SlideShare une entreprise Scribd logo
1  sur  15
Sangeetha
Kala -
Presented By
Exploring the Art of Indian Classical Music
Introduction
01
Definiton and Importance
Introduction to
Sangeetha Kala
Table of contents
01 02
03 04
Types Of Sangeetha
kala
Historical Context
Elements of
Sangeethakala
Definition:
 Sangeetha Kala, a term originating from Sanskrit, represents the
rich tapestry of musical artistry within Indian culture.
 It encapsulates the classical music traditions of both Hindustani
and Carnatic styles, renowned for their depth and complexity.
Importance:
 Integral Part of Indian Cultural Heritage: Sangeetha Kala occupies
a central place in the cultural fabric of India, serving as a
reflection of its diverse traditions and values.
 Deeply Rooted in Spirituality and Tradition: Beyond mere
entertainment, Sangeetha Kala is deeply intertwined with
spiritual and religious practices, having evolved over millennia in
temples, courts, and households across the subcontinent.
Introduction
02
Types
Fusion Music
Folk Music
Hindustani Classical
Music
Carnatic Classical
Music
Types of Sangeetha Kala
Types Of Sangeetha Kala
1.Hindustani Classical Music:
 Originating from North India, Hindustani classical music is characterized by its
emotive renditions and intricate compositions.
 Key forms include Khayal, characterized by elaborate improvisations; Thumri,
known for its romantic and devotional themes; and Ghazals, which emphasize
poetic expression and storytelling through music.
2.Carnatic Classical Music:
 Hailing from South India, Carnatic classical music is revered for its rigorous
adherence to melodic and rhythmic structures.
 Known for its intricate compositions, Carnatic music showcases elaborate
improvisations within a disciplined framework, emphasizing precision and purity
of expression.
Types Of Sangeetha Kala
3.Folk Music Traditions:
 India's diverse regions boast a rich tapestry of folk music traditions, each
reflecting unique cultural influences and local customs.
 From the spirited Bihu of Assam to the soul-stirring Baul music of Bengal, folk
music celebrates the essence of rural life, rituals, and storytelling through music.
4.Fusion Music:
 In response to changing musical landscapes, fusion and contemporary trends
have emerged, blending classical elements with modern styles and instruments.
 Fusion music explores innovative collaborations between classical musicians and
artists from diverse genres, creating eclectic compositions that appeal to a
broader audience while preserving the essence of classical traditions.
Historical
Context
03
Historical Context
Evolution:
 Sangeetha Kala traces its roots back to ancient times, with influences from Vedic chants, spiritual
hymns, and classical texts such as Natya Shastra, a treatise on performing arts attributed to Sage
Bharata.
 Over centuries, these foundational elements evolved and merged with regional musical
traditions, resulting in the diverse classical music forms we see today.
Role:
 Initially, Sangeetha Kala was intimately linked with religious rituals and temple ceremonies,
serving as a conduit for spiritual expression and worship.
 As civilization progressed, it transitioned from a ceremonial practice to a refined art form,
gaining patronage in royal courts and aristocratic circles.
 With the passage of time, Sangeetha Kala evolved into a sophisticated and revered tradition,
embodying the cultural ethos and artistic sensibilities of the Indian subcontinent.
04
Elements Of
Sangeetha Kala
Elements Of Sangeetha Kala
02
04
Bhava
Emotional Expression
Tala
Rhythmic Cycle.
Melodic Framework.
Raga
Swara
Fundamental Music
Notes.
01
03
Elements Of Sangeetha Kala
Raga:
 Definition: Raga refers to a melodic framework that governs the pitch, arrangement, and
ornamentation of musical notes within a composition.
 Importance: Each raga is associated with a specific mood, time of day, and season,
allowing performers to evoke a range of emotions and atmospheres through their
rendition.
Tala:
 Definition: Tala denotes the rhythmic cycle or time measure that provides structure and
framework to a musical performance.
 Importance: Tala governs the tempo, beat, and rhythmic patterns of a composition,
enabling musicians to maintain cohesion and synchronization during ensemble
performances.
Elements Of Sangeetha Kala
Swara:
 Definition: Swara represents the fundamental musical notes forming the basis of melodies
in Indian classical music.
 Importance: The seven swaras—Sa, Re, Ga, Ma, Pa, Dha, Ni—serve as building blocks for
musical improvisation, composition, and expression, allowing artists to explore intricate
melodic patterns and embellishments.
Bhava:
 Definition: Bhava refers to the emotional expression and interpretation conveyed by the
artist during a musical performance.
 Importance: Beyond technical proficiency, the ability to imbue a composition with bhava
is essential for connecting with the audience on a profound and emotive level, fostering a
deeper appreciation for the music.
Thank
You!
"Music is the divine way to
tell beautiful, poetic
things to the heart."
- Pablo Casals

