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4.3. Joan Miró 4.3.1. Joan Miró: biographic data and his influence on  Fovismo
“ What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what San Juan de la Cruz, I think it was, described with the term 'mute music'.”
Self-Portrait.  1917. Oil on canvas. 61 x 50. Private collection.
The Farmer.  c. 1912-14. Oil on canvas. 65 x 50 cm. Private collection.
Still Life with Rose.  1916. Oil on cardboard. 77 x 74 cm. Private collection.
 
 
 
 
Portrait of E.C. Ricart.  1917. Oil and color print on canvas. 81 x 65 cm. Private collection.
Portrait of Hiberto Casany. (The Chauffeur).  1918. Oil on canvas. 70 x 62 cm. Private collection.
Prades, the Village.  1917. Oil on canvas. 65 x 72.5 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
Ciurana, the Path.  1917. Oil on canvas. 60 x 73 cm. Private collection.
North-South.  1917. oil on canvas. 62 x 70 cm. Private collection.
The Vegetable Garden with Donkey.  1918. Oil on canvas. 64 x 70 cm. Moderna Museet, Stockholm, Sweden.
 
The  Wagon  Tracks.  1918. Oil on canvas. 75 x 75 cm. Private collection.
Self-Portrait.  1919. Oil on canvas. 75 x 60 cm. Musée Picasso, Paris, France .
The Table (Still Life with Rabbit).  1920. Oil on canvas. 130 x 110 cm. Private collection.
4.3.2. Miró - from Paris to New York “  My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details ”
Standing Nude.  1921. Oil on canvas. 130 x 96 cm. Perls Galleries. New York, NY, USA.
Nude with Mirror.  1919. Oil on canvas. 112 x 102 cm. Private collection.
The Farm.  1921/22. Oil on canvas. 132 x 147 cm. The National Gallery of Art, Washington, DC, USA.
The Ear of Corn.  1922/23. Oil on canvas. 37.8 x 46 cm. The Museum of Modern Arts, New York, NY, USA.
The Farmer's Wife.  1922/23. Oil on canvas. 81 x 65 cm. Private collection.
The Tilled Field.  1923/24. Oil on canvas. 66 x 92.7 cm. The Solomon R. Guggenheim Museum, New York, NY, USA. 
Catalan Landscape (The Hunter).  1923/24. Oil on canvas. 64.8 x 100.3 cm. The Museum of Modern Arts, New York, NY
Harlequin's Carnival.  1924-25. Oil on canvas. 66 x 93 cm. Albright-Knox Art Gallery, Buffalo, NY, USA. 
Landscape.  1924/25. Oil on canvas. 47 x 45 cm. Museum Folkwang, Essen, Germany. 
Maternity.  Oil on canvas. 92 x 73 cm. 1924. Private collection.
Stars in Snails' Sexes.  Oil on canvas. 130 x 97 cm. 1925. Private collection.
Dancer.  1925. Oil on canvas. 115.5 x 88.5 cm. Galerie Rosengart, Lucerne, Switzerland.
Ideogram :  (from Greek ἰδέα idea "idea" + γράφω grafo "to write")   Graphic symbol that represents an idea or concept   木 ×2 =  林 lín 木 ×3 =  森 sēn 人 + 木  =  休 xiū two trees -> grove three trees -> forest a man leaning against a tree -> rest
Siesta.  1925. Oil on canvas. 113 x 144 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Bathing Woman.  1925. Oil on canvas. 73 x 92 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
Photo: This is the Color of My Dreams.  Oil on canvas. 96 x 130 cm. 1925. Private collection.
Person Throwing a Stone at a Bird.  1926. Oil on canvas. 73.7 x 92 cm. The Museum of Modern Arts, New York, NY, USA.
Dog Barking at the Moon.  1926. Oil on canvas. 73 x 92 cm. The Philadelphia Museum of Art, Philadelphia, PA, USA
Joan Miró . Landscape (The Hare).  1927. Oil on canvas. 130 x 195 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
Hans Arp
Man playing the lute - Hendrick Martensz Sorgh 1661
Dutch Interior I.  1928. Oil on canvas. 91.8 x 73 cm. The Museum of Modern Arts, New York, NY, USA.
The dancing lesson of the cat  - Hendrick Martensz Sorgh 1661
Dutch Interior II.  1928. oil on canvas. 92 x 73 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
Portrait of Mrs Mills in 1750 (after Constable).  1929. Oil on canvas. 116.7 x 89.6 cm. The Museum of Modern Arts, New York, NY, 
“ Painting or poetry is made as one makes love - a total embrace, prudence thrown to the winds, nothing held back “
4.3.3. Miró and his Majorcan Period: Between France and Spain. The murder of painting.
Painting.  1933. Oil on canvas. 130.4 x 162.5 cm.  Fundació Joan Miró, Barcelona, Spain.
Composition.  1933. Oil on canvas. 130 x 162 cm. Kunstmuseum, Berne, Switzerland.
Painting.  1933. Oil on canvas. 130 x 162 cm. Narodni Gallery, Prague, Czechia.
Swallow/Love.  1934. Oil on canvas. 199.3 x 247.6 cm. The Museum of Modern Arts, New York, NY, USA.
Rope and People I.  1935. oil and rope on cardboard, stuck to a wooden board. 104.7 x 74.6 cm. The Museum of Modern Arts, New York, NY, USA.
Man and Woman in Front of a Pile of Excrement.  1936. Oil on copper. 23.2 x 32 cm. Fundació Joan Miró, Barcelona, Spain.
Still Life with Old Shoe.  1937. The Museum of Modern Arts, New York, NY, USA.
 
