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A Level Photography COMPOSITION
What is composition? ,[object Object],[object Object],The figure and shoe are placed centrally. The lines in the diagram opposite show how the composition forces us to consider the man’s precarious position. Notice how isolated the figure appears, as if oppressed by the indifferent city. Even apparently snap shot views like this street photograph can be carefully composed and reflect the skill of the photographer. In this image by Louis Faurer, presumably taken through a shop  window, the silhouetted pedestrian is dwarfed by an enormous shoe. This is a powerful visual idea which is enhanced by the composition.
Symmetrical compositions ,[object Object],[object Object],Andreas Gursky -  99 Cent,  1999, chomogenic colour print, 6 ft. 9 1/2 in. x 11 ft. 5/8 in.   The composition of this massive image, nearly 12 feet in length, appears almost symmetrical – ordered, balanced and unemotional. It suggests that the photographer is taking an entirely  objective  view. However, people seem to be relatively insignificant in this temple to commerce and the dizzying quantity and variety of products on display is quite disconcerting.
Order and chaos co-exist A symmetrically arranged environment is disordered in William Eggleston’s exposed interior of a freezer.
Together and apart? Evidence of domestic harmony or the site of conflict? Nan Goldin’s beds are mute witnesses.
Differences contained Robert Frank’s use of a grid-like composition in this famous image serves to highlight the racial, class, age and gender differences which the photographer observed in the compartmentalised society of 1950s USA.
Surreally symmetrical Jerry Uelsmann -  Untitled , 1965
The Grid ,[object Object],Lewis Baltz -  Park City Interior #94   Ray Metzker -  Untitled , 1966-7   Ray Metzker’s large composite grid is constructed from 63 individual photographs of a Chicago street scene. From a distance, the viewer sees only an abstract pattern. Closer up, the multiple elements become legible.
Asymmetrical compositions ,[object Object],Jaroslav Rossler  Untitled. Petrin Tower  1924-6   Berenice Abbott -  El at Columbus Avenue and Broadway  c. 1935-39 Abbott utilises a high viewpoint in order to emphasise the  dynamic rhythms  of city life. Thrusting  diagonals  and an  asymmetrical arrangement of forms  suggest energy and flux.
A ghostly presence Clarence John Laughlin -  Vision in a Brick Wall , 1941   Laughlin’s  double exposed  image is unsettling  partly because of the arrangement of the figure in relation to the huge expanse of brick wall and diagonally opposite the balcony. The entire image appears to be tipping down towards the left hand corner.
Compare and contrast Harry Callahan –  Eleanor,  Chicago 1953 Garry Winogrand –  New York Zoo , 1964 Symmetrical Horizontals and verticals Order and logic Calm Asymmetrical Diagonals Dynamism and energy Tense
All over compositions ,[object Object],Garry Winogrand -  The American Legion Convention, Dallas, Texas  1964 Jackson Pollock -  Untitled . (c. 1950). Ink on paper

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What Is Composition?

  • 1. A Level Photography COMPOSITION
  • 2.
  • 3.
  • 4. Order and chaos co-exist A symmetrically arranged environment is disordered in William Eggleston’s exposed interior of a freezer.
  • 5. Together and apart? Evidence of domestic harmony or the site of conflict? Nan Goldin’s beds are mute witnesses.
  • 6. Differences contained Robert Frank’s use of a grid-like composition in this famous image serves to highlight the racial, class, age and gender differences which the photographer observed in the compartmentalised society of 1950s USA.
  • 7. Surreally symmetrical Jerry Uelsmann - Untitled , 1965
  • 8.
  • 9.
  • 10. A ghostly presence Clarence John Laughlin - Vision in a Brick Wall , 1941 Laughlin’s double exposed image is unsettling partly because of the arrangement of the figure in relation to the huge expanse of brick wall and diagonally opposite the balcony. The entire image appears to be tipping down towards the left hand corner.
  • 11. Compare and contrast Harry Callahan – Eleanor, Chicago 1953 Garry Winogrand – New York Zoo , 1964 Symmetrical Horizontals and verticals Order and logic Calm Asymmetrical Diagonals Dynamism and energy Tense
  • 12.