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There Will Always Be Singing; Doris Lessing 1919­2013

Fable
‘When I look back I seem to remember singing.
Yet it was always silent in that long warm room.

Impenetrable , those walls , we thought,
Dark with ancient shields.  The light
Shone on the head of a girl or young limbs
Spread carelessly. And the low voices
Rose in the silence and were lost as in water.’

Doris Lessing 1919­2013
When  a person of great age dies, there are many responses about the  richness of their  life and how we have been
blessed  by  their  presence for so long in our world. Yet for me there was and is profound sorrow at the loss to us of
Doris  Lessing,  Nobel  Laureate,  author,  philosopher  and  poet.  I  do   not  delude  myself  that  my  sorrow  is  one of
intimate connection to her, a whole generation of women writers had that connection to her voice.

My  connection to Doris Lessing’s writing began in my twenties when I  read  The Golden Notebook, I read almost  all
her  work after that,  and  I  liked  it.  I  am  unsure  of  where  the  gut­tear  occurred   in  my reaction  to  her work,  but here
was a writer who did things that I admired. I couldn’t quite locate her  effect on me, but I knew it and recognised it as
important to my writing.

I  live  in the  city  and  often  escape  to  a  small  house  in  Mayo,  where  my now deceased friend,  Michael  McMullin, a
philosopher  and  jungian,  had  retained  a  library.  His   Lessings  were  collected  on   the  top  shelf  of  his   library,
alongside  some  images of Chartres Cathedral, and his Yeats collection. Like Lessing  he had attained a great age
and had a voracious thirst for knowledge, he was born in Ceylon in 1916.

I  found  it  winsome  that  Michael  would  so  assidiously  collect  Lessing,   and   that   he  often   referred   to   her.  His
nomadism  had  taken him from Ceylon, to Cambridge, to escape from Hitler’s paris,  to  Sweden, to Canada ,  and  to
end  his  life,  a  hillside  In  the  North­West  of  Ireland.  I  did  not  meet  Doris  Lessing,  but  I  have  met  in  Michael  that
great intellectual and questing spirit that seems to inflame the diasporist writer.

Doris  Lessing’s  death  brought  back  my  own  recent  loss  with  a  punch.  I  saw  the  rumours  of  her  death  emerging
from  early  sunday  morning  and  I  waited  to  hear  if  it  were  true.  I  felt  weird  about  linking her  poems, but  again I felt
that people should know that she was a poet of accomplishment.
Two years  ago  I  was  re­reading  Lessing  in  the  Mayo  library, Michael was dying  and  we were taking turns  to  watch
him.  When  I  returned  to  the  city,  I  thought  to  do  some  searches  of  her  writing,  as  I  was  aware  that  she  like  Ted
Hughes  has  elements  of  sufism  in  her  writing.  I  was  aware  that  she  had  written poetry and I  couldn’t find much. I
always think  that  the  place  to  look  for  the  mythos,  esoterical  and  philosophical mind of the  writer is  in their poetic
output. Poetry is the  revelatory act of participation in the world.

I  found  that  she  had  written  a  small  collection  Fourteen  Poems  in  1959  ,  published  by  The  Scorpion Press  , and
that  she  had  contributed  to  the  Inpopa  Anthology  (2002).  Her  poetry  isn’t  available  online.  The  Scorpion  Press
Archive  is  housed  at  the  McFarlin  Library  (Special  Collections)  at  the  University  of  Tulsa.  I  needed  to  know,  and
whilst I  located people who had a copy of the book, I really wanted to read it for myself.

I  contacted  Alison  Greenlee  at  the  Special  Collections  Library  and  she  located  me  a  copy  of  the book in my Alma
Mater,  University College  Dublin.  I  made  an  appointment  to  go  in  as  soon as  I could  and  I transcribed a selection
of the poems for myself. The next step was to contact Jonathan Clowes Ltd, who are Doris Lessing’s agents.

I  am  forever  grateful  to  Olivia  Guest  at  Jonathan  Clowes  Ltd  who  worked  on  my  behalf  to  bring  Doris  Lessing’s
poetry  back  online.  We  corresponded initially by letter and I procured  a temporary 12  month licence to add Lessing
to  my  index of  women  poets.  I  felt  that  I  wanted  her  to  be  recognised  for her entire body of work  and  not alone the
novels.  After  the  initial  permissions  to  carry  the  Lessing  poetry  were  given,  the  first  letter went  awol and had to be
re­issued, I put them up and shared them regularly.

i wrote  about  the  poems  on  Open Salon. There were 3,000 hits  on the  poetry over the two  blogs.  People contacted
me  to  say  that  they  wanted  to  read  the  books,  that  they   had   no  idea   that   she  was  a  poet  ,   and that they  were
heartened  to  see  a  woman  poet  of  great  age  appearing  on  their  computer  screens,  as  there  is  often  a  problem
with having older women visible in the media.
The following  year  ,  I  sent  Olivia  a  synopsis  of  the  reaction  to  Doris Lessing’s poetry and we  agreed to extend the
licence for another 12 months.

