Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
𝑰𝒏𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝑶𝒅𝒊𝒔𝒔𝒊 𝑪𝒍𝒂𝒔𝒔𝒊𝒄𝒂𝒍 𝑴𝒖𝒔𝒊𝒄
1. Name : Shravani
Shridhar Patil
Class : 8th A
Roll no. : 12
MUSIC PRESENTATION
[ Information of Odissi
classical music ]
ABHINAV ENGLISH SCHOOL[C.B.S.E.]
2. Odissi Music is ancient and has been
mentioned in the Natya Shastra as
separate branch of classical music.The
traditional music emerged in the halls
of the Jaganntha Temple for the
Lord’s appeasment and usually talks
about religious tales or romance.From
centuries the songs have been passed
from generation to generation in
villages.
3. ODISSI MUSIC IS A GENRE OF
CLASSICAL MUSIC IN INDIA,
ORIGINATED FROM THE EASTERN
STATE OF ODISHA. THE
TRADITIONAL RITUAL MUSIC FOR
THE SERVICE OF
LORD JAGANNATHA, ODISSI MUSIC
HAS A HISTORY SPANNING OVER
TWO THOUSAND YEARS,
AUTHENTIC SANGITA-SHASTRAS OR
TREATISES, UNIQUE RAGAS & TALAS
AND A DISTINCTIVE STYLE OF
RENDITION.
4.
5. HISTORY
• ODISSI MUSIC IS INTIMATELY AND INEXTRICABLY ASSOCIATED
WITH THE JAGANNTHA TEMPLE OF PURI.
• THE DEITY OF JAGANNATHA IS AT THE HEART OF ODISHA'S CULTURE,
AND ODISSI MUSIC WAS ORIGINALLY THE MUSIC OFFERED AS A
SEVA OR SERVICE TO JAGANNATHA.
• ODISSI MUSIC CRYSTALLISED AS AN INDEPENDENT STYLE DURING
THE TIME OF ODIA POET JAYADEVA,WHO COMPOSED LYRICS MEANT
TO BE SUNG,SET TO RAGAS AND TALAS UNIQUE TO THE LOCAL
TRADITION.
• EVERY NIGHT DURING THE BADASINGHARA OR THE LAST
RITUAL OF THE DEITY, THE GITAGOVINDA OF JAYADEVA IS
SUNG, SET TO TRADITIONAL ODISSI RAGAS & TALAS.
6. Kabichandra Kalicharan Patnaik
was the man who established the
classical nature of the Odissi
Dance and secured the tag for
it.He also was doing the same for
the music but was pulled down by
som who betrayed him and he
died before he could complete his
second mission.
7.
8. The Gita Govinda was written by the
master-poet Jayadeva,born near
Puru,Odisha.The poet mentions the
suitable Ragas for each of his 24
songs,which indicates a well-developed
musical tradition.The Gita Govinda then
gained enormous popularity and has been
sung repeatedly by stalwarts like MS in
Carnatic styles.It is sung in the temples of
South India in the Carnatic style.
10. Importance of Odissi Music
• Odissi music is the finest reconciliation of harmony with
melody, which suffers no diminution of the essential
quality of the classical music. The individual character of
Odissi Music makes every recital an interpretation and
self-expression. The uniqe identity of Odissi classical
music lies in its presentation with equal importance to
the Odissi dance and its classical ornamentation. Both
Odissi Music and Odissi Dance have retained its
distinctive identity in spite of diversity in languge,
religion, and culture that was brought to Odisha’s
geographical localization by bridging the southern and
nothern section of India.It is ironic that Odissi music
which is soul of Gotipua dance still continue to endure
the debate for its classical status whereas Odissi dance
form has already attained the classical status along
with its contemporary classical dance forms of India.
11. RAGAS
• Odissi ragas are different from the ragas of
Hindustani and Karnataki classical music. The
primary Odissi ragas are :
• 1]Kalyana
• 2]Nata
• 3]Shree Gowda
• 4]Baradi
• 5]Panchama
• 6]Dhanashri
• 7]Karnata
• 8]Bhairavee
• 9]Shokabaradi.
12. Musical instruments used in Odissi
• Odissi dance is always accompanied by Odissi
music and with a number of musical
instruments. The musical notes that are
accompanied with Odissi dance are the same
as the music of Odissa itself. There was a
move to classify Odissi as a separate classical
system.
13. Pakhawaj: Pakhawaj also known as
mridangam is the most common north Indian
representative of the class of barrel shaped
drums known as mridang. Pakhawaj has a
right head which is identical to tabla accept
somewhat larger. The left head is similar to the
tabla bayan except that there is a temporary
application of flour and water instead of the
black permanent spot. It is laced with rawhide
and has tuning blocks placed between the
straps and shell.
14.
15. Manjira: Manjira is known by many names in
India, it is a very ancient instrument. It is also
called jhanj, tala, mondira, (small size) kafi
(large size), or a host of other names. It is
basically a set of small cymbals. It is mainly
used for dance music and bhajans. They are
usually made of brass.