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Jewish Museum Precedent Studies Board
- 1. STRAIGHTBROKENLINE TORTUROUSZIGZAGGINGLINE PLANVIEW -VOIDSAREFORMEDONTHEMAINSTUCTURE INTRODUCTION ARCHITECT:DANIELLIBESKIND LOCATION:LINDENSTRABEBERLIN ,GERMANY CONSTRUCTED YEAR:1992-1999 CONSTRUCTED AREA:15000SQM HEIGHT:35M STYLE:CONTEMPORARYSTYLE:CONTEMPORARY SPATIALTYPOLOGY:LINEAR HISTORY DESIGNED ASPARTOFA COMPETITION FORDESIGNED ASPARTOFA COMPETITION FOR THEEXTENSION OFTHEBERLIN MUSEUM WITH A JEWISH MUSEUM DEPARTMENT.THE DESIGN DOCUMENTSTHEGERMAN-JEWISH HISTORYAND SUCCESSFULLYINTEGRATES THEPHYSICALAND SPIRITUALMEANING OF THEHOLOCAUSTINTO THECONCIOUSNESS AND MEMORYOFTHECITYOFBERLINAND MEMORYOFTHECITYOFBERLIN TWO LINESOVERLAPTO FORM THEMUSEUM.THEZIGZAGGING TORTUROUSLINEFORMSTHE MAIN STRUCTUREAND THESTAIGHTBROKEN LINECONTINUING INDEFINITELYFORM VOIDS THATSYMBOLISETHECONTINUOUSSUFFERING FACED BYTHEJEWISH PEOPLE AXISOFDEATH AXISOFEXILE AXISOFCONTINUITY HOLOCAUSTTOWER GARDENOFEXILE MAINSTRUCTURE THEMUSEUM PRESENTSA JOURNEYTO THEVISITORS,WITH AN INTERSECTION OF3XESTHATEMBODYTHEGERMAN-JEWISH HISTORY POETICJOURNEY THE3AXES THELONGESTAXISLEADSTO THEMUSEUM’S GALLERYAND REPRESENTSTHECONTINUATION OFBERLIN’SHISTORY LEADSTO THEHOLOCAUSTTOWER AND ISA DEAD END LEADSTO THEGARDEN OFEXILE IN THEGARDEN OFEXILEVISITORS ARESURROUNDED BYSTONE PILLARSTHATTOWER OVERHEAD EVOKING THEFEAR FELTBYTHE JEWISH VICTIMSOFHOLOCAUST SITEPLAN AXISOFCONTINUITY SPATIALPOETICS AXISOFEXILE IRON MASK PLATESPLACED IN ONEOF THEVOIDSREPRESENTHOLOCAUST VICTIMSCRYING IN ANGUISH BARECONCRETEHOLOCAUST TOWER WITHOUTHEATING OR COOLING.EMBODIESTHE SORROW AND HOPELESSNESSOFDEATH AXISOFDEATH VISITORSFEELENTRAPPED IN THEHEAVYATMOSPHERE CREATED BYTHECONFINING WALLSAND SINGLE APERTUREALLOWING MINIMALLIGHTTO ENTER THECONTINUOUSAXISGIVESASENSEOFHOPEFORTHEFUTURE OFBERLIN’SHISTORY JEWISH MUSEUM,BERLIN BETWEEN THELINES THEVOIDSEMBODYTHEPAIN AND SUFFERING UNDOCUMENTED IN HISTORYTHATMUSTNOTBEFORGOTTEN DISTORTION SORROW TRAPPED THELIGHTNING-BOLTZIGZAG DESIGN OFTHEENTIRESTRUCTREISDERIVED FROM A DISLOCATED STAR OFDAVID THATISONLYVISIBLEFROM ABOVE.“ONLYSEEN BYAN ANGLE”AND ISAN INTERPRETATION OFJEWISH RELIGIOUSSYMBOLISM BYTHEARCHITECT INSTABILITY PERSECUTION THEPILLARSIN THEGARDEN OFEXILEARE TILTED AT12DEGREESTO EXPRESSTHE INSTABILITYOFTHEJEWISH WHO STOOD AGAINSTTHEGERMANS DESIGN CONCEPTS STAR OFDAVID VOIDS THECOLD ZINCMETAL EXTERIOR ISDISTORTED BY DEEPGAUGESTHATREPRESENT THESCARSAND PAIN FELTBY THEJEWISH PEOPLE