SlideShare une entreprise Scribd logo
1  sur  207
Sensation
Sensing Our World 
• Learning Goals: 
– Students should be able to answer the following: 
1. What are sensation and perception? 
2. What do we mean by bottom-up and top-down processing? 
3. How are we affected by selective attention? 
2 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about, sensation and 
perception, dual processing and selective 
attention. In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was 
taught 
3.0 
Proficient 
I can analyze sensation and perception, dual 
processing and selective attention, and 
compare/contrast the Aspects of the learning 
goal. 
2.0 
Developing 
I can identify terms associated sensation and 
perception, dual processing and selective 
attention), but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
e n s a t i o n 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Activation of 
receptors in 
various sense 
organs
Method 
by 
which 
sensations 
are 
organized 
and 
interpreted 
e r c e p t i o n
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensation vs. Perception 
• Bottom-Up Processing 
• Using small components and 
building up 
• Top-Down Processing 
• Using the larger components and 
breaking down (guided by 
experience and expectations) 
5 
Aoccdrnig to rscheearch at 
Cmabrigde Uinervtstiy, it deosn't 
mttaer in waht oredr the ltteers in a 
wrod are, the olny iprmoetnt tihng is 
taht the frist and lsat ltteer be at the 
rghit pclae.We raed the wrod as a 
wlohe.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Bottom-Up Processing 
• Also called feature 
analysis. 
• We use the 
features on the 
object itself to 
build a perception. 
• Takes longer than 
top-down but is 
more accurate.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top-Down Processing 
• We perceive by filling 
the gaps in what we 
sense. 
• I _ant ch_co_ate ic_ 
cr_am. 
• Based on our 
experiences and 
schemas. 
• If you see many old 
men in glasses, you are 
more apt to process a 
picture of an old man 
(even when you may be 
in error).
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
He’s Back…
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up 
9
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up Processing 
10
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up Processing 
11
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up Processing 
12
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up Processing 
13
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Top Down vs. Bottom Up Processing 
14
Selective Attention (11 million/40 ratio) 
Selective attention- the focusing of conscious 
awareness on a particular stimulus. 
Perceptions about objects change from moment to 
moment. We can perceive different forms of the 
Necker cube; however, we can only pay attention 
to one aspect of the object at a time. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
ACCIDENTS 
80% of crashes involve driver 
distraction 
Calling on a cell phone- 
4x more at risk 
Talking to a person in the car- 
1.6x more at risk 
Texting- 
23x more at risk 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
15
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
16 
Selective Attention
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Inattentional Blindness 
• Inattentional blindness-failing to 
see visible objects when our 
attention is directed elsewhere. 
• Simmons & Chabris (1999) showed 
that half of the observers failed to 
see the gorilla-suited assistant in a 
ball passing game 
• 50% of people don’t notice 
• Cocktail Party Effect 
– Ability to attend to one voice at 
a party or restaurant 
17
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
18 
Awareness Test
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Change Blindness 
Change blindness-failing to notice changes in the environment 
This is a form of inattentional blindness in which two-thirds of 
individuals giving directions failed to notice a change in the 
individual asking for directions. 
(Change Deafness also occurs on the phone- 40% of people failed to 
notice a change in the voice) 
19
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Change Blindness
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensation-to-Perception Process 
21 
Transduction-conversion of one form of 
energy into another.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Psychophysics 
Psychophysics-the study of relationships between the 
physical characteristics of stimuli, such as their 
intensity, and our psychological experience of them. 
22
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Stroop Effect
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Section 1: Test Your Knowledge 
Which of the following terms best explains why you 
didn‘t hear your Mom tell you to take out the trash 
while you were intensely watching the World Series 
game on TV? 
A)Change Blindness 
B)Selective Attention 
C)Selective Hearing 
D)Choice Blindness
Learning Goals: 
1. What are sensation and perception? 
2. What do we mean by bottom-up and top-down processing? 
3. How are we affected by selective attention? 
25 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about, sensation and 
perception, dual processing and selective 
attention. In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was 
taught 
3.0 
Proficient 
I can analyze sensation and perception, dual 
processing and selective attention, and 
compare/contrast the Aspects of the learning 
goal. 
2.0 
Developing 
I can identify terms associated sensation and 
perception, dual processing and selective 
attention), but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
• Learning Goals: Thresholds 
– Students should be able to answer the following: 
1. What are absolute and difference thresholds, and do stimuli below the absolute 
threshold have any influence? 
2. What is the function of sensory adaption? 
26 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about absolute thresholds 
and the function of sensory adaptation. In addition to 
3.0 , I can demonstrate applications and inferences 
beyond what was taught 
3.0 
Proficient 
I can analyze about absolute thresholds and the 
function of sensory adaptation, and compare/contrast 
the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with absolute 
thresholds and the function of sensory adaptation, but 
need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Thresholds 
• Absolute Threshold 
– The minimum stimulation needed to detect a stimuli 
(50% of the time) 
– Examples of Absolute Thresholds 
• Vision: Light from a candle 30 miles away on a 
dark night 
• Hearing: Ticking of a watch from 20 feet away 
• Smell: One drop of perfume in a small 
apartment 
• Taste: One teaspoon of sugar in 2 gallons of 
water 
• Touch: The wing of a fly on your cheek from .4 
inch away 
27
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Signal Detection Theory 
Signal detection theory-predicts how and when we 
detect the presence of a faint stimulus, assuming 
that our individual absolute thresholds vary with 
our experiences, expectations, motivation, and level 
of fatigue. 
•Hit or miss in detection of stimuli when we are 
uncertain 
•Ability to detect stimuli based on: 
• Person’s experience 
• Expectations 
• Motivation 
• Level of Fatigue 
• States that fear increases your sensitivity to even 
small pain because of the anticipation of pain 
28 
You 
Recognize it 
You Miss it 
STIMULUS 
PRESENT 
Hit Miss 
STIMULUS 
NOT 
PRESENT 
False 
Alarm 
Correct 
Rejection
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Thresholds 
• Difference Threshold 
– Minimum difference between two stimuli required for 
detection 50% of the time 
– Also called Just Noticeable Differences 
– Weber’s Law: Two stimuli must differ by a constant 
minimum percentage in order to be noticed (revised by 
Fetchner) 
• In other words- it must be out of 
proportion 
• Example: Lights must differ in intensity 
by 8% 
• Another way to look at it: 1$ makes a 
difference to 10$, but not to 1000$. (its 
proportional) 
29
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Thresholds
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Thresholds 
• Subliminal Messages 
– Info processed just below surface of 
thresholds can influence minor decision 
making 
– Drink more Coke” & “Eat more Popcorn” 
– Conclusion: subliminal adverting does not 
work direct but much of our information 
processing occurs automatically, out of sight 
and off the radar of our conscious mind 
31
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Subliminal Messages (disclaimer)
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Adaptation 
• Our diminishing sensitive to unchanging stimulus 
• Keep things novel, so we pay attention 
• Examples 
– you blast your music in the car, but fail to notice how 
loud it is 
– Jumping into a pool seems cold at first, but you 
eventually get comfortable 
33
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Adaptation
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Section 2: Test Your Knowledge 
1. Danny sometimes mistakenly hears his mom call him from the other 
room of their house. What term would be used to explain this 
phenomenon? 
A. Sensory Adaptation 
B. Weber’s Law 
C. Selective Hearing 
D. Signal Detection Theory 
2. A person with normal vision being able to see a candle flame 30 miles 
away on a clear dark night is an example of: 
A. Difference Threshold 
B. Signal Detection Theory 
C. Absolute Threshold 
D. Sensory Adaptation 
35
Learning Goal: 
1. What are absolute and difference thresholds, and do stimuli below the 
absolute threshold have any influence? 
2. What is the function of sensory adaption? 
36 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about absolute thresholds 
and the function of sensory adaptation. In addition to 
3.0 , I can demonstrate applications and inferences 
beyond what was taught 
3.0 
Proficient 
I can analyze about absolute thresholds and the 
function of sensory adaptation, and compare/contrast 
the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with absolute 
thresholds and the function of sensory adaptation, but 
need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Vision 1 
• Learning Goals: 
– Students should be able to answer the following: 
1. What is the energy that we see as visible light? 
2. How does the eye transform light energy intro neural messages? 
37 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about how we see energy as 
visible light and how transduction occurs in the eye. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about how we see energy as visible light and 
how transduction occurs in the eye and compare/contrast 
the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated about how we see energy 
as visible light and how transduction occurs in the eye, 
but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Vision & Energy 
• Light Characteristics 
1. Hue (color) 
– the dimension of color determined by the 
wavelength of the light 
2. Wavelength 
– Different wavelengths of light 
3. Intensity 
– Amount of energy in a wave determined by 
amplitude. It is related to brightness 
38
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Cornea = outer covering of the eye.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Pupil = the adjustable opening in the center of the eye through 
which light enters.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Iris = a ring of muscle tissue that forms the colored portion of the 
eye around the pupil and controls the size of the pupil opening. 
• The iris dilates/constricts in response to changing light intensity
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Lens = the transparent structure behind the pupil that changes 
shape to help focus images on the retina.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Retina = the light-sensitive inner surface of the eye, containing the receptor 
rods and cones plus layers of neurons that begin the processing of visual 
information.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Blind Spot = the point at which the optic nerve leaves the eye, 
creating a “blind” spot because no receptor cells are located there.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Fovea = the central focal point in the retina, around which the 
eye’s cones cluster.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Structure of the Eye 
Optic Nerve = the nerve that carries neural impulses from the eye 
to the brain.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Foveal Vision 
51
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Crash Course Vision 
52
Learning Goal: 
1. What is the energy that we see as visible light? 
2. How does the eye transform light energy intro neural messages? 
53 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about how we see energy as 
visible light and how transduction occurs in the eye. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about how we see energy as visible light and 
how transduction occurs in the eye and compare/contrast 
the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated about how we see energy 
as visible light and how transduction occurs in the eye, 
but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Vision 2 
• Learning Goals: 
– Students should be able to answer the following: 
1. How does the brain process visual information? 
2. What theories help us understand color vision? 
54 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the theories of 
color vision In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was 
taught 
3.0 
Proficient 
I can analyze the theories of color vision, and 
compare/contrast the Aspects of the learning 
goal. 
2.0 
Developing 
I can identify terms associated the theories of 
color vision, but need to review this concept 
more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Parallel Processing in the Brain 
• Parallel Processing 
– We process several aspects of stimulus simultaneously 
– Synchronized Brain Waves 
• The brain divides a visual scene into subdivisions such as color, 
depth, form and movement all at once 
55
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
• Feature Detectors-nerve cells in the 
brain that respond to specific 
features of the stimulus, such as 
shape, angle, or movement. 
56 
Hubel & Wiesel’s Experiment
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
57 
Hubel & Wiesel’s Experiment
Visual Information Processing 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Color Vision Theories 
•Trichromatic (Young-Helmholtz) 
• Because the retina contains three color 
sensors (R, B, G) our brain combines 
information to see various colors 
• This helps to explain color blindness 
59 
•Most colorblind people simply 
lack cone receptor cells for one 
or more of these primary colors.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Colorblind Tests
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Color Vision Theories 
•Opponent Processing 
•Hering proposed that we process colors in 
the receptor cells in the retina and thalamus 
that can be over stimulated to see afterimages 
• Red - Green 
• Blue - Yellow 
• Black- White 
61
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Opponent-Process theory 
The sensory 
receptors come in 
pairs. 
• Red/Green 
• Yellow/Blue 
• Black/White 
• If one color is 
stimulated, the 
other is inhibited.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Afterimages
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
After image
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Illusions This slide is intentionally left blank. 
Touch/Pain Movement Perception Gestalt Depth cues
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Opponent-Process Theory Demo 1
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Opponent-Process Theory Demo 2
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Opponent-Process Theory Demo 3
Trichromats - People who have 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Different Forms of Color Blindness 
