Intervento di Carlotta Margarone, Fondazione Torino Musei, al convegno "Verso nuovi mondi. Dati, intelligenza artificiale, cultura" (Torino, 30 ottobre 2018), organizzato dal CSI Piemonte.
Intro to CAA 2012 session "Visualization as a Method in Art History"Lev Manovich
My introduction to CAA 2012 session "Visualization as a Method in Art History"
February 24, 2012
Session info:
http://lab.softwarestudies.com/2012/02/visualization-as-method-in-art-history.html
This document discusses the history and development of computing technologies in art museums from the 1960s to the present. It notes early proposals from the 1960s about using computers to access information about artworks across collections worldwide. Specific early digital projects aimed at cataloging and analyzing artworks are also mentioned from the 1960s and 1970s. The development of standards, databases, and the internet are then reviewed in transforming how art information is stored and accessed over subsequent decades to the present digital age.
Oldest Museum, Newest Ideas: Revolutionising Accessibility of World Famous Ar...Crowdsourcing Week
Which is one of the oldest institutions to harness the combined power of crowdsourcing and online community building? Fr. Mark Haydu looks into how the Vatican is engaging the online community around restoration art.
Presented at Crowdsourcing Week Global 2016. Learn more and join the next event: www.crowdsourcingweek.com
Immersion in Virtual Urban Environment: The Design of Consumer Based Economic...Junie Kwon
"Immersion in Virtual Urban Environment: The Design of Consumer Based Economic Platforms for Virtual Co-Creation Participants"
<conference>
2016 Fall Conference of The Korea Society of Management Information Systems
Session A2 : ICT Collaboration
Time : 14:00 ~ 15:40, Friday 4th November
Room : Auditorium, Center for Korea Science and Technology
Full time table : http://www.kmis.or.kr/kmis/file/2016_program_guide.pdf
The document discusses public art in Johannesburg and Cape Town. It notes that while street art is more rebellious due to its unauthorized nature, public art is often government or business funded. Johannesburg aims to become the biggest street art city by 2040. Cape Town has catalogued 120 permanent art pieces, 190 murals, and 270 temporary pieces. The most expensive piece of public art in Cape Town is a donated section of the Berlin Wall. Both cities see public art as a way to establish shared identity and beautify public spaces in their cosmopolitan, post-apartheid settings.
The Metropolitan Museum of Art has several strengths such as its location in New York City which brings in many visitors from around the world, its diverse exhibitions and collection of different art forms, and its educational programs. However, it also faces some weaknesses like a decrease in operating endowment and net income. Potential threats include budget cuts, losing younger audiences to more modern museums, and the growth of digital media.
Intro to CAA 2012 session "Visualization as a Method in Art History"Lev Manovich
My introduction to CAA 2012 session "Visualization as a Method in Art History"
February 24, 2012
Session info:
http://lab.softwarestudies.com/2012/02/visualization-as-method-in-art-history.html
This document discusses the history and development of computing technologies in art museums from the 1960s to the present. It notes early proposals from the 1960s about using computers to access information about artworks across collections worldwide. Specific early digital projects aimed at cataloging and analyzing artworks are also mentioned from the 1960s and 1970s. The development of standards, databases, and the internet are then reviewed in transforming how art information is stored and accessed over subsequent decades to the present digital age.
Oldest Museum, Newest Ideas: Revolutionising Accessibility of World Famous Ar...Crowdsourcing Week
Which is one of the oldest institutions to harness the combined power of crowdsourcing and online community building? Fr. Mark Haydu looks into how the Vatican is engaging the online community around restoration art.
Presented at Crowdsourcing Week Global 2016. Learn more and join the next event: www.crowdsourcingweek.com
Immersion in Virtual Urban Environment: The Design of Consumer Based Economic...Junie Kwon
"Immersion in Virtual Urban Environment: The Design of Consumer Based Economic Platforms for Virtual Co-Creation Participants"
<conference>
2016 Fall Conference of The Korea Society of Management Information Systems
Session A2 : ICT Collaboration
Time : 14:00 ~ 15:40, Friday 4th November
Room : Auditorium, Center for Korea Science and Technology
Full time table : http://www.kmis.or.kr/kmis/file/2016_program_guide.pdf
The document discusses public art in Johannesburg and Cape Town. It notes that while street art is more rebellious due to its unauthorized nature, public art is often government or business funded. Johannesburg aims to become the biggest street art city by 2040. Cape Town has catalogued 120 permanent art pieces, 190 murals, and 270 temporary pieces. The most expensive piece of public art in Cape Town is a donated section of the Berlin Wall. Both cities see public art as a way to establish shared identity and beautify public spaces in their cosmopolitan, post-apartheid settings.