This year  of  2013  ,  I  again  contacted  Olivia  and  reminded  her  that  my  licence  to  carry the poetry was  about  due to
end  and  that  it  gave  me  great  sorrow  to  take  the  poems  off  my  index  ,  as  I felt at home with them and that people
were always looking for them.

last  week  I  received  an  email  that  made  me  sadder.  Doris  Lessing  had   little  confidence  in  her  poetry  and  her
agents  were  happy  to  allow  me  keep  them  indefinitely  because  they  did  not see the possibility of a  re­issue. This
is the email :

Dear Christine

We’d  be delighted  for  you  to  host  the  poems  for  longer  especially  if you’re getting such good reactions.
Doris  Lessing  was  never  very  keen  on  her  poetry and didn’t think  it  was any good so  I doubt we will see
a re­issue but at least this way, they are available in an alternative form.

Many thanks and best wishes

Olivia
I  wondered  then  if  Doris  Lessing  knew  over  these  years  that  I  had  the  poems  and that they  had  caused such a
reaction. I still do not know if she did.

Last week  I  announced that I would be retaining  the poems for sometime and that I  had  received the above letter
I  blogged  it  in  absolute  delight,  because  it  is  a  small  but  profound  part  of  her  writing  jigsaw  and  it allows  us to
call her a poet.

To  a mind like Lessing’s  death  is  a  transformation  and  not  an  ending.  Yesterday,  after  I  decided  to honour her
writing  and  look  at  the  story  of  the  poems,  I  closed  up  my  blog  for  the  day  and  took  a  walk  with  my  daughter.
When  I  got  home  ,  I  saw  that  there  were  upward  of  a  thousand  hits  on  the  Lessing  letters,  articles,  posts  and
poems.

Today  there  is  a  similar  amount  building  up. People want to  know  that  questing intellect  and  they are  searching.
if  I  could  say  one  thing  to  Doris  Lessing,  it  would  be  that  her  poetry  is  the  source  and  cause  of  joy  and  many  ,
many people feel her loss in this world.

RIP Doris May Lessing X X

Doris Lessing was a nomadic writer whose presence in the world of writing reflected massive geopolitical
changes. She was born in Persia, (now Iran)and grew into womanhood in Rhodesia (now Zimbabwe). This fact
alone speaks of her diaspora, that great nomadism wherein the shape of the globe shrunk  and huge
post­colonial change took place.

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There willalwaysbesingingdorislessing1919 2013

