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“A DRUNKEN SALESMAN,     “THEY SAY YOU’RE
                                   YOUR HEARING DAMAGE,     GETTING BETTER,
                                   YOUR MIND IS RESTLESS”   BUT YOU DON’T FEEL
                                                            ANY BETTER”
                              THOM YORKE: HEARING DAMAGE     “AND YOU CAN DO
                                                             NO WRONG, IN MY
                                                             EYES”
LINK TO TWILIGHT:
THIS SONG IS PLAYED DURING                                   I DID NOT USE ANY OF THE LYRICS
THE SCENE VICTORIA IS BEING                                  IN THE TRAILER, BUT NEVER THE
CHASED BY THE WOLVES.                                        LESS, THE SONG IS ABOUT
                                                             HEARING THINGS YOU DON’T
                                                             WANT TO. INITIALLY, YOU DON’T
                                                             CHOSE, OR CONTROL WHAT YOU
EASILY                                                       HEAR AND THAT SCARES YOU.
RECOGNISED:
FANS OF THE MOVIE WILL
RECOGNISE THE SONG
AND WILL BE INTRIGUED.               LINK TO FULL SONG:
                                     http://www.youtube.com/watch?v=P7nz6-UVrmU
THOUGHT BEATS:
THE INTRODUCTION OF THE
SONG CREATES OPPORTUNITIES
TO EDIT THE TRAILER IN
CORRELATION WITH THE    http://www.youtube.com/watch?v=c6AqQrbZvZk
RHYTHM.                 AN EXAMPLE OF MUSIC THAT SUITED THE TRAILER WOULD      BE
                          HOLLYOAKS: BLACK WEDDING.
AT THE BEGINNING, THE MUSIC IS A SLOW
                               DRAWL, TO EMPHASISE THAT SOMETHING IS
                               GOING TO HAPPEN…


                                                   BECAUSE THE MUSIC
                                                   WAS FAST-PACED, THE
                                                   TRAILER HAD TO BE THE
                                                   SAME. I USED ONLY THE
                                                   KEY LINES OF DIALOGUE
                                                   TO MAKE THE EDITING
TOWARDS THE END, ESPECIALLY THROUGH THE            PRECISE AND ONLY
FIGHT SEQUENCE, THE BEATS BECOME MORE              LETTING THE AUDIENCE
FREQUENT AND HEAVY – CREATING A CLIMAX.            HEAR THE KEY DETAILS.
USED TO GIVE
LEADING                               NARRATIVE
STATEMENTS TO
DRAW
AUDIENCE IN

                                    THE AUDIENCE ALWAYS
                                    ASSUMES THAT
                                    CONFLICT WILL OCCUR
                                    IN SOAP OPERAS, SO
                                    THEY KNOW THAT THE
                                    THREE BOYS WILL
                                    FIGHT. I TRIED TO PUT
                                    ACROSS THE MORAL OF
                                    THE STORY: IF YOU
                BLACK AND PURPLE,   FIGHT AND FALL, WHO
                CORRESPONDS WITH    WILL BE THERE TO PICK
                E4 BRANDING.        YOU BACK UP?
WE RELIED HEAVILY ON OUTSIDE
NATURAL LIGHTING. EVEN THOUGH
SOME OF THE ORIGINAL SCENES WERE
MEANT TO BE IN THE DARK, THERE WAS
NO WAY WE COULD GET GOOD ENOUGH
FOOTAGE – WE RESORTED TO FILMING IN
LATE AFTERNOON, SO IT STILL LOOKED
LIKE IT WAS GOING DARK. WE ALSO
CHOSE LOCATIONS THAT WERE
INCONSPIUOUS, SO IT LOOKED LIKE IT
WAS REAL LIFE.




WE USED HIGH AND LOW CAMERA
ANGLES TO MAKE THE CHARACTER’S
STATUS IN THE FIGHT SHOW. AGAIN THIS
SCENE SHOULD’VE BEEN IN THE DARK,
BUT BECAUSE THE CAR PARK WAS EMPTY,
WE DECIDED THAT IT STILL LOOKED AS
THOUGH A FIGHT WAS DESTINED TO
OCCUR.
PREGNANCY TEST:
                                                 A TYPICAL STORYLINE/SOCIAL

 PROPS                                           THEME – SIMPLE BUT EFFECTIVE.
                                                 TEENAGE PREGNANCY IS A
                                                 GROWING MORAL PANIC AND
                                                 THE FACT THAT BREE IS SAT IN
                                                 THE COLLEGE TOILETS LETS THE
                                                 AUDIENCE KNOW JUST HOW
                                                 YOUNG SHE IS.
DRUGS:
SALT IN A ZIPPER BAG ( THE MOST REALISTIC
SUBSTITUTE) – RELATABLE AND SHOWS
CHARACTERS TURNING TO BAD THINGS TO
GET AWAY FROM THEIR LIVES. ANOTHER
SOCIAL THEME; THERE IS A GROWING MORAL
PANIC ABOUT TEENAGERS AND DRUG USE.

