2. Erected to commemorate Constantine’s victory
over Maxentius at the Battle of Milvian Bridge
Awarded to Constantine by the Senate of Rome
Dedicated in 315 A.D.
Located between Colosseum and Palatine Hill
13. Arch of Titus
Arch of Septimius Severus
Arch of Constantine
14. Most recent of the 3 remaining
triumphal arches in Rome
Differs from the other 2 arches
by spoila - the re-use of parts of
earlier buildings on newer ones
15. Modeled after the Arch of Septimius
Severus on the Roman Forum
Structured with detached columns
and an attic (with main inscription
above)
17. Central archway: 11.5m high, 6.5m wide
Lateral archways: 7.4m x 3.4m each
18. Re-use of parts from earlier buildings
Statues on top taken from the Forum of
Trajan
Reliefs between the statues created for
Marcus Aurelius
Roundels (8 medallions) and possibly the
arch itself from the emperor Hadrian’s
time
19. Short time between start of
construction (312) and the
dedication (315)
Artwork of 4th century Romans
not considered acceptable
20. Top part of arch
Brickwork and marble
Main inscription above major archway, identical on
both sides
Pairs of relief panels on each side above minor
archways (8 total) – taken from unknown monument in
honor of Marcus Aurelius
21. North side from left to right:
the emperors return to Rome after the campaign
(adventus)
the emperor leaving the city and being saluted by a
personification of the Via Flaminia
the emperor distributing money among the people
(largitio)
the emperor interrogating a German prisoner
22. South side from left to right
A captured enemy chieftain led before the
emperor
Another similar scene with other prisoners
The emperor speaking to the troops
The emperor sacrificing a pig, sheep and bull
23. Identical on both sides
Divided by 4 columns of Corinthian order made of
Numidian yellow marble
Spandrels of the main archway depict victory figures
holding trophies
Spandrels of the smaller archways depict river gods
Column bases and spandrel reliefs are from the time
of Constantine
Above each lateral archway are pairs of round reliefs
dated to the times of Hadrian displaying scenes of
hunting and sacrificing
The head of the emperor in all medallions reworked
24.
25. North side left to right
Hunt of a boar
Sacrifice to Apollo
Hunt of lion
Sacrifice to Hercules
South side left to right
Departure for the hunt
Sacrifice to Silvanus
Hunt of a bear
Sacrifice to Diana
26. The head of the emperor in all medallions was
originally Hadrian but has been reworked into the head
of Constantine in the hunting scenes and either Licinius
or Constantius I in the sacrifice scenes on the north side
and vice versa on the south side
27. Runs around monument under the round panels
Depicts scenes from the Italian campaign of
Constantine against Maxentius
Starts at western side with “Departure from Milan”
Continues on southern, outward face with the “Siege
of Verona” and the “Battle of Milvian Bridge”
On eastern side, Constantine and his army enter
Rome
On the northern face: Constantine speaking to
citizens in the Forum Romanum and distributing
money
28.
29. Main inscriptions would have originally been of
bronze lettering
Reads identically on both sides:
“To the Emperor Caesar Flavius Constantinus, the
greatest, pious, and blessed Augustus: because he,
inspired by the divine, and by the greatness of his mind,
has delivered the state from the tyrant and all of his
followers at the same time, with his army and just force of
arms, the Senate and People of Rome have dedicated this
arch, decorated with triumphs.”
2 short inscriptions on inner walls transport message
that Constantine came not as a conqueror but freed
Rome from occupation