Getting more out of indian oil and gas retail sectorDhanish Ahsen
The document discusses innovations in India's petroleum retail sector. It notes that consumers are demanding more services like cashless payments, quick refueling, and amenities like restaurants and ATMs at gas stations. It also discusses the government opening the sector to private companies and new marketing strategies used by companies to attract customers and build brand loyalty. The sector is facing pressure to adapt and provide additional services as consumer expectations change.
Getting more out of indian oil and gas retail sectorDhanish Ahsen
The document discusses innovations in India's petroleum retail sector. It notes that consumers are demanding more services like cashless payments, quick refueling, and amenities like restaurants and ATMs at gas stations. It also discusses the government opening the sector to private companies and new marketing strategies used by companies to attract customers and build brand loyalty. The sector is facing pressure to adapt and provide additional services as consumer expectations change.
Este documento discute as etapas envolvidas em uma meta-análise. Apresenta exemplos de modelos de etapas propostos por diferentes autores e conclui que embora os modelos possam variar, as etapas geralmente envolvem a formulação de um problema, coleta e avaliação de dados, síntese dos dados e apresentação dos resultados.
Este documento discute conceitos fundamentais de design e interação. Primeiro, aborda a definição de design segundo Frascara e os objetivos da interação. Em seguida, descreve como a complexidade de um sistema está ligada ao grau de dificuldade de prever as inter-relações entre suas partes e a importância da experiência do usuário. Por fim, destaca que acessibilidade, usabilidade e affordance são essenciais para uma boa interação.
O documento discute as vantagens da meta-análise, incluindo a capacidade de sintetizar evidências de vários estudos, isolar variáveis moderadoras e gerar novas hipóteses de pesquisa. A meta-análise também evita pesquisas desnecessárias sobre temas já estudados.
O documento fornece 6 dicas sobre identidade visual para websites. As dicas incluem pensar na apresentação de aspectos técnicos e da marca, entender o público-alvo, testar várias ideias com eles, ler autores sobre o assunto, seguir tabelas de cores acessíveis e refletir as qualidades da pessoa.
The document provides information about SMBU Premium, a trader education service offered by SMB Capital Management and SMB Training. It discusses 3 steps to becoming a winning trader: determine your goal, develop your trading process, and improve your character. Contact information is provided to learn more about SMBU Premium trader education resources including video lessons, mentoring sessions, and performance tracking tools.
For many of us, everyday is Earth Day. For others, taking on responsibilities for the planet seems overwhelming. Not to worry! Here are a few simple things you can do to make a HUGE difference.
The document discusses Late Antique and Byzantine art from the 4th to 7th centuries CE. It provides context on the emergence of Christian art and its influences from Roman art. Specifically, it summarizes that early Christian art appeared in the catacombs of Rome using Roman painting styles and symbols to represent Old Testament stories. As Christianity became the official religion, churches were built based on Roman basilica and central plans, adapting pagan elements. The document also discusses the rise of Byzantine art under the patronage of Justinian, including Hagia Sophia, and the use of mosaics and icon paintings in the Byzantine tradition following the Iconoclastic controversy.
The document discusses several works of art from the Early Middle Ages and Romanesque period in Europe. It provides information on a 6th century Merovingian fibula, pages from the 8th century Lindisfarne Gospels including portraits of Matthew and Luke, and the Romanesque Church of Sainte-Foy in France from the 11th-12th century along with its relic container. It also mentions the Bayeux Tapestry from the 11th century depicting the Norman invasion of England. The works demonstrate evolving styles in medieval Europe like animalistic decoration, illuminated manuscripts, stone architecture, sculpture, and narrative embroidery.
Late Antique and Byzantine Art spanned from the 4th to 15th centuries in Europe. Key developments included the legalization of Christianity under Constantine, which led to new church building types adapting Roman basilica and central plans. Early Christian art appeared primarily in the catacombs of Rome using symbols like the Chi Ro and Good Shepherd. The Byzantine Empire continued imperial patronage of art beginning with Justinian, seen in mosaic masterpieces like San Vitale and Hagia Sophia. Icon painting emerged as a distinctive tradition, though it faced bans during the Iconoclastic Controversy.