73 
normal color vision. 
Dichromats - People who are blind 
to either red-green (most common) 
or yellow-blue. 
Monochromats - People who are 
totally color blind. (Rare)
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Section 4: Test Your Knowledge 
1. Where does transduction take place concerning vision? 
(A) The Pupil 
(B) The Retina 
(C) The Thalamus 
(D) The Occipital Lobe 
2. Which theory of color BEST explains color blindness? 
(A) Opponent Processing 
(B) Wavelength Theory 
(C) Place Theory 
(D) Trichromatic Theory 
74
Learning Goal: 
1. How does the brain process visual information? 
2. What theories help us understand color vision? 
75 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the theories of 
color vision In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was 
taught 
3.0 
Proficient 
I can analyze the theories of color vision, and 
compare/contrast the Aspects of the learning 
goal. 
2.0 
Developing 
I can identify terms associated the theories of 
color vision, but need to review this concept 
more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Hearing 
• Learning Goals: 
– Students should be able to answer the following: 
1. How does the ear transform sound energy into neural messages? 
2. What theories help us understand pitch perception? 
3. How do we locate sounds? 
4. What are the common causes of hearing loss, and why does controversy surround cochlear 
implants? 
76 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about hearing, pitch perception, 
sound localization and common causes of hearing loss. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about hearing, pitch perception, sound 
localization and common causes of hearing loss and 
compare/contrast the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated about hearing, pitch 
perception, sound localization and common causes of 
hearing loss, but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Stimulus Input: 
Sound Waves 
• Audition- the sense or act of hearing
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Psychological Properties of Sound
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Psychological Properties of Sound
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Psychological Properties of Sound 
Timbre: Richness in the tone of the sound
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Hearing: Parts of the Ear 
81 
EAR PARTS 
Outer Ear: Pinna. Collects sounds. 
Middle Ear: Chamber between eardrum 
and cochlea containing three tiny bones 
(hammer, anvil, stirrup) that 
concentrate the vibrations of the 
eardrum on the cochlea’s oval window. 
Inner Ear: Innermost part of the ear, 
containing the cochlea, semicircular 
canals, and vestibular sacs. 
HEARING BY AGE 
20,000 Hz- 18 & younger 
17,000 Hz- 24 & younger 
16,000 Hz- 30 & younger 
15,000 Hz- 39 & younger 
14,000 Hz- 49 & younger 
12,000 Hz- 55 & younger 
10,000 Hz- 60 & younger 
8,000 Hz- Everyone
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Transduction in the ear 
• Sound waves hit the eardrum then anvil 
then hammer then stirrup then oval 
window. 
• Everything is just vibrating. 
• Then the cochlea vibrates. 
• The cochlea is lined with mucus called 
basilar membrane. 
• In basilar membrane there are hair 
cells. 
• When hair cells vibrate they turn 
vibrations into neural impulses which are 
called organ of Corti. 
• Sent then to thalamus up auditory 
nerve. It is all about the vibrations!!!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
The ear is divided into the outer, middle and inner ear.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
The sound waves travel down the auditory canal to the eardrum.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Eardrum = tight membrane that vibrates when struck by sound 
waves.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Eardrum
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Bones of the middle ear = the hammer, anvil, stirrup which vibrate 
with the eardrum.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Hammer
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Anvil
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Stirrup
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Oval window = where the stirrup connects to the cochlea.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Cochlea = a coiled, body, fluid-filled tube in the inner ear through 
which sound waves trigger nerve impulses.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Oval Window
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Cochlea
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Fluid in the cochlea
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Hair cells in the cochlea
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Auditory nerve = nerve which sends the auditory message to the 
brain via the thalamus.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Nerve fibers
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Auditory nerve
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Ear 
Neural impulse travels to the auditory cortex in the brain.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Theories of Hearing 
• Place Theory 
– Different pitches are heard at different places in the 
cochlea’s basilar membrane 
• Frequency Theory 
– The rate of sounds matches the rate traveling up the 
auditory nerve matches the frequency of a tone, thus 
enabling us to sense its pitch 
101
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sound Localization 
• We hear from two ears that are located on either side of our 
head. 
• One ear will pick up the sound .000027 times faster than the 
other to help us find the sound. 
102
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Hearing Loss 
• Conduction Hearing Loss 
– Mechanical damage to tiny bones or 
eardrum 
– Can be improved by use of hearing aid 
• Sensorineural Hearing Loss 
– Most common type of deafness 
– Nerve deafness due to damage in cochlea 
or auditory nerve 
– Sometimes can be fixed by cochlear 
implant 
103
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Coclear Implant
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Coclear Implant
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Section 5: Test Your Knowledge 
1. The general function of the bones in the middle ear is to: 
(A) Convert the incoming sound from pounds per 
square inch to decibels. 
(B) Protect the cochlea 
(C) Transfer sound information from the tympanic 
membrane to the oval window 
(D) Provide information to the vestibular system 
1. _____ are the receptor cells for audition and ______ are receptor cells for 
vision. 
(A) Olfactory cells; rods & cones 
(B) Taste buds; hair cells 
(C) Hair cells; rods & cones 
(D) Proprioceptors; rods & cones 
106
Learning Goal: 
1. How does the ear transform sound energy into neural messages? 
2. What theories help us understand pitch perception? 
3. How do we locate sounds? 
4. What are the common causes of hearing loss, and why does controversy surround 
cochlear implants? 
107 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about hearing, pitch perception, 
sound localization and common causes of hearing loss. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about hearing, pitch perception, sound 
localization and common causes of hearing loss and 
compare/contrast the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated about hearing, pitch 
perception, sound localization and common causes of 
hearing loss, but need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Other Senses Part 1: Pain 
• Learning Goals: 
– Students should be able to answer the following: 
1. How de we sense touch and sense our body’s position and movement? How do 
we experience pain? 
108 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about our body’s position 
and movement; as well as the sensation of pain. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about our body’s position and 
movement; as well as the sensation of painand 
compare/contrast the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with our body’s position 
and movement; as well as the sensation of pain, but 
need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Touch 
• Receptors located in our 
skin. 
• Our sense of touch is 
actually four senses— 
pressure, warmth, cold, 
and pain-that combine 
to produce other 
sensations, such as 
“hot.”
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Rubberhand Illusion 
Illustrates that touch is not only a bottom-up 
property of your senses but also a top-down 
product of your brain and expectations.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Rubberhand Illusion
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
What do you 
think this person 
feels? 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Fun Facts: Touch Receptors 
•Touch Senses 
• Different pathways for 
warm/cold 
• Touching cold and pressure 
spots yields a wet sensation. 
• Touching warm and cold 
together yields a hot sensation 
• Gently stroking of a painful 
spot produces an itching 
sensation 
• Stroking adjacent pressure 
spots induces a tickle* 
* Note: You can’t tickle yourself 
112
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Body Position & Movement 
• The sense of our body parts’ position 
and movement is called kinesthesis. 
(ex. Movement while running without 
thinking about the body’s movement) 
• The vestibular sense monitors our 
balance. 
• Vestibular sense can tell if you are 
vertical or horizontal. (ex. Spinning in 
a chair makes you dizzy) 
113
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Kinesthetic Sense 
• Tells us where our 
body parts are. 
• Receptors located 
in our muscles and 
joints. 
Without the kinesthetic sense 
you could not touch the button to 
make copies of your buttocks.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Vestibular Sense 
• Tells us where our 
body is oriented in 
space. 
• Our sense of 
balance. 
• Located in our 
semicircular canals 
in our ears.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Touch & Pain 
• Pain 
• A neurochemical signal that tells 
your body something is wrong 
• (registers in the parietal lobe via 
the sensory cortex) 
• Phantom limb Sensations 
• Amputees may experience this 
because parietal lobe neurons are 
still dedicated to area of missing 
limb 
116
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Pain 
Understanding Pain: Biological Influences
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Pain 
Understanding Pain: Biopsychosocial Approach
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Gate Control Theory (Melzack & Wall, 
1965) 
• Nociceptors- sensory receptors that detect 
hurtful temperatures, pressures or 
chemicals 
• Gate Control Theory 
• Small nerves in the spinal cord carry pain, 
large nerves in the spinal cord carry other 
sensations 
• Only one type of nerve fiber can go 
through the gate at a time 
• Rubbing sore area may reduce pain as 
interneurons in spinal cord control the 
“gate of information” 
• You can also close the pain gate 
mentally: i.e.- Not feeling pain while 
concentrating on other things 
119
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Phantom Limb 
120
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Controlling Pain
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Mini FRQ Review 
Jimmy is a contestant on a game show where people 
must run an oddly-shaped maze with obstacles in a 
dimly-lit building as fast as they can. Explain how 
the following terms would affect Jimmy’s 
performance in running the maze. 
• Kinesthesis 
• Retina 
• Hippocampus 
122
Learning Goal: 
1. How de we sense touch and sense our body’s position and movement? How 
do we experience pain? 
123 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about our body’s position 
and movement; as well as the sensation of pain. In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze about our body’s position and 
movement; as well as the sensation of painand 
compare/contrast the Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with our body’s position 
and movement; as well as the sensation of pain, but 
need to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Other Senses Part 2: Smell and Taste 
• Learning Goals: 
– Students should be able to answer the following: 
1. How do we experience taste? 
2. How do we experience smell? 
124 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the experience of 
taste and smell. In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was taught 
3.0 
Proficient 
I can analyze and compare/contrast the Aspects of 
the the experience of taste and smell. 
2.0 
Developing 
I can identify terms associated the experience of 
taste and smell but need to review this concept 
more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Sweet Sour Salty Bitter Umami 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
(Fresh 
Chicken) 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Taste as a chemical sense 
• Basic Chemical Tastes 
– Also known as gustatory sense 
– Sweet, Sour, Bitter, Salty, Umami 
– Taste may be based on survival (bitter food 
is toxic) 
– Taste receptors reproduce themselves every 
two weeks 
– Taste buds and taste sensitivity decreases 
with age 
125
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Evolutionary Perspective on Taste
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Smell as a Chemical Sense 
• Chemical Sense or Olfactory Sense 
• Smell involves the detection of molecules 
• Scents play an important role in 
attachment 
• Smell & Memory 
• Because smell runs close to the limbic 
system, it ties closely to memory pathways 
• We have a hard time describing a smell, 
but can relate to personal stories 
• Herz’s Brown University Study 
1. Students played an impossible game in a 
scented room 
2. The same students were then given a 
complex (not impossible task) 
3. The same scent was pumped into the 
experimental room and the students gave 
up easily 
127
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Smell (olfaction)
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Smell: Age & Gender 
• Ability to identify smell peaks during early 
adulthood, but steadily declines after that. 
Women are better at detecting odors than 
men 
129
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Sensory Interaction 
•Sensory Interaction 
• Smell + Texture + Taste = 
Flavor 
• Visual Capture 
• Vision dominates all senses 
when conflicts appear 
•McGurk Effect 
• Hear one syllable while 
seeing another lipped causes 
us to interpret a third 
•Synesthesia 
• Rare disorder in which 
people combine senses 
130
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Synesthesia
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Synesthesia
Learning Goal: 
1. How do we experience taste? 
2. How do we experience smell? 
133 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the experience of 
taste and smell. In addition to 3.0 , I can demonstrate 
applications and inferences beyond what was taught 
3.0 
Proficient 
I can analyze and compare/contrast the Aspects of 
the the experience of taste and smell. 
2.0 
Developing 
I can identify terms associated the experience of 
taste and smell but need to review this concept 
more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Perceptual Organization 
• Learning Goals: 
– Students should be able to answer the following: 
1. How did the Gestalt psychologists understand perceptual organization? 
2. How do figure-ground and grouping principles contribute to our perceptions? 
134 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about, gestalt and figure 
ground, and how they influence our perception In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze gestalt and figure ground, and how they 
influence our perception, and compare/contrast the 
Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with , gestalt and figure 
ground, and how they influence our perceptionbut need 
to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Perception Review 
