MED5008: Stream 2, Week 1: Alternative to What?
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Slides for week 1, stream 2 MED5008 Alternative Media and Web Production (2nd Year, BCU)
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MED5008: Stream 2, Week 1: Alternative to What?
- 1. Alternative to What? Image Source: http://www.connectinghistories.org.uk/collections/bishton.asp Start: http://www.duvetbrothers.com/media/bluemonday.htm
- 5. Definitions
- 8. How do we define separateness ?
- 10. How do we define dominance ?
- 12. How do we define conventional ?
- 14. Independent = alternative?
- 19. What communities could be served by alternative media?
- 26. Festen (Dogme 95) http://www.youtube.com/watch?v=OEiJF6xtM9g
- 27. http://www.duvetbrothers.com/media/warma.html War Machine (Scratch Video)
- 29. Technology
- 30. Economics
- 31. Politics
- 32. How does technology enable alternativeness?
- 33. How do economic factors limit alternativeness?
- 34. What policies are needed to encourage alternativeness?
- 36. Alternative to What? Image Source: http://www.connectinghistories.org.uk/collections/bishton.asp
Notes de l'éditeur
- In UK paternal & commercial are dominant Democratic is experimental or alternative
- Filming must be done on location. Props and sets must not be brought in. If a particular prop is necessary for the story, a location must be chosen where this prop is to be found. 2. The sound must never be produced apart from the images or vice versa. Music must not be used unless it occurs within the scene being filmed, i.e., diege tic . 3. The camera must be a hand-held camera. Any movement or immobility attainable in the hand is permitted. The film must not take place where the camera is standing; filming must take place where the action takes place. 4. The film must be in colour. Special lighting is not acceptable (if there is too little light for exposure the scene must be cut or a single lamp be attached to the camera). 5. Optical work and filters are forbidden. 6. The film must not contain superficial action (murders, weapons, etc. must not occur.) 7. Temporal and geographical alienation are forbidden (that is to say that the film takes place here and now). 8. Genre movies are not acce ptable. 9. The final picture must be transferred to the Academy 35mm film , with an aspect ratio of 4:3, that is, not widescreen . Originally, the requirement was th at the fil m had to be filmed on Academy 35mm film, but the rule was relaxed to allow low-budget productions. 10. The director must not be credited