Contenu connexe

Similaire à Sangeethakala ppt for the history and types of indian music

Music and arts of india
Music and arts of indiaMusic and arts of india
Music and arts of india
Esse De Guzman
 
Musicofindiapowerpoint 111213042514-phpapp01
Musicofindiapowerpoint 111213042514-phpapp01Musicofindiapowerpoint 111213042514-phpapp01
Musicofindiapowerpoint 111213042514-phpapp01
Miyor de los Santos
 
Music of india powerpoint (2)
Music of india powerpoint (2)Music of india powerpoint (2)
Music of india powerpoint (2)
Jaydee Dela Cruz
 
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
Vinni Nadageri
 
G8 Music of South Asia and Middle East.pptx
G8 Music of South Asia and Middle East.pptxG8 Music of South Asia and Middle East.pptx
G8 Music of South Asia and Middle East.pptx
DanicaCombalicerCabl
 
tabla tales a journey through history.pptx
tabla tales a journey through history.pptxtabla tales a journey through history.pptx
tabla tales a journey through history.pptx
jigyanshu7
 
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptxVaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
NamanNandurkar1
 
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
JohnLenardLlorcaBani
 
grade-8-music-3rd-quarter-powerpoint.pptx
grade-8-music-3rd-quarter-powerpoint.pptxgrade-8-music-3rd-quarter-powerpoint.pptx
grade-8-music-3rd-quarter-powerpoint.pptx
JohnLloydVasquez6
 

Similaire à Sangeethakala ppt for the history and types of indian music (20)

Music and arts of india
Music and arts of indiaMusic and arts of india
Music and arts of india
 
Musicofindiapowerpoint 111213042514-phpapp01
Musicofindiapowerpoint 111213042514-phpapp01Musicofindiapowerpoint 111213042514-phpapp01
Musicofindiapowerpoint 111213042514-phpapp01
 
kusum haryani hm sem-3.pdffJfJfskgzgkzuh
kusum haryani hm sem-3.pdffJfJfskgzgkzuhkusum haryani hm sem-3.pdffJfJfskgzgkzuh
kusum haryani hm sem-3.pdffJfJfskgzgkzuh
 
MUSIC
MUSICMUSIC
MUSIC
 
Music of india powerpoint (2)
Music of india powerpoint (2)Music of india powerpoint (2)
Music of india powerpoint (2)
 
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
Indian musical heritage ppt Appa college of MASTER OF TOURISM ADMINISTRATION ...
 
