2. Sensing Our World
• Learning Goals:
– Students should be able to answer the following:
1. What are sensation and perception?
2. What do we mean by bottom-up and top-down processing?
3. How are we affected by selective attention?
2
Rating Student Evidence
4.0
Expert
I can teach someone else about, sensation and
perception, dual processing and selective
attention. In addition to 3.0 , I can demonstrate
applications and inferences beyond what was
taught
3.0
Proficient
I can analyze sensation and perception, dual
processing and selective attention, and
compare/contrast the Aspects of the learning
goal.
2.0
Developing
I can identify terms associated sensation and
perception, dual processing and selective
attention), but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
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Activation of
receptors in
various sense
organs
4. Method
by
which
sensations
are
organized
and
interpreted
e r c e p t i o n
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Sensation vs. Perception
• Bottom-Up Processing
• Using small components and
building up
• Top-Down Processing
• Using the larger components and
breaking down (guided by
experience and expectations)
5
Aoccdrnig to rscheearch at
Cmabrigde Uinervtstiy, it deosn't
mttaer in waht oredr the ltteers in a
wrod are, the olny iprmoetnt tihng is
taht the frist and lsat ltteer be at the
rghit pclae.We raed the wrod as a
wlohe.
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Bottom-Up Processing
• Also called feature
analysis.
• We use the
features on the
object itself to
build a perception.
• Takes longer than
top-down but is
more accurate.
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Top-Down Processing
• We perceive by filling
the gaps in what we
sense.
• I _ant ch_co_ate ic_
cr_am.
• Based on our
experiences and
schemas.
• If you see many old
men in glasses, you are
more apt to process a
picture of an old man
(even when you may be
in error).
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He’s Back…
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Top Down vs. Bottom Up
9
10. CNS Ignoring Light The Eye Seeing
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Top Down vs. Bottom Up Processing
10
11. CNS Ignoring Light The Eye Seeing
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Top Down vs. Bottom Up Processing
11
12. CNS Ignoring Light The Eye Seeing
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Top Down vs. Bottom Up Processing
12
13. CNS Ignoring Light The Eye Seeing
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Top Down vs. Bottom Up Processing
13
14. CNS Ignoring Light The Eye Seeing
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Top Down vs. Bottom Up Processing
14
15. Selective Attention (11 million/40 ratio)
Selective attention- the focusing of conscious
awareness on a particular stimulus.
Perceptions about objects change from moment to
moment. We can perceive different forms of the
Necker cube; however, we can only pay attention
to one aspect of the object at a time.
CNS Ignoring Light The Eye Seeing
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ACCIDENTS
80% of crashes involve driver
distraction
Calling on a cell phone-
4x more at risk
Talking to a person in the car-
1.6x more at risk
Texting-
23x more at risk
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15
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16
Selective Attention
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Inattentional Blindness
• Inattentional blindness-failing to
see visible objects when our
attention is directed elsewhere.
• Simmons & Chabris (1999) showed
that half of the observers failed to
see the gorilla-suited assistant in a
ball passing game
• 50% of people don’t notice
• Cocktail Party Effect
– Ability to attend to one voice at
a party or restaurant
17
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18
Awareness Test
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Change Blindness
Change blindness-failing to notice changes in the environment
This is a form of inattentional blindness in which two-thirds of
individuals giving directions failed to notice a change in the
individual asking for directions.
(Change Deafness also occurs on the phone- 40% of people failed to
notice a change in the voice)
19
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Change Blindness
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Sensation-to-Perception Process
21
Transduction-conversion of one form of
energy into another.
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Psychophysics
Psychophysics-the study of relationships between the
physical characteristics of stimuli, such as their
intensity, and our psychological experience of them.
22
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Stroop Effect
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Section 1: Test Your Knowledge
Which of the following terms best explains why you
didn‘t hear your Mom tell you to take out the trash
while you were intensely watching the World Series
game on TV?
A)Change Blindness
B)Selective Attention
C)Selective Hearing
D)Choice Blindness
25. Learning Goals:
1. What are sensation and perception?
2. What do we mean by bottom-up and top-down processing?
3. How are we affected by selective attention?
25
Rating Student Evidence
4.0
Expert
I can teach someone else about, sensation and
perception, dual processing and selective
attention. In addition to 3.0 , I can demonstrate
applications and inferences beyond what was
taught
3.0
Proficient
I can analyze sensation and perception, dual
processing and selective attention, and
compare/contrast the Aspects of the learning
goal.
2.0
Developing
I can identify terms associated sensation and
perception, dual processing and selective
attention), but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
26. • Learning Goals: Thresholds
– Students should be able to answer the following:
1. What are absolute and difference thresholds, and do stimuli below the absolute
threshold have any influence?
2. What is the function of sensory adaption?
26
Rating Student Evidence
4.0
Expert
I can teach someone else about absolute thresholds
and the function of sensory adaptation. In addition to
3.0 , I can demonstrate applications and inferences
beyond what was taught
3.0
Proficient
I can analyze about absolute thresholds and the
function of sensory adaptation, and compare/contrast
the Aspects of the learning goal.
2.0
Developing
I can identify terms associated with absolute
thresholds and the function of sensory adaptation, but
need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
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Sensory Thresholds
• Absolute Threshold
– The minimum stimulation needed to detect a stimuli
(50% of the time)
– Examples of Absolute Thresholds
• Vision: Light from a candle 30 miles away on a
dark night
• Hearing: Ticking of a watch from 20 feet away
• Smell: One drop of perfume in a small
apartment
• Taste: One teaspoon of sugar in 2 gallons of
water
• Touch: The wing of a fly on your cheek from .4
inch away
27
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Signal Detection Theory
Signal detection theory-predicts how and when we
detect the presence of a faint stimulus, assuming
that our individual absolute thresholds vary with
our experiences, expectations, motivation, and level
of fatigue.
•Hit or miss in detection of stimuli when we are
uncertain
•Ability to detect stimuli based on:
• Person’s experience
• Expectations
• Motivation
• Level of Fatigue
• States that fear increases your sensitivity to even
small pain because of the anticipation of pain
28
You
Recognize it
You Miss it
STIMULUS
PRESENT
Hit Miss
STIMULUS
NOT
PRESENT
False
Alarm
Correct
Rejection
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Sensory Thresholds
• Difference Threshold
– Minimum difference between two stimuli required for
detection 50% of the time
– Also called Just Noticeable Differences
– Weber’s Law: Two stimuli must differ by a constant
minimum percentage in order to be noticed (revised by
Fetchner)
• In other words- it must be out of
proportion
• Example: Lights must differ in intensity
by 8%
• Another way to look at it: 1$ makes a
difference to 10$, but not to 1000$. (its
proportional)
29
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Sensory Thresholds
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Sensory Thresholds
• Subliminal Messages
– Info processed just below surface of
thresholds can influence minor decision
making
– Drink more Coke” & “Eat more Popcorn”
– Conclusion: subliminal adverting does not
work direct but much of our information
processing occurs automatically, out of sight
and off the radar of our conscious mind
31
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Subliminal Messages (disclaimer)
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Sensory Adaptation
• Our diminishing sensitive to unchanging stimulus
• Keep things novel, so we pay attention
• Examples
– you blast your music in the car, but fail to notice how
loud it is
– Jumping into a pool seems cold at first, but you
eventually get comfortable
33
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Sensory Adaptation
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Section 2: Test Your Knowledge
1. Danny sometimes mistakenly hears his mom call him from the other
room of their house. What term would be used to explain this
phenomenon?