The Metropolitan Museum of Art has several strengths such as its location in New York City which brings in many visitors from around the world, its diverse exhibitions and collection of different art forms, and its educational programs. However, it also faces some weaknesses like a decrease in operating endowment and net income. Potential threats include budget cuts, losing younger audiences to more modern museums, and the growth of digital media.
Economic development in New Mexico can be achieved if we integrate the scientific and cultural tools, traditions and resources of the Rio Grande valley.
City of San Antonio - Texas Digitization Expo 2010Sarah Walch, CA
The City of San Antonio archives program began in 2005 and has since expanded through grants from the National Historical Publications and Records Commission totaling $150,000. The program houses and makes available over 74 collections related to the history of San Antonio. Current projects include acquiring new materials, exhibits, digitization in partnership with the public library, and seeking funding for a new facility.
The document provides information about the IDEAS CITY Festival that will take place from May 28-30, 2015 in New York City. The festival theme is "The Invisible City" and will explore questions of transparency, citizenship, expression, participation and the quest for visibility in cities. The festival will include talks, panels, films and discussions at the Great Hall of the Cooper Union on May 28th. Panelists will discuss issues like designing cities for the future, the role of data and privacy in democracy, and networks and infrastructure. The festival aims to create networks between thinkers from different fields and engage the public in addressing civic issues.
Kp temporal intervention-the city innovation for public arts in bangkokSarit Tiyawongsuwan
This document summarizes research on innovations in public art in Bangkok, Thailand over the past decade. It finds that concepts of temporality, transience, and fun have been employed in two types of public art interventions: participatory art in commercial areas like shopping malls, and community art in local neighborhoods. These new forms of public art are more interactive and aim to engage the public directly, addressing past issues of art being detached from everyday life. The innovations represent an opportunity to reinvigorate Thai artistic traditions and reconnect urban and local communities through art.
ARTEX - global art platform on blockchain, 2017Anna Shvets
The first global art platform on blobchain technology.
The ARTEX Project creates a new history of pieces of art based on Blockchain Technology
The project creators intend to resolve the main problem of art market – creating together with ART community leaders a unified open register of pieces of art (based on Blockchain* Technology), which will show all the information about transactions, exhibitions, publications and so on (provenance**). Anyone willing to buy a piece of art will be able to receive, with the help of a simple mobile application, a reliable information about the author, owner, and the gallery manager, to learn the price index and location of the piece of art. This will make art market transparent and clear, thus opening one of the best methods of risk diversification to the younger generation of investors.
https://artex.global
The document describes the inhabitants of Knoxville, Tennessee as "folk" who contribute to the unique character of the city through their varied cultures and backgrounds. It compares the city to a machine-like quality created by the combination of different types of people, represented by symbols like a raccoon, cyclist, child, librarian, and student. The proposed Cormac McCarthy Research Library aims to provide a contrast to this machine-like city by giving a space for locals to create art with their hands and turn away from machines. It will include a makerspace, art exhibitions, children's area, cafe, and views of the Tennessee River to embrace the outdoors.
The document discusses how museums, libraries, and archives are facing a shift from scarcity of materials to an abundance of digitized content and user-generated materials. It explores how the United States Holocaust Memorial Museum (USHMM) uses crowdsourcing and "citizen history" projects to engage the public in interpreting, transcribing, and providing context around archival collections. Key differences are noted between crowdsourcing, which focuses on collections goals, and citizen history projects, which prioritize research and educational outcomes. The USHMM aims to create open-ended environments for joint meaning-making between experts and the public around large digital collections.
The New Mexico Museum of Art has been selected to receive 50 works of art from the Dorothy and Herbert Vogel Collection as part of a program to distribute their collection of 2,500 contemporary art works to institutions across the United States. The museum will receive drawings, paintings, sculptures, photographs, and prints by over 170 artists representing different movements from the post-minimalist period. An exhibition of the works from the Vogel Collection will be held at the museum in 2010.
