3. 1949. Tree of Life, Nave.. Matisse repeats the leaf shapes and creates unity by using an analogous color scheme.
4. 1944. The Codomas (Trapeze). Matisse repeats the organic shapes to look like people and creates unity by using the shape for both the trapeze artists and the audience.
5. 1949. Knifethrower . Matisse repeats the organic shapes for the swords, eye, and mouth. He creates unity by using black on the shapes.
6. 1949. Wolf . Matisse repeats the organic shapes and creates unity through strips of bold color.
7. Designing Stories 1943. Icarus . (Cover for Jazz ) Matisse repeats the starlike shapes and creates unity by using a primary color scheme.
8. 1950. 1000 and One Nights . Matisse repeats the leaf shapes in each frame. He creates unity by using a red and green complementary color scheme.
9. 1946. Oceania, the Sea . Matisse repeats the sea creature shapes. He creates unity by using white for the common sea creatures.
10. 1946. Oceania, the Sky . Matisse repeats the sea & sky creature shapes. He creates unity by using white for the common creatures.
11. 1952. The Swimming Pool . Matisse repeats the wavy shapes. He creates unity by using blue for the common water images.
![Hallmarks of his cutout style ,[object Object],[object Object],[object Object],[object Object],[object Object],1949. Tree of Life, Apse. Vence Chapel, Nice.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)