A. Sensory Adaptation
B. Weber’s Law
C. Selective Hearing
D. Signal Detection Theory
2. A person with normal vision being able to see a candle flame 30 miles
away on a clear dark night is an example of:
A. Difference Threshold
B. Signal Detection Theory
C. Absolute Threshold
D. Sensory Adaptation
35
36. Learning Goal:
1. What are absolute and difference thresholds, and do stimuli below the
absolute threshold have any influence?
2. What is the function of sensory adaption?
36
Rating Student Evidence
4.0
Expert
I can teach someone else about absolute thresholds
and the function of sensory adaptation. In addition to
3.0 , I can demonstrate applications and inferences
beyond what was taught
3.0
Proficient
I can analyze about absolute thresholds and the
function of sensory adaptation, and compare/contrast
the Aspects of the learning goal.
2.0
Developing
I can identify terms associated with absolute
thresholds and the function of sensory adaptation, but
need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
37. Vision 1
• Learning Goals:
– Students should be able to answer the following:
1. What is the energy that we see as visible light?
2. How does the eye transform light energy intro neural messages?
37
Rating Student Evidence
4.0
Expert
I can teach someone else about how we see energy as
visible light and how transduction occurs in the eye. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about how we see energy as visible light and
how transduction occurs in the eye and compare/contrast
the Aspects of the learning goal.
2.0
Developing
I can identify terms associated about how we see energy
as visible light and how transduction occurs in the eye,
but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
38. CNS Ignoring Light The Eye Seeing
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Vision & Energy
• Light Characteristics
1. Hue (color)
– the dimension of color determined by the
wavelength of the light
2. Wavelength
– Different wavelengths of light
3. Intensity
– Amount of energy in a wave determined by
amplitude. It is related to brightness
38
39. CNS Ignoring Light The Eye Seeing
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40. CNS Ignoring Light The Eye Seeing
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41. CNS Ignoring Light The Eye Seeing
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The Structure of the Eye
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The Structure of the Eye
Cornea = outer covering of the eye.
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The Structure of the Eye
Pupil = the adjustable opening in the center of the eye through
which light enters.
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The Structure of the Eye
Iris = a ring of muscle tissue that forms the colored portion of the
eye around the pupil and controls the size of the pupil opening.
• The iris dilates/constricts in response to changing light intensity
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The Structure of the Eye
Lens = the transparent structure behind the pupil that changes
shape to help focus images on the retina.
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The Structure of the Eye
Retina = the light-sensitive inner surface of the eye, containing the receptor
rods and cones plus layers of neurons that begin the processing of visual
information.
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48. CNS Ignoring Light The Eye Seeing
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The Structure of the Eye
Blind Spot = the point at which the optic nerve leaves the eye,
creating a “blind” spot because no receptor cells are located there.
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The Structure of the Eye
Fovea = the central focal point in the retina, around which the
eye’s cones cluster.
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The Structure of the Eye
Optic Nerve = the nerve that carries neural impulses from the eye
to the brain.
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Foveal Vision
51
52. CNS Ignoring Light The Eye Seeing
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Crash Course Vision
52
53. Learning Goal:
1. What is the energy that we see as visible light?
2. How does the eye transform light energy intro neural messages?
53
Rating Student Evidence
4.0
Expert
I can teach someone else about how we see energy as
visible light and how transduction occurs in the eye. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about how we see energy as visible light and
how transduction occurs in the eye and compare/contrast
the Aspects of the learning goal.
2.0
Developing
I can identify terms associated about how we see energy
as visible light and how transduction occurs in the eye,
but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
54. Vision 2
• Learning Goals:
– Students should be able to answer the following:
1. How does the brain process visual information?
2. What theories help us understand color vision?
54
Rating Student Evidence
4.0
Expert
I can teach someone else about the theories of
color vision In addition to 3.0 , I can demonstrate
applications and inferences beyond what was
taught
3.0
Proficient
I can analyze the theories of color vision, and
compare/contrast the Aspects of the learning
goal.
2.0
Developing
I can identify terms associated the theories of
color vision, but need to review this concept
more.
1.0
Beginning
I don’t understand this concept and need help!
55. CNS Ignoring Light The Eye Seeing
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Parallel Processing in the Brain
• Parallel Processing
– We process several aspects of stimulus simultaneously
– Synchronized Brain Waves
• The brain divides a visual scene into subdivisions such as color,
depth, form and movement all at once
55
56. CNS Ignoring Light The Eye Seeing
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• Feature Detectors-nerve cells in the
brain that respond to specific
features of the stimulus, such as
shape, angle, or movement.
56
Hubel & Wiesel’s Experiment
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57
Hubel & Wiesel’s Experiment
58. Visual Information Processing
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59. CNS Ignoring Light The Eye Seeing
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Color Vision Theories
•Trichromatic (Young-Helmholtz)
• Because the retina contains three color
sensors (R, B, G) our brain combines
information to see various colors
• This helps to explain color blindness
59
•Most colorblind people simply
lack cone receptor cells for one
or more of these primary colors.
60. CNS Ignoring Light The Eye Seeing
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Colorblind Tests
61. CNS Ignoring Light The Eye Seeing
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Color Vision Theories
•Opponent Processing
•Hering proposed that we process colors in
the receptor cells in the retina and thalamus
that can be over stimulated to see afterimages
• Red - Green
• Blue - Yellow
• Black- White
61
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Opponent-Process theory
The sensory
receptors come in
pairs.
• Red/Green
• Yellow/Blue
• Black/White
• If one color is
stimulated, the
other is inhibited.
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Afterimages
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After image
65. CNS Ignoring Light The Eye Seeing
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69. CNS Ignoring Light The Eye Seeing
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Opponent-Process Theory Demo 1
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Opponent-Process Theory Demo 2
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Opponent-Process Theory Demo 3
73. Trichromats - People who have
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Different Forms of Color Blindness
73
normal color vision.
Dichromats - People who are blind
to either red-green (most common)
or yellow-blue.
Monochromats - People who are
totally color blind. (Rare)
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Section 4: Test Your Knowledge
1. Where does transduction take place concerning vision?
(A) The Pupil
(B) The Retina
(C) The Thalamus
(D) The Occipital Lobe
2. Which theory of color BEST explains color blindness?
(A) Opponent Processing
(B) Wavelength Theory
(C) Place Theory
(D) Trichromatic Theory
74
75. Learning Goal:
1. How does the brain process visual information?
2. What theories help us understand color vision?
75
Rating Student Evidence
4.0
Expert
I can teach someone else about the theories of
color vision In addition to 3.0 , I can demonstrate
applications and inferences beyond what was
taught
3.0
Proficient
I can analyze the theories of color vision, and
compare/contrast the Aspects of the learning
goal.