The document summarizes developments in Northern Europe during the 16th century, including the Protestant Reformation led by Martin Luther, the impact on art with an increased focus on portraits and genre scenes over religious images, and the work of major artists like Bosch, Bruegel, and Dürer. Key events were Luther nailing his 95 theses in 1517, sparking reforms like salvation through faith alone and translating the Bible into local languages. Artists explored new subjects and styles within the technical developments of printmaking and responded to religious and social changes in Northern Europe during this period.
The document summarizes Mannerism in the later 16th century in Italy. It emerged in the 1520s in reaction to High Renaissance styles like Raphael. Key features included artificiality, twisted figures, and complex compositions that were difficult to interpret. Major mannerist artists included Pontormo, Bronzino, and Parmigianino. Architecture during this period synthesized mannerist and classical elements, as seen in the works of Palladio. The Counter Reformation also influenced art through directives from the Council of Trent.
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
The document provides an overview of early Renaissance art in Northern Europe during the 15th century. It focuses on Flanders, which was a wealthy region under Burgundian rule. Oil painting became popular among Flemish artists, allowing for richer colors than previous techniques. Notable painters mentioned include the Limbourg Brothers, Robert Campin, Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes. Their works, such as van Eyck's Ghent Altarpiece and Arnolfini Portrait, were renowned for their luminous colors, intricate details, and naturalistic style.
Este documento discute as etapas envolvidas em uma meta-análise. Apresenta exemplos de modelos de etapas propostos por diferentes autores e conclui que embora os modelos possam variar, as etapas geralmente envolvem a formulação de um problema, coleta e avaliação de dados, síntese dos dados e apresentação dos resultados.
Este documento discute conceitos fundamentais de design e interação. Primeiro, aborda a definição de design segundo Frascara e os objetivos da interação. Em seguida, descreve como a complexidade de um sistema está ligada ao grau de dificuldade de prever as inter-relações entre suas partes e a importância da experiência do usuário. Por fim, destaca que acessibilidade, usabilidade e affordance são essenciais para uma boa interação.
O documento discute as vantagens da meta-análise, incluindo a capacidade de sintetizar evidências de vários estudos, isolar variáveis moderadoras e gerar novas hipóteses de pesquisa. A meta-análise também evita pesquisas desnecessárias sobre temas já estudados.
O documento fornece 6 dicas sobre identidade visual para websites. As dicas incluem pensar na apresentação de aspectos técnicos e da marca, entender o público-alvo, testar várias ideias com eles, ler autores sobre o assunto, seguir tabelas de cores acessíveis e refletir as qualidades da pessoa.
The document provides information about SMBU Premium, a trader education service offered by SMB Capital Management and SMB Training. It discusses 3 steps to becoming a winning trader: determine your goal, develop your trading process, and improve your character. Contact information is provided to learn more about SMBU Premium trader education resources including video lessons, mentoring sessions, and performance tracking tools.
For many of us, everyday is Earth Day. For others, taking on responsibilities for the planet seems overwhelming. Not to worry! Here are a few simple things you can do to make a HUGE difference.
The document discusses Late Antique and Byzantine art from the 4th to 7th centuries CE. It provides context on the emergence of Christian art and its influences from Roman art. Specifically, it summarizes that early Christian art appeared in the catacombs of Rome using Roman painting styles and symbols to represent Old Testament stories. As Christianity became the official religion, churches were built based on Roman basilica and central plans, adapting pagan elements. The document also discusses the rise of Byzantine art under the patronage of Justinian, including Hagia Sophia, and the use of mosaics and icon paintings in the Byzantine tradition following the Iconoclastic controversy.
