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Chapter 1 Art Before History
Prehistoric Europe and the Near East
Definitions ,[object Object],[object Object],[object Object],[object Object]
Goals ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 1-2   Waterworn pebble resembling a human face, from Makapansgat, South Africa, ca. 3,000,000 BCE. Reddish brown jasperite, approx. 2 3/8” wide. ,[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 1-3  Animal facing left, from the Apollo 11 Cave, Namibia, ca. 23,000 BCE. Charcoal on stone, 5” X 4 1/4”. State Museum of Namibia, Windhoek.
Figure 1-4  Human with feline head, from Hohlenstein-Stadel, Germany, ca. 30,000–28,000 BCE. Mammoth ivory, 11 5/8” high. Ulmer Museum, Ulm.   ,[object Object],[object Object],[object Object]
1 .1 Paleolithic Art in Western Europe and Africa ,[object Object],[object Object],[object Object]
The Earliest Sculpted Forms ,[object Object],[object Object]
Figure 1-5  Nude woman ( Venus of Willendorf ), from Willendorf, Austria, ca. 28,000–25,000 BCE. Limestone, 4 1/4” high. Naturhistorisches Museum, Vienna . Women in Paleolithic Art:  Representations of humans during this period were almost always of unclothed women. Called “Venuses” after the Greco-Roman goddess of beauty. Not accurate because there is no proof of the idea of named gods or goddesses in that era.
The Earliest Sculpted Forms ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 1-6  Woman holding a bison horn, from Laussel, France, ca. 25,000–20,000 BCE. Painted limestone, approx. 1’ 6” high. Musée d’Aquitaine, Bordeaux.
[object Object]
The Earliest Sculpted Forms ,[object Object],[object Object],[object Object],[object Object]
Examining Materials and Techniques ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 1-7   Two bison, reliefs in cave at Le Tuc d’Audoubert, France, ca. 15,000–10,000 BCE. Clay, each 2’ long.
Figure 1-8   Bison with turned head, fragmentary spearthrower, from La Madeleine, France, ca. 12,000 BCE. Reindeer horn, 4” long.
Figure 1-9  Bison, detail of a painted ceiling in the cave at Altamira, Spain, ca. 12,000–11,000 BCE. Each bison 5’ long.
Figure 1-10  Spotted horses and negative hand imprints, wall painting in the cave at Pech-Merle, France, ca. 22,000 BCE. 11’ 2” long.
The Bulls of Lascaux ,[object Object],[object Object],[object Object]
”  long.  Figure 1-11   Hall of the Bulls (left wall) in the cave at Lascaux, France, ca. 15,000–13,000 BCE. Largest bull 11’  6
Lascaux: The Bulls of Lascaux ,[object Object]
Figure 1-13  Rhinoceros, wounded man, and disemboweled bison, painting in the well of the cave at Lascaux, France ca. 15,000 – 13,000 BCE. Bison 3’ 8” long.
Signs & Hands ,[object Object],[object Object],[object Object],[object Object]
Changing Environment and Lifestyle ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure  1-14   Great stone tower built into the settlement wall, Jericho, ca. 8000–7000 BCE.
Figure 1-15   Human figure, from Ain Ghazal, Jordan, ca. 6750–6250 BCE. Plaster, painted and inlaid with bitumen, 3’ 5 3/8” high. Louvre, Paris. ,[object Object],[object Object]
Figure 1-16   Restored view of a section of Level VI, Çatal Höyük, Turkey, ca. 6000–5900 BCE (John Swogger).
Neolithic Art: Catal Hoyuk ,[object Object],[object Object],[object Object],[object Object]
Neolithic Artistic Developments ,[object Object],[object Object],[object Object]
Figure 1-17   Deer hunt, detail of a wall painting from Level III, Çatal Höyük, Turkey, ca. 5750 BCE. Museum of Anatolian Civilization, Ankara.
Fig. 1-18 Landscape with volcanic eruption (?), watercolor copy of a wall painting from Level VII, Çatal Höyük, Turkey, ca. 6150 BCE.
Monumental Architecture ,[object Object],[object Object],[object Object]
Figure 1-19 Gallery leading to the main chamber of the passage grave, Newgrange, Ireland, ca. 3200 – 2500 BCE.
[object Object]
Discussion Questions ,[object Object],[object Object],[object Object],[object Object]
 
The Ancient Near East
 
Goals ,[object Object],[object Object],[object Object]
2.1  Sumerian Religion ,  Society, and Art ,[object Object],[object Object]
The Neolithic Revolution ,[object Object],[object Object]
Figure 2-2  White Temple and ziggurat, Uruk (modern Warka), Iraq, ca. 3200–3000 BCE.
