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Technical Conventions of Thriller Films
- 1. S Technical Conventions of Thriller Films Ryan Gooderham
- 3. Camerawork Use of tracking – follows the action and creates a sense of pace and danger Ryan Gooderham
- 4. Camerawork POV – shows from the point-of-view of the character and involves the audience Ryan Gooderham
- 5. Camerawork ECUs / CUs (close ups) – clearly shows the expressions of the characters Ryan Gooderham
- 6. Camerawork Reveals (track in/zoom in) – create a sense of tension and suspense Ryan Gooderham
- 7. Camerawork Dramatic angles – create a dramatic ambience Ryan Gooderham
- 9. Sound Silence – creates real tension and suspense Ryan Gooderham
- 10. Sound Exaggerated sound – pinpoints key sounds to the audience and makes the sounds overly dramatic Ryan Gooderham
- 11. Sound Eerie, tense music – creates suspense and an eerie atmosphere Ryan Gooderham
- 12. Sound Off screen sounds – creates an aura of mystery Ryan Gooderham
- 13. Sound Diegetic – sound heard by both the characters and the audience (e.g. dialogue) Ryan Gooderham
- 14. Sound Non-diegetic – sound heard only by the audience (e.g. background music) Ryan Gooderham
- 16. Mise-en-scene Low key lighting – creates an atmosphere of suspense, mystery and spookiness Ryan Gooderham
- 17. Mise-en-scene Chiaroscuro – when a strong contrast is created between light and dark colours Ryan Gooderham
- 18. Mise-en-scene Strong directional lighting – used to highlight a key prop or character, and often contrasts a lot with darker, low key lighting Ryan Gooderham
- 19. Mise-en-scene Over exposed or colour manipulation – creates a feeling of unrealism, making things seem disjointed and confusing Ryan Gooderham
- 21. Editing Fast paced editing – used especially in chase scenes, create a sense of danger, action and pace Ryan Gooderham
- 22. Editing Jump cuts – create a sense of confusion and nervousness Ryan Gooderham
- 23. Editing Parallel editing – seeing two scenes at once, one after the other, consecutively – forcing the audience to link the two scenes together Ryan Gooderham
- 24. Editing Obtrusive editing – this is when the editing is done so that the audience are aware and reminded of the fact that they are watching something that has been filmed and edited Ryan Gooderham