The process of selecting, organizing, and 
interpreting sensory information, which enables 
us to recognize meaningful objects and events. 
135 
Old Lady or Young Woman
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Gestalt Psychology Preview
• Gestalt- an organized whole. 
• Gestalt psychologists emphasized our tendency to integrate 
pieces of information into meaningful wholes 
• These principles are based on the idea that people have a 
natural tendency to force patterns onto whatever they see. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
3.9 What are the Gestalt principles of perception?
If you are looking at the vase, then the 
white part is the figure and the black 
becomes the ground. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Figure Ground Perspective 
Figure–ground: 
relationships refer to 
the tendency to 
perceive objects, or 
figures as existing, on 
some background. 
138
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Figure Ground
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
Proximity-the tendency to perceive objects that are close 
to one another as part of the same grouping.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Proximity: Extreme Sheep Art
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
Similarity-the tendency to perceive things that look similar as being 
part of the same group
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
Closure is the tendency to complete figures that are incomplete.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
Continuity refers to the tendency to perceive 
things as simply as possible with a continuous 
pattern
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
The Gestalt Principles 
• Contiguity-the tendency to perceive two things that happen close 
together in time as being related. Usually the first occurring event is 
seen as causing the second event.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
146
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
147 
anomalous motion illusion
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
148 
anomalous motion illusion
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
anomalous motion illusion 149
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Hermann Grid (for fun) 
150
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
anomalous motion illusion 151
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Optical Illusions (for fun) 
152
Gestalt Psychology: Looking at the WHOLE. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Gestalt Groupings Quick Review 
153 
Closure 
Law of Common Fate 
law of pragnanz
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Writings on the Wall
Learning Goal: 
1. How did the Gestalt psychologists understand perceptual organization? 
2. How do figure-ground and grouping principles contribute to our perceptions? 
155 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about, gestalt and figure 
ground, and how they influence our perception In 
addition to 3.0 , I can demonstrate applications and 
inferences beyond what was taught 
3.0 
Proficient 
I can analyze gestalt and figure ground, and how they 
influence our perception, and compare/contrast the 
Aspects of the learning goal. 
2.0 
Developing 
I can identify terms associated with , gestalt and figure 
ground, and how they influence our perceptionbut need 
to review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Section 10 Depth Perception 
• Learning Goals: 
– Students should be able to answer the following: 
1. How do we see the world in three dimensions? 
156 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about how we see the 
world in three dimensions. In addition to 3.0 , I 
can demonstrate applications and inferences 
beyond what was taught 
3.0 
Proficient 
I can analyze how we see the world in three 
dimensions, and compare/contrast the Aspects 
of the learning goal. 
2.0 
Developing 
I can identify terms associated about how we see 
the world in three dimensions, but need to 
review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Visual Cliff Study 
Gibson and Walk (1960) 
Used a visual cliff to test depth perception in 
infants and young animals. Their findings indicate 
that human infants (crawling age) have depth 
perception that is learned. Even certain newborn 
animals show depth perception. 
157
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Visual Cliff Study
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Binocular Cues 
• Binocular Cues-a depth cue that requires the use 
of both eyes 
159
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Binocular Cues 
• Retinal disparity: Images from the two eyes differ, so we 
are able to better judge distance of two objects. 
• 
• Used in 3-D motion picture to mimic the offset eyes. 
160 
TRY THIS 
Two eyes are better than one: 
Close one eye an touch 
two pencil tips together
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Binocular Cues 
Convergence-in order to perceive depth properly, 
your eyes must move slightly inward or converge. 
In so doing, people are able to determine if objects 
are close to them or far away. 
161
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Binocular Cues: Stereogram 
162
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Binocular Cues: Stereogram 
163
Relative Size: If two objects are similar in size, we 
perceive the one that casts a smaller retinal image to 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
164 
be farther away.
Interposition: If one object partially blocks our view 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
165 
of another, we perceive it as closer
Relative Height: We perceive objects higher in our 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
166 
field of vision as further away.
Texture Gradient: Fine textures indicate a close 
object; course textures indicate an object is far away 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
167
Relative Motion (motion parallax): When we are 
moving, objects that are stable appear to move-objects 
that are farther away move slower than 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
168 
closer objects
Light & Shadow: Nearby objects reflect more light 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
169 
to our eyes
Linear Perspective: Parallel lines converge in the 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cues 
170 
distance
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Monocular Cue Review 
171 
How many monocular cues can you identify?
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Mini FRQ Review 
Mr. Aguiar’s car breaks down on a long, 
deserted highway with no cell service (sad). 
In the distance he sees a gas station, but 
knows it will be a long walk. Explain how 
each of the following concepts helps him 
determine it will be a long walk: 
– Relative size 
– Texture Gradient 
– Linear Perspective 
172
Learning Goal: 
How do we see the world in three dimensions? 
173 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about how we see the 
world in three dimensions. In addition to 3.0 , I 
can demonstrate applications and inferences 
beyond what was taught 
3.0 
Proficient 
I can analyze how we see the world in three 
dimensions, and compare/contrast the Aspects 
of the learning goal. 
2.0 
Developing 
I can identify terms associated about how we see 
the world in three dimensions, but need to 
review this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Perceptual • Learning Goals: Interpretation 
– Students should be able to answer the following: 
1. What does research on sensory deprivation and restored vision reveal about the effects 
of experience on perception? 
2. How adaptable is our ability to perceive? 
3. How do our expectations, contexts and emotions influence our perceptions? 
174 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the components of 
perceptual interpretation In addition to 3.0 , I can 
demonstrate applications and inferences beyond what 
was taught 
3.0 
Proficient 
I can analyze the components of perceptual 
interpretation, and compare/contrast the Aspects of the 
learning goal. 
2.0 
Developing 
I can identify terms associated with components of 
perceptual interpretation, but need to review this 
concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Stroboscopic Motion and Phi Phenomenon 
• Stroboscopic Motion: 24 still pictures flashing within 
one second create the illusion of motion (example: flip 
books and cartoons) 
• Phi Phenomenon: Lights blinking next to each will 
create the illusion of motion (neon or scrolling signs) 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
175
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Shape Constancy 
Perceiving objects as unchanging even as 
illumination and retinal images change. 
Perceptual constancies include constancies of 
shape and size. 
Shape Constancy 176
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Size Constancy 
Stable size perception amid changing size of 
the stimuli. We know the one car is just 
farther away, but still the same size. 
177
The moon appears larger 
on the horizon because 
of context effects make it look 
farther away like the monster 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Ponzo Illusion 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Size-Distance Relationship 
The distant monster (below, left) and the top 
red bar (below, right) appear bigger because 
of distance cues. 
178
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Size-Distance Relationship 
179
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Size-Distance Relationship 
180
The Ames room is designed to demonstrate the size-distance illusion. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Ames Room 
181
Lightness 
constancy 
-enables us to 
perceive an 
object as 
having a 
constant 
lightness even 
when the light 
that falls on it 
changes. 
The color and brightness of square A and B are the same. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Lightness Constancy 
182
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Color Constancy 
Objects will change color depending on the 
CONTEXT of surrounding objects or colors 
183 
Color Constancy
Illusions provide good examples in understanding 
how perception is organized. Studying faulty 
perception is as important as studying other 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Muller-Lyer Illusion 
184 
perceptual phenomena.
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Perceptual Adaptation 
You have the ability to adapt to distortion goggles 
rather quickly. Usually in a couple of hours to 
days. Some animals can never adapt. 
190
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Inverted Vision
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Culture and Perception 
192
Half the class close your eyes while the other half looks at an image: 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Perceptual Set 
A mental predisposition to perceive one thing 
and not another. What you see in the center 
picture is influenced by flanking pictures. 
193
Other examples of perceptual set. 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
(c) 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Perceptual Set 
194 
(a)Loch ness monster or a tree trunk; 
(b)Flying saucers or clouds? 
(c) The face on mars because of perceptual schema
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Eye & Mouth Schemas 
195
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Eye & Mouth Schemas 
196
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Motivation and Emotion influence 
Perception 
•Walking destinations look farther 
way when fatigued 
•Hills look steeper when carrying a 
heavy backpack 
•Targets seem father away when 
throwing a heavy object 
•When you are driving you hate 
pedestrians, when you are a 
pedestrian you hate drivers 
197 
If you are rewarded 
for seeing a farm 
animal, you will see a 
farm animal
Learning Goal: 
1. What does research on sensory deprivation and restored vision reveal about 
the effects of experience on perception? 
2. How adaptable is our ability to perceive? 
3. How do our expectations, contexts and emotions influence our perceptions? 
198 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about the components of 
perceptual interpretation In addition to 3.0 , I can 
demonstrate applications and inferences beyond what 
was taught 
3.0 
Proficient 
I can analyze the components of perceptual 
interpretation, and compare/contrast the Aspects of the 
learning goal. 
2.0 
Developing 
I can identify terms associated with components of 
perceptual interpretatio, but need to review this concept 
more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Human Factors and ESP 
• Learning Goals: 
– Students should be able to answer the following: 
1. What are human factors? 
2. What are the claims of ESP, and what have most research psychologists 
concluded after putting these claims to the test? 
199 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about human factors 
and the claims of ESP. In addition to 3.0 , I can 
demonstrate applications and inferences beyond 
what was taught 
3.0 
Proficient 
I can analyze human factors and the claims of 
ESP, and compare/contrast the Aspects of the 
learning goal. 
2.0 
Developing 
I can identify terms associated with human 
factors and the claims of ESP, but need to review 
this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
What are Human Factors? 
•Human 
factors/ergonomics- is the 
study of how to make 
machines and objects 
interface better with 
humans based on 
perception. 
•Examples: 
• Car Stereo Controls 
• Oven/Stove Knobs 
200
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
More Human Factors 
201
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Is There Extrasensory Perception? 
• Perception without sensory input is called 
extrasensory perception (ESP). 
• 98% of scientists do not believe in ESP. 
• According to a survey conducted in 2007 50% of 
Americans acknowledge some kind of belief in ESP. 
• 65% of those surveyed stated that they have never 
used a psychic or medium. 
202
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Claims of ESP 
Paranormal phenomena include astrological 
predictions, psychic healing, communication 
with the dead, and out-of-body experiences, but 
most relevant are telepathy, clairvoyance, and 
precognition. 
203
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions 
Testable Claims of ESP? 
1. Telepathy: Mind-to-mind communication. 
One person sending thoughts and the other 
receiving them. 
2. Clairvoyance: Perception of remote events, 
such as sensing a friend’s house on fire. 
3. Precognition: Perceiving future events, 
such as a political leader’s death. 
204 
“Visions of psychics that 
help the police solve 
crimes are no more 
accurate than guesses” 
None of these claims 
have been reproducible 
in a laboratory setting
Learning Goal: 
1. What are human factors? 
2. What are the claims of ESP, and what have most research psychologists 
concluded after putting these claims to the test? 
205 
Rating Student Evidence 
4.0 
Expert 
I can teach someone else about human factors 
and the claims of ESP. In addition to 3.0 , I can 
demonstrate applications and inferences beyond 
what was taught 
3.0 
Proficient 
I can analyze human factors and the claims of 
ESP, and compare/contrast the Aspects of the 
learning goal. 
2.0 
Developing 
I can identify terms associated with human 
factors and the claims of ESP, but need to review 
this concept more. 
1.0 
Beginning 
I don’t understand this concept and need help!
Lecture Activities
• Leave the classroom and find real-world 
examples for at least three of the monocular 
depth cues listed below. DRAW your 
examples and be prepared to share. Be 
back in 5 minutes. 
1. Linear perspective 
2. Relative size 
3. Overlap 
4. Aerial perspective 
5. Overlap 
CNS Ignoring Light The Eye Seeing 
Taste/Smell 
Sound The Ear 
Touch/Pain Movement Perception Gestalt Depth cues 
Illusions

