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VISCOM COM 310 W7
OUTLINE WELCOME SYLLABUS BLOG CHAPTER 1-3 CHAPTER 4 ACTIVITY PUBLIC SERVICE PRINT ADS
SYLLABUS ATTENDANCE POSITIONING (hybrid, design for non designers, service) REQUIRED TEXTS ASSIGNMENTS  WRITTEN  CREATIVE (e.g.) COURSE SCHEDULE
CLASS BLOG
CHAPTER 1: How we see Two premisesfromour text VisCom – Images w/Messages Images have the most impact when they are remembered Images and text rely on one another, 	-and combined - they can provide compelling messages
CHAPTER 1: How we see Aldous Huxley (1894-1963) Seeing a multi-level process Sense Select Perceive
CHAPTER 3: Eye, Retina, Brain (what happened to CH2?) Eyes and Retina 	Cones in the retina – can lead to color difficiency 	Eyes enters brain via optic nerve (chord of cells) 	Two eyes, slightly separated allow us to see depth
CHAPTER 3: Eye, Retina, Brain The Brain Amygdala (Parietal lobes) Hippocampus (temporal lobes)
CHAPTERS 4: What the brain sees David Hubel & Herbert Wiesel discovered that . . .
Four visual cues Color Form  Depth Movement
Color Primary – red, green, blue Secondary – magenta, yellow, cyan
Three ways of discussing color Objective  chroma (hue),  value (amount of concentration) brightness (amount of light emitted) Comparative  - blood red, sky blue Subjective – range of emotional responses to color warm and cool colors (psychological distinctions) Light (soft and cheerful) and dark (harsh and moody)
Color Sociological uses of color Cultural heritage Training Personal meaning We associate specific meanings with different colors Purple – dignity, sadness Blue – power to protect Green – versatility, ingenuity Yellow -health White - purity
Color
Form Dots Lines Shapes
Form Dots – command attention, create tension Sunday Afternoon on the Island of La Grande Jatte (Seurat, 1884)
Form Lines – draw viewers attention Curvy lines are playful Straight lines – rigid Thick lines – strong Thin lines – delicate, timid
Form Lines – horizon lines High lines – suffocation Low lines – space to grow
Form Shapes -  Parallelogram Circle Triangle
Form Shapes – Parallelogram -4 sides, rectangles and squares Squares – sturdy, straightforward Rectangles – more sophisticated
Form Shapes – Circle Can overpower  Suggest brightness, wheel of life (eternity, infinite causality)
Form Shapes – Triangle Equilateral – symmetrical balance, serenity Isosceles – point draws attention Technique - triangulation (made of objects)
Form – dots, lines, shapes
Depth – 8 depth cues Space Size Color Lighting Textural gradients (patterned lines) Interposition Time Perspective (illusionary, geometrical, conceptual)
Depth – Perspective
Depth – Perspective Woman Playing the Mandolin (Picasso, 1909)
Depth – Movement Real Apparent (motion pictures) Graphic (rhythm) Implied (visual vibrations from high contrast lines)
ACTIVITY -ANALYZING AN IMAGE 	make an inventory list of all objects in picture 	notice composition (center, periphery) 	study visual cues
PUBLIC SERVICE PRINT ADS Why Bad Ads Happen to Good Causes Studied over 200 public service print ads 1990-2000 Noted - % remembered seeing the ad Associated - % recalled name of advertiser or campaign Read Most - % read ½ or more of written material in ad
PUBLIC SERVICE PRINT ADS 7 DESIGN PRINCIPLES Capture reader’s attention like a stop sign, direct it like a road map Make an emotional connection before conveying info Write headlines that offer a reason to read Use pictures to attract and convince Make text legible Test, measure When everyone zigs, zag
HWK by 9/15 Read Chapters 2-4 Due Journal #2 Play with the blog