G8 Music of South Asia and Middle East.pptx
G8 Music of South Asia and Middle East.pptxG8 Music of South Asia and Middle East.pptx
G8 Music of South Asia and Middle East.pptx
 
g8musicofsouthasiaandmiddleeast-230524235529-ea86b933.pdf
g8musicofsouthasiaandmiddleeast-230524235529-ea86b933.pdfg8musicofsouthasiaandmiddleeast-230524235529-ea86b933.pdf
g8musicofsouthasiaandmiddleeast-230524235529-ea86b933.pdf
 
Dance forms
Dance formsDance forms
Dance forms
 
tabla tales a journey through history.pptx
tabla tales a journey through history.pptxtabla tales a journey through history.pptx
tabla tales a journey through history.pptx
 
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptxVaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
Vaishnav Parampara A Musical Journey Across India By Anushka Sah.pptx
 
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
607168858-GRADE-8-MUSIC-3RD-QUARTER-powerpoint.pptx
 
Kathak
KathakKathak
Kathak
 
Music of India
Music of IndiaMusic of India
Music of India
 
Culture of Bangladesh
Culture of BangladeshCulture of Bangladesh
Culture of Bangladesh
 
Tradition and Culture of Bangladesh
Tradition and Culture of BangladeshTradition and Culture of Bangladesh
Tradition and Culture of Bangladesh
 
South, central, and west asian music
South, central, and west asian musicSouth, central, and west asian music
South, central, and west asian music
 
GRADE 8 MUSIC 3RD.pptx
GRADE 8 MUSIC 3RD.pptxGRADE 8 MUSIC 3RD.pptx
GRADE 8 MUSIC 3RD.pptx
 
grade-8-music-3rd-quarter-powerpoint.pptx
grade-8-music-3rd-quarter-powerpoint.pptxgrade-8-music-3rd-quarter-powerpoint.pptx
grade-8-music-3rd-quarter-powerpoint.pptx
 
INDIAN Dance forms
INDIAN Dance formsINDIAN Dance forms
INDIAN Dance forms
 

Dernier

Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdfTagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
erintagarino1
 
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdfAM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
RebeccaPontieri
 
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdfTagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
erintagarino1
 
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idlGRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
qcalista88
 
PHOTO PRESENTATION Z.pdf ...............
PHOTO PRESENTATION Z.pdf ...............PHOTO PRESENTATION Z.pdf ...............
PHOTO PRESENTATION Z.pdf ...............
kahnanews24
 
evaluation final maxima.pptxiuiugiyuguy8g
evaluation final maxima.pptxiuiugiyuguy8gevaluation final maxima.pptxiuiugiyuguy8g
evaluation final maxima.pptxiuiugiyuguy8g
LeonBraley
 
prodtion diary updated.pptxyyghktyuitykiyu
prodtion diary updated.pptxyyghktyuitykiyuprodtion diary updated.pptxyyghktyuitykiyu
prodtion diary updated.pptxyyghktyuitykiyu
LeonBraley
 
Short film analysis.pptxdddddddddddddddddddddddddddd
Short film analysis.pptxddddddddddddddddddddddddddddShort film analysis.pptxdddddddddddddddddddddddddddd
Short film analysis.pptxdddddddddddddddddddddddddddd
LeonBraley
 
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
LeonBraley
 

Dernier (20)

Hat in European paintings .ppsx
Hat    in    European    paintings .ppsxHat    in    European    paintings .ppsx
Hat in European paintings .ppsx
 
Presentation slide deck example for portfolio
Presentation slide deck example for portfolioPresentation slide deck example for portfolio
Presentation slide deck example for portfolio
 
Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdfTagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
Tagarino_14510147_Assessment 3 Pavillion_Process Journal FINAL.pdf
 
Tig N' Seek SB Test ________________________________
Tig N' Seek SB Test ________________________________Tig N' Seek SB Test ________________________________
Tig N' Seek SB Test ________________________________
 
(She)nanigans - Spring / Summer 2024 Lookbook
(She)nanigans - Spring / Summer 2024 Lookbook(She)nanigans - Spring / Summer 2024 Lookbook
(She)nanigans - Spring / Summer 2024 Lookbook
 
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdfAM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
AM - Merced College - M4MHO - 5.15.24 (AM) - Presentation.pdf
 
My scariest moment presentation-part one
My scariest moment presentation-part oneMy scariest moment presentation-part one
My scariest moment presentation-part one
 
