1. the art of making art
without lifting a finger
ART111

2. Diane
Arbus, Child with
Toy Hand
Grenade in
Central
Park, N.Y.C., 196
2

4. Diane
Arbus, Teenage
Couple on
Hudson Street
, N.Y.C., 1963

5. Diane
Arbus, Two Girls
in
Curlers, N.Y.C., 1
963

6. Diane
Arbus, Young
Man and his
Pregnant
Wife, Washingto
n
Park, N.Y.C., 196
5

7. Ray Johnson
1927 – 1995

8. Ray
Johnson, Mail Art

9. Ray Johnson, Mail Art

10. Ray Johnson, Mail Art

11. Robert
Rauschenberg, Erase
d de Kooning
Drawing, 1963

12. Robert
Rauschenberg, Third Time
Painting, 1961

13. Robert
Rauschenberg, Overdrive
, 1963

14. Joseph
Cornell, Untitled
(Soap Bubble
Set), 1936

15. Joseph Cornell, Ann–
In Memory, 1954

16. Sol LeWitt, Wall Drawing 85, 1971

17. Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 2008

18. Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 1975

19. Dan Flavin, untitled (to the
"innovator" of Wheeling
Peachblow), 1966 – 68

20. Dan Flavin, Installation of greens crossing greens (to Piet Mondrian
who lacked green), 1966

21. Yoko Ono, Box of Smile, 1971

22. Yoko Ono

23. John Cage, score __,_ _Circus
on___, 1979

24. John Cage, Water
Music, 1952

25. Relational Aesthetics is
defined as: “A set of
artistic practices which
take as their theoretical
and practical point of
departure the whole of
human relations and
their social
context, rather than an
independent and private
space.” Relational
Aesthetics, 1998, p. 113

26. Rirkrit Tiravanija, Untitled (Free/Still), 1992

27. Carsten Höller, Revolving Hotel Room, Guggenheim Museum, 2008

28. Read:
• Chapter 4, “The Art of Making Art without Lifting a
Finger”
Respond in your Journal:
1. Reflect (in at least ONE PAGE) on chapter 4, a
quote or one of the videos shown in class.