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Who is the real poet?
[object Object],ROUND 1
[object Object],[object Object],[object Object]
WHAT DOES HE MEAN? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Lose Yourself You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo (you better) His palms are sweaty, knees weak, arms are heavy There's vomit on his sweater already, mom's spaghetti He's nervous, but on the surface he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down, the whole crowd goes so loud He opens his mouth, but the words won't come out He's chokin' how, everybody's chokin' now The clock's run out, times up, over, blaw! Snap, back to reality, oh, there goes gravity Oh, there goes Rabbit he choked, he's so mad but he won't Give up that easy, no, he won't have it he knows His whole back's to these ropes, it don't matter he's dope He knows that but he's broke, he so stagnant he knows When he goes back to his mobile home, that's when it's Back to the lab again, yo This whole rhapsody better go capture this moment And hope it don't pass him. ROUND 2
TYPES OF RHYME ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],  “ I think a lot of things rhyme with orange … If you’re taking the word at face value and just say, ‘orange’ nothing is going to rhyme with it exact.  If you enunciate it and make it more than one syllable —  or-ange  — you could say, like, 'I put my or-ange four-inch door hinge in stor-age and ate por-ridge with Ge-orge.’  You just have to figure out the science to breaking down words.” EMINEM, talking to Anderson Cooper on 60 Minutes  ,[object Object],[object Object]
In table groups find one example of each of the following: “ Hi s  p a lm s   a re  s we a ty , knee s  we a k,  a rm s   a re  he a vy There's vomit on his sweater  already , mom's  spaghetti ” ,[object Object],[object Object],[object Object],[object Object],[object Object]
A  BARD  wrote formal lyric poetry  which was read on paper. Musicians write freestyle lyric poetry which is performed. Lyric poetry focuses more on sound and emotion, and less on story or character.
[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],SHAKESPEARE ROUND 3
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],SHAKESPEARE ROUND 3

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Poetry

  • 1. Who is the real poet?
  • 2.
  • 3.
  • 4.
  • 5. Lose Yourself You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo (you better) His palms are sweaty, knees weak, arms are heavy There's vomit on his sweater already, mom's spaghetti He's nervous, but on the surface he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down, the whole crowd goes so loud He opens his mouth, but the words won't come out He's chokin' how, everybody's chokin' now The clock's run out, times up, over, blaw! Snap, back to reality, oh, there goes gravity Oh, there goes Rabbit he choked, he's so mad but he won't Give up that easy, no, he won't have it he knows His whole back's to these ropes, it don't matter he's dope He knows that but he's broke, he so stagnant he knows When he goes back to his mobile home, that's when it's Back to the lab again, yo This whole rhapsody better go capture this moment And hope it don't pass him. ROUND 2
  • 6.
  • 7.
  • 8. A BARD wrote formal lyric poetry which was read on paper. Musicians write freestyle lyric poetry which is performed. Lyric poetry focuses more on sound and emotion, and less on story or character.
  • 9.
  • 10.
  • 11.
  • 12.

Notes de l'éditeur

  1. anaphora