Contenu connexe

Similaire à AP Sensation Perception

Sensation & Perception 1
Sensation & Perception 1Sensation & Perception 1
Sensation & Perception 1Sam Georgi
 
Neuro Linguistic Programming (NLP)-2.pdf
Neuro Linguistic Programming (NLP)-2.pdfNeuro Linguistic Programming (NLP)-2.pdf
Neuro Linguistic Programming (NLP)-2.pdfNeeriBatra1
 
Ch 4 sensations and perceptions
Ch 4 sensations and perceptionsCh 4 sensations and perceptions
Ch 4 sensations and perceptionsCynthia Ryan
 
seminar on sensory deprivation and overload.pptx
seminar on sensory deprivation and overload.pptxseminar on sensory deprivation and overload.pptx
seminar on sensory deprivation and overload.pptxPriyankaPatel460332
 
Sensation and Perception
Sensation and PerceptionSensation and Perception
Sensation and PerceptionPhilosophyZ
 
Mod 14 Basic Concepts and Vision
Mod 14   Basic Concepts and VisionMod 14   Basic Concepts and Vision
Mod 14 Basic Concepts and VisionTina Medley
 
Understanding the perception and its role in successful management of organiz...
Understanding the perception and its role in successful management of organiz...Understanding the perception and its role in successful management of organiz...
Understanding the perception and its role in successful management of organiz...bp singh
 
EFT for Addiction Treatment
EFT for Addiction TreatmentEFT for Addiction Treatment
EFT for Addiction TreatmentMasha Bennett
 
sensation and perception
sensation and perceptionsensation and perception
sensation and perceptionAhmad786Raza17
 
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay Simone
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay SimoneMindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay Simone
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay SimoneHPCareer.Net / State of Wellness Inc.
 
