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Art	
  Appreciation	
  
Professor	
  Will	
  Adams	
  
v  Early	
  Classical	
  Period,	
  ca.	
  480-­‐450	
  BCE:	
  
Defeat	
  of	
  Persians,	
  Use	
  of	
  Bronze	
  
Sculpture,	
  more	
  detail	
  in	
  sculpture	
  
v  High	
  Classical	
  Period,	
  ca.	
  450-­‐400	
  BCE:	
  
Parthenon	
  &	
  Erectheion,	
  Doric	
  and	
  Ionic	
  
Orders,	
  Caryatids,	
  Canon	
  of	
  Polykleitos	
  
v  Late	
  Classical	
  Period,	
  ca.	
  400-­‐323	
  BCE:	
  
Sparta	
  beats	
  Athens,	
  Corinthian	
  Order,	
  
ends	
  with	
  the	
  death	
  of	
  Alexander	
  the	
  
Great;	
  Praxiteles	
  redefines	
  Polykleitos’	
  
figures;	
  sculptures	
  are	
  created	
  with	
  a	
  more	
  
360-­‐degree	
  interest	
  
v  Hellenistic	
  Period,	
  ca.	
  323-­‐31	
  BCE	
  
v  Greek	
  city-­‐states	
  banded	
  
together	
  and	
  defeated	
  the	
  
Persians	
  in	
  479	
  BCE	
  
v  This	
  victory	
  gave	
  them	
  a	
  
self-­‐confidence	
  	
  that	
  
accelerated	
  their	
  society	
  
and	
  art.	
  
v  Lasted	
  until	
  about	
  450	
  BCE	
  
Kritios	
  Boy,	
  ca.	
  480	
  BCE	
  
The	
  use	
  of	
  
hollow-­‐casting	
  
bronze	
  
developed	
  
toward	
  the	
  end	
  
of	
  the	
  Archaic	
  
Period	
  
	
  
It	
  made	
  for	
  more	
  
complex,	
  detail	
  
poses.	
  
	
  
Charioteer,	
  ca.	
  
470	
  BCE,	
  Bronze	
  
Using	
  bronze	
  allowed	
  
such	
  an	
  extensive	
  
study	
  of	
  the	
  anatomy	
  
that	
  it	
  paved	
  the	
  way	
  
for	
  the	
  achievements	
  
of	
  the	
  Classical	
  
period.	
  
Riace	
  Warrior,	
  ca.	
  
470-­‐460	
  BCE,	
  Bronze.	
  	
  
With	
  Copper	
  lips	
  and	
  
nipples.	
  
Balanced,	
  dynamic	
  poses	
  like	
  this	
  
could	
  only	
  be	
  created	
  with	
  the	
  
invention	
  of	
  
contrapposto.	
  
Contrapposto	
  is	
  the	
  standing	
  human	
  
figure	
  poised	
  in	
  such	
  a	
  way	
  that	
  the	
  
weight	
  rests	
  on	
  one	
  leg	
  (called	
  the	
  
engaged	
  leg),	
  freeing	
  the	
  other	
  leg,	
  
which	
  is	
  bent	
  at	
  the	
  knee.	
  With	
  the	
  
weight	
  shift,	
  the	
  hips,	
  shoulders,	
  and	
  
head	
  tilt,	
  suggesting	
  relaxation	
  with	
  
the	
  subtle	
  internal	
  organic	
  movement	
  
that	
  denotes	
  life.	
  	
  
Statue	
  of	
  Zeus,	
  from	
  the	
  sea	
  off	
  Cape	
  
Artemision.	
  Greece,	
  ca.	
  460	
  -­‐	
  450	
  BCE	
  
The	
  master	
  High	
  Classical	
  sculptor	
  
Polykleitos	
  wrote	
  the	
  treatise	
  entitled	
  
“Canon	
  of	
  Polykleitos”,	
  which	
  was	
  a	
  set	
  of	
  
mathematical	
  rules	
  or	
  laws	
  for	
  creating	
  
scale	
  in	
  human	
  sculptures.	
  
Polykleitos	
  set	
  the	
  proportions	
  for	
  the	
  
head	
  to	
  the	
  body	
  at	
  1:7.	
  
Polykleitos,	
  Doryphoros,	
  c.	
  450-­‐440	
  BCE,	
  
High	
  Classical	
  Greek	
  
Doryphoros	
  means	
  ‘spear-­‐bearer’	
  in	
  
Greek.	
  
This	
  period	
  in	
  Greek	
  history	
  
lasted	
  from	
  about	
  400-­‐330	
  BCE	
  
During	
  this	
  time,	
  Sparta	
  
defeated	
  Athens	
  in	
  the	
  
Peloponnesian	
  War	
  
Greek	
  Art	
  still	
  flourished	
  with	
  
Ionic	
  order,	
  and	
  even	
  
introduces	
  Corinthian	
  order	
  for	
  
interiors.	
  
The	
  Romans	
  would	
  later	
  copy	
  
it	
  for	
  their	
  buildings.	
  
The	
  Late	
  Classical	
  sculptor	
  Praxiteles	
  
developed	
  even	
  more	
  extensive	
  rules	
  
for	
  proportion	
  in	
  sculpture,	
  based	
  on	
  
the	
  Canon	
  of	
  Polykleitos.	
  
