Musical Traditions and Festivals of Asia
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Music and Arts 8 Quarter 4 Musical Theater and Festivals of Asia. Ilocos Sur National High School
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Musical Traditions and Festivals of Asia
- 3. PEKING OPERA (CHINA) Peking opera also known as the Beijing opera still follows traditional Chinese arts in stressing meaning, rather than precise actions.
- 4. ROLES AND CHARACTERS 1. Sheng- is the main male role in Peking opera a. Xiaosheng actors are often involved with beautiful women by virtue of the handsome and young image they
- 5. b. Wusheng is a martial character for roles involving combat. They are highly trained in acrobatics, and have a
- 6. c. Laosheng is a dignified older role, these characters have a gentle and cultivated disposition,
- 7. ROLES AND CHARACTERS 2. Dan - refers to any female role in Peking opera a. Laodan- old woman
- 12. ROLES AND CHARACTERS 3. Jing is a painted face male role who plays either primary or secondary roles. This type of role entails a forceful character, which means that a Jing actor must have a strong voice and be able to exaggerate gestures. The red color denotes loyalty
- 13. ROLES AND CHARACTERS 4. Chou is a male clown role. The Chou usually plays secondary roles whose name also means "ugly". It reflects the traditional belief that the clown's combination of ugliness and laughter could
- 14. VISUAL PERFORMANCE ELEMENTS: Peking-opera performers utilize four main skills. 1. Song 2. Speech 3. Dance-acting 4. Combat
- 15. THE MEANING OF COLORS IN PEKING OPERA MASKS/MAKE-UPS • Red - devotion, courage, bravery, uprightness and loyalty. • Black - roughness and fierceness • Yellow - fierceness, ambition and cool-headedness • Purple - uprightness, sophistication and cool- headedness • Reddish purple - just and noble character • Blue - loyalty, fierceness and
- 16. STAGING AND COSTUMES 1.Musicians are visible to the audience on the front part of the stage 2.Viewers are always seated south of the stage. North is the most important direction in Peking Opera 3.Performers immediately move
- 17. STAGING AND COSTUMES 4. Props- during Peking opera they only utilizes a very few props table and at least one chair Bed A whip is used to indicate a horse An oar symbolizes a boat
- 18. STAGING AND COSTUMES 5. Costumes in Peking opera costumes are called XINGTOU, popularly known as XIFU, in Chinese origin of Peking Opera
- 19. PURPOSE OF THE COSTUME So that they enable the audience to distinguish a character’s sex and status at first glance If it is NOBLE, HUMBLE, CIVILIAN OR MILITARY, OFFICIALS OR PRIVATE CITIZENS
- 20. AETHETIC CLAIMS AND PRINCIPLES OF MOVEMENT IN PEKING OPERA 1. Highest aim is TO PUT BEAUTY INTO EVERY MOVEMENT 2. Walking in large circle always symbolizes travelling a long distance
- 21. 3. Art forms, gestures, settings, music and character types are determined by LONG HELD CONVENTIONS 4. A CHARCTER straightening his/her costume and headdress symbolizes that an
- 22. 5. Pantomimic is the opening and closing of doors and mounting and descending of stairs
- 29. KABUKI (JAPAN) Is a Japanese traditional theatre art that is performed in a stylized manner which combines acting, singing and dancing. The term Kabuki in modern Japanese means: ka,
- 30. MIE – the actor holds a piscuresque pose to establish his character and his house name YAGO Fan – Symbolizes wind in Kabuki
- 31. ARAGOTO - A Japanese terminology which means male roles ONNA-GATA – refers to female roles
- 32. KIMONO AND OBI elaborate costumes of the female characters in Kabuki
- 33. SUPPON – a platform that rises from below the stage KUMADORI – enhances or exaggerates facial lines to produce dramatic animal or
- 35. WAYANG KULIT (INDONESIA) In wayangkulit the dalang sings the mood songs (suluk) at regular intervals during performance. Suluk are never accompanied by the full gamelan ensemble. Often a single instrument
- 36. WAYANG KULIT (INDONESIA) Kulit means “skin”; it refers to the leather construction of the puppets in Wayang Kulit
- 37. The stories are usually drawn from the Hindu epics: 1. Ramayana 2. Mahabharata 3. Serat Menak - a story about the
- 38. DALANG – the puppeteer of Java, Indonesia
- 41. NANG SHADOW PUPPETS OF THAILAND Shadow puppet (Thai: Nang) was one form of public entertainment in the south of Thailand They are manipulated with rods that control movements of the arms
- 42. Nang recites tales of the gods and contemporary people tru; story of love, current events and tradition. It represents the norms and mores of Thai society. Nang attempts to relay the values and ideologies of a changing world but, preserving the mystical and
- 43. TYPES OF NANG SHADOW PUPPET 1. Nang Talung 2. Nang Yai 3. Nang
- 45. CHINESE FESTIVAL: CHINESE NEW YEAR
- 46. CHINESE NEW YEAR IS KNOWN AS: "Spring Festival," the literal translation of the Chinese name Chūnjié, since the spring season in Chinese calendar starts with lichun, the first solar term in a
- 47. Dragon Dance the traditional dance during Chinese New Year
- 48. PROPS THAT CAN BE SEEN IN THE CHINESE SPRING FESTIVAL Chinese fans Chinese lanterns
- 52. FESTIVALS IN JAPAN 1. Taiko Drum 2. Kabuki
- 53. Drums of Japan(Taiko Drum) Signify pray for rain Signify boundaries of a village Lead warriors into battles in order to