                                            SINGLE ROSE:
                                            KATE HAS BEEN LEFT AT
                                            THE ALTER, SHE KNOWS
                                            MASON IS NOT GOING TO
                                            ARRIVE, THE FALLING ROSE
                                            SIGNIFIES HERSELF.
LOCATIONS AND COSTUMES:
                                     CHAPEL: SHOT-GUN WEDDING, UNPREPARED. IT LOOKS MORE LIKE A
                                     REGISTRY OFFICE THAN A CHURCH, SO IT IMPLIES THAT THEY DIDN’T HAVE
                                     TIME TO PREPARE.
                                     PINK DRESS: LAST-MINUTE DECISION, SHOWS HER ATTITUDE TOWARDS
                                     WEDDINGS.



PUB CAR PARK: LINKS TO BINGE DRINKING – FIGHTS
START UNDER THE INFLUENCE OF ALCOHOL. “TAKE IT
OUTSIDE, BOYS”.
HOODIES: STEREOTYPICALLY WHAT TEENAGE BOYS WEAR,
HELPS AUDIENCE TO RELATE. JOHNNY ALSO USES AN EMPTY
PINT GLASS BEFORE HE IS CONFRONTED BY RAV, TO SHOW
THAT HE HAS BEEN WAITING FOR RAV TO APPEAR – AS
THOUGH THE FIGHT WAS PLANNED; WHICH IS CONFIRMED
AT THE BEGINNING OF THE TRAILER.

                                                  TOILETS: BREE IS WAITING FOR RESULTS, THEY ARE BASED
                                                  IN A COLLEGE, THE CHARACTERS ARE STILL YOUNG YET
                                                  THERE ARE MANY THINGS THAT ARE HAPPENING TO THEM.
                                                  DRESS: OFF-WHITE, NOT AS INNOCENT AS WE FIRST
                                                  THOUGHT.
INSIDE THE PUB: DARK AND SHIFTY – CORRELATES WITH
                                           WHAT THE BOYS ARE TALKING ABOUT ; BEATING UP RAV. THE PUB
                                           IS ALSO EMPTY – GIVES THE IMPRESSION THAT THE TWO SHOULD
                                           NOT BE THERE AND THAT NO ONE REALLY ENJOYS THEIR
                                           COMPANY.
                                           CASUAL: THE BOYS ARE DRESSED AS THOUGH THEY ARE
                                           ENJOYING A NIGHT OUT WITH ‘FRIENDS’.

BENCH OUTSIDE PUB: NEEDED TO BE BRIGHTER, BREE HAS FOUND A
CONFIDENT IN RAV. BUT IT IS STILL DULL, IMPLYING THAT RAV WILL NOT
REACT WELL TO BREE TELLING HIM.
COATS: BLACK COATS SIGNIFIES THE DEATH OF SOMETHING; COULD
MEAN THE DEATH OF A CHARACTER, OR HER RELATIONSHIP WITH
RAV/JOHNNY? AN ENIGMA IS CREATED AS BREE HAS AN ACCIDENT LATER
ON IN THE TRAILER.
                                               PLAY AREA/PARK: AT FIRST WE WERE NOT SURE WHETHER WE
                                               WANTED A PLAY AREA, BUT WE REALISED THAT THE CHARACTERS COULD
                                               BE PORTRAYED AS STILL HAVING CHILDISH TENDENCIES. THEY MAY HAVE
                                               GROWN UP PLAYING IN THIS PARK, IT IS ANOTHER CENTRAL SOCIAL
                                            MEETING PLACE.
                                            COAT: HE IS WEARING A BLACK COAT, IN THIS SCENE IT MEANS DANGER,
                                            HE IS BACK IN TOWN BUT NO ONE KNOWS THE REAL REASON WHY. ALSO
                                            HE WAS OUTCAST IN THE FIRST PLACE, HE IS WEARING BLACK OT SIGNIFY
                                            HIS LONELINESS
  STREET: VERY URBAN AREA, AUDIENCE CAN RELATE IF THEY ARE IN THE
  WORKING CLASS DEMOGRAPHIC. WE CHOSE A STREET FILLED WITH
  TERRACED HOUSES TO GIVE THE IMPRESSION THE CHARACTERS LIVED IN
  AN OVER-POPULATED TOWN.
  COAT: HE IS WEARING A BLACK COAT TO SIGNIFY THE DEATH OF KATE’S
  LOVE FOR HIM.
SOMETIMES THE CHARACTER’S COSTUMES PORTRAYED THEIR ATTITUDES AND FEELINGS
IN SITUATIONS: EG. SASHA WEARS A BLACK LEATHER JACKET – HARD HITTING, SHE IS THE
    TOWN ‘BITCH’ SO IT GIVES HER POWER. IN THIS SCENE, SHE HAS SAVED RAV FROM
   JOHNNY AND MASON, BUT DOES SHE REALLY CARE? SHE OFTEN WEARS AN ALMOST
      MASCULINE FACADE, MAKING HER INTIMIDATING TO THE OTHER CHARACTERS.
I PERIODICALLY PLACED SLOW-
                                                          MOTION HEAD TURNS INTO MY
                                                          TRAILER TO EMPHASISE WHO THE
                                                          CLIPS AND DIALOGUE WERE
                                                          REFERRING TO.