2.0
Developing
I can identify terms associated the theories of
color vision, but need to review this concept
more.
1.0
Beginning
I don’t understand this concept and need help!
76. Hearing
• Learning Goals:
– Students should be able to answer the following:
1. How does the ear transform sound energy into neural messages?
2. What theories help us understand pitch perception?
3. How do we locate sounds?
4. What are the common causes of hearing loss, and why does controversy surround cochlear
implants?
76
Rating Student Evidence
4.0
Expert
I can teach someone else about hearing, pitch perception,
sound localization and common causes of hearing loss. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about hearing, pitch perception, sound
localization and common causes of hearing loss and
compare/contrast the Aspects of the learning goal.
2.0
Developing
I can identify terms associated about hearing, pitch
perception, sound localization and common causes of
hearing loss, but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
77. CNS Ignoring Light The Eye Seeing
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The Stimulus Input:
Sound Waves
• Audition- the sense or act of hearing
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Psychological Properties of Sound
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Psychological Properties of Sound
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Psychological Properties of Sound
Timbre: Richness in the tone of the sound
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Hearing: Parts of the Ear
81
EAR PARTS
Outer Ear: Pinna. Collects sounds.
Middle Ear: Chamber between eardrum
and cochlea containing three tiny bones
(hammer, anvil, stirrup) that
concentrate the vibrations of the
eardrum on the cochlea’s oval window.
Inner Ear: Innermost part of the ear,
containing the cochlea, semicircular
canals, and vestibular sacs.
HEARING BY AGE
20,000 Hz- 18 & younger
17,000 Hz- 24 & younger
16,000 Hz- 30 & younger
15,000 Hz- 39 & younger
14,000 Hz- 49 & younger
12,000 Hz- 55 & younger
10,000 Hz- 60 & younger
8,000 Hz- Everyone
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Transduction in the ear
• Sound waves hit the eardrum then anvil
then hammer then stirrup then oval
window.
• Everything is just vibrating.
• Then the cochlea vibrates.
• The cochlea is lined with mucus called
basilar membrane.
• In basilar membrane there are hair
cells.
• When hair cells vibrate they turn
vibrations into neural impulses which are
called organ of Corti.
• Sent then to thalamus up auditory
nerve. It is all about the vibrations!!!
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The Ear
The ear is divided into the outer, middle and inner ear.
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The Ear
The sound waves travel down the auditory canal to the eardrum.
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The Ear
Eardrum = tight membrane that vibrates when struck by sound
waves.
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The Ear
Eardrum
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Bones of the middle ear = the hammer, anvil, stirrup which vibrate
with the eardrum.
88. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Hammer
89. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Anvil
90. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Stirrup
91. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Oval window = where the stirrup connects to the cochlea.
92. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Cochlea = a coiled, body, fluid-filled tube in the inner ear through
which sound waves trigger nerve impulses.
93. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Oval Window
94. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Cochlea
95. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Fluid in the cochlea
96. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Hair cells in the cochlea
97. CNS Ignoring Light The Eye Seeing
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Illusions
The Ear
Auditory nerve = nerve which sends the auditory message to the
brain via the thalamus.
98. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Nerve fibers
99. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Ear
Auditory nerve
100. CNS Ignoring Light The Eye Seeing
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Illusions
The Ear
Neural impulse travels to the auditory cortex in the brain.
101. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Theories of Hearing
• Place Theory
– Different pitches are heard at different places in the
cochlea’s basilar membrane
• Frequency Theory
– The rate of sounds matches the rate traveling up the
auditory nerve matches the frequency of a tone, thus
enabling us to sense its pitch
101
102. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Sound Localization
• We hear from two ears that are located on either side of our
head.
• One ear will pick up the sound .000027 times faster than the
other to help us find the sound.
102
103. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Hearing Loss
• Conduction Hearing Loss
– Mechanical damage to tiny bones or
eardrum
– Can be improved by use of hearing aid
• Sensorineural Hearing Loss
– Most common type of deafness
– Nerve deafness due to damage in cochlea
or auditory nerve
– Sometimes can be fixed by cochlear
implant
103
104. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Coclear Implant
105. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Coclear Implant
106. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Section 5: Test Your Knowledge
1. The general function of the bones in the middle ear is to:
(A) Convert the incoming sound from pounds per
square inch to decibels.
(B) Protect the cochlea
(C) Transfer sound information from the tympanic
membrane to the oval window
(D) Provide information to the vestibular system
1. _____ are the receptor cells for audition and ______ are receptor cells for
vision.
(A) Olfactory cells; rods & cones
(B) Taste buds; hair cells
(C) Hair cells; rods & cones
(D) Proprioceptors; rods & cones
106
107. Learning Goal:
1. How does the ear transform sound energy into neural messages?
2. What theories help us understand pitch perception?
3. How do we locate sounds?
4. What are the common causes of hearing loss, and why does controversy surround
cochlear implants?
107
Rating Student Evidence
4.0
Expert
I can teach someone else about hearing, pitch perception,
sound localization and common causes of hearing loss. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about hearing, pitch perception, sound
localization and common causes of hearing loss and
compare/contrast the Aspects of the learning goal.
2.0
Developing
I can identify terms associated about hearing, pitch
perception, sound localization and common causes of
hearing loss, but need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
108. Other Senses Part 1: Pain
• Learning Goals:
– Students should be able to answer the following:
1. How de we sense touch and sense our body’s position and movement? How do
we experience pain?
108
Rating Student Evidence
4.0
Expert
I can teach someone else about our body’s position
and movement; as well as the sensation of pain. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about our body’s position and
movement; as well as the sensation of painand
compare/contrast the Aspects of the learning goal.
2.0
Developing
I can identify terms associated with our body’s position
and movement; as well as the sensation of pain, but
need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
109. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Touch
• Receptors located in our
skin.
• Our sense of touch is
actually four senses—
pressure, warmth, cold,
and pain-that combine
to produce other
sensations, such as
“hot.”
110. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Rubberhand Illusion
Illustrates that touch is not only a bottom-up
property of your senses but also a top-down
product of your brain and expectations.
111. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Rubberhand Illusion
112. CNS Ignoring Light The Eye Seeing
Taste/Smell
What do you
think this person
feels?
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Fun Facts: Touch Receptors
•Touch Senses
• Different pathways for
warm/cold
• Touching cold and pressure
spots yields a wet sensation.
• Touching warm and cold
together yields a hot sensation
• Gently stroking of a painful
spot produces an itching
sensation
• Stroking adjacent pressure
spots induces a tickle*
* Note: You can’t tickle yourself
112
113. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Body Position & Movement
• The sense of our body parts’ position
and movement is called kinesthesis.
(ex. Movement while running without
thinking about the body’s movement)
• The vestibular sense monitors our
balance.
• Vestibular sense can tell if you are
vertical or horizontal. (ex. Spinning in
a chair makes you dizzy)
113
114. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Kinesthetic Sense
• Tells us where our
body parts are.
• Receptors located
in our muscles and
joints.
Without the kinesthetic sense
you could not touch the button to
make copies of your buttocks.
115. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Vestibular Sense
• Tells us where our
body is oriented in
space.
• Our sense of
balance.