80 Best Prompts for AI Art like Midjourney, Bing, DALL-E, and Limewire.pdf
80 Best Prompts for AI Art like Midjourney, Bing, DALL-E, and Limewire.pdf80 Best Prompts for AI Art like Midjourney, Bing, DALL-E, and Limewire.pdf
80 Best Prompts for AI Art like Midjourney, Bing, DALL-E, and Limewire.pdf
 
Big Mouth Season 7 Layout Storyboards by Morgan Pabst
Big Mouth Season 7 Layout Storyboards by Morgan PabstBig Mouth Season 7 Layout Storyboards by Morgan Pabst
Big Mouth Season 7 Layout Storyboards by Morgan Pabst
 
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdfTagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
Tagarino_14510147_Process Journal AS1 Inhabiting the WallDesign.pdf
 
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idlGRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
GRADE8-DIGESTIVE-PPT.pptx......yess Soo it's the idl
 
PHOTO PRESENTATION Z.pdf ...............
PHOTO PRESENTATION Z.pdf ...............PHOTO PRESENTATION Z.pdf ...............
PHOTO PRESENTATION Z.pdf ...............
 
evaluation final maxima.pptxiuiugiyuguy8g
evaluation final maxima.pptxiuiugiyuguy8gevaluation final maxima.pptxiuiugiyuguy8g
evaluation final maxima.pptxiuiugiyuguy8g
 
prodtion diary updated.pptxyyghktyuitykiyu
prodtion diary updated.pptxyyghktyuitykiyuprodtion diary updated.pptxyyghktyuitykiyu
prodtion diary updated.pptxyyghktyuitykiyu
 
Short film analysis.pptxdddddddddddddddddddddddddddd
Short film analysis.pptxddddddddddddddddddddddddddddShort film analysis.pptxdddddddddddddddddddddddddddd
Short film analysis.pptxdddddddddddddddddddddddddddd
 
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
prodtion diary final ultima maxima.pptxadcaasfadfSDFAsdfasdfasdfasdfadfadfasd...
 
Anyone Can Draw Zentangles Interactive Book.pdf
Anyone Can Draw Zentangles Interactive Book.pdfAnyone Can Draw Zentangles Interactive Book.pdf
Anyone Can Draw Zentangles Interactive Book.pdf
 
The Renaissance In Inuit Art Marketing | Above & Beyond: Canada's Arctic Journal
The Renaissance In Inuit Art Marketing | Above & Beyond: Canada's Arctic JournalThe Renaissance In Inuit Art Marketing | Above & Beyond: Canada's Arctic Journal
The Renaissance In Inuit Art Marketing | Above & Beyond: Canada's Arctic Journal
 
Neighborhood Guide To Atlanta’s Awe-Inspiring Art Galleries
Neighborhood Guide To Atlanta’s Awe-Inspiring Art GalleriesNeighborhood Guide To Atlanta’s Awe-Inspiring Art Galleries
Neighborhood Guide To Atlanta’s Awe-Inspiring Art Galleries
 
Portfolio slide deck example number one.pdf
Portfolio slide deck example number one.pdfPortfolio slide deck example number one.pdf
Portfolio slide deck example number one.pdf
 