Lecture Sensation perception and attention.pptx
Lecture Sensation perception and attention.pptxLecture Sensation perception and attention.pptx
Lecture Sensation perception and attention.pptxTayyaba (Lecturer)
 

Similaire à AP Sensation Perception (20)

Sensation & Perception 1
Sensation & Perception 1Sensation & Perception 1
Sensation & Perception 1
 
Neuro Linguistic Programming (NLP)-2.pdf
Neuro Linguistic Programming (NLP)-2.pdfNeuro Linguistic Programming (NLP)-2.pdf
Neuro Linguistic Programming (NLP)-2.pdf
 
Session 2 - NLP.pdf
Session 2 - NLP.pdfSession 2 - NLP.pdf
Session 2 - NLP.pdf
 
Ch 4 sensations and perceptions
Ch 4 sensations and perceptionsCh 4 sensations and perceptions
Ch 4 sensations and perceptions
 
CHAPTER 2.pptx
CHAPTER 2.pptxCHAPTER 2.pptx
CHAPTER 2.pptx
 
seminar on sensory deprivation and overload.pptx
seminar on sensory deprivation and overload.pptxseminar on sensory deprivation and overload.pptx
seminar on sensory deprivation and overload.pptx
 
Sensation and Perception
Sensation and PerceptionSensation and Perception
Sensation and Perception
 
Mod 14 Basic Concepts and Vision
Mod 14   Basic Concepts and VisionMod 14   Basic Concepts and Vision
Mod 14 Basic Concepts and Vision
 
Eq 3.0
Eq 3.0Eq 3.0
Eq 3.0
 
Sensory deprivation
Sensory deprivationSensory deprivation
Sensory deprivation
 
2 Sensation .pptx
2 Sensation .pptx2 Sensation .pptx
2 Sensation .pptx
 
Sensory Differences
Sensory DifferencesSensory Differences
Sensory Differences
 
Understanding the perception and its role in successful management of organiz...
Understanding the perception and its role in successful management of organiz...Understanding the perception and its role in successful management of organiz...
Understanding the perception and its role in successful management of organiz...
 
EFT for Addiction Treatment
EFT for Addiction TreatmentEFT for Addiction Treatment
EFT for Addiction Treatment
 
Perception
PerceptionPerception
Perception
 
3 chapter psy_behavior_ji
3 chapter psy_behavior_ji3 chapter psy_behavior_ji
3 chapter psy_behavior_ji
 
sensation and perception
sensation and perceptionsensation and perception
sensation and perception
 
Nlp 2nd June 2019
Nlp 2nd June 2019Nlp 2nd June 2019
Nlp 2nd June 2019
 
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay Simone
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay SimoneMindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay Simone
Mindful Champion, Mindful Workplace with Dr. Joel Bennett and Lindsay Simone
 
Lecture Sensation perception and attention.pptx
Lecture Sensation perception and attention.pptxLecture Sensation perception and attention.pptx
Lecture Sensation perception and attention.pptx
 

Plus de MrAguiar

Aguiar AP Abnormal 2017
Aguiar AP Abnormal 2017Aguiar AP Abnormal 2017
Aguiar AP Abnormal 2017MrAguiar
 
Myers Explanations
Myers ExplanationsMyers Explanations
Myers ExplanationsMrAguiar
 
Meme instrutions 2015
Meme instrutions 2015Meme instrutions 2015
Meme instrutions 2015MrAguiar
 
Treatment and therapy
Treatment and therapyTreatment and therapy
Treatment and therapyMrAguiar
 
Aguiar ap intelligence and testing 2015 ss
Aguiar ap intelligence and testing 2015 ssAguiar ap intelligence and testing 2015 ss
Aguiar ap intelligence and testing 2015 ssMrAguiar
 
Cognition memory thinking_language
Cognition memory thinking_languageCognition memory thinking_language
Cognition memory thinking_languageMrAguiar
 
Aguiar ap learning 2014 2015 copy
Aguiar ap learning 2014 2015 copyAguiar ap learning 2014 2015 copy
Aguiar ap learning 2014 2015 copyMrAguiar
 
Aguiar ap consciousness sleep and dreams 2014 2015
Aguiar ap consciousness sleep and dreams 2014 2015Aguiar ap consciousness sleep and dreams 2014 2015
Aguiar ap consciousness sleep and dreams 2014 2015MrAguiar
 
Brain stuff and memory devices
Brain stuff and memory devicesBrain stuff and memory devices
Brain stuff and memory devicesMrAguiar
 
Brain parts near pod session
Brain parts near pod sessionBrain parts near pod session
Brain parts near pod sessionMrAguiar
 
Aguiar ap social psychology ss
Aguiar ap social psychology ssAguiar ap social psychology ss
Aguiar ap social psychology ssMrAguiar
 
Social structure and interaction chpt 4 ss
Social structure and interaction chpt 4 ssSocial structure and interaction chpt 4 ss
Social structure and interaction chpt 4 ssMrAguiar
 
Aguiar ap therapies
Aguiar ap therapiesAguiar ap therapies
Aguiar ap therapiesMrAguiar
 
Aguiar ap abnormal
Aguiar ap abnormalAguiar ap abnormal
Aguiar ap abnormalMrAguiar
 
Iq test answers
Iq test answersIq test answers
Iq test answersMrAguiar
 
Aguiar ap intelligence and testing
Aguiar ap intelligence and testingAguiar ap intelligence and testing
Aguiar ap intelligence and testingMrAguiar
 
Aguiar ap personality
Aguiar ap personalityAguiar ap personality
Aguiar ap personalityMrAguiar
 
Emotions and stress
Emotions and stressEmotions and stress
Emotions and stressMrAguiar
 
Motivation ss
Motivation ssMotivation ss
Motivation ssMrAguiar
 
Ap memory ss
Ap memory ssAp memory ss
Ap memory ssMrAguiar
 

Plus de MrAguiar (20)

Aguiar AP Abnormal 2017
Aguiar AP Abnormal 2017Aguiar AP Abnormal 2017
Aguiar AP Abnormal 2017
 
Myers Explanations
Myers ExplanationsMyers Explanations
Myers Explanations
 
Meme instrutions 2015
Meme instrutions 2015Meme instrutions 2015
Meme instrutions 2015
 
Treatment and therapy
Treatment and therapyTreatment and therapy
Treatment and therapy
 
Aguiar ap intelligence and testing 2015 ss
Aguiar ap intelligence and testing 2015 ssAguiar ap intelligence and testing 2015 ss
Aguiar ap intelligence and testing 2015 ss
 
Cognition memory thinking_language
Cognition memory thinking_languageCognition memory thinking_language
Cognition memory thinking_language
 
Aguiar ap learning 2014 2015 copy
Aguiar ap learning 2014 2015 copyAguiar ap learning 2014 2015 copy
Aguiar ap learning 2014 2015 copy
 
Aguiar ap consciousness sleep and dreams 2014 2015
Aguiar ap consciousness sleep and dreams 2014 2015Aguiar ap consciousness sleep and dreams 2014 2015
Aguiar ap consciousness sleep and dreams 2014 2015
 
Brain stuff and memory devices
Brain stuff and memory devicesBrain stuff and memory devices
Brain stuff and memory devices
 
Brain parts near pod session
Brain parts near pod sessionBrain parts near pod session
Brain parts near pod session
 
Aguiar ap social psychology ss
Aguiar ap social psychology ssAguiar ap social psychology ss
Aguiar ap social psychology ss
 
Social structure and interaction chpt 4 ss
Social structure and interaction chpt 4 ssSocial structure and interaction chpt 4 ss
Social structure and interaction chpt 4 ss
 
Aguiar ap therapies
Aguiar ap therapiesAguiar ap therapies
Aguiar ap therapies
 
Aguiar ap abnormal
Aguiar ap abnormalAguiar ap abnormal
Aguiar ap abnormal
 
Iq test answers
Iq test answersIq test answers
Iq test answers
 
Aguiar ap intelligence and testing
Aguiar ap intelligence and testingAguiar ap intelligence and testing
Aguiar ap intelligence and testing
 
Aguiar ap personality
Aguiar ap personalityAguiar ap personality
Aguiar ap personality
 
Emotions and stress
Emotions and stressEmotions and stress
Emotions and stress
 
Motivation ss
Motivation ssMotivation ss
Motivation ss
 
Ap memory ss
Ap memory ssAp memory ss
Ap memory ss
 

Dernier

Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...fonyou31
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfagholdier
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfchloefrazer622
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhikauryashika82
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxVishalSingh1417
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Disha Kariya
 
9548086042 for call girls in Indira Nagar with room service
9548086042  for call girls in Indira Nagar  with room service9548086042  for call girls in Indira Nagar  with room service
9548086042 for call girls in Indira Nagar with room servicediscovermytutordmt
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingTeacherCyreneCayanan
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfciinovamais
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfAyushMahapatra5
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024Janet Corral
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphThiyagu K
 
social pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajansocial pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajanpragatimahajan3
 

Dernier (20)

Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdf
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..
 
