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Script Commissioning
        Process
I will be looking into the commissioning process of scripts within
    the media industry. I will be researching different companies
     such as the writers guild Great of Britain and America, BBC
   writers room and ITV. I will find out the ways in which a script
    can be commissioned as well as the guidelines and rules set
                          out when doing so.
Script Commissioning

   Commissioning a script involves creating a new and original piece of work and
     sending it to a company that are looking for work to produce. Companies are
    always seeking new talent in the media industry, networks such as the BBC, ITV
     and Channel 4 will accept new scripts to look through and process. If a script
   catches the right attention, it can then be taken further and maybe even brought
                                          to life.

The media industry is a competitive sector, so all work needs to be eye catching, well
    presented, creative and imaginative. Getting involved with the Writers Guild of
  Great Britain and The Writers Guild Of America, West can help with this process as
                  they give writers the advice and support they need.
Networking
 Commissioning a script can be a long process which requires hard work and patience. New and
    original work needs to be created to be able to achieve this, as well as a passion for writing.
                     Networking pays a big part in the commissioning process.

    “They say it’s not what you know but who you know, that certainly goes for the media
                                           industry”
                                       Ray Frensham

Talking and socialising with people within this industry helps build a working relationship and can
      make a big impact when trying to get work. Making an impression on someone working in
      the business makes it easier to break in, they can help build your profile, work with you or
                          put you in contact with someone who can hire you.
A writer needs to believe in their own work
and feel confident enough to promote and
sell it to others that already have a name in
the industry
Writers need to send in their work to different companies working within the industry.
 Persistence is key when competing for jobs. Companies will receive 1000’s of scripts and
                        they will only take the ones that stand out.

“New writers who telephone or write are usually asked to send in an example of their
  previous work. If it is interesting they will be asked to submit story ideas and/or write
                                    half script (without fee)”
                                    William Smethurst

Writers or are determined and constant with their work are more likely to be contacted by an
    employer looking at their ideas. There ideas need to be appealing and attention-grabbing
New writers
especially need to
show persistence
and commitment to
the
industry, determinati
on is the only way to
make it in a tough
and competitive
trade.
The BBC writers room is an opportunity for new and inventive writers to send in their work.

  “We look for the best new writers and best writers new to the BBC with the potential to be
                          developed and produced for BBC broadcast.”
                                      BBC Writers Room

They look for original work and look for the best drafts that can be created. They look at different
    kinds of scripts, these are: Film, TV drama, Radio drama, TV sitcom, Radio sitcom, Children's
      drama, Children's sitcom. This is the type of material that the BBC will regularly read and
                                               produce.

 The BBC will look at scripts that sent to them as long as all the requirements are met. Amateur
  screenwriters need to show professionalism when trying to get a script commissioned. The BBC
                                     will only loom at these forms.

The way in which a script is presented is crucial, all scripts must be bind together and numbered
   correctly, handwritten scripts will not be accepted and they must represent and mirror one of
                                         the media standard.

After the script has been received the BBC will send an acknowledgment email and it will then be
          looked at and if the BBC feel they have seen potential they will contact the writer.
The Writers Room is a great step for up and coming
writers, it gives an opportunity for new work to be seen by
                        rising talents.
ITV will commission scripts that are sent in to them, they will be processed and sorted
              through to see the strongest candidates taking into account heir
   creativity, originality and strength on fan idea. But unlike the BBC, ITV will only take
            scripts from writers who are already established or have an agent.

“The Controllers select their strongest offers and bring them to a round of meetings
                  held usually twice a year in the spring and autumn”
                                          ITV

 ITV will look at the scripts they receive and will only take forward the work that has
                                      the best potential.
The Writers Guild Of Great Britain look after writers who are trying to get work

                      “We campaign and lobby on behalf of all writers”
                              Writers Guild Of Great Britain

They are a trade union that will represent writers within all aspects of the media industry, areas
                   such as TV, film, radio, books, poetry and gaming are all included.
    In a lot of fields the guild will recognise terms and practice agreements for the writers.

  A membership is offered from the Guild, this has many benefits for writers, giving them ne
     information and tip about event occurring that maybe of interest, as well as advice and
                                support from professional staff.
The Writers Guild Of America, West is a union or writers for TV movies, news
                       programs, documentaries, animation and Internet.

         “The WGAW Registry is the world’s leading screenplay registration service”
                             Writers Guild of America, West

The WGAW register over 65,000 pieces of work every year, the main principle of registering is to
                      determine the completion date of an original work.

 The guild aids writers with resources to help them with their original work, such as writing for
                                           TV, agency lists

The WGAW can help protect a writers work and give it a recognition, writers can then know their
                                work is confined and sheltered.

The WGAW has experts from the industry waiting to help build the new talent, giving out advice
    and support and answering any questions that writers may have to help start and build their
                                             career.
Conclusion

The commission process for any writer can be tedious and very long, but diligence
  can be key in this business. All the hard work will pay off once an employer sees
         something they believe in and feel can be turned into something
                   appealing, worthy and will attract an audience.

