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INDIAN
MANDALAS
• The origin of the mandala is the center, a
  dot. It is a symbol apparently free of
  dimensions. It means a
  ’seed’, ’sperm’, ‘drop’, the salient starting
  point.
• It represents the outer and inner spaces.
• The mandala appears as a series of
  concentric circles.
• Other lines are drawn until they
  intersect, creating triangular geometrical
  patterns and quadrants.
• The deity lies in the center.
Mandala Geometrical Structure
CONTEMPORARY
  MANDALAS
VENUZ WHITE
 Colombian Artist that uses the
visual concept of the concentric
circle as the main element in her
             art work.
MARIA FERNANDA
   CARDOSO
Colombian instalator. She works
  with the Mandala Structure
  using real disected animals.
10TH, PPP indian mandalas. BIM 1, 2012
10TH, PPP indian mandalas. BIM 1, 2012
10TH, PPP indian mandalas. BIM 1, 2012
10TH, PPP indian mandalas. BIM 1, 2012

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10TH, PPP indian mandalas. BIM 1, 2012

  • 2. • The origin of the mandala is the center, a dot. It is a symbol apparently free of dimensions. It means a ’seed’, ’sperm’, ‘drop’, the salient starting point. • It represents the outer and inner spaces. • The mandala appears as a series of concentric circles. • Other lines are drawn until they intersect, creating triangular geometrical patterns and quadrants. • The deity lies in the center.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23. VENUZ WHITE Colombian Artist that uses the visual concept of the concentric circle as the main element in her art work.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30. MARIA FERNANDA CARDOSO Colombian instalator. She works with the Mandala Structure using real disected animals.