Digital Heritage - Principles, tactics, trends and perspectivesJacob Wang
Talk given at the CARARE Final Policy Conference at The National Museums of Denmark in Copenhagen, November 8-9 2012.
http://www.carare.eu/eng/Activities/CARARE-Final-Conference
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience?
This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning.
This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAM’s collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences.
Museums and Big Data — Supporting Exploration, Innovation, and Audience Engag...Robert J. Stein
Today’s museums are awash in data. With so many sources of information available, an organization can be drowning in numbers, but starved for real insight. Robert Stein, former Deputy Director of the Dallas Museum of Art (DMA), will examine how museums can begin to collect and analyze data to illuminate their practice and enhance their impact on visitors. Using a unique visitor loyalty program at the DMA as a case study, he will raise questions about what “big data” in the cultural sector looks like and what insights it might provide.
NewYorkHeritage.org overview for historiansLarry Naukam
The document summarizes the New York Heritage Digital Collections Project, which provides free public access to digitized historical collections from across New York State. The project aims to connect 1,000 collections containing 1 million items. It acts as a gateway, allowing federated searches of digitized items from various regional councils. Collections come from libraries, museums, and archives, and represent a broad range of materials like photographs, letters, diaries, and newspapers. The digital collections can be used by educators, researchers, genealogists and others, and allow safer access to fragile historical materials. Participation is free for member institutions of the regional councils.
Kanoa Ishihara - State Theatre Culture of Inclusion GrantKanoa Ishihara
This document provides background information and research on the State Theatre of Ithaca and the cultural and economic impacts of creative arts initiatives. It discusses how the State Theatre preserves Ithaca's history and identity and generates millions in local economic activity annually. The literature review also describes how the arts industry supports over a million jobs nationally and brings communities together while attracting skilled workers and stimulating downtown development.
The document discusses contemporary visual arts organizations in Cumbria and Lancashire, England. It summarizes that there are 12 such organizations serving a population of over 2 million people across the counties. Contemporary visual arts in the region can transform places, provide experiences that benefit people and the local economy, and attract visitors and investment to the area.
This document outlines the aims and core concepts of a critical history of Universal Expositions (EXPOs). It examines the origins of EXPOs and how their nature has changed over time, from displays of industrial and imperial power in the 19th century to expressions of national identity and globalization today. The document also discusses key EXPOs throughout history, potential positive and negative impacts of EXPOs, and challenges around evaluating their success. Humanities and social science disciplines are identified as useful for critically assessing EXPOs and their role in modern society.
Презентація Філа Вуда про Стратегії культурної політики міст.Наталя Гнатюк
Презентація любязно надана паном Філом Вудом для використання в громадах України. Дуже сподіваюся що стане корисною для працівників як бібліотек так і інших закладів культури.
The document discusses the relationship between artistic practice and archives. It provides examples of how artistic works have been inspired by and engaged with archive materials in novel ways, such as altering the performativity and visualization of archives. The document also explores how artistic practice can contribute to understanding the impact of new technologies on archives and foster new visions of archives' roles in society and culture. It examines issues around cooperation between archivists and artists and developing interdisciplinary work while respecting different practices.
Artcasting: reflections on inventive digital evaluationjenrossity
Presentation given by Jen Ross at the Scottish Network on Digital Cultural Resources Evaluation Workshop 3. https://scotdigich.wordpress.com/2016/04/01/report-from-workshop-3-evaluating-use-and-impact/
Distributed curation and global to local methodology Kim Arcand
Investigating distributed curation and global-to-local methodologies in the From Earth to the Universe project. Adapted from a presentation for Brown Univ. on November 17, 2010.
"SocializziAmo" per un uso sicuro e consapevole dei social da parte dei minoriCSI Piemonte
Convegno "Stop al bullismo al cyberbullismo" | 16 febbraio 2022
Intervento di Marina Mancini, coordinatrice PA social Sicilia e segretario nazionale Gus Gruppo Uffici stampa di Fnsi
Webinar "Gli audit di compliance: l'importanza dell'accountability" | 27 gennaio 2022
Intervento di Riccardo Giannetti, Presidente Osservatorio 679 e co-autore articoli 42 e 43 del GDPR
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Similaire à >>> Fast forward and rewind<<< Nuove strategie (digitali) per la FTM - Carlotta Margarone
Economic development in New Mexico can be achieved if we integrate the scientific and cultural tools, traditions and resources of the Rio Grande valley.