                                                      I FELT THAT IF THERE WERE MORE
                                                      THAN ONE MAIN CHARACTER,
                                                      EACH WITH THEIR OWN
                                                      STORYLINE, RUNNING PARALLEL
                                                      TO EACH OTHER, THE AUDEINCE
                                                      WOULD BE MORE INTRIGUED. I
                                                      ALSO FOUND THAT CORONATION
                                                      STREET AND EASTENDERS DID
I MADE THE LAST SEQUENCE OF SHOTS SLOW-MOTION TO      THIS; THEY WOULD HAVE A NEW
EMPHASISE THAT EACH AND EVERY ON OF THEM HAVE         STORYLINE EACH WEEK, BUT ONLY
EQUAL IMPORTANCE IN THE SOAP. IT CREATES TENSION IN   ONE WOULD TAKE CENTRESTAGE –
THE AUDIENCE BECAUSE THEY WANT TO FIND OUT            UNTIL IT WAS SOLVED.
EVERYTHING THAT WILL HAPPEN.
THROUGH THE LAST SLOW-
MOTION SHOTS, A ‘HASH-TAG’
LINK APPEARS. THIS ALLOWS
FANS TO JOIN ON SOCIAL
NETWORKING SITES AND BE
UPDATED. THIS IS THE
TECHNOLOGY PHENOMENON
OF THE 21ST CENTURY – A
SOCIAL NORM, EVERYONE
KNOWS WHAT IT MEANS.


                             HERE IS A FACEBOOK
                             PAGE I CREATED FOR
                             THE SHOW:

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Evaluation Question 1: Part 3