 
 
A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web.  1939. Oil on canvas. 65.4 x 91.7 cm. The University of Iowa Museum of Art, The Mark Pamney Memorial Fund, Iowa, IA, USA.
The Escape Ladder.  1939. Oil on canvas. 73 x 54 cm. Private collection.
The Nightingale's Song at Midnight and the Morning Rain.  1940. Gouache and terpentine paint on paper. 38 x 46 cm. Perls Galleries. New York, NY, USA.
Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
Women and Birds at Sunrise.  1946. Oil on canvas. 54 x 65 cm. Fundació Joan Miró, Barcelona, Spain.
Ladders Cross the Blue Sky in a Wheel of Fire.  1953. oil on canvas. 116 x 89 cm. Private collection.
Blue II.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Blue III.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
The Lark's Wing, Encircled with Golden Blue, Rejoins the Heart of the Poppy Sleeping on a Diamond-Studded Meadow.  1967. Oil on canvas. 195 x 130 cm. Private collection.
The Gold of the Azure.  1967. oil on canvas. 205 x 173.5 cm. Fundació Joan Miró, Barcelona, Spain
May 1968.  1973. Acrylic on canvas. 200 x 200 cm. Fundació Joan Miró, Barcelona, Spain.
 
 
 
You never finish a painting, you never strart a painting. A painting is like the wind, someting which is always walking without rest.
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Joan miró2

