Nature and function of literary criticism

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Ketan Pandya

This presentation is useful for someone initiating in the wonderful world of literature and criticism

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THE NATURE AND FUNCTION OF LITERARY CRITICISM Prof. Ketan Pandya Prof. V. I. Patel

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The Function of CRITICISM ,[object Object],[object Object]

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The Nature of CRITICISM ,[object Object],[object Object],[object Object]

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Qualities of a Good Critic ,[object Object],[object Object]

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Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.

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"For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is fact." This is said by Matthew Arnold. According to him, IDEA is supreme and in poetry, it is the idea that matters, that are attached by poetry through emotions. According to him THE FUNCTION OF POETRY is to interpret life for us, to console us, to sustain us. He says if SCIENCE IS APPEARANCE then the POETRY IS EXPRESSION and there is no appearance without expression. Then Arnold talks about setting our standard for poetry high. We must accustom ourselves to HIGH STANDARD and STRICT JUDGEMENT and there is no place for CHARLATANISM in poetry. Charlatanism is for confusing the difference between excellent and inferior, sound and unsound or only half sound, true and untrue or only half true. Judging with little differences has paramount importance, so there is no place for charlatanism in poetry.

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