• Located in our
semicircular canals
in our ears.
116. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Touch & Pain
• Pain
• A neurochemical signal that tells
your body something is wrong
• (registers in the parietal lobe via
the sensory cortex)
• Phantom limb Sensations
• Amputees may experience this
because parietal lobe neurons are
still dedicated to area of missing
limb
116
117. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Pain
Understanding Pain: Biological Influences
118. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Pain
Understanding Pain: Biopsychosocial Approach
119. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Gate Control Theory (Melzack & Wall,
1965)
• Nociceptors- sensory receptors that detect
hurtful temperatures, pressures or
chemicals
• Gate Control Theory
• Small nerves in the spinal cord carry pain,
large nerves in the spinal cord carry other
sensations
• Only one type of nerve fiber can go
through the gate at a time
• Rubbing sore area may reduce pain as
interneurons in spinal cord control the
“gate of information”
• You can also close the pain gate
mentally: i.e.- Not feeling pain while
concentrating on other things
119
120. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Phantom Limb
120
121. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Controlling Pain
122. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Mini FRQ Review
Jimmy is a contestant on a game show where people
must run an oddly-shaped maze with obstacles in a
dimly-lit building as fast as they can. Explain how
the following terms would affect Jimmy’s
performance in running the maze.
• Kinesthesis
• Retina
• Hippocampus
122
123. Learning Goal:
1. How de we sense touch and sense our body’s position and movement? How
do we experience pain?
123
Rating Student Evidence
4.0
Expert
I can teach someone else about our body’s position
and movement; as well as the sensation of pain. In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze about our body’s position and
movement; as well as the sensation of painand
compare/contrast the Aspects of the learning goal.
2.0
Developing
I can identify terms associated with our body’s position
and movement; as well as the sensation of pain, but
need to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
124. Other Senses Part 2: Smell and Taste
• Learning Goals:
– Students should be able to answer the following:
1. How do we experience taste?
2. How do we experience smell?
124
Rating Student Evidence
4.0
Expert
I can teach someone else about the experience of
taste and smell. In addition to 3.0 , I can demonstrate
applications and inferences beyond what was taught
3.0
Proficient
I can analyze and compare/contrast the Aspects of
the the experience of taste and smell.
2.0
Developing
I can identify terms associated the experience of
taste and smell but need to review this concept
more.
1.0
Beginning
I don’t understand this concept and need help!
125. Sweet Sour Salty Bitter Umami
CNS Ignoring Light The Eye Seeing
Taste/Smell
(Fresh
Chicken)
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Taste as a chemical sense
• Basic Chemical Tastes
– Also known as gustatory sense
– Sweet, Sour, Bitter, Salty, Umami
– Taste may be based on survival (bitter food
is toxic)
– Taste receptors reproduce themselves every
two weeks
– Taste buds and taste sensitivity decreases
with age
125
126. CNS Ignoring Light The Eye Seeing
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Evolutionary Perspective on Taste
127. CNS Ignoring Light The Eye Seeing
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Illusions
Smell as a Chemical Sense
• Chemical Sense or Olfactory Sense
• Smell involves the detection of molecules
• Scents play an important role in
attachment
• Smell & Memory
• Because smell runs close to the limbic
system, it ties closely to memory pathways
• We have a hard time describing a smell,
but can relate to personal stories
• Herz’s Brown University Study
1. Students played an impossible game in a
scented room
2. The same students were then given a
complex (not impossible task)
3. The same scent was pumped into the
experimental room and the students gave
up easily
127
128. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Smell (olfaction)
129. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Smell: Age & Gender
• Ability to identify smell peaks during early
adulthood, but steadily declines after that.
Women are better at detecting odors than
men
129
130. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Sensory Interaction
•Sensory Interaction
• Smell + Texture + Taste =
Flavor
• Visual Capture
• Vision dominates all senses
when conflicts appear
•McGurk Effect
• Hear one syllable while
seeing another lipped causes
us to interpret a third
•Synesthesia
• Rare disorder in which
people combine senses
130
131. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
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Synesthesia
132. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Synesthesia
133. Learning Goal:
1. How do we experience taste?
2. How do we experience smell?
133
Rating Student Evidence
4.0
Expert
I can teach someone else about the experience of
taste and smell. In addition to 3.0 , I can demonstrate
applications and inferences beyond what was taught
3.0
Proficient
I can analyze and compare/contrast the Aspects of
the the experience of taste and smell.
2.0
Developing
I can identify terms associated the experience of
taste and smell but need to review this concept
more.
1.0
Beginning
I don’t understand this concept and need help!
134. Perceptual Organization
• Learning Goals:
– Students should be able to answer the following:
1. How did the Gestalt psychologists understand perceptual organization?
2. How do figure-ground and grouping principles contribute to our perceptions?
134
Rating Student Evidence
4.0
Expert
I can teach someone else about, gestalt and figure
ground, and how they influence our perception In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze gestalt and figure ground, and how they
influence our perception, and compare/contrast the
Aspects of the learning goal.
2.0
Developing
I can identify terms associated with , gestalt and figure
ground, and how they influence our perceptionbut need
to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
135. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Perception Review
The process of selecting, organizing, and
interpreting sensory information, which enables
us to recognize meaningful objects and events.
135
Old Lady or Young Woman
136. CNS Ignoring Light The Eye Seeing
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Gestalt Psychology Preview
137. • Gestalt- an organized whole.
• Gestalt psychologists emphasized our tendency to integrate
pieces of information into meaningful wholes
• These principles are based on the idea that people have a
natural tendency to force patterns onto whatever they see.
CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Gestalt Principles
3.9 What are the Gestalt principles of perception?
138. If you are looking at the vase, then the
white part is the figure and the black
becomes the ground.
CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Figure Ground Perspective
Figure–ground:
relationships refer to
the tendency to
perceive objects, or
figures as existing, on
some background.
138
139. CNS Ignoring Light The Eye Seeing
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Figure Ground
140. CNS Ignoring Light The Eye Seeing
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The Gestalt Principles
Proximity-the tendency to perceive objects that are close
to one another as part of the same grouping.
141. CNS Ignoring Light The Eye Seeing
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Illusions
Proximity: Extreme Sheep Art
142. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Gestalt Principles
Similarity-the tendency to perceive things that look similar as being
part of the same group
143. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Gestalt Principles
Closure is the tendency to complete figures that are incomplete.
144. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Gestalt Principles
Continuity refers to the tendency to perceive
things as simply as possible with a continuous
pattern
145. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
The Gestalt Principles
• Contiguity-the tendency to perceive two things that happen close
together in time as being related. Usually the first occurring event is
seen as causing the second event.
146. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
146
147. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
147
anomalous motion illusion
148. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
148
anomalous motion illusion
149. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
anomalous motion illusion 149
150. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Hermann Grid (for fun)
150
151. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
anomalous motion illusion 151
152. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Optical Illusions (for fun)
152
153. Gestalt Psychology: Looking at the WHOLE.
CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
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Gestalt Groupings Quick Review
153
Closure
Law of Common Fate
law of pragnanz
154. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Writings on the Wall
155. Learning Goal:
1. How did the Gestalt psychologists understand perceptual organization?
2. How do figure-ground and grouping principles contribute to our perceptions?
155
Rating Student Evidence
4.0
Expert
I can teach someone else about, gestalt and figure
ground, and how they influence our perception In
addition to 3.0 , I can demonstrate applications and
inferences beyond what was taught
3.0
Proficient
I can analyze gestalt and figure ground, and how they
influence our perception, and compare/contrast the
Aspects of the learning goal.