The document discusses several works of art from the Early Middle Ages and Romanesque period in Europe. It provides information on a 6th century Merovingian fibula, pages from the 8th century Lindisfarne Gospels including portraits of Matthew and Luke, and the Romanesque Church of Sainte-Foy in France from the 11th-12th century along with its relic container. It also mentions the Bayeux Tapestry from the 11th century depicting the Norman invasion of England. The works demonstrate evolving styles in medieval Europe like animalistic decoration, illuminated manuscripts, stone architecture, sculpture, and narrative embroidery.
Late Antique and Byzantine Art spanned from the 4th to 15th centuries in Europe. Key developments included the legalization of Christianity under Constantine, which led to new church building types adapting Roman basilica and central plans. Early Christian art appeared primarily in the catacombs of Rome using symbols like the Chi Ro and Good Shepherd. The Byzantine Empire continued imperial patronage of art beginning with Justinian, seen in mosaic masterpieces like San Vitale and Hagia Sophia. Icon painting emerged as a distinctive tradition, though it faced bans during the Iconoclastic Controversy.
The document summarizes developments in Northern Europe during the 16th century, including the Protestant Reformation led by Martin Luther, the impact on art with an increased focus on portraits and genre scenes over religious images, and the work of major artists like Bosch, Bruegel, and Dürer. Key events were Luther nailing his 95 theses in 1517, sparking reforms like salvation through faith alone and translating the Bible into local languages. Artists explored new subjects and styles within the technical developments of printmaking and responded to religious and social changes in Northern Europe during this period.
The document summarizes Mannerism in the later 16th century in Italy. It emerged in the 1520s in reaction to High Renaissance styles like Raphael. Key features included artificiality, twisted figures, and complex compositions that were difficult to interpret. Major mannerist artists included Pontormo, Bronzino, and Parmigianino. Architecture during this period synthesized mannerist and classical elements, as seen in the works of Palladio. The Counter Reformation also influenced art through directives from the Council of Trent.
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
The document provides an overview of early Renaissance art in Northern Europe during the 15th century. It focuses on Flanders, which was a wealthy region under Burgundian rule. Oil painting became popular among Flemish artists, allowing for richer colors than previous techniques. Notable painters mentioned include the Limbourg Brothers, Robert Campin, Jan van Eyck, Rogier van der Weyden, Hans Memling, and Hugo van der Goes. Their works, such as van Eyck's Ghent Altarpiece and Arnolfini Portrait, were renowned for their luminous colors, intricate details, and naturalistic style.
In 15th century Italy, Florence emerged as an intellectual, financial, and artistic center under the patronage of the Medici family. Humanism flourished during this period, emphasizing secular ideals and the study of classical Greek and Latin texts. Important early Renaissance artists included Filippo Brunelleschi, who pioneered the use of linear perspective in painting and constructed the dome of Florence Cathedral, and Lorenzo Ghiberti, whose Gates of Paradise on the Florence Baptistery made use of classical influences and set new standards for realism in sculpture. Masaccio's frescoes in Florence further advanced the use of linear perspective and naturalism in figure painting.
Giotto and other early Italian Renaissance artists like Duccio and Lorenzetti moved painting away from the flat Byzantine style towards realistic three-dimensional naturalism through techniques like foreshortening and realistic proportions. Giotto's frescoes in the Scrovegni Chapel showing biblical scenes with complex emotions helped establish him as the father of modern European painting. Duccio and Simone Martini combined Byzantine elements with Italian trends towards realism, creating works with elegant lines and refined colors.
The document provides an overview of Indian art until the 13th century, covering many religions in India including Buddhism, Hinduism, and their artistic traditions. It discusses key Buddhist concepts like the first sermon of Buddha and important figures like Bodhisattvas. For Hinduism, it outlines the pantheon of major gods like Brahma, Vishnu, and Shiva and covers elements of Hindu temples and iconic sculptures such as the Nataraja bronze. Regional artistic styles from areas like Orissa and important architectural works like at Sanchi and Angkor Wat are also summarized.