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Theory of Rasa
           - Bharatmuni



              Name: Jitendra Sumra
              Roll No.-
              Sem.: II
              Sub.- Literary Criticism
Introduction:-
• The Rasa theory originates with
  Bharat in Natyasastra. Its
  meaning      that     is    sought
  compositions in the nature of an
  emotional effect of diverse human
  experience on man’s mind and
  heart.
• Rasa means to analyse the structure
  of those emotions in terms of cause,
  physical correlate (effect) and their
  effect on man’s being.
• Now we will expound the origin,
  colours, and illustration of these
  rhetorical sentiments.
• The sources of origin of these sentiments
  are the four basic sentiments of Rasa.
  These are as follows:
         » The Erotic
         » The furious
         » The heroic
         » The odious
• The sentiment becomes possible from the
  erotic, and the pathetic from the furious;
  the origin of the marvelous of the terrible
  from the odious.
• A mimicry or imitation of the erotic is
  fittingly described as the sentiment
  consequence of the furious is to be
  known as the pathetic sentiment.
• In the same way the consequence of
  the Heroic is properly described as
  the marvelous. And the presentation
  of the odious is to be known likewise
  as the terrible.
The new colours:-
• The erotic sentiment is light-green
  (syana); the comic is descrived as white
  (Sita); pathetic is grey (kapota) and the
  fearfull is described as red (rakta). The
  heroic is to be known as yellow-red
  (gaula), the terrible as black; the odious
  on the contrary is blue (rala) and the
  marvellous is yellow.
Now the deities:-
• The Erotic (sentiment) has Vishnu as its
  presiding deity; the deity of the comic is
  Pramtha; the deity of the furious is Rudra;
  the pathetic has Yama as its deity.
• The deity of the odious is Mahakala; the
  terrible has Kala as the god; the heroic,
  the god Mahendra the marvelous has
  Brahma as its deity.
Jitendra sumra. literary criticism

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Jitendra sumra. literary criticism

  • 1. Theory of Rasa - Bharatmuni Name: Jitendra Sumra Roll No.- Sem.: II Sub.- Literary Criticism
  • 2. Introduction:- • The Rasa theory originates with Bharat in Natyasastra. Its meaning that is sought compositions in the nature of an emotional effect of diverse human experience on man’s mind and heart.
  • 3. • Rasa means to analyse the structure of those emotions in terms of cause, physical correlate (effect) and their effect on man’s being. • Now we will expound the origin, colours, and illustration of these rhetorical sentiments.
  • 4. • The sources of origin of these sentiments are the four basic sentiments of Rasa. These are as follows: » The Erotic » The furious » The heroic » The odious
  • 5. • The sentiment becomes possible from the erotic, and the pathetic from the furious; the origin of the marvelous of the terrible from the odious. • A mimicry or imitation of the erotic is fittingly described as the sentiment consequence of the furious is to be known as the pathetic sentiment.
  • 6. • In the same way the consequence of the Heroic is properly described as the marvelous. And the presentation of the odious is to be known likewise as the terrible.
  • 7. The new colours:- • The erotic sentiment is light-green (syana); the comic is descrived as white (Sita); pathetic is grey (kapota) and the fearfull is described as red (rakta). The heroic is to be known as yellow-red (gaula), the terrible as black; the odious on the contrary is blue (rala) and the marvellous is yellow.
  • 8. Now the deities:- • The Erotic (sentiment) has Vishnu as its presiding deity; the deity of the comic is Pramtha; the deity of the furious is Rudra; the pathetic has Yama as its deity. • The deity of the odious is Mahakala; the terrible has Kala as the god; the heroic, the god Mahendra the marvelous has Brahma as its deity.