2.0
Developing
I can identify terms associated with , gestalt and figure
ground, and how they influence our perceptionbut need
to review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
156. Section 10 Depth Perception
• Learning Goals:
– Students should be able to answer the following:
1. How do we see the world in three dimensions?
156
Rating Student Evidence
4.0
Expert
I can teach someone else about how we see the
world in three dimensions. In addition to 3.0 , I
can demonstrate applications and inferences
beyond what was taught
3.0
Proficient
I can analyze how we see the world in three
dimensions, and compare/contrast the Aspects
of the learning goal.
2.0
Developing
I can identify terms associated about how we see
the world in three dimensions, but need to
review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
157. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Visual Cliff Study
Gibson and Walk (1960)
Used a visual cliff to test depth perception in
infants and young animals. Their findings indicate
that human infants (crawling age) have depth
perception that is learned. Even certain newborn
animals show depth perception.
157
158. CNS Ignoring Light The Eye Seeing
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Illusions
Visual Cliff Study
159. CNS Ignoring Light The Eye Seeing
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Illusions
Binocular Cues
• Binocular Cues-a depth cue that requires the use
of both eyes
159
160. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Binocular Cues
• Retinal disparity: Images from the two eyes differ, so we
are able to better judge distance of two objects.
•
• Used in 3-D motion picture to mimic the offset eyes.
160
TRY THIS
Two eyes are better than one:
Close one eye an touch
two pencil tips together
161. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Binocular Cues
Convergence-in order to perceive depth properly,
your eyes must move slightly inward or converge.
In so doing, people are able to determine if objects
are close to them or far away.
161
162. CNS Ignoring Light The Eye Seeing
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Illusions
Binocular Cues: Stereogram
162
163. CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Binocular Cues: Stereogram
163
164. Relative Size: If two objects are similar in size, we
perceive the one that casts a smaller retinal image to
CNS Ignoring Light The Eye Seeing
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Illusions
Monocular Cues
164
be farther away.
165. Interposition: If one object partially blocks our view
CNS Ignoring Light The Eye Seeing
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Illusions
Monocular Cues
165
of another, we perceive it as closer
166. Relative Height: We perceive objects higher in our
CNS Ignoring Light The Eye Seeing
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Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cues
166
field of vision as further away.
167. Texture Gradient: Fine textures indicate a close
object; course textures indicate an object is far away
CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cues
167
168. Relative Motion (motion parallax): When we are
moving, objects that are stable appear to move-objects
that are farther away move slower than
CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cues
168
closer objects
169. Light & Shadow: Nearby objects reflect more light
CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cues
169
to our eyes
170. Linear Perspective: Parallel lines converge in the
CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cues
170
distance
171. CNS Ignoring Light The Eye Seeing
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Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Monocular Cue Review
171
How many monocular cues can you identify?
172. CNS Ignoring Light The Eye Seeing
Taste/Smell
Sound The Ear
Touch/Pain Movement Perception Gestalt Depth cues
Illusions
Mini FRQ Review
Mr. Aguiar’s car breaks down on a long,
deserted highway with no cell service (sad).
In the distance he sees a gas station, but
knows it will be a long walk. Explain how
each of the following concepts helps him
determine it will be a long walk:
– Relative size
– Texture Gradient
– Linear Perspective
172
173. Learning Goal:
How do we see the world in three dimensions?
173
Rating Student Evidence
4.0
Expert
I can teach someone else about how we see the
world in three dimensions. In addition to 3.0 , I
can demonstrate applications and inferences
beyond what was taught
3.0
Proficient
I can analyze how we see the world in three
dimensions, and compare/contrast the Aspects
of the learning goal.
2.0
Developing
I can identify terms associated about how we see
the world in three dimensions, but need to
review this concept more.
1.0
Beginning
I don’t understand this concept and need help!
174. Perceptual • Learning Goals: Interpretation
– Students should be able to answer the following:
1. What does research on sensory deprivation and restored vision reveal about the effects
of experience on perception?
2. How adaptable is our ability to perceive?
3. How do our expectations, contexts and emotions influence our perceptions?
174
Rating Student Evidence
4.0
Expert
I can teach someone else about the components of
perceptual interpretation In addition to 3.0 , I can
demonstrate applications and inferences beyond what
was taught
3.0
Proficient
I can analyze the components of perceptual
interpretation, and compare/contrast the Aspects of the
learning goal.
2.0
Developing
I can identify terms associated with components of
perceptual interpretation, but need to review this
concept more.
1.0
Beginning
I don’t understand this concept and need help!
175. Stroboscopic Motion and Phi Phenomenon
• Stroboscopic Motion: 24 still pictures flashing within
one second create the illusion of motion (example: flip
books and cartoons)
• Phi Phenomenon: Lights blinking next to each will
create the illusion of motion (neon or scrolling signs)
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175
176. CNS Ignoring Light The Eye Seeing
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Shape Constancy
Perceiving objects as unchanging even as
illumination and retinal images change.
Perceptual constancies include constancies of
shape and size.
Shape Constancy 176
177. CNS Ignoring Light The Eye Seeing
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Size Constancy
Stable size perception amid changing size of
the stimuli. We know the one car is just
farther away, but still the same size.
177
178. The moon appears larger
on the horizon because
of context effects make it look
farther away like the monster
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Size-Distance Relationship
The distant monster (below, left) and the top
red bar (below, right) appear bigger because
of distance cues.
178
179. CNS Ignoring Light The Eye Seeing
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Size-Distance Relationship
179
180. CNS Ignoring Light The Eye Seeing
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Size-Distance Relationship
180
181. The Ames room is designed to demonstrate the size-distance illusion.
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Ames Room
181
182. Lightness
constancy
-enables us to
perceive an
object as
having a
constant
lightness even
when the light
that falls on it
changes.
The color and brightness of square A and B are the same.
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Lightness Constancy
182
183. CNS Ignoring Light The Eye Seeing
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Color Constancy
Objects will change color depending on the
CONTEXT of surrounding objects or colors
183
Color Constancy
184. Illusions provide good examples in understanding
how perception is organized. Studying faulty
perception is as important as studying other
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Muller-Lyer Illusion
184
perceptual phenomena.
185. CNS Ignoring Light The Eye Seeing
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186. CNS Ignoring Light The Eye Seeing
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187. CNS Ignoring Light The Eye Seeing
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188. CNS Ignoring Light The Eye Seeing
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189. CNS Ignoring Light The Eye Seeing
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190. CNS Ignoring Light The Eye Seeing
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Perceptual Adaptation
You have the ability to adapt to distortion goggles
rather quickly. Usually in a couple of hours to
days. Some animals can never adapt.
