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STRAIGHTBROKENLINE
TORTUROUSZIGZAGGINGLINE
PLANVIEW -VOIDSAREFORMEDONTHEMAINSTUCTURE
INTRODUCTION
ARCHITECT:DANIELLIBESKIND
LOCATION:LINDENSTRABEBERLIN ,GERMANY
CONSTRUCTED YEAR:1992-1999
CONSTRUCTED AREA:15000SQM
HEIGHT:35M
STYLE:CONTEMPORARYSTYLE:CONTEMPORARY
SPATIALTYPOLOGY:LINEAR
HISTORY
DESIGNED ASPARTOFA COMPETITION FORDESIGNED ASPARTOFA COMPETITION FOR
THEEXTENSION OFTHEBERLIN MUSEUM
WITH A JEWISH MUSEUM DEPARTMENT.THE
DESIGN DOCUMENTSTHEGERMAN-JEWISH
HISTORYAND SUCCESSFULLYINTEGRATES
THEPHYSICALAND SPIRITUALMEANING OF
THEHOLOCAUSTINTO THECONCIOUSNESS
AND MEMORYOFTHECITYOFBERLINAND MEMORYOFTHECITYOFBERLIN
TWO LINESOVERLAPTO FORM THEMUSEUM.THEZIGZAGGING TORTUROUSLINEFORMSTHE
MAIN STRUCTUREAND THESTAIGHTBROKEN LINECONTINUING INDEFINITELYFORM VOIDS
THATSYMBOLISETHECONTINUOUSSUFFERING FACED BYTHEJEWISH PEOPLE
AXISOFDEATH
AXISOFEXILE
AXISOFCONTINUITY
HOLOCAUSTTOWER
GARDENOFEXILE
MAINSTRUCTURE
THEMUSEUM PRESENTSA JOURNEYTO THEVISITORS,WITH AN INTERSECTION OF3XESTHATEMBODYTHEGERMAN-JEWISH HISTORY
POETICJOURNEY
THE3AXES
THELONGESTAXISLEADSTO THEMUSEUM’S
GALLERYAND REPRESENTSTHECONTINUATION
OFBERLIN’SHISTORY
LEADSTO THEHOLOCAUSTTOWER AND ISA
DEAD END
LEADSTO THEGARDEN OFEXILE
IN THEGARDEN OFEXILEVISITORS
ARESURROUNDED BYSTONE
PILLARSTHATTOWER OVERHEAD
EVOKING THEFEAR FELTBYTHE
JEWISH VICTIMSOFHOLOCAUST
SITEPLAN
AXISOFCONTINUITY
SPATIALPOETICS
AXISOFEXILE
IRON MASK PLATESPLACED IN ONEOF
THEVOIDSREPRESENTHOLOCAUST
VICTIMSCRYING IN ANGUISH
BARECONCRETEHOLOCAUST
TOWER WITHOUTHEATING
OR COOLING.EMBODIESTHE
SORROW AND
HOPELESSNESSOFDEATH
AXISOFDEATH
VISITORSFEELENTRAPPED
IN THEHEAVYATMOSPHERE
CREATED BYTHECONFINING
WALLSAND SINGLE
APERTUREALLOWING
MINIMALLIGHTTO ENTER
THECONTINUOUSAXISGIVESASENSEOFHOPEFORTHEFUTURE
OFBERLIN’SHISTORY
JEWISH MUSEUM,BERLIN
BETWEEN THELINES
THEVOIDSEMBODYTHEPAIN AND SUFFERING UNDOCUMENTED IN
HISTORYTHATMUSTNOTBEFORGOTTEN
DISTORTION
SORROW
TRAPPED
THELIGHTNING-BOLTZIGZAG DESIGN OFTHEENTIRESTRUCTREISDERIVED FROM A DISLOCATED
STAR OFDAVID THATISONLYVISIBLEFROM ABOVE.“ONLYSEEN BYAN ANGLE”AND ISAN
INTERPRETATION OFJEWISH RELIGIOUSSYMBOLISM BYTHEARCHITECT
INSTABILITY
PERSECUTION
THEPILLARSIN THEGARDEN OFEXILEARE
TILTED AT12DEGREESTO EXPRESSTHE
INSTABILITYOFTHEJEWISH WHO STOOD
AGAINSTTHEGERMANS
DESIGN CONCEPTS
STAR OFDAVID
VOIDS
THECOLD ZINCMETAL
EXTERIOR ISDISTORTED BY
DEEPGAUGESTHATREPRESENT
THESCARSAND PAIN FELTBY
THEJEWISH PEOPLE