Figure 2-3  Reconstruction drawing of the White Temple and ziggurat, Uruk (modern Warka), Iraq, ca. 3200–3000 BCE.
2.1 Sumerian Religion, Society, and Art  (cont .) ,[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 2-4  Female head (Inanna?), from Uruk (modern Warka), Iraq, ca. 3200–3000 BCE. Marble, 8” high. Iraq Museum, Baghdad.
Figure 2-5  Presentation of offerings to Inanna ( Warka Vase ), from Uruk (modern Warka), Iraq, ca. 3200–3000 BCE. Alabaster, 3’ 1/4” high. Iraq Museum, Baghdad.
Mesopotamian Religion, Mythology, Gods and Goddesses ,[object Object],[object Object],[object Object]
Figure 2-6  Statuettes of two worshipers, from the Square Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure 2’ 6” high. Iraq Museum, Baghdad.
Figure 2-7   Fragment of the victory stele of Eannatum ( Stele of the Vultures ), from Girsu (modern Telloh), Iraq, ca. 2600–2500 BCE. Limestone, fragment 2’ 6” high, full stele 5’ 11” high. Louvre, Paris.
Figure 2-8  War side of the  Standard of Ur , from Tomb 779, Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’ 7”. British Museum, London.
Figure 2-9   Peace side of the  Standard of Ur , from Tomb 779, Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’ 7”. British Museum, London.
Figure 2-10   Bull-headed lyre (restored) from Tomb 789 (“King’s Grave”), Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Lyre: Gold leaf and lapis lazuli over a wooden core, 5’ 5” high.
Figure 2-10  Sound box ( right ): Wood with inlaid gold, lapis lazuli, and shell, 1’ 7” high. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia.
2.2  Akkadian, Neo-Sumerian, Babylonian ,  and Hittite Cultures ,[object Object],[object Object],[object Object],[object Object]
Figure 2-11   Banquet scene, cylinder seal (left) and its modern impression (right), from the tomb of Pu-abi (tomb 800), Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Lapis lazuli, 2” high. British Museum, London.
Figure 2-12   Head of an Akkadian ruler, from Nineveh (modern Kuyunjik), Iraq, ca. 2250–2200 BCE. Copper, 1’ 2 3/8” high. Iraq Museum, Baghdad.
Ancient Near Eastern Politics and Art ,[object Object]
Figure 2-13   Victory stele of Naram-Sin, from Susa, Iran, 2254–2218 BCE. Pink sandstone, 6’ 7” high. Louvre, Paris.
Important First in the Ancient Near East ,[object Object]
Figure 2-14  Votive disk of Enheduanna, from Ur (modern Tell Muqayyar), Iraq, ca. 2300 – 2275 BCE. Alabaster, diameter 10”. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia
Figure 2-15  Ziggurat (northeastern facade with restored stairs), Ur (modern Tell Muqayyar), Iraq, ca. 2100 BCE.
Figure 2-16  Seated statue of Gudea holding temple plan, from Girsu (modern Telloh), Iraq, ca. 2100 BCE. Diorite, 2’ 5” high. Louvre, Paris.
The Code of Hammurabi ,[object Object]
Figure 2-17  Stele with law code of Hammurabi, from Susa, Iran, ca. 1780 BCE. Basalt, 7’ 4” high. Louvre, Paris.
Figure 2-18   Lion Gate, Hattusa (modern Boghazköy), Turkey, ca. 1400 BCE.
Figure 2-19   Statue of Queen Napir-Asu, from Susa, Iran, ca. 1350–1300 BCE. Bronze and copper, 4’ 2 3/4” high. Louvre, Paris.
Figure 2-20   Reconstruction drawing of the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 720–705 BCE (after Charles Altman).
Power and the Assyrians ,[object Object],[object Object]
Figure 2-21   Lamassu (winged, human-headed bull), from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 720–705 BCE. Limestone, 13’ 10” high. Louvre, Paris.
Figure 2-22   Assyrian archers pursuing enemies, relief from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud), Iraq, ca. 875–860 BCE. Gypsum, 2’ 10 5/8” high. British Museum, London.
Figure 2-23  Ashurbanipal hunting lions, relief from the North Palace of Ashurbanipal, Nineveh (modern Kuyunjik), Iraq, ca. 645–640 BCE. Gypsum, 5’ 4” high. British Museum, London.
Mesopotamian Architecture ,[object Object],[object Object]
2.3  Elamite, Assyrian, and Neo-Babylonian Art ,[object Object],[object Object],[object Object],[object Object]
Figure 2-24  Ishtar Gate (restored), Babylon, Iraq, ca. 575 BCE. Staatliche Museen, Berlin.