City of San Antonio - Texas Digitization Expo 2010Sarah Walch, CA
The City of San Antonio archives program began in 2005 and has since expanded through grants from the National Historical Publications and Records Commission totaling $150,000. The program houses and makes available over 74 collections related to the history of San Antonio. Current projects include acquiring new materials, exhibits, digitization in partnership with the public library, and seeking funding for a new facility.
The document provides information about the IDEAS CITY Festival that will take place from May 28-30, 2015 in New York City. The festival theme is "The Invisible City" and will explore questions of transparency, citizenship, expression, participation and the quest for visibility in cities. The festival will include talks, panels, films and discussions at the Great Hall of the Cooper Union on May 28th. Panelists will discuss issues like designing cities for the future, the role of data and privacy in democracy, and networks and infrastructure. The festival aims to create networks between thinkers from different fields and engage the public in addressing civic issues.
Kp temporal intervention-the city innovation for public arts in bangkokSarit Tiyawongsuwan
This document summarizes research on innovations in public art in Bangkok, Thailand over the past decade. It finds that concepts of temporality, transience, and fun have been employed in two types of public art interventions: participatory art in commercial areas like shopping malls, and community art in local neighborhoods. These new forms of public art are more interactive and aim to engage the public directly, addressing past issues of art being detached from everyday life. The innovations represent an opportunity to reinvigorate Thai artistic traditions and reconnect urban and local communities through art.
ARTEX - global art platform on blockchain, 2017Anna Shvets
The first global art platform on blobchain technology.
The ARTEX Project creates a new history of pieces of art based on Blockchain Technology
The project creators intend to resolve the main problem of art market – creating together with ART community leaders a unified open register of pieces of art (based on Blockchain* Technology), which will show all the information about transactions, exhibitions, publications and so on (provenance**). Anyone willing to buy a piece of art will be able to receive, with the help of a simple mobile application, a reliable information about the author, owner, and the gallery manager, to learn the price index and location of the piece of art. This will make art market transparent and clear, thus opening one of the best methods of risk diversification to the younger generation of investors.
https://artex.global
The document describes the inhabitants of Knoxville, Tennessee as "folk" who contribute to the unique character of the city through their varied cultures and backgrounds. It compares the city to a machine-like quality created by the combination of different types of people, represented by symbols like a raccoon, cyclist, child, librarian, and student. The proposed Cormac McCarthy Research Library aims to provide a contrast to this machine-like city by giving a space for locals to create art with their hands and turn away from machines. It will include a makerspace, art exhibitions, children's area, cafe, and views of the Tennessee River to embrace the outdoors.
The document discusses how museums, libraries, and archives are facing a shift from scarcity of materials to an abundance of digitized content and user-generated materials. It explores how the United States Holocaust Memorial Museum (USHMM) uses crowdsourcing and "citizen history" projects to engage the public in interpreting, transcribing, and providing context around archival collections. Key differences are noted between crowdsourcing, which focuses on collections goals, and citizen history projects, which prioritize research and educational outcomes. The USHMM aims to create open-ended environments for joint meaning-making between experts and the public around large digital collections.
The New Mexico Museum of Art has been selected to receive 50 works of art from the Dorothy and Herbert Vogel Collection as part of a program to distribute their collection of 2,500 contemporary art works to institutions across the United States. The museum will receive drawings, paintings, sculptures, photographs, and prints by over 170 artists representing different movements from the post-minimalist period. An exhibition of the works from the Vogel Collection will be held at the museum in 2010.
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Talk given at the CARARE Final Policy Conference at The National Museums of Denmark in Copenhagen, November 8-9 2012.
http://www.carare.eu/eng/Activities/CARARE-Final-Conference
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience?
This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning.
This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAM’s collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences.
Museums and Big Data — Supporting Exploration, Innovation, and Audience Engag...Robert J. Stein
Today’s museums are awash in data. With so many sources of information available, an organization can be drowning in numbers, but starved for real insight. Robert Stein, former Deputy Director of the Dallas Museum of Art (DMA), will examine how museums can begin to collect and analyze data to illuminate their practice and enhance their impact on visitors. Using a unique visitor loyalty program at the DMA as a case study, he will raise questions about what “big data” in the cultural sector looks like and what insights it might provide.
