Lecture @ 2 for phil lit class

1. The Philippine Pre-colonial Literature

3. experiences

4. aesthetic ideals

5. physical environment, social and economic organization of the people

6. nationalismPre-colonial Literature Thelma V. Villaflores

8. a literature of varying human interestPre-colonial Literature Thelma V. Villaflores

10. product of formative age

11. close to the religious and political organizations of the ancient Filipinos

12. ancient Filipino verses were addressed to the ears rather than the to the eyesPre-colonial Literature Thelma V. Villaflores

14. versification

15. octosyllabic – legendary and religious poems

16. dodecasyllabic - romancePre-colonial Literature Thelma V. Villaflores

18. Rhyme – the similarity of sounds (accented vowels and all succeeding sounds), usually at the end of the lines

19. Rhyme scheme – the pattern of end rhyme in a poemPre-colonial Literature Thelma V. Villaflores

21. unifies a literary work, to emphasize ideas, to create mood, to reinforce content, and to heighten emotional responsePre-colonial Literature Thelma V. Villaflores

23. Stanza – a group of lines that form a unit of poetry

24. couplet

25. tercet

26. quatrainPre-colonial Literature Thelma V. Villaflores

31. showcases the Filipino wit, literary talent and keen observation of the surroundingsPre-colonial Literature Thelma V. Villaflores

35. allegories or parables that impart lessons for the youngPre-colonial Literature Thelma V. Villaflores

37. Maxims - rhyming couplets (5,6,8 syllables)Pre-colonial Literature Thelma V. Villaflores

46. no title 7-7-7-7 AABB Pre-colonial Literature Thelma V. Villaflores

48. AABB, ABAB, ABBA

49. AAAB, BAAA, or ABCD

50. title - optionalPre-colonial Literature Thelma V. Villaflores

51. Ancient Filipino Poetry GAYUMA Tahakngtingin, tulakngsulyap, yakap, lapatngtitigsabalikat,hatakpa, kindat, hatak. Pre-colonial Literature Thelma V. Villaflores

52. Ancient Filipino Poetry bishopsa sermon umalulongngdasal at orasyonnangwalangsumang-ayonnaghamongmagpakulong! Pre-colonial Literature Thelma V. Villaflores

53. Ancient Filipino Poetry Ako mana manrigsan sa maypanayopinggan sa may tupas balian ako udnakarigsan tinambongbahayawan sinag-ulibatangan. Pre-colonial Literature Thelma V. Villaflores

54. Ancient Filipino Poetry I wouldlike to take a bath, scoop water with a plate, wash the hairwithlemonjuice; but i could not take a bath, because the river isdammed with a lot of sturdytrunks. Pre-colonial Literature Thelma V. Villaflores

55. Ancient Filipino Poetry AMBAHAN traditional poetry of the HanunooMangyans of Oriental Mindoro which is normally inscribed on bamboo using a pre-Colonial syllabic writing system called the SuratMangyan . Pre-colonial Literature Thelma V. Villaflores

57. can be composed of more than four linesPre-colonial Literature Thelma V. Villaflores

59. teaches lessons about life

60. recited by parents to educate their children, by the youth to express their love, by the old to impart experiences, or by the community in tribal ceremoniesPre-colonial Literature Thelma V. Villaflores

63. deals with a conflict among the gods themselves, or ways in which the gods would reveal themselves as unique characters unto the lowly creatures of the Earth, including man. Legends of creation usually involve spirits or gods, or just an omnipotent God. Pre-colonial Literature Thelma V. Villaflores

65. Describes the creation of the earth. Pre-colonial Literature Thelma V. Villaflores

69. Animals are the heroes in most fables. Pre-colonial Literature Thelma V. Villaflores

72. Animals are the heroes in most fables. Pre-colonial Literature Thelma V. Villaflores

74. heroic deeds of divine beings and people in war or travel

75. varied, exotic, magicalPre-colonial Literature Thelma V. Villaflores

77. sung or chanted during harvests, weddings, or funeralsPre-colonial Literature Thelma V. Villaflores

79. episodic

80. abound with supernatural character

81. reflective of the society where they originate

82. with several versionsPre-colonial Literature Thelma V. Villaflores

84. Ilocos – Biagni Lam-ang

85. Bicol - Ibalon

86. Mindanao – Darangan

87. Panay – Hinilawod

88. Bagobo - TuwaangPre-colonial Literature Thelma V. Villaflores

90. Manobo – Agyu or Olahing

91. Subanon - SandayoPre-colonial Literature Thelma V. Villaflores

96. the exploits of three Sulodnon demigod brothers, LabawDonggon, Humadapnon and Dumalapdap of ancient PanayPre-colonial Literature Thelma V. Villaflores

98. repetitive and sonorous, didactic and naive

99. traditional songs and melodies

100. inspired by the reaction of the people to their environmentPre-colonial Literature Thelma V. Villaflores

102. komintang – war song

103. kundiman – melancholic love song

104. harana – serenade

105. tagay – drinking song

106. mambayu – Kalinga rice-pounding song

107. subli – dance-ritual song of courtship /marriagePre-colonial Literature Thelma V. Villaflores

109. Kahayon, Alicia H. and Zulueta, Celia A. (2000). Philippine literature: through the years. Pasig City: National Book Store.Pre-colonial Literature Thelma V. Villaflores

111. http://en.wikipilipinas.org/index.php?title=Ambahan

112. http://tagaloglang.com/Philippine-Literature/Filipino-Epics/mga-epiko-ng-pilipinas.html

113. http://www.camperspoint.com/spip.php?article227Pre-colonial Literature Thelma V. Villaflores