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Performing arts in ancient greece (theatre)

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Chelsey Ng
Chelsey Ng

LASALLE Arts History, 2011.

Formation
1  sur  20
 
Background ,[object Object],[object Object],[object Object],[object Object],[object Object]
Theories of the Origins ,[object Object],[object Object],[object Object],[object Object],[object Object]
Aristotle and the Poetics ,[object Object],[object Object]
The Ritual Theory ,[object Object],Dionysus, Greek God Drama.
The Great Man Theory ,[object Object],[object Object]
The Storytelling Theory ,[object Object],[object Object]
The Dance Theory ,[object Object],[object Object]
Traits of Greek Theatre ,[object Object],[object Object],[object Object],[object Object],[object Object]
Staging a Greek Play ,[object Object],[object Object],[object Object],[object Object],[object Object]
Types of Plays ,[object Object],[object Object],[object Object],Satyrs
Structure ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Notable Playwrights ,[object Object],[object Object]
Masks ,[object Object],[object Object],[object Object],[object Object],[object Object]
Masks
Greek Theatres ,[object Object],Theatre of Epidaurus
 
Greek Theatres ,[object Object],[object Object],[object Object],[object Object]
Final Notes ,[object Object],[object Object]
Bibliography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Performing arts in ancient greece (theatre)

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Notes de l'éditeur

  1. (no matter how many speaking characters there were in the play, only three actors were used; the actors would go back stage after playing one character, switch masks and costumes, and reappear as another character). Polis = City
  2. The definition of a tragedy was a play that started off at one extreme and ended at the other, so it could go from good to bad or from bad to good. It was intended to be a cathartic experience, allowing the audience to run the gamut of emotion and therefore purge themselves. HUBRIS: 1. Excessive pride or self-confidence. 2. (in Greek tragedy) Excessive pride toward or defiance of the gods, leading to nemesis.
  3. . Spectators in the fifth century BC probably sat on cushions or boards, but by the fourth century the theatron of many Greek theaters had marble seats. The orchestra (literally, "dancing space") The theatron (literally, "viewing-place") The skene (literally, "tent") The parodoi (literally, "passageways")