2. Intellectual movement
“Rebirth”
Dates: ca. 1450
(depending on country) to 1600
Rediscovery of and inspiration from
Ancient Greece and Rome
2
3. Renaissance Historical Milestones:
1453 Ottomans take Constantinople
1455 Guteneberg Bible is published
1492 "Columbus sails the Ocean Blue”
1500 Italian Madrigals appear
1517 Martin Luther started the Reformation
1562 Counter-Reformation was started by Pius IV.
All instrumentation is eliminated except for organ
All secular elements removed such as folk songs
Harmony was nearly abandoned. (Palestrina)
1573 First meeting of the Florentine Camerata (Opera)
1583 Gregorian Calendar established
1588 Spanish Armada defeated.
3
4. “Age of humanism, optimism,
and reform”
• The secular takes a stronger role in the arts
• Individual assumes greater importance in society
• Humans are the measure of all things
• The exploration of the physical (outer) world
• The beginning of “science” as we define it
(empiricism)
• Artists now receives acknowledgement for their
works
4
5. Music in European Society
• Printed Music— receives wide dissemination
• Generally participatory:
– many people of various social classes made
music, both singing and playing instruments, in
the homes in social entertainments and in large
scale entertainments
• There were also many professional
musicians and composers
Music in Your Life 5
6. Renaissance Painting
• Raphael: The School of
Athens (1508-11)
(at the Vatican Palace, in the
Stanaza della Segnatura-four rooms of
Raphael)
Called the “perfect embodiment of the classical
spirit of the High Renaissance” (Janson)
6
7. NOTE: The two central figures are Aristotle (with
hand to heaven) and Plato (with palm to ground)
QuickTimeª and a
decompressor
are needed to see this picture.
Other famous classical philosophers and scientists are
about (Socrates, Alexander the Great, Diogenes;
Euclid is at lower right)
Note use of perspective, and classical setting
Full Description 7
16. Motet
4 to 6 independent lines
• French for “little word”
• Might have different texts in each vocal
line
–One voice (generally tenor) sings the Cantus
Firmus
–Along with mass, becomes main form of religious
music in Renaissance
–Giovanni Perluigi Da Palestrina :
Canticum Canticorum
16
17. The Reformation
1517, Martin Luther
Christian church separates
Two divisions:
Catholic Protestant
Liturgy remained Congregational singing
the same Development of the
Rome plans a Lutheran Chorale
counter attack THE CALVINISTIC.htm
Psalm singing
Music in Your Life 17
18. Church of England
– 1534, Church of England
– “Anglican”
– Service is in vernacular –
• Anthem counterpart to Latin motet
• Counter Reformation
18
19. Listening Example
• “If Ye Love Me”, by Tallis Scholars
• Anthem by Thomas Tallis (c. 1510-1586)
• Anglican liturgy
• listen
19
20. Giovanni Pierluigi da
Palestrina
(1525-1594)
• Counter Reformation
• “Gloria” from Missa Benedicta es
• Polyphonic setting of the second part of the
Ordinary of the Mass by Giovanni Palestrina
– Counterpoint
– Imitative counterpoint
20
21. Secular Music: The
Madrigal
• Secular Italian literary form
• vernacular
• Vocal chamber music
– Metrical and lively
– England, Italy and France
– Social gatherings, court settings
21
24. Instrumental Music
• Instrumental music is mostly (but not
always) for dancing
• Double vocal parts
– Modeled after vocal style
• By 16th c. composed music
• Dance music
– Consort – “family” of same instrument
– Broken Consort—an odd man out
24
25. John Dowland
(1563-1626)
• First collection of songs for lute and
voice
• One of few English composers
famous throughout Europe
25
27. Renaissance
Instrumentarium
• Strings: Viol family:
The viol family existed from
very small to very large
– usually 6 or 7 strings;
fretted; “c” holes
27
29. Left: cello –
Note the sharp
shoulders, four
strings, no frets,
“f” holes
Right: viola da
Gamba (a viol)
–
Sloped
shoulders,
seven strings,
with frets, “c”
holes
Music in Your Life 29
30. Viol
• Detail of
Pegbox and
scroll
Music in Your Life 30
35. Birth
of
Opera
• Begins in Italy (Firenze)
• Italian word--“work”
• Musical dramas produced by amateurs
• Florentine Camerata 1600
• societies to write and produce musical
works
• Greek/Roman mythology
35
36. First masterpiece
Claudio Monteverdi
of opera
(1567-1643)
transitional composer
listen
L’Orfeo 1607
36
Notes de l'éditeur
Which years war?
* The flow of music is dynamic, not rigid or static. * Melody should contain few leaps between notes. (Jeppesen: "The line is the starting point of Palestrina's style."[8] * If a leap occurs, it must be small and immediately countered by stepwise motion in the opposite direction. * Dissonances are to be confined to passing notes and weak beats. If one falls on a strong beat, it is to be immediately resolved.
Born in 1563 John Dowland was almost exactly contemporary with Sweelinck and Shakespeare. Of his origins and early beginnings as a musician nothing is known. As an adoloscent he was 'servant' to the ambassadors of England to the court of France, spending over four years in Paris between 1580 and 1586
Show a portion of Coronation of POppea
http://www.youtube.com/watch?v=bU681o8BlZs Unifying them was the belief that music had become corrupt, and by returning to the forms and style of the ancient Greeks , the art of music could be improved, and thereby society could be improved as well. They were influenced by Girolamo Mei , the foremost scholar of ancient Greece at the time, who held—among other things—that ancient Greek drama was predominantly sung rather than spoken. While he may have been mistaken, the result was an efflorescence of musical activity unlike anything else at the time, mostly in an attempt to recover the ancient methods.