9548086042 for call girls in Indira Nagar with room service
9548086042  for call girls in Indira Nagar  with room service9548086042  for call girls in Indira Nagar  with room service
9548086042 for call girls in Indira Nagar with room service
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
social pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajansocial pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajan
 

AP Sensation Perception

  • 2. Sensing Our World • Learning Goals: – Students should be able to answer the following: 1. What are sensation and perception? 2. What do we mean by bottom-up and top-down processing? 3. How are we affected by selective attention? 2 Rating Student Evidence 4.0 Expert I can teach someone else about, sensation and perception, dual processing and selective attention. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze sensation and perception, dual processing and selective attention, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated sensation and perception, dual processing and selective attention), but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 3. CNS Ignoring Light The Eye Seeing Taste/Smell e n s a t i o n Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Activation of receptors in various sense organs
  • 4. Method by which sensations are organized and interpreted e r c e p t i o n
  • 5. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensation vs. Perception • Bottom-Up Processing • Using small components and building up • Top-Down Processing • Using the larger components and breaking down (guided by experience and expectations) 5 Aoccdrnig to rscheearch at Cmabrigde Uinervtstiy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be at the rghit pclae.We raed the wrod as a wlohe.
  • 6. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Bottom-Up Processing • Also called feature analysis. • We use the features on the object itself to build a perception. • Takes longer than top-down but is more accurate.
  • 7. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top-Down Processing • We perceive by filling the gaps in what we sense. • I _ant ch_co_ate ic_ cr_am. • Based on our experiences and schemas. • If you see many old men in glasses, you are more apt to process a picture of an old man (even when you may be in error).
  • 8. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions He’s Back…
  • 9. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up 9
  • 10. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up Processing 10
  • 11. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up Processing 11
  • 12. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up Processing 12
  • 13. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up Processing 13
  • 14. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Top Down vs. Bottom Up Processing 14
  • 15. Selective Attention (11 million/40 ratio) Selective attention- the focusing of conscious awareness on a particular stimulus. Perceptions about objects change from moment to moment. We can perceive different forms of the Necker cube; however, we can only pay attention to one aspect of the object at a time. CNS Ignoring Light The Eye Seeing Taste/Smell ACCIDENTS 80% of crashes involve driver distraction Calling on a cell phone- 4x more at risk Talking to a person in the car- 1.6x more at risk Texting- 23x more at risk Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions 15
  • 16. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions 16 Selective Attention
  • 17. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Inattentional Blindness • Inattentional blindness-failing to see visible objects when our attention is directed elsewhere. • Simmons & Chabris (1999) showed that half of the observers failed to see the gorilla-suited assistant in a ball passing game • 50% of people don’t notice • Cocktail Party Effect – Ability to attend to one voice at a party or restaurant 17
  • 18. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions 18 Awareness Test
  • 19. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Change Blindness Change blindness-failing to notice changes in the environment This is a form of inattentional blindness in which two-thirds of individuals giving directions failed to notice a change in the individual asking for directions. (Change Deafness also occurs on the phone- 40% of people failed to notice a change in the voice) 19
  • 20. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Change Blindness
  • 21. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensation-to-Perception Process 21 Transduction-conversion of one form of energy into another.
  • 22. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Psychophysics Psychophysics-the study of relationships between the physical characteristics of stimuli, such as their intensity, and our psychological experience of them. 22
  • 23. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Stroop Effect
  • 24. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Section 1: Test Your Knowledge Which of the following terms best explains why you didn‘t hear your Mom tell you to take out the trash while you were intensely watching the World Series game on TV? A)Change Blindness B)Selective Attention C)Selective Hearing D)Choice Blindness
  • 25. Learning Goals: 1. What are sensation and perception? 2. What do we mean by bottom-up and top-down processing? 3. How are we affected by selective attention? 25 Rating Student Evidence 4.0 Expert I can teach someone else about, sensation and perception, dual processing and selective attention. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze sensation and perception, dual processing and selective attention, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated sensation and perception, dual processing and selective attention), but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 26. • Learning Goals: Thresholds – Students should be able to answer the following: 1. What are absolute and difference thresholds, and do stimuli below the absolute threshold have any influence? 2. What is the function of sensory adaption? 26 Rating Student Evidence 4.0 Expert I can teach someone else about absolute thresholds and the function of sensory adaptation. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about absolute thresholds and the function of sensory adaptation, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with absolute thresholds and the function of sensory adaptation, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 27. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Thresholds • Absolute Threshold – The minimum stimulation needed to detect a stimuli (50% of the time) – Examples of Absolute Thresholds • Vision: Light from a candle 30 miles away on a dark night • Hearing: Ticking of a watch from 20 feet away • Smell: One drop of perfume in a small apartment • Taste: One teaspoon of sugar in 2 gallons of water • Touch: The wing of a fly on your cheek from .4 inch away 27
  • 28. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Signal Detection Theory Signal detection theory-predicts how and when we detect the presence of a faint stimulus, assuming that our individual absolute thresholds vary with our experiences, expectations, motivation, and level of fatigue. •Hit or miss in detection of stimuli when we are uncertain •Ability to detect stimuli based on: • Person’s experience • Expectations • Motivation • Level of Fatigue • States that fear increases your sensitivity to even small pain because of the anticipation of pain 28 You Recognize it You Miss it STIMULUS PRESENT Hit Miss STIMULUS NOT PRESENT False Alarm Correct Rejection
  • 29. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Thresholds • Difference Threshold – Minimum difference between two stimuli required for detection 50% of the time – Also called Just Noticeable Differences – Weber’s Law: Two stimuli must differ by a constant minimum percentage in order to be noticed (revised by Fetchner) • In other words- it must be out of proportion • Example: Lights must differ in intensity by 8% • Another way to look at it: 1$ makes a difference to 10$, but not to 1000$. (its proportional) 29
  • 30. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Thresholds
  • 31. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Thresholds • Subliminal Messages – Info processed just below surface of thresholds can influence minor decision making – Drink more Coke” & “Eat more Popcorn” – Conclusion: subliminal adverting does not work direct but much of our information processing occurs automatically, out of sight and off the radar of our conscious mind 31
  • 32. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Subliminal Messages (disclaimer)
  • 33. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Adaptation • Our diminishing sensitive to unchanging stimulus • Keep things novel, so we pay attention • Examples – you blast your music in the car, but fail to notice how loud it is – Jumping into a pool seems cold at first, but you eventually get comfortable 33
  • 34. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Adaptation
  • 35. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Section 2: Test Your Knowledge 1. Danny sometimes mistakenly hears his mom call him from the other room of their house. What term would be used to explain this phenomenon? A. Sensory Adaptation B. Weber’s Law C. Selective Hearing D. Signal Detection Theory 2. A person with normal vision being able to see a candle flame 30 miles away on a clear dark night is an example of: A. Difference Threshold B. Signal Detection Theory C. Absolute Threshold D. Sensory Adaptation 35
  • 36. Learning Goal: 1. What are absolute and difference thresholds, and do stimuli below the absolute threshold have any influence? 2. What is the function of sensory adaption? 36 Rating Student Evidence 4.0 Expert I can teach someone else about absolute thresholds and the function of sensory adaptation. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about absolute thresholds and the function of sensory adaptation, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with absolute thresholds and the function of sensory adaptation, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 37. Vision 1 • Learning Goals: – Students should be able to answer the following: 1. What is the energy that we see as visible light? 2. How does the eye transform light energy intro neural messages? 37 Rating Student Evidence 4.0 Expert I can teach someone else about how we see energy as visible light and how transduction occurs in the eye. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about how we see energy as visible light and how transduction occurs in the eye and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about how we see energy as visible light and how transduction occurs in the eye, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 38. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Vision & Energy • Light Characteristics 1. Hue (color) – the dimension of color determined by the wavelength of the light 2. Wavelength – Different wavelengths of light 3. Intensity – Amount of energy in a wave determined by amplitude. It is related to brightness 38
  • 39. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 40. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 41. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye
  • 42. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Cornea = outer covering of the eye.
  • 43. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Pupil = the adjustable opening in the center of the eye through which light enters.
  • 44. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Iris = a ring of muscle tissue that forms the colored portion of the eye around the pupil and controls the size of the pupil opening. • The iris dilates/constricts in response to changing light intensity
  • 45. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Lens = the transparent structure behind the pupil that changes shape to help focus images on the retina.
  • 46. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Retina = the light-sensitive inner surface of the eye, containing the receptor rods and cones plus layers of neurons that begin the processing of visual information.
  • 47. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 48. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Blind Spot = the point at which the optic nerve leaves the eye, creating a “blind” spot because no receptor cells are located there.
  • 49. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Fovea = the central focal point in the retina, around which the eye’s cones cluster.
  • 50. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Structure of the Eye Optic Nerve = the nerve that carries neural impulses from the eye to the brain.
  • 51. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Foveal Vision 51
  • 52. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Crash Course Vision 52
  • 53. Learning Goal: 1. What is the energy that we see as visible light? 2. How does the eye transform light energy intro neural messages? 53 Rating Student Evidence 4.0 Expert I can teach someone else about how we see energy as visible light and how transduction occurs in the eye. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about how we see energy as visible light and how transduction occurs in the eye and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about how we see energy as visible light and how transduction occurs in the eye, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 54. Vision 2 • Learning Goals: – Students should be able to answer the following: 1. How does the brain process visual information? 2. What theories help us understand color vision? 54 Rating Student Evidence 4.0 Expert I can teach someone else about the theories of color vision In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze the theories of color vision, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated the theories of color vision, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 55. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Parallel Processing in the Brain • Parallel Processing – We process several aspects of stimulus simultaneously – Synchronized Brain Waves • The brain divides a visual scene into subdivisions such as color, depth, form and movement all at once 55
  • 56. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions • Feature Detectors-nerve cells in the brain that respond to specific features of the stimulus, such as shape, angle, or movement. 56 Hubel & Wiesel’s Experiment
  • 57. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions 57 Hubel & Wiesel’s Experiment
  • 58. Visual Information Processing CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 59. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Color Vision Theories •Trichromatic (Young-Helmholtz) • Because the retina contains three color sensors (R, B, G) our brain combines information to see various colors • This helps to explain color blindness 59 •Most colorblind people simply lack cone receptor cells for one or more of these primary colors.
  • 60. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Colorblind Tests
  • 61. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Color Vision Theories •Opponent Processing •Hering proposed that we process colors in the receptor cells in the retina and thalamus that can be over stimulated to see afterimages • Red - Green • Blue - Yellow • Black- White 61
  • 62. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Opponent-Process theory The sensory receptors come in pairs. • Red/Green • Yellow/Blue • Black/White • If one color is stimulated, the other is inhibited.
  • 63. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Afterimages
  • 64. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions After image
  • 65. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Illusions This slide is intentionally left blank. Touch/Pain Movement Perception Gestalt Depth cues
  • 66. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 67. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 68. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 69. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 70. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Opponent-Process Theory Demo 1
  • 71. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Opponent-Process Theory Demo 2
  • 72. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Opponent-Process Theory Demo 3
  • 73. Trichromats - People who have CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Different Forms of Color Blindness 73 normal color vision. Dichromats - People who are blind to either red-green (most common) or yellow-blue. Monochromats - People who are totally color blind. (Rare)
  • 74. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Section 4: Test Your Knowledge 1. Where does transduction take place concerning vision? (A) The Pupil (B) The Retina (C) The Thalamus (D) The Occipital Lobe 2. Which theory of color BEST explains color blindness? (A) Opponent Processing (B) Wavelength Theory (C) Place Theory (D) Trichromatic Theory 74
  • 75. Learning Goal: 1. How does the brain process visual information? 2. What theories help us understand color vision? 75 Rating Student Evidence 4.0 Expert I can teach someone else about the theories of color vision In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze the theories of color vision, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated the theories of color vision, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 76. Hearing • Learning Goals: – Students should be able to answer the following: 1. How does the ear transform sound energy into neural messages? 2. What theories help us understand pitch perception? 3. How do we locate sounds? 4. What are the common causes of hearing loss, and why does controversy surround cochlear implants? 76 Rating Student Evidence 4.0 Expert I can teach someone else about hearing, pitch perception, sound localization and common causes of hearing loss. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about hearing, pitch perception, sound localization and common causes of hearing loss and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about hearing, pitch perception, sound localization and common causes of hearing loss, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 77. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Stimulus Input: Sound Waves • Audition- the sense or act of hearing
  • 78. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Psychological Properties of Sound
  • 79. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Psychological Properties of Sound
  • 80. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Psychological Properties of Sound Timbre: Richness in the tone of the sound
  • 81. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Hearing: Parts of the Ear 81 EAR PARTS Outer Ear: Pinna. Collects sounds. Middle Ear: Chamber between eardrum and cochlea containing three tiny bones (hammer, anvil, stirrup) that concentrate the vibrations of the eardrum on the cochlea’s oval window. Inner Ear: Innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs. HEARING BY AGE 20,000 Hz- 18 & younger 17,000 Hz- 24 & younger 16,000 Hz- 30 & younger 15,000 Hz- 39 & younger 14,000 Hz- 49 & younger 12,000 Hz- 55 & younger 10,000 Hz- 60 & younger 8,000 Hz- Everyone
  • 82. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Transduction in the ear • Sound waves hit the eardrum then anvil then hammer then stirrup then oval window. • Everything is just vibrating. • Then the cochlea vibrates. • The cochlea is lined with mucus called basilar membrane. • In basilar membrane there are hair cells. • When hair cells vibrate they turn vibrations into neural impulses which are called organ of Corti. • Sent then to thalamus up auditory nerve. It is all about the vibrations!!!
  • 83. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear The ear is divided into the outer, middle and inner ear.
  • 84. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear The sound waves travel down the auditory canal to the eardrum.
  • 85. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Eardrum = tight membrane that vibrates when struck by sound waves.
  • 86. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Eardrum
  • 87. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Bones of the middle ear = the hammer, anvil, stirrup which vibrate with the eardrum.
  • 88. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Hammer
  • 89. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Anvil
  • 90. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Stirrup
  • 91. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Oval window = where the stirrup connects to the cochlea.
  • 92. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Cochlea = a coiled, body, fluid-filled tube in the inner ear through which sound waves trigger nerve impulses.
  • 93. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Oval Window
  • 94. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Cochlea
  • 95. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Fluid in the cochlea
  • 96. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Hair cells in the cochlea
  • 97. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Auditory nerve = nerve which sends the auditory message to the brain via the thalamus.
  • 98. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Nerve fibers
  • 99. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Auditory nerve
  • 100. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Ear Neural impulse travels to the auditory cortex in the brain.
  • 101. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Theories of Hearing • Place Theory – Different pitches are heard at different places in the cochlea’s basilar membrane • Frequency Theory – The rate of sounds matches the rate traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch 101
  • 102. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sound Localization • We hear from two ears that are located on either side of our head. • One ear will pick up the sound .000027 times faster than the other to help us find the sound. 102
  • 103. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Hearing Loss • Conduction Hearing Loss – Mechanical damage to tiny bones or eardrum – Can be improved by use of hearing aid • Sensorineural Hearing Loss – Most common type of deafness – Nerve deafness due to damage in cochlea or auditory nerve – Sometimes can be fixed by cochlear implant 103
  • 104. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Coclear Implant
  • 105. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Coclear Implant
  • 106. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Section 5: Test Your Knowledge 1. The general function of the bones in the middle ear is to: (A) Convert the incoming sound from pounds per square inch to decibels. (B) Protect the cochlea (C) Transfer sound information from the tympanic membrane to the oval window (D) Provide information to the vestibular system 1. _____ are the receptor cells for audition and ______ are receptor cells for vision. (A) Olfactory cells; rods & cones (B) Taste buds; hair cells (C) Hair cells; rods & cones (D) Proprioceptors; rods & cones 106