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The document summarizes the New York Heritage Digital Collections Project, which provides free public access to digitized historical collections from across New York State. The project aims to connect 1,000 collections containing 1 million items. It acts as a gateway, allowing federated searches of digitized items from various regional councils. Collections come from libraries, museums, and archives, and represent a broad range of materials like photographs, letters, diaries, and newspapers. The digital collections can be used by educators, researchers, genealogists and others, and allow safer access to fragile historical materials. Participation is free for member institutions of the regional councils.
Kanoa Ishihara - State Theatre Culture of Inclusion GrantKanoa Ishihara
This document provides background information and research on the State Theatre of Ithaca and the cultural and economic impacts of creative arts initiatives. It discusses how the State Theatre preserves Ithaca's history and identity and generates millions in local economic activity annually. The literature review also describes how the arts industry supports over a million jobs nationally and brings communities together while attracting skilled workers and stimulating downtown development.
The document discusses contemporary visual arts organizations in Cumbria and Lancashire, England. It summarizes that there are 12 such organizations serving a population of over 2 million people across the counties. Contemporary visual arts in the region can transform places, provide experiences that benefit people and the local economy, and attract visitors and investment to the area.
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The document discusses the relationship between artistic practice and archives. It provides examples of how artistic works have been inspired by and engaged with archive materials in novel ways, such as altering the performativity and visualization of archives. The document also explores how artistic practice can contribute to understanding the impact of new technologies on archives and foster new visions of archives' roles in society and culture. It examines issues around cooperation between archivists and artists and developing interdisciplinary work while respecting different practices.
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The original Czech 🇨🇿 version of the presentation can be found here: https://www.slideshare.net/slideshow/hlavni-novinky-souvisejici-s-ccs-tsi-2023-2023-1695/269688092 .
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Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
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- How do CCB and CCX licenses really work?
- Understanding the DLAU tool and how to best utilize it
- Tips for common problem areas, like team mailboxes, functional/test users, etc
- Practical examples and best practices to implement right away
HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
Discover the seamless integration of RPA (Robotic Process Automation), COMPOSER, and APM with AWS IDP enhanced with Slack notifications. Explore how these technologies converge to streamline workflows, optimize performance, and ensure secure access, all while leveraging the power of AWS IDP and real-time communication via Slack notifications.
Threats to mobile devices are more prevalent and increasing in scope and complexity. Users of mobile devices desire to take full advantage of the features
available on those devices, but many of the features provide convenience and capability but sacrifice security. This best practices guide outlines steps the users can take to better protect personal devices and information.
TrustArc Webinar - 2024 Global Privacy SurveyTrustArc
How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
In the fifth annual Global Privacy Benchmarks Survey, we asked over 1,800 global privacy professionals and business executives to share their perspectives on the current state of privacy inside and outside of their organizations. This year’s report focused on emerging areas of importance for privacy and compliance professionals, including considerations and implications of Artificial Intelligence (AI) technologies, building brand trust, and different approaches for achieving higher privacy competence scores.
See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
This webinar will review:
- The top 10 privacy insights from the fifth annual Global Privacy Benchmarks Survey
- The top challenges for privacy leaders, practitioners, and organizations in 2024
- Key themes to consider in developing and maintaining your privacy program
Ocean lotus Threat actors project by John Sitima 2024 (1).pptxSitimaJohn
Ocean Lotus cyber threat actors represent a sophisticated, persistent, and politically motivated group that poses a significant risk to organizations and individuals in the Southeast Asian region. Their continuous evolution and adaptability underscore the need for robust cybersecurity measures and international cooperation to identify and mitigate the threats posed by such advanced persistent threat groups.
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Monitoring and Managing Anomaly Detection on OpenShift.pdfTosin Akinosho
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
OpenID AuthZEN Interop Read Out - AuthorizationDavid Brossard
During Identiverse 2024 and EIC 2024, members of the OpenID AuthZEN WG got together and demoed their authorization endpoints conforming to the AuthZEN API
Webinar: Designing a schema for a Data WarehouseFederico Razzoli
Are you new to data warehouses (DWH)? Do you need to check whether your data warehouse follows the best practices for a good design? In both cases, this webinar is for you.
A data warehouse is a central relational database that contains all measurements about a business or an organisation. This data comes from a variety of heterogeneous data sources, which includes databases of any type that back the applications used by the company, data files exported by some applications, or APIs provided by internal or external services.
