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Section A: theoretical analysis
Questions A and B
Question 1a
Describe and evaluate skill development from the
 Foundation Portfolio to Advanced.
You will have to refer to one or two specific
 production practices out of the following:

•   Digital Technology
•   Creativity
•   Research and Planning
•   Post-production
•   Using conventions from real media texts
Discuss the areas: what do they
cover?
Creativity refers to: the creative development of the student/group
  from pre-production to production to post-production.
This means the research and development of an idea, what
  software/resources enable you to expand on this.
How have you progressed in terms of creative
  ideas/knowledge/awareness about the concept of media texts, to the
  audience consumption of them?
Think over the 2 years and what things specifically enabled this
  development.
Task:
• Make notes on every area for your practical tasks
  over the 2 years.
• You can help each other, particularly if you
  worked together in a production.
Question 1b
Here you select one production and evaluate it in
  relation to a concept:
• Media Language
• Genre
• Narrative
• Representation
• Audience

Top level candidates will need to discuss
theories in the analysis (L4) and name/relate to
‘key thinkers’.
• The production may not fit easily with the
  named concept, you must be able to describe the
  product in terms of it not fitting
  straightforwardly.
• Apply the product to the theory or use your
  product to challenge it – need knowledge for
  either approach.
• Can use AS or A2      main task or
  preliminary/ancillary
Focus : audience
• Share broad connections between your
  productions and the way audiences read them.

Hard in this day and age to conceive of a media
 audience as a stable, identifiable group.
Key question: how do people make sense of and
 give meaning to media products?
Make notes

Make notes on the other four headings:
How do your productions fit/not fit with the
 concepts of:
Genre
Narrative
Media Language (codes/conventions/semiotics
 etc)
Representation

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Intro to sections 1a 1b

  • 1. Section A: theoretical analysis Questions A and B
  • 2. Question 1a Describe and evaluate skill development from the Foundation Portfolio to Advanced. You will have to refer to one or two specific production practices out of the following: • Digital Technology • Creativity • Research and Planning • Post-production • Using conventions from real media texts
  • 3. Discuss the areas: what do they cover? Creativity refers to: the creative development of the student/group from pre-production to production to post-production. This means the research and development of an idea, what software/resources enable you to expand on this. How have you progressed in terms of creative ideas/knowledge/awareness about the concept of media texts, to the audience consumption of them? Think over the 2 years and what things specifically enabled this development.
  • 4. Task: • Make notes on every area for your practical tasks over the 2 years. • You can help each other, particularly if you worked together in a production.
  • 5. Question 1b Here you select one production and evaluate it in relation to a concept: • Media Language • Genre • Narrative • Representation • Audience Top level candidates will need to discuss theories in the analysis (L4) and name/relate to ‘key thinkers’.
  • 6. • The production may not fit easily with the named concept, you must be able to describe the product in terms of it not fitting straightforwardly. • Apply the product to the theory or use your product to challenge it – need knowledge for either approach. • Can use AS or A2 main task or preliminary/ancillary
  • 7. Focus : audience • Share broad connections between your productions and the way audiences read them. Hard in this day and age to conceive of a media audience as a stable, identifiable group. Key question: how do people make sense of and give meaning to media products?
  • 8. Make notes Make notes on the other four headings: How do your productions fit/not fit with the concepts of: Genre Narrative Media Language (codes/conventions/semiotics etc) Representation