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Jared Hyatt
Christopher Davis
         1st block
 500 B.C. to 500 A.D. considered formative
  period in West and East
 Seeds of modern civilization are sown
 Art, dance, and religious beliefs arise
 Buddha   didn’t claim to be divine
 Nor did he claim to receive inspiration from
  gods
 Practice meditation, focusing thoughts on
  single object or idea
 Didn’t pray to higher being
 Died in 483 B.C.
 Beliefs spread throughout Asia
 Another  important architectural form
  appeared by end of second century B.C.
 The Stupa
 Small round burial shrine over a grave site,
  holds relics of buddha
 Buddhism  recognized those who ignored or
  postponed death
 Those that made decision to return to give
  wisdom and guidance
 This was known as a Bodhisattva
 Unlike western paintings, Chinese art makes
  use of different vanishing points
 A point at which receding parallel lines seem
  to converge
 As you unroll the hand-scroll, you find the
  perspective shifts
 This gives a sense of “traveling” through the
  scroll
 Buddha  is represented by a wheel
 The wheel symbolized many things
 Circle of life, maturity, and death
 There is no known artist
 This piece was found in the Bharhut Stupa
 Pg 219, figure 10.8
   Pg 221 figure 10.11
   13th A.D.
   Hindu belief- human spirit is born again
   Takes form reflecting state of perfection achieved in
    past lives
   Arms serve purpose
   Emphasize graceful movements
   One hand, a drum, symbolizes creation
   Another a flame, destruction
   One hand raised to protect faithful
   One points to left foot, which symbolizes escape from
    ignorance represented by a person being crushed by
    right foot
 Pg 227 figure 10.18
 A very relaxed attitude
 Mercy and compassion
 Prayers to this were answered as protection
  against misfortune
 He is resting comfortably on weathered, mossy
  ledge.
 Wearing splendid garments and jewels
 Seems calm and gentle, softly smiling which
  shows no threat
 Encourages viewers to feel the Bodhisattva is
  concerned with them, by his direct and
  unwavering glaze

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Fine arts ch 10 presentation

  • 2.  500 B.C. to 500 A.D. considered formative period in West and East  Seeds of modern civilization are sown  Art, dance, and religious beliefs arise
  • 3.  Buddha didn’t claim to be divine  Nor did he claim to receive inspiration from gods  Practice meditation, focusing thoughts on single object or idea  Didn’t pray to higher being  Died in 483 B.C.  Beliefs spread throughout Asia
  • 4.  Another important architectural form appeared by end of second century B.C.  The Stupa  Small round burial shrine over a grave site, holds relics of buddha
  • 5.  Buddhism recognized those who ignored or postponed death  Those that made decision to return to give wisdom and guidance  This was known as a Bodhisattva
  • 6.  Unlike western paintings, Chinese art makes use of different vanishing points  A point at which receding parallel lines seem to converge  As you unroll the hand-scroll, you find the perspective shifts  This gives a sense of “traveling” through the scroll
  • 7.  Buddha is represented by a wheel  The wheel symbolized many things  Circle of life, maturity, and death  There is no known artist  This piece was found in the Bharhut Stupa  Pg 219, figure 10.8
  • 8. Pg 221 figure 10.11  13th A.D.  Hindu belief- human spirit is born again  Takes form reflecting state of perfection achieved in past lives  Arms serve purpose  Emphasize graceful movements  One hand, a drum, symbolizes creation  Another a flame, destruction  One hand raised to protect faithful  One points to left foot, which symbolizes escape from ignorance represented by a person being crushed by right foot
  • 9.  Pg 227 figure 10.18  A very relaxed attitude  Mercy and compassion  Prayers to this were answered as protection against misfortune  He is resting comfortably on weathered, mossy ledge.  Wearing splendid garments and jewels  Seems calm and gentle, softly smiling which shows no threat  Encourages viewers to feel the Bodhisattva is concerned with them, by his direct and unwavering glaze