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Jewish Museum Precedent Studies Board

  • 1. STRAIGHTBROKENLINE TORTUROUSZIGZAGGINGLINE PLANVIEW -VOIDSAREFORMEDONTHEMAINSTUCTURE INTRODUCTION ARCHITECT:DANIELLIBESKIND LOCATION:LINDENSTRABEBERLIN ,GERMANY CONSTRUCTED YEAR:1992-1999 CONSTRUCTED AREA:15000SQM HEIGHT:35M STYLE:CONTEMPORARYSTYLE:CONTEMPORARY SPATIALTYPOLOGY:LINEAR HISTORY DESIGNED ASPARTOFA COMPETITION FORDESIGNED ASPARTOFA COMPETITION FOR THEEXTENSION OFTHEBERLIN MUSEUM WITH A JEWISH MUSEUM DEPARTMENT.THE DESIGN DOCUMENTSTHEGERMAN-JEWISH HISTORYAND SUCCESSFULLYINTEGRATES THEPHYSICALAND SPIRITUALMEANING OF THEHOLOCAUSTINTO THECONCIOUSNESS AND MEMORYOFTHECITYOFBERLINAND MEMORYOFTHECITYOFBERLIN TWO LINESOVERLAPTO FORM THEMUSEUM.THEZIGZAGGING TORTUROUSLINEFORMSTHE MAIN STRUCTUREAND THESTAIGHTBROKEN LINECONTINUING INDEFINITELYFORM VOIDS THATSYMBOLISETHECONTINUOUSSUFFERING FACED BYTHEJEWISH PEOPLE AXISOFDEATH AXISOFEXILE AXISOFCONTINUITY HOLOCAUSTTOWER GARDENOFEXILE MAINSTRUCTURE THEMUSEUM PRESENTSA JOURNEYTO THEVISITORS,WITH AN INTERSECTION OF3XESTHATEMBODYTHEGERMAN-JEWISH HISTORY POETICJOURNEY THE3AXES THELONGESTAXISLEADSTO THEMUSEUM’S GALLERYAND REPRESENTSTHECONTINUATION OFBERLIN’SHISTORY LEADSTO THEHOLOCAUSTTOWER AND ISA DEAD END LEADSTO THEGARDEN OFEXILE IN THEGARDEN OFEXILEVISITORS ARESURROUNDED BYSTONE PILLARSTHATTOWER OVERHEAD EVOKING THEFEAR FELTBYTHE JEWISH VICTIMSOFHOLOCAUST SITEPLAN AXISOFCONTINUITY SPATIALPOETICS AXISOFEXILE IRON MASK PLATESPLACED IN ONEOF THEVOIDSREPRESENTHOLOCAUST VICTIMSCRYING IN ANGUISH BARECONCRETEHOLOCAUST TOWER WITHOUTHEATING OR COOLING.EMBODIESTHE SORROW AND HOPELESSNESSOFDEATH AXISOFDEATH VISITORSFEELENTRAPPED IN THEHEAVYATMOSPHERE CREATED BYTHECONFINING WALLSAND SINGLE APERTUREALLOWING MINIMALLIGHTTO ENTER THECONTINUOUSAXISGIVESASENSEOFHOPEFORTHEFUTURE OFBERLIN’SHISTORY JEWISH MUSEUM,BERLIN BETWEEN THELINES THEVOIDSEMBODYTHEPAIN AND SUFFERING UNDOCUMENTED IN HISTORYTHATMUSTNOTBEFORGOTTEN DISTORTION SORROW TRAPPED THELIGHTNING-BOLTZIGZAG DESIGN OFTHEENTIRESTRUCTREISDERIVED FROM A DISLOCATED STAR OFDAVID THATISONLYVISIBLEFROM ABOVE.“ONLYSEEN BYAN ANGLE”AND ISAN INTERPRETATION OFJEWISH RELIGIOUSSYMBOLISM BYTHEARCHITECT INSTABILITY PERSECUTION THEPILLARSIN THEGARDEN OFEXILEARE TILTED AT12DEGREESTO EXPRESSTHE INSTABILITYOFTHEJEWISH WHO STOOD AGAINSTTHEGERMANS DESIGN CONCEPTS STAR OFDAVID VOIDS THECOLD ZINCMETAL EXTERIOR ISDISTORTED BY DEEPGAUGESTHATREPRESENT THESCARSAND PAIN FELTBY THEJEWISH PEOPLE