2.4  Persian Power and Opulence ,[object Object],[object Object]
Persian and Sassanian Splendor ,[object Object],[object Object]
Figure 2-25   Persepolis (apadana in the background), Iran, ca. 521–465 BCE.
Figure 2-26  Processional frieze (detail) on the terrace of the apadana, Persepolis, Iran, ca. 521–465 BCE. Limestone, 8’ 4” high.
Figure 2-27  Palace of Shapur I, Ctesiphon, Iraq, ca. 250 CE.
Figure 2-28  Triumph of Shapur I over Valerian, rock-cut relief, Bishapur, Iran, ca. 260 CE.
Discussion Questions ,[object Object],[object Object],[object Object]
 

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Chapter1

  • 1. Chapter 1 Art Before History
  • 2. Prehistoric Europe and the Near East
  • 3.
  • 4.
  • 5.
  • 6. Figure 1-3 Animal facing left, from the Apollo 11 Cave, Namibia, ca. 23,000 BCE. Charcoal on stone, 5” X 4 1/4”. State Museum of Namibia, Windhoek.
  • 7.
  • 8.
  • 9.
  • 10. Figure 1-5 Nude woman ( Venus of Willendorf ), from Willendorf, Austria, ca. 28,000–25,000 BCE. Limestone, 4 1/4” high. Naturhistorisches Museum, Vienna . Women in Paleolithic Art: Representations of humans during this period were almost always of unclothed women. Called “Venuses” after the Greco-Roman goddess of beauty. Not accurate because there is no proof of the idea of named gods or goddesses in that era.
  • 11.
  • 12. Figure 1-6 Woman holding a bison horn, from Laussel, France, ca. 25,000–20,000 BCE. Painted limestone, approx. 1’ 6” high. Musée d’Aquitaine, Bordeaux.
  • 13.
  • 14.
  • 15.
  • 16. Figure 1-7 Two bison, reliefs in cave at Le Tuc d’Audoubert, France, ca. 15,000–10,000 BCE. Clay, each 2’ long.
  • 17. Figure 1-8 Bison with turned head, fragmentary spearthrower, from La Madeleine, France, ca. 12,000 BCE. Reindeer horn, 4” long.
  • 18. Figure 1-9 Bison, detail of a painted ceiling in the cave at Altamira, Spain, ca. 12,000–11,000 BCE. Each bison 5’ long.
  • 19. Figure 1-10 Spotted horses and negative hand imprints, wall painting in the cave at Pech-Merle, France, ca. 22,000 BCE. 11’ 2” long.
  • 20.
  • 21. ” long. Figure 1-11 Hall of the Bulls (left wall) in the cave at Lascaux, France, ca. 15,000–13,000 BCE. Largest bull 11’ 6
  • 22.
  • 23. Figure 1-13 Rhinoceros, wounded man, and disemboweled bison, painting in the well of the cave at Lascaux, France ca. 15,000 – 13,000 BCE. Bison 3’ 8” long.
  • 24.
  • 25.
  • 26. Figure 1-14 Great stone tower built into the settlement wall, Jericho, ca. 8000–7000 BCE.
  • 27.
  • 28. Figure 1-16 Restored view of a section of Level VI, Çatal Höyük, Turkey, ca. 6000–5900 BCE (John Swogger).
  • 29.
  • 30.
  • 31. Figure 1-17 Deer hunt, detail of a wall painting from Level III, Çatal Höyük, Turkey, ca. 5750 BCE. Museum of Anatolian Civilization, Ankara.
  • 32. Fig. 1-18 Landscape with volcanic eruption (?), watercolor copy of a wall painting from Level VII, Çatal Höyük, Turkey, ca. 6150 BCE.
  • 33.
  • 34. Figure 1-19 Gallery leading to the main chamber of the passage grave, Newgrange, Ireland, ca. 3200 – 2500 BCE.
  • 35.
  • 36.
  • 37.  
  • 39.  
  • 40.
  • 41.
  • 42.
  • 43. Figure 2-2 White Temple and ziggurat, Uruk (modern Warka), Iraq, ca. 3200–3000 BCE.
  • 44. Figure 2-3 Reconstruction drawing of the White Temple and ziggurat, Uruk (modern Warka), Iraq, ca. 3200–3000 BCE.
  • 45.
  • 46. Figure 2-4 Female head (Inanna?), from Uruk (modern Warka), Iraq, ca. 3200–3000 BCE. Marble, 8” high. Iraq Museum, Baghdad.