  • 1. 4.3. Joan Miró 4.3.1. Joan Miró: biographic data and his influence on Fovismo
  • 2. “ What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what San Juan de la Cruz, I think it was, described with the term 'mute music'.”
  • 3. Self-Portrait.  1917. Oil on canvas. 61 x 50. Private collection.
  • 4. The Farmer.  c. 1912-14. Oil on canvas. 65 x 50 cm. Private collection.
  • 5. Still Life with Rose.  1916. Oil on cardboard. 77 x 74 cm. Private collection.
  • 6.  
  • 7.  
  • 8.  
  • 9.  
  • 10. Portrait of E.C. Ricart.  1917. Oil and color print on canvas. 81 x 65 cm. Private collection.
  • 11. Portrait of Hiberto Casany. (The Chauffeur).  1918. Oil on canvas. 70 x 62 cm. Private collection.
  • 12. Prades, the Village.  1917. Oil on canvas. 65 x 72.5 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
  • 13. Ciurana, the Path.  1917. Oil on canvas. 60 x 73 cm. Private collection.
  • 14. North-South.  1917. oil on canvas. 62 x 70 cm. Private collection.
  • 15. The Vegetable Garden with Donkey.  1918. Oil on canvas. 64 x 70 cm. Moderna Museet, Stockholm, Sweden.
  • 16.  
  • 17. The Wagon Tracks.  1918. Oil on canvas. 75 x 75 cm. Private collection.
  • 18. Self-Portrait.  1919. Oil on canvas. 75 x 60 cm. Musée Picasso, Paris, France .
  • 19. The Table (Still Life with Rabbit).  1920. Oil on canvas. 130 x 110 cm. Private collection.
  • 20. 4.3.2. Miró - from Paris to New York “ My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details ”
  • 21. Standing Nude.  1921. Oil on canvas. 130 x 96 cm. Perls Galleries. New York, NY, USA.
  • 22. Nude with Mirror.  1919. Oil on canvas. 112 x 102 cm. Private collection.
  • 23. The Farm.  1921/22. Oil on canvas. 132 x 147 cm. The National Gallery of Art, Washington, DC, USA.
  • 24. The Ear of Corn.  1922/23. Oil on canvas. 37.8 x 46 cm. The Museum of Modern Arts, New York, NY, USA.
  • 25. The Farmer's Wife.  1922/23. Oil on canvas. 81 x 65 cm. Private collection.
  • 26. The Tilled Field.  1923/24. Oil on canvas. 66 x 92.7 cm. The Solomon R. Guggenheim Museum, New York, NY, USA. 
  • 27. Catalan Landscape (The Hunter).  1923/24. Oil on canvas. 64.8 x 100.3 cm. The Museum of Modern Arts, New York, NY
  • 28. Harlequin's Carnival.  1924-25. Oil on canvas. 66 x 93 cm. Albright-Knox Art Gallery, Buffalo, NY, USA. 
  • 29. Landscape.  1924/25. Oil on canvas. 47 x 45 cm. Museum Folkwang, Essen, Germany. 
  • 30. Maternity.  Oil on canvas. 92 x 73 cm. 1924. Private collection.
  • 31. Stars in Snails' Sexes.  Oil on canvas. 130 x 97 cm. 1925. Private collection.
  • 32. Dancer.  1925. Oil on canvas. 115.5 x 88.5 cm. Galerie Rosengart, Lucerne, Switzerland.
  • 33. Ideogram : (from Greek ἰδέα idea "idea" + γράφω grafo "to write") Graphic symbol that represents an idea or concept 木 ×2 =  林 lín 木 ×3 =  森 sēn 人 + 木  =  休 xiū two trees -> grove three trees -> forest a man leaning against a tree -> rest
  • 34. Siesta.  1925. Oil on canvas. 113 x 144 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
  • 35. Bathing Woman.  1925. Oil on canvas. 73 x 92 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
  • 36. Photo: This is the Color of My Dreams.  Oil on canvas. 96 x 130 cm. 1925. Private collection.
  • 37. Person Throwing a Stone at a Bird.  1926. Oil on canvas. 73.7 x 92 cm. The Museum of Modern Arts, New York, NY, USA.
  • 38. Dog Barking at the Moon.  1926. Oil on canvas. 73 x 92 cm. The Philadelphia Museum of Art, Philadelphia, PA, USA
  • 39. Joan Miró . Landscape (The Hare).  1927. Oil on canvas. 130 x 195 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
  • 41. Man playing the lute - Hendrick Martensz Sorgh 1661
  • 42. Dutch Interior I.  1928. Oil on canvas. 91.8 x 73 cm. The Museum of Modern Arts, New York, NY, USA.
  • 43. The dancing lesson of the cat - Hendrick Martensz Sorgh 1661
  • 44. Dutch Interior II.  1928. oil on canvas. 92 x 73 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
  • 45. Portrait of Mrs Mills in 1750 (after Constable).  1929. Oil on canvas. 116.7 x 89.6 cm. The Museum of Modern Arts, New York, NY, 
  • 46. “ Painting or poetry is made as one makes love - a total embrace, prudence thrown to the winds, nothing held back “
  • 47. 4.3.3. Miró and his Majorcan Period: Between France and Spain. The murder of painting.
  • 48. Painting.  1933. Oil on canvas. 130.4 x 162.5 cm.  Fundació Joan Miró, Barcelona, Spain.
  • 49. Composition.  1933. Oil on canvas. 130 x 162 cm. Kunstmuseum, Berne, Switzerland.
  • 50. Painting.  1933. Oil on canvas. 130 x 162 cm. Narodni Gallery, Prague, Czechia.
  • 51. Swallow/Love.  1934. Oil on canvas. 199.3 x 247.6 cm. The Museum of Modern Arts, New York, NY, USA.
  • 52. Rope and People I.  1935. oil and rope on cardboard, stuck to a wooden board. 104.7 x 74.6 cm. The Museum of Modern Arts, New York, NY, USA.
  • 53. Man and Woman in Front of a Pile of Excrement.  1936. Oil on copper. 23.2 x 32 cm. Fundació Joan Miró, Barcelona, Spain.
  • 54. Still Life with Old Shoe.  1937. The Museum of Modern Arts, New York, NY, USA.
  • 55.  
  • 56.  
  • 57.  
  • 58. A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web.  1939. Oil on canvas. 65.4 x 91.7 cm. The University of Iowa Museum of Art, The Mark Pamney Memorial Fund, Iowa, IA, USA.
  • 59. The Escape Ladder.  1939. Oil on canvas. 73 x 54 cm. Private collection.
  • 60. The Nightingale's Song at Midnight and the Morning Rain.  1940. Gouache and terpentine paint on paper. 38 x 46 cm. Perls Galleries. New York, NY, USA.
  • 61. Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
  • 62. Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
  • 63. Women and Birds at Sunrise.  1946. Oil on canvas. 54 x 65 cm. Fundació Joan Miró, Barcelona, Spain.
  • 64. Ladders Cross the Blue Sky in a Wheel of Fire.  1953. oil on canvas. 116 x 89 cm. Private collection.
  • 65. Blue II.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
  • 66. Blue III.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
  • 67. The Lark's Wing, Encircled with Golden Blue, Rejoins the Heart of the Poppy Sleeping on a Diamond-Studded Meadow.  1967. Oil on canvas. 195 x 130 cm. Private collection.
  • 68. The Gold of the Azure.  1967. oil on canvas. 205 x 173.5 cm. Fundació Joan Miró, Barcelona, Spain
  • 69. May 1968.  1973. Acrylic on canvas. 200 x 200 cm. Fundació Joan Miró, Barcelona, Spain.
  • 70.  
  • 71.  
  • 72.  
  • 73. You never finish a painting, you never strart a painting. A painting is like the wind, someting which is always walking without rest.
  • 74.
  • 75.