190
191. CNS Ignoring Light The Eye Seeing
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Inverted Vision
192. CNS Ignoring Light The Eye Seeing
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Culture and Perception
192
193. Half the class close your eyes while the other half looks at an image:
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Perceptual Set
A mental predisposition to perceive one thing
and not another. What you see in the center
picture is influenced by flanking pictures.
193
194. Other examples of perceptual set.
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Perceptual Set
194
(a)Loch ness monster or a tree trunk;
(b)Flying saucers or clouds?
(c) The face on mars because of perceptual schema
195. CNS Ignoring Light The Eye Seeing
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Eye & Mouth Schemas
195
196. CNS Ignoring Light The Eye Seeing
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Eye & Mouth Schemas
196
197. CNS Ignoring Light The Eye Seeing
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Motivation and Emotion influence
Perception
•Walking destinations look farther
way when fatigued
•Hills look steeper when carrying a
heavy backpack
•Targets seem father away when
throwing a heavy object
•When you are driving you hate
pedestrians, when you are a
pedestrian you hate drivers
197
If you are rewarded
for seeing a farm
animal, you will see a
farm animal
198. Learning Goal:
1. What does research on sensory deprivation and restored vision reveal about
the effects of experience on perception?
2. How adaptable is our ability to perceive?
3. How do our expectations, contexts and emotions influence our perceptions?
198
Rating Student Evidence
4.0
Expert
I can teach someone else about the components of
perceptual interpretation In addition to 3.0 , I can
demonstrate applications and inferences beyond what
was taught
3.0
Proficient
I can analyze the components of perceptual
interpretation, and compare/contrast the Aspects of the
learning goal.
2.0
Developing
I can identify terms associated with components of
perceptual interpretatio, but need to review this concept
more.
1.0
Beginning
I don’t understand this concept and need help!
199. Human Factors and ESP
• Learning Goals:
– Students should be able to answer the following:
1. What are human factors?
2. What are the claims of ESP, and what have most research psychologists
concluded after putting these claims to the test?
199
Rating Student Evidence
4.0
Expert
I can teach someone else about human factors
and the claims of ESP. In addition to 3.0 , I can
demonstrate applications and inferences beyond
what was taught
3.0
Proficient
I can analyze human factors and the claims of
ESP, and compare/contrast the Aspects of the
learning goal.
2.0
Developing
I can identify terms associated with human
factors and the claims of ESP, but need to review
this concept more.
1.0
Beginning
I don’t understand this concept and need help!
200. CNS Ignoring Light The Eye Seeing
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What are Human Factors?
•Human
factors/ergonomics- is the
study of how to make
machines and objects
interface better with
humans based on
perception.
•Examples:
• Car Stereo Controls
• Oven/Stove Knobs
200
201. CNS Ignoring Light The Eye Seeing
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More Human Factors
201
202. CNS Ignoring Light The Eye Seeing
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Is There Extrasensory Perception?
• Perception without sensory input is called
extrasensory perception (ESP).
• 98% of scientists do not believe in ESP.
• According to a survey conducted in 2007 50% of
Americans acknowledge some kind of belief in ESP.
• 65% of those surveyed stated that they have never
used a psychic or medium.
202
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Claims of ESP
Paranormal phenomena include astrological
predictions, psychic healing, communication
with the dead, and out-of-body experiences, but
most relevant are telepathy, clairvoyance, and
precognition.
203
204. CNS Ignoring Light The Eye Seeing
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Testable Claims of ESP?
1. Telepathy: Mind-to-mind communication.
One person sending thoughts and the other
receiving them.
2. Clairvoyance: Perception of remote events,
such as sensing a friend’s house on fire.
3. Precognition: Perceiving future events,
such as a political leader’s death.
204
“Visions of psychics that
help the police solve
crimes are no more
accurate than guesses”
None of these claims
have been reproducible
in a laboratory setting
205. Learning Goal:
1. What are human factors?
2. What are the claims of ESP, and what have most research psychologists
concluded after putting these claims to the test?
205
Rating Student Evidence
4.0
Expert
I can teach someone else about human factors
and the claims of ESP. In addition to 3.0 , I can
demonstrate applications and inferences beyond
what was taught
3.0
Proficient
I can analyze human factors and the claims of
ESP, and compare/contrast the Aspects of the
learning goal.
2.0
Developing
I can identify terms associated with human
factors and the claims of ESP, but need to review
this concept more.
1.0
Beginning
I don’t understand this concept and need help!
207. • Leave the classroom and find real-world
examples for at least three of the monocular
depth cues listed below. DRAW your
examples and be prepared to share. Be
back in 5 minutes.
1. Linear perspective
2. Relative size
3. Overlap
4. Aerial perspective
5. Overlap
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Notes de l'éditeur
Sensation is the activation of receptors located in the eyes, ears, skin, nasal cavities, and tongue.
Sensation is the process by which we detect physical energy from our environment and encode it as neural signals.
Sensory receptors are specialized forms of neurons that are activated by different stimuli such as light and sound.
Perception is the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events.
Bottom-up processing is analysis that begins with the sense receptors and works up to the brain’s integration of sensory information.
Perception is the process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events. Top-down processing is information processing guided by our experience and expectations.
The forest has eyes
Dalmatian Dog
Hidden Cow
Hidden Cow
Shadow Face
Shadow Face
Selective attention means that at any moment, awareness focuses on only a limited aspect of all that we experience.
When talking on the phone while driving, our selective attention shifts back and forth from the road to the phone. The process of shifting attentional gears can entail a fatal delay in coping. One analysis of phone records for the moments before a car crash found cellphone users were four times more at risk.
elective attention limits our perception, as many stimuli will pass by unno- ticed. This lack of awareness is evident in studies of inattentional blindness. Forms of this include change blindness, choice blindness, and even choice-blindness blindness. Selective attention even extends to our sleep when we are oblivious to most but not all of what is happening around us.
he cocktail party effect refers to our ability to attend to only one voice among many.
The task of each sense is to receive stimulus energy, transform it into neural signals, and send those neural messages to the brain. In vision, light waves are converted into neural impulses by the retina; after being coded, these impulses travel up the optic nerve to the brain’s visual cortex, where they are interpreted.
When the name and the ink colour are different, most people slow down.
When you try to say the ink colour, you cannot avoid reading the word.
If the two bits of information conflict, your brain struggles to work out what the correct answer is, and it takes longer.
This test is very sensitive to subtle changes in brain function.
Lack of sleep, fatigue, minor brain injury and high altitudes will all increase the time it takes to do the test.
The test has even been used on Everest expeditions to see how altitudes are affecting different people.
In studying the relationship between physical energy and psychological experience, researchers in psychophysics identified an absolute threshold as the minimum stimulation needed to detect a particular stimulus 50 percent of the time.
Signal detection theory predicts how and when we detect the presence of a faint stimulus, assuming that our individual absolute thresholds vary with our experiences, expectations, motivation, and level of fatigue.
Signal detection theory predicts how and when we detect the presence of a faint stimulus, assuming that our individual absolute thresholds vary with our experiences, expectations, motivation, and level of fatigue.
A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law.
The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law.
The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law.
