cultural center, approxima-
ted dimensions 25m X 30m
X 20m.
annual program of exhibi-
tions, centro cultural sp
daniel lie convenant with the future são paulo, brazil, 2015

Fruit toten, each segment
was plastic sealed and
central structure with green
coconuts.
daniel lie annual program of exhibi-
convenant with the future são paulo, brazil, 2015

All the structures of the instal-
lation are hanging from the
sealing of the Cultural Center,
these pictures above shows
the smoke quartz and black
turmaline structure that are
hanging at the library level.

Once a week, through a
pulley system the plants are
lowed and cultivated. After
the exhibition they started to
permanently live in the gar-
dens of the Cultural Center,
this plant is Brazilian native
and was already part of the
landscaping original plans. 
Partial view of the installation.

Rotten show is an installation
that had spetaculous and
rituals features,
The process of the work was
finished with a performance
with the public, at the open-
ing there were smudging, a
fruit banquet, strobe lights and
pop music. Throughout 2 hour
the artist did a performance
carrying a 15kg stone that
was placed in the work at the
end.
The work started with rotten
fruits that were discarded by
supermarkets and 150kg
of discarted açaí seeds ( a
native Brazilian fruit).
Installation placed between
six columns of the museum
patio.
34th
arte pará belém do pará, pa, br, 2015daniel lie rotten show

Wax devotion objects, sisal
rope and, on the right, plastic
sheet, sisal rope, iron pan
with smudging amazon herbs,
Açaí leaf, rotten fruits, fresh
fruits, Açaí seeds.
daniel lie 34th
arte pará belém do pará, pa, br, 2015rotten show

Plastic sheet, sisal ropes, palm
tree leaf, rotten fruits, 100kg
of açaí seeds.
belém do pará, pa, br, 2015daniel lie 34th
arte parárotten show

Plastic sheet, sisal rope, iron
pan with smudging amazon
herbs, Açaí leaf, rotten fruits,
fresh fruits, Açaí seeds, and,
on the right, sisal rope and
a 15kg rock collected at the
island of Cotijuba, localted at
the Amazon area, near Belem
do Pará.

The installation was exposed
for the period of two months
and a half. At the beginning
the organic matter was rotten,
at the end of the show the
seeds in the fruits grew and
became plants.

55 San Pedro cacti, hemp ro-
pes and fabric, dirt and adobe
paste (catch in the venue and
manure of runners horses).
Installation resulted from resi-
dency on Espacio Nave. After
the exhibition was finished all
the cacti were donated to the
residents of Yungay district. 5m
X 11m X 1m.
Ca.Sa. ,yungay district,
santiago, chile, 2016
daniel lie we take on, from now on espacios revelados/
changing places

Installation view and installa-
tion prototype.
changing places

Finishing of the creative pro-
cess of the work at the exhi-
bition opening. The last step
in the work was to cover the
structure with adobe paste.
changing places

Detail of the installation after
the adobe covering.
changing places

daniel lie lindinalva and the balm ccbb.música.performance 4
Installation/performance
made as a homage to the
95 years of age of the artist
grandmother Lindinalva, from
Pernambuco/Brazil she was
a migrant and raised a family
with more than 40 persons
in Sao paulo City. At the
performance, the installation
was disassembled and the
components of it were offered
to Lindinalva and the public.
centro cultural banco
do brasil, são paulo, br, 2016

90 green coconuts, metal
chain, sisal ropes, Lemom-
grass, Snake Plant, flowers
and Aloe Vera. Dimentions
8m X 1m.
daniel lie lindinalva and the balm ccbb.música.performance 4 centro cultural banco

Detail of the performance with
the removal of flowers from
the installation and opening
of the coconuts to deliver for
people present at work.

Lindinalva at the work.

In Daniel Lie’s practice time
is the central pillar of his
reflection. Since the oldest
and affective memory - brin-
ging family and personal
stories - until the time of things
in the world; the period of a
lifetime, and the duration of
the states of the elements.
Through installations and
objects, using the things as
they are, he bases the work
on concepts related to per-
formance art - an art based
on time , ephemerality and
presence. To highlight these
three instances, elements that
have the time contained in
itself are set in the space as
installations such as plants,
rotting fruits and minerals.
In his research, the look is
facing tensions between
science and religion, ancestry
and present, shamanism and
everyday life. The visual artist
, Indonesian - Pernambuca-
no , lives and works in São
Paulo .
biodaniel lie 2016