  • 107. Learning Goal: 1. How does the ear transform sound energy into neural messages? 2. What theories help us understand pitch perception? 3. How do we locate sounds? 4. What are the common causes of hearing loss, and why does controversy surround cochlear implants? 107 Rating Student Evidence 4.0 Expert I can teach someone else about hearing, pitch perception, sound localization and common causes of hearing loss. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about hearing, pitch perception, sound localization and common causes of hearing loss and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about hearing, pitch perception, sound localization and common causes of hearing loss, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 108. Other Senses Part 1: Pain • Learning Goals: – Students should be able to answer the following: 1. How de we sense touch and sense our body’s position and movement? How do we experience pain? 108 Rating Student Evidence 4.0 Expert I can teach someone else about our body’s position and movement; as well as the sensation of pain. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about our body’s position and movement; as well as the sensation of painand compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with our body’s position and movement; as well as the sensation of pain, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 109. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Touch • Receptors located in our skin. • Our sense of touch is actually four senses— pressure, warmth, cold, and pain-that combine to produce other sensations, such as “hot.”
  • 110. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Rubberhand Illusion Illustrates that touch is not only a bottom-up property of your senses but also a top-down product of your brain and expectations.
  • 111. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Rubberhand Illusion
  • 112. CNS Ignoring Light The Eye Seeing Taste/Smell What do you think this person feels? Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Fun Facts: Touch Receptors •Touch Senses • Different pathways for warm/cold • Touching cold and pressure spots yields a wet sensation. • Touching warm and cold together yields a hot sensation • Gently stroking of a painful spot produces an itching sensation • Stroking adjacent pressure spots induces a tickle* * Note: You can’t tickle yourself 112
  • 113. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Body Position & Movement • The sense of our body parts’ position and movement is called kinesthesis. (ex. Movement while running without thinking about the body’s movement) • The vestibular sense monitors our balance. • Vestibular sense can tell if you are vertical or horizontal. (ex. Spinning in a chair makes you dizzy) 113
  • 114. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Kinesthetic Sense • Tells us where our body parts are. • Receptors located in our muscles and joints. Without the kinesthetic sense you could not touch the button to make copies of your buttocks.
  • 115. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Vestibular Sense • Tells us where our body is oriented in space. • Our sense of balance. • Located in our semicircular canals in our ears.
  • 116. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Touch & Pain • Pain • A neurochemical signal that tells your body something is wrong • (registers in the parietal lobe via the sensory cortex) • Phantom limb Sensations • Amputees may experience this because parietal lobe neurons are still dedicated to area of missing limb 116
  • 117. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Pain Understanding Pain: Biological Influences
  • 118. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Pain Understanding Pain: Biopsychosocial Approach
  • 119. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Gate Control Theory (Melzack & Wall, 1965) • Nociceptors- sensory receptors that detect hurtful temperatures, pressures or chemicals • Gate Control Theory • Small nerves in the spinal cord carry pain, large nerves in the spinal cord carry other sensations • Only one type of nerve fiber can go through the gate at a time • Rubbing sore area may reduce pain as interneurons in spinal cord control the “gate of information” • You can also close the pain gate mentally: i.e.- Not feeling pain while concentrating on other things 119
  • 120. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Phantom Limb 120
  • 121. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Controlling Pain
  • 122. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Mini FRQ Review Jimmy is a contestant on a game show where people must run an oddly-shaped maze with obstacles in a dimly-lit building as fast as they can. Explain how the following terms would affect Jimmy’s performance in running the maze. • Kinesthesis • Retina • Hippocampus 122
  • 123. Learning Goal: 1. How de we sense touch and sense our body’s position and movement? How do we experience pain? 123 Rating Student Evidence 4.0 Expert I can teach someone else about our body’s position and movement; as well as the sensation of pain. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze about our body’s position and movement; as well as the sensation of painand compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with our body’s position and movement; as well as the sensation of pain, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 124. Other Senses Part 2: Smell and Taste • Learning Goals: – Students should be able to answer the following: 1. How do we experience taste? 2. How do we experience smell? 124 Rating Student Evidence 4.0 Expert I can teach someone else about the experience of taste and smell. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze and compare/contrast the Aspects of the the experience of taste and smell. 2.0 Developing I can identify terms associated the experience of taste and smell but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 125. Sweet Sour Salty Bitter Umami CNS Ignoring Light The Eye Seeing Taste/Smell (Fresh Chicken) Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Taste as a chemical sense • Basic Chemical Tastes – Also known as gustatory sense – Sweet, Sour, Bitter, Salty, Umami – Taste may be based on survival (bitter food is toxic) – Taste receptors reproduce themselves every two weeks – Taste buds and taste sensitivity decreases with age 125
  • 126. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Evolutionary Perspective on Taste
  • 127. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Smell as a Chemical Sense • Chemical Sense or Olfactory Sense • Smell involves the detection of molecules • Scents play an important role in attachment • Smell & Memory • Because smell runs close to the limbic system, it ties closely to memory pathways • We have a hard time describing a smell, but can relate to personal stories • Herz’s Brown University Study 1. Students played an impossible game in a scented room 2. The same students were then given a complex (not impossible task) 3. The same scent was pumped into the experimental room and the students gave up easily 127
  • 128. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Smell (olfaction)
  • 129. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Smell: Age & Gender • Ability to identify smell peaks during early adulthood, but steadily declines after that. Women are better at detecting odors than men 129
  • 130. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Sensory Interaction •Sensory Interaction • Smell + Texture + Taste = Flavor • Visual Capture • Vision dominates all senses when conflicts appear •McGurk Effect • Hear one syllable while seeing another lipped causes us to interpret a third •Synesthesia • Rare disorder in which people combine senses 130
  • 131. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Synesthesia
  • 132. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Synesthesia
  • 133. Learning Goal: 1. How do we experience taste? 2. How do we experience smell? 133 Rating Student Evidence 4.0 Expert I can teach someone else about the experience of taste and smell. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze and compare/contrast the Aspects of the the experience of taste and smell. 2.0 Developing I can identify terms associated the experience of taste and smell but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 134. Perceptual Organization • Learning Goals: – Students should be able to answer the following: 1. How did the Gestalt psychologists understand perceptual organization? 2. How do figure-ground and grouping principles contribute to our perceptions? 134 Rating Student Evidence 4.0 Expert I can teach someone else about, gestalt and figure ground, and how they influence our perception In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze gestalt and figure ground, and how they influence our perception, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with , gestalt and figure ground, and how they influence our perceptionbut need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 135. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Perception Review The process of selecting, organizing, and interpreting sensory information, which enables us to recognize meaningful objects and events. 135 Old Lady or Young Woman
  • 136. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Gestalt Psychology Preview
  • 137. • Gestalt- an organized whole. • Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes • These principles are based on the idea that people have a natural tendency to force patterns onto whatever they see. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles 3.9 What are the Gestalt principles of perception?
  • 138. If you are looking at the vase, then the white part is the figure and the black becomes the ground. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Figure Ground Perspective Figure–ground: relationships refer to the tendency to perceive objects, or figures as existing, on some background. 138
  • 139. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Figure Ground
  • 140. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles Proximity-the tendency to perceive objects that are close to one another as part of the same grouping.
  • 141. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Proximity: Extreme Sheep Art
  • 142. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles Similarity-the tendency to perceive things that look similar as being part of the same group
  • 143. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles Closure is the tendency to complete figures that are incomplete.
  • 144. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles Continuity refers to the tendency to perceive things as simply as possible with a continuous pattern
  • 145. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions The Gestalt Principles • Contiguity-the tendency to perceive two things that happen close together in time as being related. Usually the first occurring event is seen as causing the second event.
  • 146. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) 146
  • 147. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) 147 anomalous motion illusion
  • 148. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) 148 anomalous motion illusion
  • 149. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) anomalous motion illusion 149
  • 150. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Hermann Grid (for fun) 150
  • 151. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) anomalous motion illusion 151
  • 152. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Optical Illusions (for fun) 152
  • 153. Gestalt Psychology: Looking at the WHOLE. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Gestalt Groupings Quick Review 153 Closure Law of Common Fate law of pragnanz
  • 154. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Writings on the Wall
  • 155. Learning Goal: 1. How did the Gestalt psychologists understand perceptual organization? 2. How do figure-ground and grouping principles contribute to our perceptions? 155 Rating Student Evidence 4.0 Expert I can teach someone else about, gestalt and figure ground, and how they influence our perception In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze gestalt and figure ground, and how they influence our perception, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with , gestalt and figure ground, and how they influence our perceptionbut need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 156. Section 10 Depth Perception • Learning Goals: – Students should be able to answer the following: 1. How do we see the world in three dimensions? 156 Rating Student Evidence 4.0 Expert I can teach someone else about how we see the world in three dimensions. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze how we see the world in three dimensions, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about how we see the world in three dimensions, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 157. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Visual Cliff Study Gibson and Walk (1960) Used a visual cliff to test depth perception in infants and young animals. Their findings indicate that human infants (crawling age) have depth perception that is learned. Even certain newborn animals show depth perception. 157
  • 158. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Visual Cliff Study
  • 159. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Binocular Cues • Binocular Cues-a depth cue that requires the use of both eyes 159
  • 160. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Binocular Cues • Retinal disparity: Images from the two eyes differ, so we are able to better judge distance of two objects. • • Used in 3-D motion picture to mimic the offset eyes. 160 TRY THIS Two eyes are better than one: Close one eye an touch two pencil tips together
  • 161. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Binocular Cues Convergence-in order to perceive depth properly, your eyes must move slightly inward or converge. In so doing, people are able to determine if objects are close to them or far away. 161
  • 162. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Binocular Cues: Stereogram 162
  • 163. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Binocular Cues: Stereogram 163
  • 164. Relative Size: If two objects are similar in size, we perceive the one that casts a smaller retinal image to CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 164 be farther away.
  • 165. Interposition: If one object partially blocks our view CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 165 of another, we perceive it as closer
  • 166. Relative Height: We perceive objects higher in our CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 166 field of vision as further away.
  • 167. Texture Gradient: Fine textures indicate a close object; course textures indicate an object is far away CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 167
  • 168. Relative Motion (motion parallax): When we are moving, objects that are stable appear to move-objects that are farther away move slower than CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 168 closer objects
  • 169. Light & Shadow: Nearby objects reflect more light CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 169 to our eyes
  • 170. Linear Perspective: Parallel lines converge in the CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cues 170 distance
  • 171. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Monocular Cue Review 171 How many monocular cues can you identify?
  • 172. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Mini FRQ Review Mr. Aguiar’s car breaks down on a long, deserted highway with no cell service (sad). In the distance he sees a gas station, but knows it will be a long walk. Explain how each of the following concepts helps him determine it will be a long walk: – Relative size – Texture Gradient – Linear Perspective 172
  • 173. Learning Goal: How do we see the world in three dimensions? 173 Rating Student Evidence 4.0 Expert I can teach someone else about how we see the world in three dimensions. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze how we see the world in three dimensions, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated about how we see the world in three dimensions, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 174. Perceptual • Learning Goals: Interpretation – Students should be able to answer the following: 1. What does research on sensory deprivation and restored vision reveal about the effects of experience on perception? 2. How adaptable is our ability to perceive? 3. How do our expectations, contexts and emotions influence our perceptions? 174 Rating Student Evidence 4.0 Expert I can teach someone else about the components of perceptual interpretation In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze the components of perceptual interpretation, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with components of perceptual interpretation, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 175. Stroboscopic Motion and Phi Phenomenon • Stroboscopic Motion: 24 still pictures flashing within one second create the illusion of motion (example: flip books and cartoons) • Phi Phenomenon: Lights blinking next to each will create the illusion of motion (neon or scrolling signs) CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions 175
  • 176. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Shape Constancy Perceiving objects as unchanging even as illumination and retinal images change. Perceptual constancies include constancies of shape and size. Shape Constancy 176
  • 177. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Size Constancy Stable size perception amid changing size of the stimuli. We know the one car is just farther away, but still the same size. 177
  • 178. The moon appears larger on the horizon because of context effects make it look farther away like the monster CNS Ignoring Light The Eye Seeing Taste/Smell Ponzo Illusion Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Size-Distance Relationship The distant monster (below, left) and the top red bar (below, right) appear bigger because of distance cues. 178
  • 179. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Size-Distance Relationship 179
  • 180. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Size-Distance Relationship 180
  • 181. The Ames room is designed to demonstrate the size-distance illusion. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Ames Room 181
  • 182. Lightness constancy -enables us to perceive an object as having a constant lightness even when the light that falls on it changes. The color and brightness of square A and B are the same. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Lightness Constancy 182
  • 183. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Color Constancy Objects will change color depending on the CONTEXT of surrounding objects or colors 183 Color Constancy
  • 184. Illusions provide good examples in understanding how perception is organized. Studying faulty perception is as important as studying other CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Muller-Lyer Illusion 184 perceptual phenomena.
  • 185. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 186. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 187. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 188. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 189. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions
  • 190. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Perceptual Adaptation You have the ability to adapt to distortion goggles rather quickly. Usually in a couple of hours to days. Some animals can never adapt. 190
  • 191. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Inverted Vision
  • 192. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Culture and Perception 192
  • 193. Half the class close your eyes while the other half looks at an image: CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Perceptual Set A mental predisposition to perceive one thing and not another. What you see in the center picture is influenced by flanking pictures. 193
  • 194. Other examples of perceptual set. CNS Ignoring Light The Eye Seeing Taste/Smell (c) Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Perceptual Set 194 (a)Loch ness monster or a tree trunk; (b)Flying saucers or clouds? (c) The face on mars because of perceptual schema
  • 195. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Eye & Mouth Schemas 195
  • 196. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Eye & Mouth Schemas 196
  • 197. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Motivation and Emotion influence Perception •Walking destinations look farther way when fatigued •Hills look steeper when carrying a heavy backpack •Targets seem father away when throwing a heavy object •When you are driving you hate pedestrians, when you are a pedestrian you hate drivers 197 If you are rewarded for seeing a farm animal, you will see a farm animal
  • 198. Learning Goal: 1. What does research on sensory deprivation and restored vision reveal about the effects of experience on perception? 2. How adaptable is our ability to perceive? 3. How do our expectations, contexts and emotions influence our perceptions? 198 Rating Student Evidence 4.0 Expert I can teach someone else about the components of perceptual interpretation In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze the components of perceptual interpretation, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with components of perceptual interpretatio, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 199. Human Factors and ESP • Learning Goals: – Students should be able to answer the following: 1. What are human factors? 2. What are the claims of ESP, and what have most research psychologists concluded after putting these claims to the test? 199 Rating Student Evidence 4.0 Expert I can teach someone else about human factors and the claims of ESP. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze human factors and the claims of ESP, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with human factors and the claims of ESP, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 200. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions What are Human Factors? •Human factors/ergonomics- is the study of how to make machines and objects interface better with humans based on perception. •Examples: • Car Stereo Controls • Oven/Stove Knobs 200
  • 201. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions More Human Factors 201
  • 202. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Is There Extrasensory Perception? • Perception without sensory input is called extrasensory perception (ESP). • 98% of scientists do not believe in ESP. • According to a survey conducted in 2007 50% of Americans acknowledge some kind of belief in ESP. • 65% of those surveyed stated that they have never used a psychic or medium. 202
  • 203. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Claims of ESP Paranormal phenomena include astrological predictions, psychic healing, communication with the dead, and out-of-body experiences, but most relevant are telepathy, clairvoyance, and precognition. 203
  • 204. CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions Testable Claims of ESP? 1. Telepathy: Mind-to-mind communication. One person sending thoughts and the other receiving them. 2. Clairvoyance: Perception of remote events, such as sensing a friend’s house on fire. 3. Precognition: Perceiving future events, such as a political leader’s death. 204 “Visions of psychics that help the police solve crimes are no more accurate than guesses” None of these claims have been reproducible in a laboratory setting
  • 205. Learning Goal: 1. What are human factors? 2. What are the claims of ESP, and what have most research psychologists concluded after putting these claims to the test? 205 Rating Student Evidence 4.0 Expert I can teach someone else about human factors and the claims of ESP. In addition to 3.0 , I can demonstrate applications and inferences beyond what was taught 3.0 Proficient I can analyze human factors and the claims of ESP, and compare/contrast the Aspects of the learning goal. 2.0 Developing I can identify terms associated with human factors and the claims of ESP, but need to review this concept more. 1.0 Beginning I don’t understand this concept and need help!
  • 207. • Leave the classroom and find real-world examples for at least three of the monocular depth cues listed below. DRAW your examples and be prepared to share. Be back in 5 minutes. 1. Linear perspective 2. Relative size 3. Overlap 4. Aerial perspective 5. Overlap CNS Ignoring Light The Eye Seeing Taste/Smell Sound The Ear Touch/Pain Movement Perception Gestalt Depth cues Illusions