 An employer will see thousands of new pieces of work a year so standing out is
  strategic and vital. If the work is unique and inspiring and something fresh to see
                                  then they will pick it.

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SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 

Script commissioning presentation

  • 2. I will be looking into the commissioning process of scripts within the media industry. I will be researching different companies such as the writers guild Great of Britain and America, BBC writers room and ITV. I will find out the ways in which a script can be commissioned as well as the guidelines and rules set out when doing so.
  • 3. Script Commissioning Commissioning a script involves creating a new and original piece of work and sending it to a company that are looking for work to produce. Companies are always seeking new talent in the media industry, networks such as the BBC, ITV and Channel 4 will accept new scripts to look through and process. If a script catches the right attention, it can then be taken further and maybe even brought to life. The media industry is a competitive sector, so all work needs to be eye catching, well presented, creative and imaginative. Getting involved with the Writers Guild of Great Britain and The Writers Guild Of America, West can help with this process as they give writers the advice and support they need.
  • 4. Networking Commissioning a script can be a long process which requires hard work and patience. New and original work needs to be created to be able to achieve this, as well as a passion for writing. Networking pays a big part in the commissioning process. “They say it’s not what you know but who you know, that certainly goes for the media industry” Ray Frensham Talking and socialising with people within this industry helps build a working relationship and can make a big impact when trying to get work. Making an impression on someone working in the business makes it easier to break in, they can help build your profile, work with you or put you in contact with someone who can hire you.
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  • 6. A writer needs to believe in their own work and feel confident enough to promote and sell it to others that already have a name in the industry
  • 7. Writers need to send in their work to different companies working within the industry. Persistence is key when competing for jobs. Companies will receive 1000’s of scripts and they will only take the ones that stand out. “New writers who telephone or write are usually asked to send in an example of their previous work. If it is interesting they will be asked to submit story ideas and/or write half script (without fee)” William Smethurst Writers or are determined and constant with their work are more likely to be contacted by an employer looking at their ideas. There ideas need to be appealing and attention-grabbing
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  • 9. New writers especially need to show persistence and commitment to the industry, determinati on is the only way to make it in a tough and competitive trade.
  • 10. The BBC writers room is an opportunity for new and inventive writers to send in their work. “We look for the best new writers and best writers new to the BBC with the potential to be developed and produced for BBC broadcast.” BBC Writers Room They look for original work and look for the best drafts that can be created. They look at different kinds of scripts, these are: Film, TV drama, Radio drama, TV sitcom, Radio sitcom, Children's drama, Children's sitcom. This is the type of material that the BBC will regularly read and produce. The BBC will look at scripts that sent to them as long as all the requirements are met. Amateur screenwriters need to show professionalism when trying to get a script commissioned. The BBC will only loom at these forms. The way in which a script is presented is crucial, all scripts must be bind together and numbered correctly, handwritten scripts will not be accepted and they must represent and mirror one of the media standard. After the script has been received the BBC will send an acknowledgment email and it will then be looked at and if the BBC feel they have seen potential they will contact the writer.
  • 11. The Writers Room is a great step for up and coming writers, it gives an opportunity for new work to be seen by rising talents.
  • 12. ITV will commission scripts that are sent in to them, they will be processed and sorted through to see the strongest candidates taking into account heir creativity, originality and strength on fan idea. But unlike the BBC, ITV will only take scripts from writers who are already established or have an agent. “The Controllers select their strongest offers and bring them to a round of meetings held usually twice a year in the spring and autumn” ITV ITV will look at the scripts they receive and will only take forward the work that has the best potential.
  • 13. The Writers Guild Of Great Britain look after writers who are trying to get work “We campaign and lobby on behalf of all writers” Writers Guild Of Great Britain They are a trade union that will represent writers within all aspects of the media industry, areas such as TV, film, radio, books, poetry and gaming are all included. In a lot of fields the guild will recognise terms and practice agreements for the writers. A membership is offered from the Guild, this has many benefits for writers, giving them ne information and tip about event occurring that maybe of interest, as well as advice and support from professional staff.
  • 14. The Writers Guild Of America, West is a union or writers for TV movies, news programs, documentaries, animation and Internet. “The WGAW Registry is the world’s leading screenplay registration service” Writers Guild of America, West The WGAW register over 65,000 pieces of work every year, the main principle of registering is to determine the completion date of an original work. The guild aids writers with resources to help them with their original work, such as writing for TV, agency lists The WGAW can help protect a writers work and give it a recognition, writers can then know their work is confined and sheltered. The WGAW has experts from the industry waiting to help build the new talent, giving out advice and support and answering any questions that writers may have to help start and build their career.
  • 15. Conclusion The commission process for any writer can be tedious and very long, but diligence can be key in this business. All the hard work will pay off once an employer sees something they believe in and feel can be turned into something appealing, worthy and will attract an audience. An employer will see thousands of new pieces of work a year so standing out is strategic and vital. If the work is unique and inspiring and something fresh to see then they will pick it.