But designing a data warehouse correctly is a hard task, which requires gathering information about the business processes that need to be analysed in the first place. These processes must be translated into so-called star schemas, which means, denormalised databases where each table represents a dimension or facts.
We will discuss these topics:
- How to gather information about a business;
- Understanding dictionaries and how to identify business entities;
- Dimensions and facts;
- Setting a table granularity;
- Types of facts;
- Types of dimensions;
- Snowflakes and how to avoid them;
- Expanding existing dimensions and facts.
How to Interpret Trends in the Kalyan Rajdhani Mix Chart.pdfChart Kalyan
A Mix Chart displays historical data of numbers in a graphical or tabular form. The Kalyan Rajdhani Mix Chart specifically shows the results of a sequence of numbers over different periods.
7. • MUSEI COME DATA CENTER :
- REPOSITORY DELLA STORIA E DELLA PRODUZIONE ARTISTICA DELL’UMANITA(VALORE
DELLA MEMORIA), INSIEME AD ARCHIVI E BIBLIOTECHE
• BLOCKCHAIN:
- TRACCIAMENTO DELLA COLLEZIONE (REGISTRI DI INGRESSO, USCITA,
MOVIMENTAZIONE)
- MESSA A VALORE DEI PRESTITI E DELLE DONAZIONI
- MESSA A VALORE DELLA PRODUZIONE CONTEMPORANEA
- COSTRUZIONE DI CATALOGHI DIGITALI OLISTICI (OGGETTO, TESTI E DOCUMENTI,
RAPPORTI CON LA CULTURA E LE STORIE DELLE COMUNITÀ DI RIFERIMENTO)
• VR
- IN PRESENZA, A DISTANZA, ESPERIENZA COMUNITARIA
• AI
- CAREGIVING; ACCOMPAGNAMENTO ALLA VISITA; CONTESTUALIZZAZIONE E
MEDIAZIONE (SULLE SPALLE DEI GIGANTI)
9. Il museo è un'istituzione permanente senza scopo di
lucro, al servizio della società e del suo sviluppo. È
aperto al pubblico e compie ricerche che riguardano
le testimonianze materiali e immateriali dell'umanità
e del suo ambiente: le acquisisce, le conserva, le
comunica e, soprattutto, le espone a fini di studio,
educazione e diletto.
International Council of Museums
1989
10. “LA MISSIONE DELL’ ANACOSTIA MUSEUM È SFIDARE LE PERCEZIONI, AMPLIARE LE PROSPETTIVE,
CREARE NUOVI SAPERI E APPROFONDIRE LA CONOSCENZA DEI CONCETTI IN CONTINUA
EVOLUZIONE E LE REALTÀ DELLA ‘COMUNITÀ’ …” 1966 , ANACOSTIA NEIGHBORHOOD MUSEUM
WASHINGTON DC, (JOHN KINARD)
11. Social Return Of Investment (S-ROI)
https://www.americansforthearts.org/socialimpact?fbclid=IwAR3lBGMyFdzBF588BhHgZuCrmdpurSUPApzrwMeQ3LJZYIAlvvt2NLWmvbw
12. 'Information', an exhibition at the Museum of Modern
Art in 1970, claimed to be the first conceptual art
exhibition mounted by a U.S. museum. The artist Hans
Haacke posited this SYSTEM as art: a query, a response
algorithm, and its visual feedback.
Question:
Would the fact that Governor Rockefeller has not
denounced President Nixon's Indochina policy be a
reason for you not to vote for him in November ?
Answer:
If 'yes'
please cast your ballot into the left box
if 'no'
into the right box.
'Ballots' were dropped into either of two plexi-glass
ballot boxes [visitors chose "yes" twice as often as
"no"].
New York Governer Nelson Rockefeller was a member of
the board of trustees of MOMA and planning a run for
the U.S. Presidency at the time.
13. MUSEI COME LUOGHI DELL’AZIONE SOCIALE
We generate culture that moves people.
YBCA believes that culture is an essential catalyst for change.
Therefore, it’s the responsibility of arts institutions to spur and
support societal movement.
Our mission is fulfilled through five key platforms:
1.The presentation of leading edge contemporary art
2.The incubation of game changing creative ideas
3.A commitment to inquiry, and asking the urgent questions of our
time
4.Convenings that bridge people, communities, and sectors
5.Civic coalitions that create lasting change and policy shift
https://www.ybca.org/Yerba Buena Center for the Arts, San Francisco