The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
A difference threshold is the minimum difference between two stimuli that a person can detect 50 percent of the time. In humans, difference thresholds (experienced as a just noticeable difference [jnd]) increase in proportion to the size of the stimulus—a principle known as Weber’s law.
The priming effect, as shown in experiments, reveals that we can process some information from stimuli too weak to recognize, indicating that much of our information processing occurs automatically, unconsciously. But the effect is too fleeting to enable advertisers to exploit us with subliminal messages.
Sensory adaptation refers to diminished sensitivity as a consequence of constant stimulation. Constant, unchanging images on the eye’s inner surface fade and then reappear. The phenomenon of sensory adaptation enables us to focus our attention on informative changes in our environment without being distracted by uninformative background stimulation.
Sensory adaptation refers to diminished sensitivity as a consequence of constant stimulation. Constant, unchanging images on the eye’s inner surface fade and then reappear. The phenomenon of sensory adaptation enables us to focus our attention on informative changes in our environment without being distracted by uninformative background stimulation.
1, D
2, C
We all have the ability to convert one sort of energy to another. Our eyes, for example, receive light energy and transduce (transform) it into neural messages that our brain then processes into what we consciously see. The energies we experience as visible light are a thin slice from the broad spectrum of electromagnetic energy. Our sensory experience of light is determined largely by the light energy’s wavelength, which determines the hue of a color, and its intensity, which influences brightness.
The retina’s rods and cones (most of which are clustered around the fovea) transform the light energy into neural signals. These signals activate the neighboring bipolar cells, which in turn acti- vate the neighboring ganglion cells, whose axons converge to form the optic nerve that carries information via the thalamus to the brain. Where the optic nerve leaves the eye, there are no receptor cells—creating a blind spot. The cones, which are located mostly in the fovea, enable vision of color and fine detail. The rods enable black-and-white vision, remain sensitive in dim light, and are necessary for peripheral vision.
Subdimensions of vision (color, movement, depth, and form) are processed by neural teams work- ing separately and simultaneously, illustrating our brain’s capacity for parallel processing. Other teams collaborate in integrating the results, comparing them with stored information and enabling perceptions. This contrasts sharply with the step-by-step serial processing of most computers and of conscious problem solving. Some people who have lost part of their visual cortex experience blindsight.
We process information at progressively more abstract levels. The information from the retina’s 130 million rods and cones is received and transmitted by the million or so ganglion cells whose axons make up the optic nerve. When individual ganglion cells register information in their region of the visual field, they send signals to the occipital lobe’s visual cortex. In the cortex, individual neurons (feature detectors) respond to specific features of a visual stimulus. The visual cortex passes this information along to other areas of the cortex where teams of cells (supercell clusters) respond to more complex patterns.
We process information at progressively more abstract levels. The information from the retina’s 130 million rods and cones is received and transmitted by the million or so ganglion cells whose axons make up the optic nerve. When individual ganglion cells register information in their region of the visual field, they send signals to the occipital lobe’s visual cortex. In the cortex, individual neurons (feature detectors) respond to specific features of a visual stimulus. The visual cortex passes this information along to other areas of the cortex where teams of cells (supercell clusters) respond to more complex patterns.
The Young-Helmholtz trichromatic (three-color) theory states that the retina has three types of color receptors, each especially sensitive to red, green, or blue. When we stimulate combinations of these cones, we see other colors. For example, when both red- and green-sensitive cones are stimulated, we see yellow.
Hering’s opponent-process theory states that there are two additional color processes, one respon- sible for red versus green perception and one for yellow versus blue plus a third black versus white process. Subsequent research has confirmed that after leaving the receptor cells, visual informa- tion is analyzed in terms of the opponent colors red and green, blue and yellow, and also black and white. Thus, in the retina and in the thalamus, some neurons are turned “on” by red, but turned “off ” by green. Others are turned on by green but off by red. These opponent processes help explain afterimages.
The Young-Helmholtz trichromatic (three-color) theory states that the retina has three types of color receptors, each especially sensitive to red, green, or blue. When we stimulate combinations of these cones, we see other colors. For example, when both red- and green-sensitive cones are stimulated, we see yellow.
Hering’s opponent-process theory states that there are two additional color processes, one respon- sible for red versus green perception and one for yellow versus blue plus a third black versus white process. Subsequent research has confirmed that after leaving the receptor cells, visual informa- tion is analyzed in terms of the opponent colors red and green, blue and yellow, and also black and white. Thus, in the retina and in the thalamus, some neurons are turned “on” by red, but turned “off ” by green. Others are turned on by green but off by red. These opponent processes help explain afterimages.
Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not.
Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not.
Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
Opponent-process theory of color perception assumes four primary colors of red, green, blue, and yellow. Colors are arranged in pairs, and when one member of a pair is activated, the other is not.
Afterimages occur when a visual sensation persists for a brief time even after the original stimulus is removed.
Sound has three aspects: pitch (frequency), loudness, and timbre (purity).
Our sense of hearing, the auditory system, is activated by the vibrations of molecules in the air that surrounds us. These vibrations are called sound waves, and like light waves, we respond to three features of sound waves. Pitch corresponds to the frequency of the wave,
The visible outer ear channels the sound waves through the auditory canal to the eardrum, a tight membrane that vibrates with the waves. Transmitted via the bones of the middle ear (the hammer, anvil, and stirrup) to the fluid-filled cochlea in the inner ear, these vibrations cause the oval window to vibrate, causing ripples in the basilar membrane, which bends the hair cells that line its surface. This movement triggers neural messages to be sent (via the thalamus) to the temporal lobe’s auditory cortex. Damage to the hair cells accounts for most hearing loss.
Place theory presumes that we hear different pitches because different sound waves trigger activity at different places along the cochlea’s basilar membrane. Thus, the brain can determine a sound’s pitch by recognizing the place on the membrane from which it receives neural signals.
Frequency theory states that the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch. The volley principle explains hearing sounds with frequencies above 1000 waves per second.
Place theory best explains how we sense high-pitched sounds, and frequency theory best explains how we sense low-pitched sounds. Some combination of the two theories explains sounds in between.
Sound waves strike one ear sooner and more intensely than the other ear. We localize sounds by
detecting the minute differences in the intensity and timing of the sounds received by each each
Problems with the mechanical system that conducts sound waves to the cochlea cause conduction hearing loss. If the eardrum is punctured or if the tiny bones of the middle ear lose their ability to vibrate, the ear’s ability to conduct vibrations diminishes. Damage to the cochlea’s hair cell recep- tors or their associated nerves can cause the more common sensorineural hearing loss. Once destroyed, these tissues remain dead. Disease, biological changes linked with aging, or prolonged exposure to ear-splitting noise or music may cause sensorineural hearing loss.
Those who live with hearing loss face social challenges. Cochlear implants are wired into various sites on the auditory nerve, allowing them to transmit electrical impulses to the brain. They help children to become proficient in oral communication. The latest cochlear implants also can help restore hearing for most adults. Deaf culture advocates object to using the implants on children who were deaf before developing language. They note that deafness is not a disability because sign is a complete language. Some also argue that sensory compensation, which enhances other senses, gives deaf people advantages that the hearing do not have.