  • 2. When  a person of great age dies, there are many responses about the  richness of their  life and how we have been blessed  by  their  presence for so long in our world. Yet for me there was and is profound sorrow at the loss to us of Doris  Lessing,  Nobel  Laureate,  author,  philosopher  and  poet.  I  do   not  delude  myself  that  my  sorrow  is  one of intimate connection to her, a whole generation of women writers had that connection to her voice. My  connection to Doris Lessing’s writing began in my twenties when I  read  The Golden Notebook, I read almost  all her  work after that,  and  I  liked  it.  I  am  unsure  of  where  the  gut­tear  occurred   in  my reaction  to  her work,  but here was a writer who did things that I admired. I couldn’t quite locate her  effect on me, but I knew it and recognised it as important to my writing. I  live  in the  city  and  often  escape  to  a  small  house  in  Mayo,  where  my now deceased friend,  Michael  McMullin, a philosopher  and  jungian,  had  retained  a  library.  His   Lessings  were  collected  on   the  top  shelf  of  his   library, alongside  some  images of Chartres Cathedral, and his Yeats collection. Like Lessing  he had attained a great age and had a voracious thirst for knowledge, he was born in Ceylon in 1916. I  found  it  winsome  that  Michael  would  so  assidiously  collect  Lessing,   and   that   he  often   referred   to   her.  His nomadism  had  taken him from Ceylon, to Cambridge, to escape from Hitler’s paris,  to  Sweden, to Canada ,  and  to end  his  life,  a  hillside  In  the  North­West  of  Ireland.  I  did  not  meet  Doris  Lessing,  but  I  have  met  in  Michael  that great intellectual and questing spirit that seems to inflame the diasporist writer. Doris  Lessing’s  death  brought  back  my  own  recent  loss  with  a  punch.  I  saw  the  rumours  of  her  death  emerging from  early  sunday  morning  and  I  waited  to  hear  if  it  were  true.  I  felt  weird  about  linking her  poems, but  again I felt that people should know that she was a poet of accomplishment.
  • 3. Two years  ago  I  was  re­reading  Lessing  in  the  Mayo  library, Michael was dying  and  we were taking turns  to  watch him.  When  I  returned  to  the  city,  I  thought  to  do  some  searches  of  her  writing,  as  I  was  aware  that  she  like  Ted Hughes  has  elements  of  sufism  in  her  writing.  I  was  aware  that  she  had  written poetry and I  couldn’t find much. I always think  that  the  place  to  look  for  the  mythos,  esoterical  and  philosophical mind of the  writer is  in their poetic output. Poetry is the  revelatory act of participation in the world. I  found  that  she  had  written  a  small  collection  Fourteen  Poems  in  1959  ,  published  by  The  Scorpion Press  , and that  she  had  contributed  to  the  Inpopa  Anthology  (2002).  Her  poetry  isn’t  available  online.  The  Scorpion  Press Archive  is  housed  at  the  McFarlin  Library  (Special  Collections)  at  the  University  of  Tulsa.  I  needed  to  know,  and whilst I  located people who had a copy of the book, I really wanted to read it for myself. I  contacted  Alison  Greenlee  at  the  Special  Collections  Library  and  she  located  me  a  copy  of  the book in my Alma Mater,  University College  Dublin.  I  made  an  appointment  to  go  in  as  soon as  I could  and  I transcribed a selection of the poems for myself. The next step was to contact Jonathan Clowes Ltd, who are Doris Lessing’s agents. I  am  forever  grateful  to  Olivia  Guest  at  Jonathan  Clowes  Ltd  who  worked  on  my  behalf  to  bring  Doris  Lessing’s poetry  back  online.  We  corresponded initially by letter and I procured  a temporary 12  month licence to add Lessing to  my  index of  women  poets.  I  felt  that  I  wanted  her  to  be  recognised  for her entire body of work  and  not alone the novels.  After  the  initial  permissions  to  carry  the  Lessing  poetry  were  given,  the  first  letter went  awol and had to be re­issued, I put them up and shared them regularly. i wrote  about  the  poems  on  Open Salon. There were 3,000 hits  on the  poetry over the two  blogs.  People contacted me  to  say  that  they  wanted  to  read  the  books,  that  they   had   no  idea   that   she  was  a  poet  ,   and that they  were heartened  to  see  a  woman  poet  of  great  age  appearing  on  their  computer  screens,  as  there  is  often  a  problem with having older women visible in the media.
  • 4. The following  year  ,  I  sent  Olivia  a  synopsis  of  the  reaction  to  Doris Lessing’s poetry and we  agreed to extend the licence for another 12 months. This year  of  2013  ,  I  again  contacted  Olivia  and  reminded  her  that  my  licence  to  carry the poetry was  about  due to end  and  that  it  gave  me  great  sorrow  to  take  the  poems  off  my  index  ,  as  I felt at home with them and that people were always looking for them. last  week  I  received  an  email  that  made  me  sadder.  Doris  Lessing  had   little  confidence  in  her  poetry  and  her agents  were  happy  to  allow  me  keep  them  indefinitely  because  they  did  not see the possibility of a  re­issue. This is the email : Dear Christine We’d  be delighted  for  you  to  host  the  poems  for  longer  especially  if you’re getting such good reactions. Doris  Lessing  was  never  very  keen  on  her  poetry and didn’t think  it  was any good so  I doubt we will see a re­issue but at least this way, they are available in an alternative form. Many thanks and best wishes Olivia
  • 5. I  wondered  then  if  Doris  Lessing  knew  over  these  years  that  I  had  the  poems  and that they  had  caused such a reaction. I still do not know if she did. Last week  I  announced that I would be retaining  the poems for sometime and that I  had  received the above letter I  blogged  it  in  absolute  delight,  because  it  is  a  small  but  profound  part  of  her  writing  jigsaw  and  it allows  us to call her a poet. To  a mind like Lessing’s  death  is  a  transformation  and  not  an  ending.  Yesterday,  after  I  decided  to honour her writing  and  look  at  the  story  of  the  poems,  I  closed  up  my  blog  for  the  day  and  took  a  walk  with  my  daughter. When  I  got  home  ,  I  saw  that  there  were  upward  of  a  thousand  hits  on  the  Lessing  letters,  articles,  posts  and poems. Today  there  is  a  similar  amount  building  up. People want to  know  that  questing intellect  and  they are  searching. if  I  could  say  one  thing  to  Doris  Lessing,  it  would  be  that  her  poetry  is  the  source  and  cause  of  joy  and  many  , many people feel her loss in this world. RIP Doris May Lessing X X Doris Lessing was a nomadic writer whose presence in the world of writing reflected massive geopolitical changes. She was born in Persia, (now Iran)and grew into womanhood in Rhodesia (now Zimbabwe). This fact alone speaks of her diaspora, that great nomadism wherein the shape of the globe shrunk  and huge post­colonial change took place.