Recommandé
Contenu connexe
Tendances
Tendances (20)
Similaire à Motivating Player in Open Worlds
Similaire à Motivating Player in Open Worlds (20)
Dernier
Dernier (20)
Motivating Player in Open Worlds
- 1. I WANT TO GO TO THERE Motivating Players in Open Games Joel Burgess, Senior Designer Bethesda Game Studios
- 2. Simple Question How do you go about making levels for open-world games?
- 3. Single Player Multiplayer Level Design
- 4. Welcome to My Sandbox WHAT ARE OPEN GAMES?
- 8. Why Are We Fascinated? Why Are Open Games Important?
- 10. The Unpredictable Player • Trained to Defy Direction • Will always confound you • Not, actually, a jerk.
- 11. Player-Designer Contract • The Player is in Control
- 12. Player-Designer Contract • The Player is in Control • Stay Backstage
- 13. Player-Designer Contract • The Player is in Control • Stay Backstage • Fulfill Expectations
- 14. Player-Designer Contract • The Player is in Control • Stay Backstage • Fulfill Expectations • Player Story > Designer Story
- 15. Enabling Player Participation CREATING THE FRAMEWORK
- 16. Setting Up For Fun
- 21. Nearby Landmarks
- 23. Point Lookout Video Introduction
- 26. Prior Knowledge •Roads •Bridges •Signposts •Distant Smoke •Flowing Water •Lit Windows/Fires •Tracks of Vehicles/Creatures
- 29. Yo dawg, I heard you like goals. WHAT’S OUR GOAL? IT’S GOALS.
- 31. Goals & Player Motivation • Aim for the player to always have a goal • Know what goal types your game permits
- 33. Goal Types • Explicit Goals • Player Determined Goals • Emergent Goals • Goals of Opportunity • Out-of-Game Goals
- 34. Components of a Goal • Perceived Risk/Reward • Commitment • Inherent Interest
- 35. Are We Powerless? • No! Provide Interesting Goals For the Widest Possible Range of Player Interests
- 36. Knowing is Half the Battle DESIGNING FOR FREEDOM
- 37. Deliberate Distraction Entertainment Time
- 39. Deliberate Distraction Entertainment Time
- 40. Dealing With Empty Area “Just for Looks”
- 41. The Iconic Rope Bridge
- 42. Handling for Open Games
- 45. Consolation Loot
- 47. Considerations for Big Worlds LARGE-SCALE MOTIVATION
- 48. Same Problem, New Scope POI Density
- 49. POI Density • POI Options • Time per POI • Your Desired POI Density • Vertical “Chunk” Estimate • Extrapolate Against Time in Schedule
- 50. Fallout 3 Examples Adding and Cutting (even when it hurt)
- 52. Fallout 3 Example: DC Neighborhoods
- 53. Thanks For Listening email joel@joelburgess.com twitter @joelburgess facebook “level design in a day” group
Notes de l'éditeur
- This slide is the premise from the talk – I was stumped by this question.
- Because it is too broad and complex, I had to narrow my focus.
- We have lots of open games“Open” quality has a long history – all platforms/backgroundsSandbox gets lumped in – SEGUE: Common Ground is Player Agency Emphasis
- We have lots of open games“Open” quality has a long history – all platforms/backgroundsSandbox gets lumped in – SEGUE: Common Ground is Player Agency Emphasis
- What makes Open games so interesting?Best positioned to fulfill the core promise of videogamesSEGUE: What does this mean to us as creators?
- Player Control is inversely proportional to designer controlTrust & Understanding SEGUE: Designer – Player Relationship
- Talk about the core problem of maximizing fun without the player feeling forced into it
- Paths, Signage, Signs of Life
- Talk about a classic set-up and how it’s used traditionally
- Talk about what is needed to bring this sort of scenario up to expectations for Open Games