Conduction hearing impairment is caused by damage to the outer or middle ear structures, whereas nerve hearing impairment is caused by damage to the inner ear or auditory pathways in the brain.
Conduction hearing impairment is caused by damage to the outer or middle ear structures, whereas nerve hearing impairment is caused by damage to the inner ear or auditory pathways in the brain.
Our sense of touch is actually four senses—pressure, warmth, cold, and pain—that combine to produce other sensations, such as “hot.” There is no simple relationship between what we feel and the type of specialized nerve ending found there. Only pressure has identifiable receptors.
The rubber-hand illusion illustrates how touch is not only a bottom-up property of our senses but also a top-down product of our brain and expectations.
The rubber-hand illusion illustrates how touch is not only a bottom-up property of our senses but also a top-down product of our brain and expectations.
Kinesthesis is the system for sensing the position and movement of individual body parts. Sensors in the tendons, joints, bones, and ears as well as skin sensors are continually providing our brain with information. A companion vestibular sense monitors the head’s (and thus the body’s) position and movement. The biological gyroscopes for this sense of equilibrium are in the semicircular canals and vestibular sacs in the inner ear.
Pain is an alarm system that draws our attention to some physical problem. Without the ability to experience pain, people may die before early adulthood. There is no one type of stimulus that trig- gers pain, and there are no special receptors for pain. Instead there are different nociceptors— sensory receptors that detect hurtful temperatures, pressure, or chemicals. The gate-control theory of pain is that small fibers in the spinal cord open a “gate” to permit pain signals to travel up to the brain, or large fibers close the “gate” to prevent their passage.
The biopsychosocial approach views pain not only as a product of biological influences, for example, of injured nerves sending impulses to the brain, but also as a result of psychological influences such as our expectations, and social influences such as the presence of others. Pain is con- trolled through a combination of medical and psychological treatments.
Pain is an alarm system that draws our attention to some physical problem. Without the ability to experience pain, people may die before early adulthood. There is no one type of stimulus that trig- gers pain, and there are no special receptors for pain. Instead there are different nociceptors— sensory receptors that detect hurtful temperatures, pressure, or chemicals. The gate-control theory of pain is that small fibers in the spinal cord open a “gate” to permit pain signals to travel up to the brain, or large fibers close the “gate” to prevent their passage.
The biopsychosocial approach views pain not only as a product of biological influences, for example, of injured nerves sending impulses to the brain, but also as a result of psychological influences such as our expectations, and social influences such as the presence of others. Pain is con- trolled through a combination of medical and psychological treatments.
Taste, a chemical sense, is a composite of sweet, sour, salty, bitter, and umami sensations and of the aromas that interact with information from the taste buds. Taste buds on the top and sides of the tongue contain taste receptor cells, which send information to an area of the brain’s temporal lobe. Taste receptors reproduce themselves every week or two. As we grow older, the number of taste buds and taste sensitivity decrease.
Smell (olfaction) is also a chemical sense, but without any basic sensations. The 5 million or more olfactory receptor cells, with their approximately 350 different receptor proteins, recognize individual odor molecules, with some odors triggering a combination of receptors. The receptor cells send messages to the olfactory lobe, then to the temporal lobe and to parts of the limbic system. An odor’s ability to spontaneously evoke memories is due in part to the close connections between brain areas that process smell and those involved in memory storage.
Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
Sensory interaction refers to the principle that one sense may influence another, as when the smell of food influences its taste. In a few individuals, the senses become joined in a phenomenon called synaesthesia, where one kind of sensation such as hearing sound produces another such as seeing color.
Figure–ground relationships refer to the tendency to perceive objects, or figures as existing, on some background. Because of our tendency to perceive figure and ground, simple figures like the Necker cube are visually ambiguous. Adding texture provides depth cues, thereby disrupting the illusion.
Figure–ground relationships refer to the tendency to perceive objects, or figures as existing, on some background. Because of our tendency to perceive figure and ground, simple figures like the Necker cube are visually ambiguous. Adding texture provides depth cues, thereby disrupting the illusion.
Proximity is the tendency to perceive objects that are close to one another as part of the same grouping.
Proximity is the tendency to perceive objects that are close to one another as part of the same grouping.
Similarity refers to the tendency to perceive things that look similar as being part of the same group. This is one reason why sports teams wear uniforms that are all the same color—it allows people viewing the game to perceive them as one group even when they are scattered around the field or court.
Closure is the tendency to complete figures that are incomplete.
Continuity refers to the tendency to perceive things as simply as possible with a continuous pattern rather than with a complex, broken-up pattern.
Contiguity is the tendency to perceive two things that happen close together in time as being related. Usually the first occurring event is seen as causing the second event.
Extras:
law of common fate - a Gestalt principle of organization holding that aspects of perceptual field that move or function in a similar manner will be perceived as a unit
Law of Pragnanz-The most general Gestalt principle, which states that the simplest organization, requiring the least cognitive effort, will emerge as the figure.
OBJECTIVE 5| Explain the importance of depth perception, and discuss the contribution of visual cliff research to our understanding of this ability.
OBJECTIVE 5| Explain the importance of depth perception, and discuss the contribution of visual cliff research to our understanding of this ability.
OBJECTIVE 6| Describe two binocular cues for perceiving depth, and explain how they help the brain to compute distance.
Dinosaur
Psychology
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 7| Explain how monocular cues differ from binocular cues, and describe several monocular cues for perceiving depth.
OBJECTIVE 8| State the basic assumption we make in our perceptions of motion, and explain how these perceptions can be deceiving.
OBJECTIVE 9| Explain the importance of perceptual constancy.
OBJECTIVE 10| Describe the shape and size constancy, and explain how our expectations about perceived size and distance to some visual illusions.
OBJECTIVE 11| Discuss lightness constancy and its similarity to color constancy.
OBJECTIVE 2| Explain how illusions help us understand some of the ways we organize stimuli into meaningful perceptions.
Human perception is remarkably adaptable. Given glasses that shift the world slightly to the left or right, or even turn it upside down, people manage to adapt their movements and, with practice, to move about with ease.
Human perception is remarkably adaptable. Given glasses that shift the world slightly to the left or right, or even turn it upside down, people manage to adapt their movements and, with practice, to move about with ease.
OBJECTIVE 14| Define perceptual set, and explain how it influences what we do or do not perceive. Right half the class should close their eyes and the left half of the class should see the saxophonist for about 20 seconds. Then the left half of the class should close the eyes and the right half should see the woman’s face. All of them should then write their responses while watching the middle picture. Responses are compared to show perceptual set.
Clear evidence that perception is influenced by our experiences—our learned assumptions and beliefs—as well as by sensory input comes from the many demonstrations of perceptual set, a mental predisposition to perceive one thing and not another.
Through experience, we also form concepts, or schemas, which organize and interpret unfamiliar information, a fact that helps explain why some of us “see” monsters, faces, and UFOs that others do not.
Portrait artists understood the importance of this recognition and therefore centered an eye in their paintings.
Portrait artists understood the importance of this recognition and therefore centered an eye in their paintings.
OBJECTIVE 17| Identify the three most testable forms of ESP, and explain why most research psychologists remain, skeptical of ESP.