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VisCom mweek1

  • 2. OUTLINE WELCOME SYLLABUS BLOG CHAPTER 1-3 CHAPTER 4 ACTIVITY PUBLIC SERVICE PRINT ADS
  • 3. SYLLABUS ATTENDANCE POSITIONING (hybrid, design for non designers, service) REQUIRED TEXTS ASSIGNMENTS WRITTEN CREATIVE (e.g.) COURSE SCHEDULE
  • 5. CHAPTER 1: How we see Two premisesfromour text VisCom – Images w/Messages Images have the most impact when they are remembered Images and text rely on one another, -and combined - they can provide compelling messages
  • 6. CHAPTER 1: How we see Aldous Huxley (1894-1963) Seeing a multi-level process Sense Select Perceive
  • 7. CHAPTER 3: Eye, Retina, Brain (what happened to CH2?) Eyes and Retina Cones in the retina – can lead to color difficiency Eyes enters brain via optic nerve (chord of cells) Two eyes, slightly separated allow us to see depth
  • 8. CHAPTER 3: Eye, Retina, Brain The Brain Amygdala (Parietal lobes) Hippocampus (temporal lobes)
  • 9. CHAPTERS 4: What the brain sees David Hubel & Herbert Wiesel discovered that . . .
  • 10. Four visual cues Color Form Depth Movement
  • 11. Color Primary – red, green, blue Secondary – magenta, yellow, cyan
  • 12. Three ways of discussing color Objective chroma (hue), value (amount of concentration) brightness (amount of light emitted) Comparative - blood red, sky blue Subjective – range of emotional responses to color warm and cool colors (psychological distinctions) Light (soft and cheerful) and dark (harsh and moody)
  • 13. Color Sociological uses of color Cultural heritage Training Personal meaning We associate specific meanings with different colors Purple – dignity, sadness Blue – power to protect Green – versatility, ingenuity Yellow -health White - purity
  • 14. Color
  • 15. Form Dots Lines Shapes
  • 16. Form Dots – command attention, create tension Sunday Afternoon on the Island of La Grande Jatte (Seurat, 1884)
  • 17. Form Lines – draw viewers attention Curvy lines are playful Straight lines – rigid Thick lines – strong Thin lines – delicate, timid
  • 18. Form Lines – horizon lines High lines – suffocation Low lines – space to grow
  • 19. Form Shapes - Parallelogram Circle Triangle
  • 20. Form Shapes – Parallelogram -4 sides, rectangles and squares Squares – sturdy, straightforward Rectangles – more sophisticated
  • 21. Form Shapes – Circle Can overpower Suggest brightness, wheel of life (eternity, infinite causality)
  • 22. Form Shapes – Triangle Equilateral – symmetrical balance, serenity Isosceles – point draws attention Technique - triangulation (made of objects)
  • 23. Form – dots, lines, shapes
  • 24. Depth – 8 depth cues Space Size Color Lighting Textural gradients (patterned lines) Interposition Time Perspective (illusionary, geometrical, conceptual)
  • 26. Depth – Perspective Woman Playing the Mandolin (Picasso, 1909)
  • 27. Depth – Movement Real Apparent (motion pictures) Graphic (rhythm) Implied (visual vibrations from high contrast lines)
  • 28. ACTIVITY -ANALYZING AN IMAGE make an inventory list of all objects in picture notice composition (center, periphery) study visual cues
  • 29. PUBLIC SERVICE PRINT ADS Why Bad Ads Happen to Good Causes Studied over 200 public service print ads 1990-2000 Noted - % remembered seeing the ad Associated - % recalled name of advertiser or campaign Read Most - % read ½ or more of written material in ad
  • 30. PUBLIC SERVICE PRINT ADS 7 DESIGN PRINCIPLES Capture reader’s attention like a stop sign, direct it like a road map Make an emotional connection before conveying info Write headlines that offer a reason to read Use pictures to attract and convince Make text legible Test, measure When everyone zigs, zag
  • 31. HWK by 9/15 Read Chapters 2-4 Due Journal #2 Play with the blog

Notes de l'éditeur

  1. DEMO UPLOADING AN IMAGE
  2. We sense – light comes into our eyes (no mental processes occurring)Select – focus on particular element in our visual plane or field of vision (reasons for this – cues, etc)Perceive – we make sense of what we select – process info, we bring past knowledge with us, all past experience of seeing impacts our interpretation of new images
  3. Long term memoryImages are sent via two pathways to our brainsThrough parietal lobes passes to our amygdala – where we assign emotions to imagesthen sends it on to Hippocampi – where long term memory is stored and where we compare new visual messages to those previous for meaning and emotional value. The physiological explanation for how we form a subjective basis for interpreting visual data
  4. By connecting a microelectrode to a nerve cell in the visual cortex of a catSpecific cells in the brain respond to 4 kinds of visual stimulation –
  5. We look closely at each visual cue that our brains respond to gain insight into how to design compelling visual messages.
  6. Color constancy – colors look different depending on lighting conditions When colors under bright conditions they retain their hue, when change when it is dark. (red in the dark looks blue)
  7. Vanishing point
  8. Vanishing point
  9. Vanishing point
  10. AFTER THIS, THEN