2014 - “Expo 14/15” Bolsa
de Arte, São Paulo/BR.
“9th
Residency Redbull Station
Exhibition,” Redbull Station,
São Paulo/BR
“EDP Award Tomie Ohtake”
- Institute Tomie Ohtake, São
Paulo/BR.
“Laço”, Paço das Artes, São
Paulo/BR.
“Transitional Gallery” - Redbull
Station, São Paulo / SP.
“Collective” - Tofiq House, São
Paulo / SP.
“SP in the Street” - installation
made in downtown São
Paulo/BR.
“Ten / propositions” - Hussars
space. São Paulo/BR
2013 - “Feira Parte” - gallery
103- Paço das Artes. São
Paulo/BR
“Projecto Multiplo “ - Centro
Cultural São Paulo, São Pau-
lo/BR.
2012 - “30th Bienal de São
Paulo - Closing / Voodoohop”,
St. Paul/BR.
“Lote”, Institue of Artes at São
Paulo State University. São
Paulo / SP.
“Laço”, Paço das Artes, São
Paulo/BR.
“Para todos”, Liceu de Artes e
Oficio, São Paulo/BR.
“Fabrique à Rêves, Le 6B, Saint
Dennis, France.
“NEO-TROPICALISM: Brazil-
ian art in constant mutation,”
Space Camp and Furnace,
Liverpool / England.
“Fusion Festival”, Müritz Air-
park, Larz / Germany.
daniel lie
31/05/88
São Paulo/SP
Praça Franklin Roosevelt,128,
apto 802 – Consolação
SP/SP - (11) 99205-9745
liedaniel.art@gmail.com www.
cargocollective.com/liedaniel
Solo Exhibition
2015 – “Lie Liong Khing”,
Casa Triangulo gallery, Sao
Paulo/BR.
“Covenant with the Future”,
Centro Cultural São Paulo, Sao
Paulo/BR.
“Meus Sentimentos”, Oficina
Cultural Oswald de Andrade,
Sao Paulo/BR.
2011 - “Âmago”, Institute of
Arts at São Paulo State Universi-
ty, São Paulo/BR.
Group Exhibitions
2016 – “Tropicalypse Now!”,
Kampanagel, Hamburg/
Germany.
”All quiet, all for the best”
- Projeto Brasil, Hellerau,
Dresden/ Germany .
”CCBB.Música.Performan-
ce4”, Centro Cultural Banco
do Brasil, São Paulo/Brazil.
”Espacios Revelados”, Santia-
go/Chile
2015 – “One plus One”,
Lubomirov/Angus-Hughes
gallery, London, UK.
“34o
Arte Pará”, Pará State
Museum, Belém do Pará/PA.
“Abre Alas 11”, A Gentil Cari-
oca gallery, Rio de Janeiro/BR.
são paulo, brasil, 2016
portfolio design by
rosa laura
rosalaura.contato@gmail.com
resumé
“Nova Contemporary Culture
Festival” Casa das Caldeiras/
MIS Museum of
Image and Sound, São Paulo/
BR.
“nós-moçada” - TAZTU” Centro
Cultural São Paulo, São Paulo/
BR.
“nós-moçada # 2”, Ateliê
Veredas, São Paulo/BR.
“nós-moçada # 1”, Casa Con-
temporânea, São Paulo/BR.
2011 - “GIRA” Pears Del
Olmo, Buenos Aires, Argenti-
na.
“] ENTRE [“, Institute of Arts
Gallery, São Paulo State Uni-
versity. São Paulo/BR.
“Monica Nador with shared
authorship,” Pavilion of Brazil-
ian Cultures, São Paulo/BR.
2009 - “Workshop of Engrav-
ing” Oficina Cultural Oswald
de Andrade, São Paulo / SP
2008 - “Poesis Line”, Institute
of Arts gallery, São Paulo State
University, São Paulo / SP.
Education
2014 - 9th
artistic residency
Redbull Station.
2013 – Teaching Degree in
Fine Arts, São Paulo State Uni-
versity (UNESP), São Paulo/BR.
Residency 6B, Le 6B, Sant
Denis / France.
Residency LOTE – Fazenda da
Serrinha, Braganca Paulista/
BR.
2011 – Bachelor’s in Fine
Arts, São Paulo State University
(UNESP), São Paulo / SP.
Experiencia Itaú Cultural, coor-
dinated by Paula Braga, Itaú
Cultural, SãoPaulo/BR.
2009 – Etching Residency,
Eliane Santos Rocha’s Studio,
Porto Alegre / RS.
Working Experience
2014 - Coordination of
Project “Voodoohop na Xepa
da Coruja”, Oficina Cultural
Oswald de Andrade Work-
shop. Part of project “Nossa
Voz”. São Paulo/BR.
Costume design for the play
“Tragedy: A Tragedy” at SESC
Pompeia, São Paulo/BR.
Costume design for perfor-
mance “BIOMASHUP” directed
by choreographer Cris
Duarte, Casa do Povo, São
Paulo/BR.
Costume design for perfor-
mance “JAMM 1MM” for
opening the SESC Campo
Limpo, São Paulo/BR.
Artist assistant for El Hadji Sy
for 31st Biennial of São Paulo,
São Paulo/BR.
Artist Assistant for Leda Catun-
da (since 2010) .
Artist of collective Voodoohop
(since 2010).
Cultural producer of the Casa
do Povo space. São Paulo/BR
(since 2013) .
2013 – Fine Arts trainee in
school Oswald de Andrade -
São Paulo/BR.
2012 - Educational Cultural
Action - Centro Cultural São
Paulo, São Paulo/BR.
Scientific Initiation Scholarship
by PIBIC and CNPQ, São
Paulo State University, São
Paulo/BR.
2011 - Assistant in the assem-
bly of the work “Fusca” for artist
Sergio Romagnolo for the fair
SP.Arte.
2009 - Etching Studio Monitor
for the Institute of Arts, São
Paulo State University, São
Paulo/BR.

portfolio daniel lie english version

Recommandé

Recommandé

Contenu connexe

Dernier

Dernier (20)

En vedette

En vedette (20)

portfolio daniel lie english version