  • 1. “A DRUNKEN SALESMAN, “THEY SAY YOU’RE YOUR HEARING DAMAGE, GETTING BETTER, YOUR MIND IS RESTLESS” BUT YOU DON’T FEEL ANY BETTER” THOM YORKE: HEARING DAMAGE “AND YOU CAN DO NO WRONG, IN MY EYES” LINK TO TWILIGHT: THIS SONG IS PLAYED DURING I DID NOT USE ANY OF THE LYRICS THE SCENE VICTORIA IS BEING IN THE TRAILER, BUT NEVER THE CHASED BY THE WOLVES. LESS, THE SONG IS ABOUT HEARING THINGS YOU DON’T WANT TO. INITIALLY, YOU DON’T CHOSE, OR CONTROL WHAT YOU EASILY HEAR AND THAT SCARES YOU. RECOGNISED: FANS OF THE MOVIE WILL RECOGNISE THE SONG AND WILL BE INTRIGUED. LINK TO FULL SONG: http://www.youtube.com/watch?v=P7nz6-UVrmU THOUGHT BEATS: THE INTRODUCTION OF THE SONG CREATES OPPORTUNITIES TO EDIT THE TRAILER IN CORRELATION WITH THE http://www.youtube.com/watch?v=c6AqQrbZvZk RHYTHM. AN EXAMPLE OF MUSIC THAT SUITED THE TRAILER WOULD BE HOLLYOAKS: BLACK WEDDING.
  • 2. AT THE BEGINNING, THE MUSIC IS A SLOW DRAWL, TO EMPHASISE THAT SOMETHING IS GOING TO HAPPEN… BECAUSE THE MUSIC WAS FAST-PACED, THE TRAILER HAD TO BE THE SAME. I USED ONLY THE KEY LINES OF DIALOGUE TO MAKE THE EDITING TOWARDS THE END, ESPECIALLY THROUGH THE PRECISE AND ONLY FIGHT SEQUENCE, THE BEATS BECOME MORE LETTING THE AUDIENCE FREQUENT AND HEAVY – CREATING A CLIMAX. HEAR THE KEY DETAILS.
  • 3. USED TO GIVE LEADING NARRATIVE STATEMENTS TO DRAW AUDIENCE IN THE AUDIENCE ALWAYS ASSUMES THAT CONFLICT WILL OCCUR IN SOAP OPERAS, SO THEY KNOW THAT THE THREE BOYS WILL FIGHT. I TRIED TO PUT ACROSS THE MORAL OF THE STORY: IF YOU BLACK AND PURPLE, FIGHT AND FALL, WHO CORRESPONDS WITH WILL BE THERE TO PICK E4 BRANDING. YOU BACK UP?
  • 4. WE RELIED HEAVILY ON OUTSIDE NATURAL LIGHTING. EVEN THOUGH SOME OF THE ORIGINAL SCENES WERE MEANT TO BE IN THE DARK, THERE WAS NO WAY WE COULD GET GOOD ENOUGH FOOTAGE – WE RESORTED TO FILMING IN LATE AFTERNOON, SO IT STILL LOOKED LIKE IT WAS GOING DARK. WE ALSO CHOSE LOCATIONS THAT WERE INCONSPIUOUS, SO IT LOOKED LIKE IT WAS REAL LIFE. WE USED HIGH AND LOW CAMERA ANGLES TO MAKE THE CHARACTER’S STATUS IN THE FIGHT SHOW. AGAIN THIS SCENE SHOULD’VE BEEN IN THE DARK, BUT BECAUSE THE CAR PARK WAS EMPTY, WE DECIDED THAT IT STILL LOOKED AS THOUGH A FIGHT WAS DESTINED TO OCCUR.
  • 5. PREGNANCY TEST: A TYPICAL STORYLINE/SOCIAL PROPS THEME – SIMPLE BUT EFFECTIVE. TEENAGE PREGNANCY IS A GROWING MORAL PANIC AND THE FACT THAT BREE IS SAT IN THE COLLEGE TOILETS LETS THE AUDIENCE KNOW JUST HOW YOUNG SHE IS. DRUGS: SALT IN A ZIPPER BAG ( THE MOST REALISTIC SUBSTITUTE) – RELATABLE AND SHOWS CHARACTERS TURNING TO BAD THINGS TO GET AWAY FROM THEIR LIVES. ANOTHER SOCIAL THEME; THERE IS A GROWING MORAL PANIC ABOUT TEENAGERS AND DRUG USE. SINGLE ROSE: KATE HAS BEEN LEFT AT THE ALTER, SHE KNOWS MASON IS NOT GOING TO ARRIVE, THE FALLING ROSE SIGNIFIES HERSELF.