Sangeethakala ppt for the history and types of indian music

  • 1. Sangeetha Kala - Presented By Exploring the Art of Indian Classical Music
  • 3. Introduction to Sangeetha Kala Table of contents 01 02 03 04 Types Of Sangeetha kala Historical Context Elements of Sangeethakala
  • 4. Definition:  Sangeetha Kala, a term originating from Sanskrit, represents the rich tapestry of musical artistry within Indian culture.  It encapsulates the classical music traditions of both Hindustani and Carnatic styles, renowned for their depth and complexity. Importance:  Integral Part of Indian Cultural Heritage: Sangeetha Kala occupies a central place in the cultural fabric of India, serving as a reflection of its diverse traditions and values.  Deeply Rooted in Spirituality and Tradition: Beyond mere entertainment, Sangeetha Kala is deeply intertwined with spiritual and religious practices, having evolved over millennia in temples, courts, and households across the subcontinent. Introduction
  • 6. Fusion Music Folk Music Hindustani Classical Music Carnatic Classical Music Types of Sangeetha Kala
  • 7. Types Of Sangeetha Kala 1.Hindustani Classical Music:  Originating from North India, Hindustani classical music is characterized by its emotive renditions and intricate compositions.  Key forms include Khayal, characterized by elaborate improvisations; Thumri, known for its romantic and devotional themes; and Ghazals, which emphasize poetic expression and storytelling through music. 2.Carnatic Classical Music:  Hailing from South India, Carnatic classical music is revered for its rigorous adherence to melodic and rhythmic structures.  Known for its intricate compositions, Carnatic music showcases elaborate improvisations within a disciplined framework, emphasizing precision and purity of expression.
  • 8. Types Of Sangeetha Kala 3.Folk Music Traditions:  India's diverse regions boast a rich tapestry of folk music traditions, each reflecting unique cultural influences and local customs.  From the spirited Bihu of Assam to the soul-stirring Baul music of Bengal, folk music celebrates the essence of rural life, rituals, and storytelling through music. 4.Fusion Music:  In response to changing musical landscapes, fusion and contemporary trends have emerged, blending classical elements with modern styles and instruments.  Fusion music explores innovative collaborations between classical musicians and artists from diverse genres, creating eclectic compositions that appeal to a broader audience while preserving the essence of classical traditions.
  • 10. Historical Context Evolution:  Sangeetha Kala traces its roots back to ancient times, with influences from Vedic chants, spiritual hymns, and classical texts such as Natya Shastra, a treatise on performing arts attributed to Sage Bharata.  Over centuries, these foundational elements evolved and merged with regional musical traditions, resulting in the diverse classical music forms we see today. Role:  Initially, Sangeetha Kala was intimately linked with religious rituals and temple ceremonies, serving as a conduit for spiritual expression and worship.  As civilization progressed, it transitioned from a ceremonial practice to a refined art form, gaining patronage in royal courts and aristocratic circles.  With the passage of time, Sangeetha Kala evolved into a sophisticated and revered tradition, embodying the cultural ethos and artistic sensibilities of the Indian subcontinent.
  • 12. Elements Of Sangeetha Kala 02 04 Bhava Emotional Expression Tala Rhythmic Cycle. Melodic Framework. Raga Swara Fundamental Music Notes. 01 03
  • 13. Elements Of Sangeetha Kala Raga:  Definition: Raga refers to a melodic framework that governs the pitch, arrangement, and ornamentation of musical notes within a composition.  Importance: Each raga is associated with a specific mood, time of day, and season, allowing performers to evoke a range of emotions and atmospheres through their rendition. Tala:  Definition: Tala denotes the rhythmic cycle or time measure that provides structure and framework to a musical performance.  Importance: Tala governs the tempo, beat, and rhythmic patterns of a composition, enabling musicians to maintain cohesion and synchronization during ensemble performances.
  • 14. Elements Of Sangeetha Kala Swara:  Definition: Swara represents the fundamental musical notes forming the basis of melodies in Indian classical music.  Importance: The seven swaras—Sa, Re, Ga, Ma, Pa, Dha, Ni—serve as building blocks for musical improvisation, composition, and expression, allowing artists to explore intricate melodic patterns and embellishments. Bhava:  Definition: Bhava refers to the emotional expression and interpretation conveyed by the artist during a musical performance.  Importance: Beyond technical proficiency, the ability to imbue a composition with bhava is essential for connecting with the audience on a profound and emotive level, fostering a deeper appreciation for the music.
  • 15. Thank You! "Music is the divine way to tell beautiful, poetic things to the heart." - Pablo Casals