  • 47. Figure 2-5 Presentation of offerings to Inanna ( Warka Vase ), from Uruk (modern Warka), Iraq, ca. 3200–3000 BCE. Alabaster, 3’ 1/4” high. Iraq Museum, Baghdad.
  • 48.
  • 49. Figure 2-6 Statuettes of two worshipers, from the Square Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure 2’ 6” high. Iraq Museum, Baghdad.
  • 50. Figure 2-7 Fragment of the victory stele of Eannatum ( Stele of the Vultures ), from Girsu (modern Telloh), Iraq, ca. 2600–2500 BCE. Limestone, fragment 2’ 6” high, full stele 5’ 11” high. Louvre, Paris.
  • 51. Figure 2-8 War side of the Standard of Ur , from Tomb 779, Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’ 7”. British Museum, London.
  • 52. Figure 2-9 Peace side of the Standard of Ur , from Tomb 779, Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’ 7”. British Museum, London.
  • 53. Figure 2-10 Bull-headed lyre (restored) from Tomb 789 (“King’s Grave”), Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Lyre: Gold leaf and lapis lazuli over a wooden core, 5’ 5” high.
  • 54. Figure 2-10 Sound box ( right ): Wood with inlaid gold, lapis lazuli, and shell, 1’ 7” high. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia.
  • 55.
  • 56. Figure 2-11 Banquet scene, cylinder seal (left) and its modern impression (right), from the tomb of Pu-abi (tomb 800), Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca. 2600 BCE. Lapis lazuli, 2” high. British Museum, London.
  • 57. Figure 2-12 Head of an Akkadian ruler, from Nineveh (modern Kuyunjik), Iraq, ca. 2250–2200 BCE. Copper, 1’ 2 3/8” high. Iraq Museum, Baghdad.
  • 58.
  • 59. Figure 2-13 Victory stele of Naram-Sin, from Susa, Iran, 2254–2218 BCE. Pink sandstone, 6’ 7” high. Louvre, Paris.
  • 60.
  • 61. Figure 2-14 Votive disk of Enheduanna, from Ur (modern Tell Muqayyar), Iraq, ca. 2300 – 2275 BCE. Alabaster, diameter 10”. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia
  • 62. Figure 2-15 Ziggurat (northeastern facade with restored stairs), Ur (modern Tell Muqayyar), Iraq, ca. 2100 BCE.
  • 63. Figure 2-16 Seated statue of Gudea holding temple plan, from Girsu (modern Telloh), Iraq, ca. 2100 BCE. Diorite, 2’ 5” high. Louvre, Paris.
  • 64.
  • 65. Figure 2-17 Stele with law code of Hammurabi, from Susa, Iran, ca. 1780 BCE. Basalt, 7’ 4” high. Louvre, Paris.
  • 66. Figure 2-18 Lion Gate, Hattusa (modern Boghazköy), Turkey, ca. 1400 BCE.
  • 67. Figure 2-19 Statue of Queen Napir-Asu, from Susa, Iran, ca. 1350–1300 BCE. Bronze and copper, 4’ 2 3/4” high. Louvre, Paris.
  • 68. Figure 2-20 Reconstruction drawing of the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 720–705 BCE (after Charles Altman).
  • 69.
  • 70. Figure 2-21 Lamassu (winged, human-headed bull), from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 720–705 BCE. Limestone, 13’ 10” high. Louvre, Paris.
  • 71. Figure 2-22 Assyrian archers pursuing enemies, relief from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud), Iraq, ca. 875–860 BCE. Gypsum, 2’ 10 5/8” high. British Museum, London.
  • 72. Figure 2-23 Ashurbanipal hunting lions, relief from the North Palace of Ashurbanipal, Nineveh (modern Kuyunjik), Iraq, ca. 645–640 BCE. Gypsum, 5’ 4” high. British Museum, London.
  • 73.
  • 74.
  • 75. Figure 2-24 Ishtar Gate (restored), Babylon, Iraq, ca. 575 BCE. Staatliche Museen, Berlin.
  • 76.
  • 77.
  • 78. Figure 2-25 Persepolis (apadana in the background), Iran, ca. 521–465 BCE.
  • 79. Figure 2-26 Processional frieze (detail) on the terrace of the apadana, Persepolis, Iran, ca. 521–465 BCE. Limestone, 8’ 4” high.
  • 80. Figure 2-27 Palace of Shapur I, Ctesiphon, Iraq, ca. 250 CE.
  • 81. Figure 2-28 Triumph of Shapur I over Valerian, rock-cut relief, Bishapur, Iran, ca. 260 CE.
  • 82.
  • 83.