Notes de l'éditeur

  1. Sensation is the activation of receptors located in the eyes, ears, skin, nasal cavities, and tongue. Sensation is the process by which we detect physical energy from our environment and encode it as neural signals. Sensory receptors are specialized forms of neurons that are activated by different stimuli such as light and sound.
  2. Perception is the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events.
  3. Bottom-up processing is analysis that begins with the sense receptors and works up to the brain’s integration of sensory information. Perception is the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events. Top-down processing is information processing guided by our experience and expectations.
  4. The forest has eyes
  5. Dalmatian Dog
  6. Hidden Cow
  7. Hidden Cow
  8. Shadow Face
  9. Shadow Face
  10. Selective attention means that at any moment, awareness focuses on only a limited aspect of all that we experience. When talking on the phone while driving, our selective attention shifts back and forth from the road to the phone. The process of shifting attentional gears can entail a fatal delay in coping. One analysis of phone records for the moments before a car crash found cellphone users were four times more at risk.
  11. elective attention limits our perception, as many stimuli will pass by unno- ticed. This lack of awareness is evident in studies of inattentional blindness. Forms of this include change blindness, choice blindness, and even choice-blindness blindness. Selective attention even extends to our sleep when we are oblivious to most but not all of what is happening around us. he cocktail party effect refers to our ability to attend to only one voice among many.
  12. The task of each sense is to receive stimulus energy, transform it into neural signals, and send those neural messages to the brain. In vision, light waves are converted into neural impulses by the retina; after being coded, these impulses travel up the optic nerve to the brain’s visual cortex, where they are interpreted.
  13. When the name and the ink colour are different, most people slow down. When you try to say the ink colour, you cannot avoid reading the word. If the two bits of information conflict, your brain struggles to work out what the correct answer is, and it takes longer. This test is very sensitive to subtle changes in brain function. Lack of sleep, fatigue, minor brain injury and high altitudes will all increase the time it takes to do the test. The test has even been used on Everest expeditions to see how altitudes are affecting different people.
  14. In studying the relationship between physical energy and psychological experience, researchers in psychophysics identified an absolute threshold as the minimum stimulation needed to detect a particular stimulus 50 percent of the time. Signal detection theory predicts how and when we detect the presence of a faint stimulus, assuming that our individual absolute thresholds vary with our experiences, expectations, motivation, and level of fatigue.
  15. Signal detection theory predicts how and when we detect the presence of a faint stimulus, assuming that our individual absolute thresholds vary with our experiences, expectations, motivation, and level of fatigue.
  16. A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law. The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
  17. A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law. The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
  18. A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law. The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
  19. A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law. The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
  20. Sensory adaptation refers to diminished sensitivity as a consequence of constant stimulation. Constant, unchanging images on the eye’s inner surface fade and then reappear. The phenomenon of sensory adaptation enables us to focus our attention on informative changes in our environment without being distracted by uninformative background stimulation.
  21. Sensory adaptation refers to diminished sensitivity as a consequence of constant stimulation. Constant, unchanging images on the eye’s inner surface fade and then reappear. The phenomenon of sensory adaptation enables us to focus our attention on informative changes in our environment without being distracted by uninformative background stimulation.
  22. 1, D 2, C
  23. We all have the ability to convert one sort of energy to another. Our eyes, for example, receive light energy and transduce (transform) it into neural messages that our brain then processes into what we consciously see. The energies we experience as visible light are a thin slice from the broad spectrum of electromagnetic energy. Our sensory experience of light is determined largely by the light energy’s wavelength, which determines the hue of a color, and its intensity, which influences brightness.
  24. The retina’s rods and cones (most of which are clustered around the fovea) transform the light energy into neural signals. These signals activate the neighboring bipolar cells, which in turn acti- vate the neighboring ganglion cells, whose axons converge to form the optic nerve that carries information via the thalamus to the brain. Where the optic nerve leaves the eye, there are no receptor cells—creating a blind spot. The cones, which are located mostly in the fovea, enable vision of color and fine detail. The rods enable black-and-white vision, remain sensitive in dim light, and are necessary for peripheral vision.
  25. Subdimensions of vision (color, movement, depth, and form) are processed by neural teams work- ing separately and simultaneously, illustrating our brain’s capacity for parallel processing. Other teams collaborate in integrating the results, comparing them with stored information and enabling perceptions. This contrasts sharply with the step-by-step serial processing of most computers and of conscious problem solving. Some people who have lost part of their visual cortex experience blindsight.
  26. We process information at progressively more abstract levels. The information from the retina’s 130 million rods and cones is received and transmitted by the million or so ganglion cells whose axons make up the optic nerve. When individual ganglion cells register information in their region of the visual field, they send signals to the occipital lobe’s visual cortex. In the cortex, individual neurons (feature detectors) respond to specific features of a visual stimulus. The visual cortex passes this information along to other areas of the cortex where teams of cells (supercell clusters) respond to more complex patterns.
  27. We process information at progressively more abstract levels. The information from the retina’s 130 million rods and cones is received and transmitted by the million or so ganglion cells whose axons make up the optic nerve. When individual ganglion cells register information in their region of the visual field, they send signals to the occipital lobe’s visual cortex. In the cortex, individual neurons (feature detectors) respond to specific features of a visual stimulus. The visual cortex passes this information along to other areas of the cortex where teams of cells (supercell clusters) respond to more complex patterns.
  28. The Young-Helmholtz trichromatic (three-color) theory states that the retina has three types of color receptors, each especially sensitive to red, green, or blue. When we stimulate combinations of these cones, we see other colors. For example, when both red- and green-sensitive cones are stimulated, we see yellow. Hering’s opponent-process theory states that there are two additional color processes, one respon- sible for red versus green perception and one for yellow versus blue plus a third black versus white process. Subsequent research has confirmed that after leaving the receptor cells, visual informa- tion is analyzed in terms of the opponent colors red and green, blue and yellow, and also black and white. Thus, in the retina and in the thalamus, some neurons are turned “on” by red, but turned “off ” by green. Others are turned on by green but off by red. These opponent processes help explain afterimages.
  29. The Young-Helmholtz trichromatic (three-color) theory states that the retina has three types of color receptors, each especially sensitive to red, green, or blue. When we stimulate combinations of these cones, we see other colors. For example, when both red- and green-sensitive cones are stimulated, we see yellow. Hering’s opponent-process theory states that there are two additional color processes, one respon- sible for red versus green perception and one for yellow versus blue plus a third black versus white process. Subsequent research has confirmed that after leaving the receptor cells, visual informa- tion is analyzed in terms of the opponent colors red and green, blue and yellow, and also black and white. Thus, in the retina and in the thalamus, some neurons are turned “on” by red, but turned “off ” by green. Others are turned on by green but off by red. These opponent processes help explain afterimages.
  30. Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not. Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
  31. Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not. Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
  32. Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not. Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
  33. Sound has three aspects: pitch (frequency), loudness, and timbre (purity). Our sense of hearing, the auditory system, is activated by the vibrations of molecules in the air that surrounds us. These vibrations are called sound waves, and like light waves, we respond to three features of sound waves. Pitch corresponds to the frequency of the wave,
  34. The visible outer ear channels the sound waves through the auditory canal to the eardrum, a tight membrane that vibrates with the waves. Transmitted via the bones of the middle ear (the hammer, anvil, and stirrup) to the fluid-filled cochlea in the inner ear, these vibrations cause the oval window to vibrate, causing ripples in the basilar membrane, which bends the hair cells that line its surface. This movement triggers neural messages to be sent (via the thalamus) to the temporal lobe’s auditory cortex. Damage to the hair cells accounts for most hearing loss.
  35. Place theory presumes that we hear different pitches because different sound waves trigger activity at different places along the cochlea’s basilar membrane. Thus, the brain can determine a sound’s pitch by recognizing the place on the membrane from which it receives neural signals. Frequency theory states that the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch. The volley principle explains hearing sounds with frequencies above 1000 waves per second. Place theory best explains how we sense high-pitched sounds, and frequency theory best explains how we sense low-pitched sounds. Some combination of the two theories explains sounds in between.
  36. Sound waves strike one ear sooner and more intensely than the other ear. We localize sounds by detecting the minute differences in the intensity and timing of the sounds received by each each
  37. Problems with the mechanical system that conducts sound waves to the cochlea cause conduction hearing loss. If the eardrum is punctured or if the tiny bones of the middle ear lose their ability to vibrate, the ear’s ability to conduct vibrations diminishes. Damage to the cochlea’s hair cell recep- tors or their associated nerves can cause the more common sensorineural hearing loss. Once destroyed, these tissues remain dead. Disease, biological changes linked with aging, or prolonged exposure to ear-splitting noise or music may cause sensorineural hearing loss. Those who live with hearing loss face social challenges. Cochlear implants are wired into various sites on the auditory nerve, allowing them to transmit electrical impulses to the brain. They help children to become proficient in oral communication. The latest cochlear implants also can help restore hearing for most adults. Deaf culture advocates object to using the implants on children who were deaf before developing language. They note that deafness is not a disability because sign is a complete language. Some also argue that sensory compensation, which enhances other senses, gives deaf people advantages that the hearing do not have.
  38. Conduction hearing impairment is caused by damage to the outer or middle ear structures, whereas nerve hearing impairment is caused by damage to the inner ear or auditory pathways in the brain.
  39. Conduction hearing impairment is caused by damage to the outer or middle ear structures, whereas nerve hearing impairment is caused by damage to the inner ear or auditory pathways in the brain.
  40. Our sense of touch is actually four senses—pressure, warmth, cold, and pain—that combine to produce other sensations, such as “hot.” There is no simple relationship between what we feel and the type of specialized nerve ending found there. Only pressure has identifiable receptors.
  41. The rubber-hand illusion illustrates how touch is not only a bottom-up property of our senses but also a top-down product of our brain and expectations.
  42. The rubber-hand illusion illustrates how touch is not only a bottom-up property of our senses but also a top-down product of our brain and expectations.
  43. Kinesthesis is the system for sensing the position and movement of individual body parts. Sensors in the tendons, joints, bones, and ears as well as skin sensors are continually providing our brain with information. A companion vestibular sense monitors the head’s (and thus the body’s) position and movement. The biological gyroscopes for this sense of equilibrium are in the semicircular canals and vestibular sacs in the inner ear.
  44. Pain is an alarm system that draws our attention to some physical problem. Without the ability to experience pain, people may die before early adulthood. There is no one type of stimulus that trig- gers pain, and there are no special receptors for pain. Instead there are different nociceptors— sensory receptors that detect hurtful temperatures, pressure, or chemicals. The gate-control theory of pain is that small fibers in the spinal cord open a “gate” to permit pain signals to travel up to the brain, or large fibers close the “gate” to prevent their passage. The biopsychosocial approach views pain not only as a product of biological influences, for example, of injured nerves sending impulses to the brain, but also as a result of psychological influences such as our expectations, and social influences such as the presence of others. Pain is con- trolled through a combination of medical and psychological treatments.
  45. Pain is an alarm system that draws our attention to some physical problem. Without the ability to experience pain, people may die before early adulthood. There is no one type of stimulus that trig- gers pain, and there are no special receptors for pain. Instead there are different nociceptors— sensory receptors that detect hurtful temperatures, pressure, or chemicals. The gate-control theory of pain is that small fibers in the spinal cord open a “gate” to permit pain signals to travel up to the brain, or large fibers close the “gate” to prevent their passage. The biopsychosocial approach views pain not only as a product of biological influences, for example, of injured nerves sending impulses to the brain, but also as a result of psychological influences such as our expectations, and social influences such as the presence of others. Pain is con- trolled through a combination of medical and psychological treatments.
  46. Taste, a chemical sense, is a composite of sweet, sour, salty, bitter, and umami sensations and of the aromas that interact with information from the taste buds. Taste buds on the top and sides of the tongue contain taste receptor cells, which send information to an area of the brain’s temporal lobe. Taste receptors reproduce themselves every week or two. As we grow older, the number of taste buds and taste sensitivity decrease.
  47. Smell (olfaction) is also a chemical sense, but without any basic sensations. The 5 million or more olfactory receptor cells, with their approximately 350 different receptor proteins, recognize individual odor molecules, with some odors triggering a combination of receptors. The receptor cells send messages to the olfactory lobe, then to the temporal lobe and to parts of the limbic system. An odor’s ability to spontaneously evoke memories is due in part to the close connections between brain areas that process smell and those involved in memory storage.
  48. Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
  49. Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
  50. Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
  51. Figure–ground relationships refer to the tendency to perceive objects, or figures as existing, on some background. Because of our tendency to perceive figure and ground, simple figures like the Necker cube are visually ambiguous. Adding texture provides depth cues, thereby disrupting the illusion.
  52. Figure–ground relationships refer to the tendency to perceive objects, or figures as existing, on some background. Because of our tendency to perceive figure and ground, simple figures like the Necker cube are visually ambiguous. Adding texture provides depth cues, thereby disrupting the illusion.
  53. Proximity is the tendency to perceive objects that are close to one another as part of the same grouping.
  54. Proximity is the tendency to perceive objects that are close to one another as part of the same grouping.
  55. Similarity refers to the tendency to perceive things that look similar as being part of the same group. This is one reason why sports teams wear uniforms that are all the same color—it allows people viewing the game to perceive them as one group even when they are scattered around the field or court.
  56. Closure is the tendency to complete figures that are incomplete.
  57. Continuity refers to the tendency to perceive things as simply as possible with a continuous pattern rather than with a complex, broken-up pattern.
  58. Contiguity is the tendency to perceive two things that happen close together in time as being related. Usually the first occurring event is seen as causing the second event.
  59. Extras: law of common fate - a Gestalt principle of organization holding that aspects of perceptual field that move or function in a similar manner will be perceived as a unit Law of Pragnanz-The most general Gestalt principle, which states that the simplest organization, requiring the least cognitive effort, will emerge as the figure.
  60. OBJECTIVE 5| Explain the importance of depth perception, and discuss the contribution of visual cliff research to our understanding of this ability.
  61. OBJECTIVE 5| Explain the importance of depth perception, and discuss the contribution of visual cliff research to our understanding of this ability.
  62. OBJECTIVE 6| Describe two binocular cues for perceiving depth, and explain how they help the brain to compute distance.
  63. Dinosaur
  64. Psychology
  65. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  66. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  67. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  68. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  69. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  70. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  71. OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
  72. OBJECTIVE 8| State the basic assumption we make in our perceptions of motion, and explain how these perceptions can be deceiving.
  73. OBJECTIVE 9| Explain the importance of perceptual constancy.
  74. OBJECTIVE 10| Describe the shape and size constancy, and explain how our expectations about perceived size and distance to some visual illusions.
  75. OBJECTIVE 11| Discuss lightness constancy and its similarity to color constancy.
  76. OBJECTIVE 2| Explain how illusions help us understand some of the ways we organize stimuli into meaningful perceptions.
  77. Human perception is remarkably adaptable. Given glasses that shift the world slightly to the left or right, or even turn it upside down, people manage to adapt their movements and, with practice, to move about with ease.
  78. Human perception is remarkably adaptable. Given glasses that shift the world slightly to the left or right, or even turn it upside down, people manage to adapt their movements and, with practice, to move about with ease.
  79. OBJECTIVE 14| Define perceptual set, and explain how it influences what we do or do not perceive. Right half the class should close their eyes and the left half of the class should see the saxophonist for about 20 seconds. Then the left half of the class should close the eyes and the right half should see the woman’s face. All of them should then write their responses while watching the middle picture. Responses are compared to show perceptual set.
  80. Clear evidence that perception is influenced by our experiences—our learned assumptions and beliefs—as well as by sensory input comes from the many demonstrations of perceptual set, a mental predisposition to perceive one thing and not another. Through experience, we also form concepts, or schemas, which organize and interpret unfamiliar information, a fact that helps explain why some of us “see” monsters, faces, and UFOs that others do not.
  81. Portrait artists understood the importance of this recognition and therefore centered an eye in their paintings.
  82. Portrait artists understood the importance of this recognition and therefore centered an eye in their paintings.
  83. OBJECTIVE 17| Identify the three most testable forms of ESP, and explain why most research psychologists remain, skeptical of ESP.