Praxiteles’	
  canon	
  differs	
  from	
  
Polykleitos’	
  in	
  that	
  the	
  body	
  of	
  a	
  
Praxitelian	
  figure	
  is	
  8	
  heads	
  tall	
  instead	
  
of	
  7.	
  
Praxiteles,	
  Hermes	
  &	
  Infant	
  Dionysus,	
  
343	
  BCE,	
  Roman	
  copy	
  of	
  Late	
  Classical	
  
Greek	
  bronze	
  
Polykleitos	
  (1:7)	
   Praxiteles	
  (1:8)	
  
1	
  
8	
  
1	
  
7	
  
LATE CLASSICAL PERIOD	

Praxiteles	
  
Aphrodite	
  Taking	
  
A	
  Bath,	
  350	
  -­‐	
  340	
  
BCE	
  
Roman	
  copy	
  of	
  
Late	
  Classical	
  
Greek	
  bronze	
  
	
  
Lysippos,	
  Apoxyomenos	
  
(The	
  “Scraper”),	
  ca.	
  320	
  
BCE,	
  Roman	
  copy	
  based	
  on	
  
bronze	
  original	
  
	
  Canon	
  modified	
  to	
  1:9	
  
1	
  
9	
  
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Art1204 pursuing perfection classical greek art

  • 2. v  Early  Classical  Period,  ca.  480-­‐450  BCE:   Defeat  of  Persians,  Use  of  Bronze   Sculpture,  more  detail  in  sculpture   v  High  Classical  Period,  ca.  450-­‐400  BCE:   Parthenon  &  Erectheion,  Doric  and  Ionic   Orders,  Caryatids,  Canon  of  Polykleitos   v  Late  Classical  Period,  ca.  400-­‐323  BCE:   Sparta  beats  Athens,  Corinthian  Order,   ends  with  the  death  of  Alexander  the   Great;  Praxiteles  redefines  Polykleitos’   figures;  sculptures  are  created  with  a  more   360-­‐degree  interest   v  Hellenistic  Period,  ca.  323-­‐31  BCE  
  • 3. v  Greek  city-­‐states  banded   together  and  defeated  the   Persians  in  479  BCE   v  This  victory  gave  them  a   self-­‐confidence    that   accelerated  their  society   and  art.   v  Lasted  until  about  450  BCE   Kritios  Boy,  ca.  480  BCE  
  • 4. The  use  of   hollow-­‐casting   bronze   developed   toward  the  end   of  the  Archaic   Period     It  made  for  more   complex,  detail   poses.     Charioteer,  ca.   470  BCE,  Bronze  
  • 5.
  • 6. Using  bronze  allowed   such  an  extensive   study  of  the  anatomy   that  it  paved  the  way   for  the  achievements   of  the  Classical   period.   Riace  Warrior,  ca.   470-­‐460  BCE,  Bronze.     With  Copper  lips  and   nipples.  
  • 7.
  • 8. Balanced,  dynamic  poses  like  this   could  only  be  created  with  the   invention  of   contrapposto.   Contrapposto  is  the  standing  human   figure  poised  in  such  a  way  that  the   weight  rests  on  one  leg  (called  the   engaged  leg),  freeing  the  other  leg,   which  is  bent  at  the  knee.  With  the   weight  shift,  the  hips,  shoulders,  and   head  tilt,  suggesting  relaxation  with   the  subtle  internal  organic  movement   that  denotes  life.     Statue  of  Zeus,  from  the  sea  off  Cape   Artemision.  Greece,  ca.  460  -­‐  450  BCE  
  • 9.
  • 10. The  master  High  Classical  sculptor   Polykleitos  wrote  the  treatise  entitled   “Canon  of  Polykleitos”,  which  was  a  set  of   mathematical  rules  or  laws  for  creating   scale  in  human  sculptures.   Polykleitos  set  the  proportions  for  the   head  to  the  body  at  1:7.   Polykleitos,  Doryphoros,  c.  450-­‐440  BCE,   High  Classical  Greek   Doryphoros  means  ‘spear-­‐bearer’  in   Greek.  
  • 11. This  period  in  Greek  history   lasted  from  about  400-­‐330  BCE   During  this  time,  Sparta   defeated  Athens  in  the   Peloponnesian  War   Greek  Art  still  flourished  with   Ionic  order,  and  even   introduces  Corinthian  order  for   interiors.   The  Romans  would  later  copy   it  for  their  buildings.  
  • 12. The  Late  Classical  sculptor  Praxiteles   developed  even  more  extensive  rules   for  proportion  in  sculpture,  based  on   the  Canon  of  Polykleitos.   Praxiteles’  canon  differs  from   Polykleitos’  in  that  the  body  of  a   Praxitelian  figure  is  8  heads  tall  instead   of  7.   Praxiteles,  Hermes  &  Infant  Dionysus,   343  BCE,  Roman  copy  of  Late  Classical   Greek  bronze  
  • 13. Polykleitos  (1:7)   Praxiteles  (1:8)   1   8   1   7  
  • 14. LATE CLASSICAL PERIOD Praxiteles   Aphrodite  Taking   A  Bath,  350  -­‐  340   BCE   Roman  copy  of   Late  Classical   Greek  bronze    
  • 15. Lysippos,  Apoxyomenos   (The  “Scraper”),  ca.  320   BCE,  Roman  copy  based  on   bronze  original    Canon  modified  to  1:9   1   9