  • 6. LOCATIONS AND COSTUMES: CHAPEL: SHOT-GUN WEDDING, UNPREPARED. IT LOOKS MORE LIKE A REGISTRY OFFICE THAN A CHURCH, SO IT IMPLIES THAT THEY DIDN’T HAVE TIME TO PREPARE. PINK DRESS: LAST-MINUTE DECISION, SHOWS HER ATTITUDE TOWARDS WEDDINGS. PUB CAR PARK: LINKS TO BINGE DRINKING – FIGHTS START UNDER THE INFLUENCE OF ALCOHOL. “TAKE IT OUTSIDE, BOYS”. HOODIES: STEREOTYPICALLY WHAT TEENAGE BOYS WEAR, HELPS AUDIENCE TO RELATE. JOHNNY ALSO USES AN EMPTY PINT GLASS BEFORE HE IS CONFRONTED BY RAV, TO SHOW THAT HE HAS BEEN WAITING FOR RAV TO APPEAR – AS THOUGH THE FIGHT WAS PLANNED; WHICH IS CONFIRMED AT THE BEGINNING OF THE TRAILER. TOILETS: BREE IS WAITING FOR RESULTS, THEY ARE BASED IN A COLLEGE, THE CHARACTERS ARE STILL YOUNG YET THERE ARE MANY THINGS THAT ARE HAPPENING TO THEM. DRESS: OFF-WHITE, NOT AS INNOCENT AS WE FIRST THOUGHT.
  • 7. INSIDE THE PUB: DARK AND SHIFTY – CORRELATES WITH WHAT THE BOYS ARE TALKING ABOUT ; BEATING UP RAV. THE PUB IS ALSO EMPTY – GIVES THE IMPRESSION THAT THE TWO SHOULD NOT BE THERE AND THAT NO ONE REALLY ENJOYS THEIR COMPANY. CASUAL: THE BOYS ARE DRESSED AS THOUGH THEY ARE ENJOYING A NIGHT OUT WITH ‘FRIENDS’. BENCH OUTSIDE PUB: NEEDED TO BE BRIGHTER, BREE HAS FOUND A CONFIDENT IN RAV. BUT IT IS STILL DULL, IMPLYING THAT RAV WILL NOT REACT WELL TO BREE TELLING HIM. COATS: BLACK COATS SIGNIFIES THE DEATH OF SOMETHING; COULD MEAN THE DEATH OF A CHARACTER, OR HER RELATIONSHIP WITH RAV/JOHNNY? AN ENIGMA IS CREATED AS BREE HAS AN ACCIDENT LATER ON IN THE TRAILER. PLAY AREA/PARK: AT FIRST WE WERE NOT SURE WHETHER WE WANTED A PLAY AREA, BUT WE REALISED THAT THE CHARACTERS COULD BE PORTRAYED AS STILL HAVING CHILDISH TENDENCIES. THEY MAY HAVE GROWN UP PLAYING IN THIS PARK, IT IS ANOTHER CENTRAL SOCIAL MEETING PLACE. COAT: HE IS WEARING A BLACK COAT, IN THIS SCENE IT MEANS DANGER, HE IS BACK IN TOWN BUT NO ONE KNOWS THE REAL REASON WHY. ALSO HE WAS OUTCAST IN THE FIRST PLACE, HE IS WEARING BLACK OT SIGNIFY HIS LONELINESS STREET: VERY URBAN AREA, AUDIENCE CAN RELATE IF THEY ARE IN THE WORKING CLASS DEMOGRAPHIC. WE CHOSE A STREET FILLED WITH TERRACED HOUSES TO GIVE THE IMPRESSION THE CHARACTERS LIVED IN AN OVER-POPULATED TOWN. COAT: HE IS WEARING A BLACK COAT TO SIGNIFY THE DEATH OF KATE’S LOVE FOR HIM.
  • 8. SOMETIMES THE CHARACTER’S COSTUMES PORTRAYED THEIR ATTITUDES AND FEELINGS IN SITUATIONS: EG. SASHA WEARS A BLACK LEATHER JACKET – HARD HITTING, SHE IS THE TOWN ‘BITCH’ SO IT GIVES HER POWER. IN THIS SCENE, SHE HAS SAVED RAV FROM JOHNNY AND MASON, BUT DOES SHE REALLY CARE? SHE OFTEN WEARS AN ALMOST MASCULINE FACADE, MAKING HER INTIMIDATING TO THE OTHER CHARACTERS.
  • 9. I PERIODICALLY PLACED SLOW- MOTION HEAD TURNS INTO MY TRAILER TO EMPHASISE WHO THE CLIPS AND DIALOGUE WERE REFERRING TO. I FELT THAT IF THERE WERE MORE THAN ONE MAIN CHARACTER, EACH WITH THEIR OWN STORYLINE, RUNNING PARALLEL TO EACH OTHER, THE AUDEINCE WOULD BE MORE INTRIGUED. I ALSO FOUND THAT CORONATION STREET AND EASTENDERS DID I MADE THE LAST SEQUENCE OF SHOTS SLOW-MOTION TO THIS; THEY WOULD HAVE A NEW EMPHASISE THAT EACH AND EVERY ON OF THEM HAVE STORYLINE EACH WEEK, BUT ONLY EQUAL IMPORTANCE IN THE SOAP. IT CREATES TENSION IN ONE WOULD TAKE CENTRESTAGE – THE AUDIENCE BECAUSE THEY WANT TO FIND OUT UNTIL IT WAS SOLVED. EVERYTHING THAT WILL HAPPEN.
  • 10. THROUGH THE LAST SLOW- MOTION SHOTS, A ‘HASH-TAG’ LINK APPEARS. THIS ALLOWS FANS TO JOIN ON SOCIAL NETWORKING SITES AND BE UPDATED. THIS IS THE TECHNOLOGY PHENOMENON OF THE 21ST CENTURY – A SOCIAL NORM, EVERYONE KNOWS WHAT IT MEANS. HERE IS A FACEBOOK PAGE I CREATED FOR THE SHOW: