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The Roman Empire (part 2)
Ara Pacis Augustae (Altar of Augustan Peace looking northeast), Rome, Italy, 13–9 BCE.
Ara Pacis  13-9 BCE The Altar of Augustan peace: Documents a specific event ,[object Object],[object Object],[object Object],[object Object],[object Object]
Virgil ’s Aeneid ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
God Aeneas making a sacrifice ,[object Object],[object Object]
 
Female personification (Tellus?), panel from the east facade of the Ara Pacis Augustae, Rome, Italy, 13–9 BCE. Marble, 5 ’ 3” high.
Allegory of peace, prosperity, and fertility ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Ara Pacis Procession of the Imperial family Rome 13-19 BCE ,[object Object]
Procession of the imperial family, detail of the south frieze of the Ara Pacis Augustae, Rome, Italy, 13–9 BCE. Marble, 5 ’ 3” high.
Similar to Greek Parthenon frieze ,[object Object]
Model of a typical sixth-century BCE Etruscan temple, as described by Vitruvius. Istituto di Etruscologia e di Antichità Italiche, Università di Roma, Rome.
Maison Carree, 1-10 AD ,[object Object],[object Object],[object Object]
Maison Carrée, Nîmes, France, ca. 1–10 CE.
Pont du Gard  Nimes, France Largest span 82 ’
The Fruits of  Pax Augustus Early Empire ,[object Object],[object Object],[object Object]
Pont-du-Gard, Nîmes, France, ca. 16 BCE.
Porta Maggiore, Rome, Italy, ca. 50 CE.
SEVERUS and CELER, section ( left ) and plan ( right ) of the octagonal hall of the Domus Aurea (Golden House) of Nero, Rome, Italy, 64–68 CE.
The Flavian Dynasty 69-96 CE General Vespasian and his sons  Titus and Domitian ruled for 25 years ,[object Object],[object Object],[object Object],[object Object],[object Object],Vespasian  69-79 AD Good Character: simple, honest, able
Portrait of Vespasian, ca. 75–79 CE. Marble, 1 ’ 4” high. Ny Carlsberg Glyptotek, Copenhagen.
Portrait bust of a Flavian woman, from Rome, Italy, ca. 90 CE. Marble, 2 ’ 1” high. Museo Capitolino, Rome.
Portrait bust of Flavian woman, 90 AD ,[object Object],[object Object],[object Object],[object Object],[object Object]
Coliseum:  Flavian Amphitheater  70-80 CE ,[object Object],[object Object],[object Object],[object Object]
Colosseum:  Flavian Amphitheater  70-80 CE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Ground level First level 2 nd  level 3 rd  level ,[object Object],Roman Doric Ionic Corinthian
Aerial view of the Colosseum (Flavian Amphitheater), Rome, Italy, ca. 70–80 CE.
[object Object],[object Object],[object Object]
Arch of Titus, 81 CE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Arch of Titus, Rome, Italy, after 81 CE.
Spandrels; Arch Titus ,[object Object],[object Object]
Spoils of Jerusalem, relief panel from the Arch of Titus, Rome, Italy, after 81 CE. Marble, 7 ’ 10” high.
Triumph of Titus, relief panel from Arch of Titus, 81 AD  Allegorical ,[object Object],[object Object],[object Object]
Triumph of Titus, relief panel from the Arch of Titus, Rome, Italy, after 81 CE. Marble, 7 ’ 10” high.
Aerial view of Timgad (Thamugadi), Algeria, founded 100 CE.
Trajan: The First Spanish Emperor 98CE  ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Forum of Trajan;  Architect Apollodorus of DamascusRome 112 CE ,[object Object],[object Object],[object Object]
APOLLODORUS OF DAMASCUS, Forum of Trajan, Rome, Italy, dedicated 112 CE. (James E. Packer and  John Burge). 1) Temple of Trajan, 2) Column of Trajan, 3) libraries, 4) Basilica Ulpia, 5) forum, 6) equestrian statue of Trajan. 1 2 3 3 4 6 5
Column of Trajan, Forum of Trajan, Rome, Italy, dedicated 112 CE.
APOLLODORUS OF DAMASCUS, aerial view of the Markets of Trajan, Rome, Italy, ca. 100–112 CE.
Trajan ’s Markets, Reconstruction
APOLLODORUS OF DAMASCUS, interior of the great hall, Markets of Trajan, Rome, Italy, ca. 100–112 CE.
Arch of Trajan, Benevento, Italy, ca. 114–118 CE.
[object Object],[object Object],[object Object]
Trajan granting land
Arch Relief: Trajan distributing largess to the poor
Funerary Relief of a Circus Official, Ostia, Italy 110-130 CE Marble 1 ’8” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Hadrian as General,  Israel 130-138  AD 2 ’11” high, bronze ,[object Object],[object Object],[object Object],[object Object]
Pantheon, Rome, Italy, 118 – 125 CE.
[object Object]
Interior of the Pantheon, Rome, Italy, 118–125 CE.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Al-Khazneh ( “Treasury”), Petra, Jordan, second century CE.
Al- Khazneh  “Treasury”  Petra, Jordan, 2 nd  cent. CE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Funerary relief of a vegetable vendor, from Ostia, Italy, second half of second century CE. Painted terracotta, 1 ’ 5” high, respectively. Museo Ostiense, Ostia.
Apotheosis of Antoninus Pius and Faustina, pedestal of the Column of Antoninus Pius, Rome, Italy, ca. 161 CE. Marble, 8 ’ 1 1/2” high. Musei Vaticani, Rome.
Decursio, pedestal of the Column of Antoninus Pius, Rome, Italy, ca. 161 CE. Marble, 8 ’ 1 1/2” high. Musei Vaticani, Rome.
Equestrian statue of Marcus Aurelius, from Rome, Italy, ca. 175 CE. Bronze, 11 ’ 6” high. Musei Capitolini, Rome.
The Antonines 138-192 CE ,[object Object],[object Object],[object Object]
Marcus Aurelius  ,[object Object]
Marcus Aurelius ,[object Object],[object Object],[object Object],[object Object]
End of Antonine Dynasty Commodus as Hercules  191-192 CE marble ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Portrait of Caracalla, ca. 211–217 CE. Marble, 1 ’ 2” high. Metropolitan Museum of Art, New York.
Painted portrait of Septimius Severus and his family, from Egypt, ca. 200 CE. Tempera on wood, 1 ’ 2” diameter. Staatliche Museen, Berlin.
Baths of Caracalla Rome Italy 212 AD-216 ,[object Object],[object Object],[object Object],[object Object],[object Object]
Plan of the Baths of Caracalla, Rome, Italy, 212–216 CE.  1) natatio, 2) frigidarium, 3) tepidarium, 4) caldarium, 5) palaestra.
Roman Portraiture  Augustus – 27 BC-14 AD – A more idealized portrait. Caracalla – 217 AD – A highly realistic portrait.
Chariot procession of Septimius Severus, relief from the Arch of Septimius Severus, Lepcis Magna, Libya, 203 CE. Marble, 5 ’ 6” high. Castle Museum, Tripoli.
The Third Century: Soldier Emperors 235-284CE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Heroic portrait of Trebonianus Gallus, from Rome, Italy, 251–253 CE. Bronze, 7 ’ 11” high. Metropolitan Museum of Art, New York.
Emperor Trebonianus Gallus, Rome , Italy 251-253 7 ’-11” ,[object Object],[object Object],[object Object],[object Object],[object Object]
Battle of Romans and barbarians ( Ludovisi Battle Sarcophagus ), from Rome, Italy, ca. 250–260 CE. Marble, 5 ’ high. Museo Nazionale Romano-Palazzo Altemps, Rome.
Ludovisi Battle Sarcophagus, 250-260, marble 5 ’ tall  What aspects would define this as Late Roman Empire art? Battle scene between Roman and Goths
Sarcophagus of a philosopher, ca. 270–280 CE. Marble, 4 ’ 11” high. Vaticani, Rome.
Restored view ( top ) and plan ( bottom ) of the Temple of Venus, Baalbek, Lebanon, third century CE.
The Four Tetrachs 305 CE porphyry, 4 ’3” high Saint Marks Venice ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Diocletian and the Tetrarchy 284-306 CE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Portraits of the four tetrarchs, from Constantinople, ca. 305 CE. Porphyry, 4 ’ 3” high. Saint Mark’s, Venice.
Restored view of the palace of Diocletian, Split, Croatia, ca. 298-306.
Arch of Constantine 312-315 CE Rome ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Arch of Constantine (south side), Rome, Italy, 312–315 CE.
[object Object]
 
Constantine (in center without head) addressing the people. What stylistic changes do you see?
Distribution of largess, detail of the north frieze of the Arch of Constantine, Rome, Italy, 312–315 CE. Marble, 3 ’ 4” high.
Portrait of Constantine, from the Basilica Nova, Rome, Italy, ca. 315–330 CE. Marble, 8 ’ 6” high. Musei Capitolini, Rome.
Constantine 306-337 ,[object Object],[object Object],[object Object],[object Object]
 
Late Antique Style – c.284 - 325 AD  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Coins with portraits of Constantine. Nummus ( left ), 307 CE. Billon, diameter 1 ”. American Numismatic Society, New York. Medallion ( right ), ca. 315 CE. Silver, diameter 1”. Staatliche Munzsammlung, Munich.
The Late Empire 192-337CE  The Fall of Rome ,[object Object],[object Object],[object Object],[object Object],[object Object]
Rome: Date of Its Decline and Fall ,[object Object],[object Object],[object Object],[object Object],[object Object]
Rome: Decline and Fall ,[object Object],[object Object],[object Object],[object Object],[object Object],Thomas  Couture,  Romans in the Decadence of the Empire  (1847).
Factors Involved in the Fall of Rome ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Conclusion ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2
AH 1 Ancient Rome part 2

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AH 1 Ancient Rome part 2

  • 1. The Roman Empire (part 2)
  • 2. Ara Pacis Augustae (Altar of Augustan Peace looking northeast), Rome, Italy, 13–9 BCE.
  • 3.
  • 4.
  • 5.
  • 6.  
  • 7. Female personification (Tellus?), panel from the east facade of the Ara Pacis Augustae, Rome, Italy, 13–9 BCE. Marble, 5 ’ 3” high.
  • 8.
  • 9.
  • 10. Procession of the imperial family, detail of the south frieze of the Ara Pacis Augustae, Rome, Italy, 13–9 BCE. Marble, 5 ’ 3” high.
  • 11.
  • 12. Model of a typical sixth-century BCE Etruscan temple, as described by Vitruvius. Istituto di Etruscologia e di Antichità Italiche, Università di Roma, Rome.
  • 13.
  • 14. Maison Carrée, Nîmes, France, ca. 1–10 CE.
  • 15. Pont du Gard Nimes, France Largest span 82 ’
  • 16.
  • 18. Porta Maggiore, Rome, Italy, ca. 50 CE.
  • 19. SEVERUS and CELER, section ( left ) and plan ( right ) of the octagonal hall of the Domus Aurea (Golden House) of Nero, Rome, Italy, 64–68 CE.
  • 20.
  • 21. Portrait of Vespasian, ca. 75–79 CE. Marble, 1 ’ 4” high. Ny Carlsberg Glyptotek, Copenhagen.
  • 22. Portrait bust of a Flavian woman, from Rome, Italy, ca. 90 CE. Marble, 2 ’ 1” high. Museo Capitolino, Rome.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28. Aerial view of the Colosseum (Flavian Amphitheater), Rome, Italy, ca. 70–80 CE.
  • 29.
  • 30.
  • 31. Arch of Titus, Rome, Italy, after 81 CE.
  • 32.
  • 33. Spoils of Jerusalem, relief panel from the Arch of Titus, Rome, Italy, after 81 CE. Marble, 7 ’ 10” high.
  • 34.
  • 35. Triumph of Titus, relief panel from the Arch of Titus, Rome, Italy, after 81 CE. Marble, 7 ’ 10” high.
  • 36. Aerial view of Timgad (Thamugadi), Algeria, founded 100 CE.
  • 37.
  • 38.
  • 39. APOLLODORUS OF DAMASCUS, Forum of Trajan, Rome, Italy, dedicated 112 CE. (James E. Packer and John Burge). 1) Temple of Trajan, 2) Column of Trajan, 3) libraries, 4) Basilica Ulpia, 5) forum, 6) equestrian statue of Trajan. 1 2 3 3 4 6 5
  • 40. Column of Trajan, Forum of Trajan, Rome, Italy, dedicated 112 CE.
  • 41.
  • 42.
  • 43.
  • 44. APOLLODORUS OF DAMASCUS, aerial view of the Markets of Trajan, Rome, Italy, ca. 100–112 CE.
  • 45.
  • 46. Trajan ’s Markets, Reconstruction
  • 47. APOLLODORUS OF DAMASCUS, interior of the great hall, Markets of Trajan, Rome, Italy, ca. 100–112 CE.
  • 48. Arch of Trajan, Benevento, Italy, ca. 114–118 CE.
  • 49.
  • 51. Arch Relief: Trajan distributing largess to the poor
  • 52.
  • 53.
  • 54. Pantheon, Rome, Italy, 118 – 125 CE.
  • 55.
  • 56.
  • 57. Interior of the Pantheon, Rome, Italy, 118–125 CE.
  • 58.
  • 59.  
  • 60. Al-Khazneh ( “Treasury”), Petra, Jordan, second century CE.
  • 61.
  • 62. Funerary relief of a vegetable vendor, from Ostia, Italy, second half of second century CE. Painted terracotta, 1 ’ 5” high, respectively. Museo Ostiense, Ostia.
  • 63. Apotheosis of Antoninus Pius and Faustina, pedestal of the Column of Antoninus Pius, Rome, Italy, ca. 161 CE. Marble, 8 ’ 1 1/2” high. Musei Vaticani, Rome.
  • 64. Decursio, pedestal of the Column of Antoninus Pius, Rome, Italy, ca. 161 CE. Marble, 8 ’ 1 1/2” high. Musei Vaticani, Rome.
  • 65. Equestrian statue of Marcus Aurelius, from Rome, Italy, ca. 175 CE. Bronze, 11 ’ 6” high. Musei Capitolini, Rome.
  • 66.
  • 67.
  • 68.
  • 69.
  • 70. Portrait of Caracalla, ca. 211–217 CE. Marble, 1 ’ 2” high. Metropolitan Museum of Art, New York.
  • 71. Painted portrait of Septimius Severus and his family, from Egypt, ca. 200 CE. Tempera on wood, 1 ’ 2” diameter. Staatliche Museen, Berlin.
  • 72.
  • 73.
  • 74. Plan of the Baths of Caracalla, Rome, Italy, 212–216 CE. 1) natatio, 2) frigidarium, 3) tepidarium, 4) caldarium, 5) palaestra.
  • 75. Roman Portraiture Augustus – 27 BC-14 AD – A more idealized portrait. Caracalla – 217 AD – A highly realistic portrait.
  • 76. Chariot procession of Septimius Severus, relief from the Arch of Septimius Severus, Lepcis Magna, Libya, 203 CE. Marble, 5 ’ 6” high. Castle Museum, Tripoli.
  • 77.
  • 78.  
  • 79. Heroic portrait of Trebonianus Gallus, from Rome, Italy, 251–253 CE. Bronze, 7 ’ 11” high. Metropolitan Museum of Art, New York.
  • 80.
  • 81. Battle of Romans and barbarians ( Ludovisi Battle Sarcophagus ), from Rome, Italy, ca. 250–260 CE. Marble, 5 ’ high. Museo Nazionale Romano-Palazzo Altemps, Rome.
  • 82. Ludovisi Battle Sarcophagus, 250-260, marble 5 ’ tall What aspects would define this as Late Roman Empire art? Battle scene between Roman and Goths
  • 83. Sarcophagus of a philosopher, ca. 270–280 CE. Marble, 4 ’ 11” high. Vaticani, Rome.
  • 84. Restored view ( top ) and plan ( bottom ) of the Temple of Venus, Baalbek, Lebanon, third century CE.
  • 85.
  • 86.
  • 87. Portraits of the four tetrarchs, from Constantinople, ca. 305 CE. Porphyry, 4 ’ 3” high. Saint Mark’s, Venice.
  • 88. Restored view of the palace of Diocletian, Split, Croatia, ca. 298-306.
  • 89.
  • 90. Arch of Constantine (south side), Rome, Italy, 312–315 CE.
  • 91.
  • 92.  
  • 93. Constantine (in center without head) addressing the people. What stylistic changes do you see?
  • 94. Distribution of largess, detail of the north frieze of the Arch of Constantine, Rome, Italy, 312–315 CE. Marble, 3 ’ 4” high.
  • 95. Portrait of Constantine, from the Basilica Nova, Rome, Italy, ca. 315–330 CE. Marble, 8 ’ 6” high. Musei Capitolini, Rome.
  • 96.
  • 97.  
  • 98.
  • 99. Coins with portraits of Constantine. Nummus ( left ), 307 CE. Billon, diameter 1 ”. American Numismatic Society, New York. Medallion ( right ), ca. 315 CE. Silver, diameter 1”. Staatliche Munzsammlung, Munich.
  • 100.
  • 101.
  • 102.
  • 103.
  • 104.
  • 105.