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Baroque Still-Life
    Painting
  Professor Will Adams
    Valencia College
        Fall 2011
BACKGROUND BAROQUE
   Baroque works were produced during the 17th and
    18th centuries.
   The term Baroque comes from the Portuguese word
    “barocca”, which means “an irregular pearl”.
   The first Baroque works appeared in Italy and the
    style spread north into Europe.
   Baroque still-life was hugely popular in the
    Netherlands and Flemish society.
   Still-life had symbolic meanings that people at the time
    understood, which usually taught moral lessons.
Characteristics of Baroque Painting

 Chiaroscuro
 Painting from life
 Extreme detail
 Dynamic
  arrangement and
  lighting
 Rich colors
Famous Early Italian Baroque Paintings
Caravaggio’s “The Conversion of    Artemisia Gentellischi’s “Judith
         Saul”, c. 1600           Beheading Holofernes”, 1614-1620
Hunting
   Dead animals from a hunt
    were a popular subject.
   They are a great way to show
    off technique
   Be sure to look for:
    – Textures like feathers, tassels,
      velvet, etc.
    – Strong composition
    – Realism
    – Details (Find the fly!)
    – Lighting effects (chiaroscuro)
Frans Snyders’ “Still Life With Dead Game, Fruits And
           Vegetables In A Market”, 1614
FRUIT
 Traditional, this is
  what we usually think
  of when we hear
  “still-life”.
 Originally fruit was
  symbolic of the good,
  sweet things in life,
  abundance, sexuality,
  or even sin.
Examples of Fruit Still-Life
Caravaggio’s “Still-Life with Fruit”,   Willem van Aelst’s “Still-Life with
           1601-1605                      Fruit & Crystal Vase”, 1652
LIGHTING
 Look at the way the light affects how
 we see the different forms
 –How does light affect the textures,
  reflections?
 –How does light and shadow affect
  the mood?
Jan Davidsz de Heem’s “Still-Life with Fruit and
               Lobster”, 1648
NOTICE THE COMPOSITION

 Composition: The arrangement of elements
  and objects around the picture plane.
 Your eye travels from one point to another
  around the picture in a clockwise path.
 Good composition keeps your eye moving on
  an harmonious path.
 The triangle is a traditionally strong
  compositional path.
LOOK!
Can  you find
 the triangular
 composition?
FIND THE BUG!
 Insects were often added to a table setting
  within the still-life’s composition.
 They symbolized the decadence of the “good
  life”
 They also warned the viewer of the temptations
  of too much sweetness
 “Too much of a good thing”
THE FIVE SENSES
 As still-life became more popular and began to evolve,
  its symbolism became more profound
 Objects symbolizing the five human senses were
  arranged on a table:
   – Sight
   – Sound
   – Smell
   – Touch
    – Taste
        Objects were chosen to symbolize pleasure!
DON’T FORGET ABOUT THE
     COMPOSITION!
Ways to control eye movement

 Folds of cloth
 Positioning of objects, bodies
 Repetition of colors
 Emphasis from either highlights or shadows.
 Height of objects
 Details, textures, or negative space
 Eyes/gazes
VANITAS
 This type of still life was meant to remind the viewer of
  the fleeting quality of life.
 Life is wonderful, but goes by very quickly!
 What do you think each object symbolizes?
 VANITAS is about the swift approach of DEATH!
Hendrick Andriezsoon’s “Still-life composition with human skull, globe, books,
 crown, miter, bubbles, mussel shell with bubble pipe, holly crown on skull,
    watch on table, candlestick (with reflection of artist’s portrait)”, 1650
Modern Vanitas
                                      Audrey Flack’s “Marilyn (Vanitas)”,
Audrey Flack’s “Queen”, 1975 - 1976                 1977
Vanitas homework
   Plan and create (either by drawing,       Be sure to include the same
    collaging, painting, or                    compositional elements that
    photographing) a vanitas, either for
    yourself, someone you know, or
                                               the Dutch Masters did:
    someone famous.                             –   Game
                                                –   Lighting
   Your still-life should be based on
    your own life and community, and            –   Compositional paths
    should measure no smaller than 8”           –   Insects
    x 10”.                                      –   Vanitas elements
   On the back of your vanitas, list         Your still-life will be due at
    and explain the objects/elements           the beginning of class on
    you included, and what they                Tuesday, November 15th.
    symbolize/represent.

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Hum1020 1030 baroque still life painting

  • 1. Baroque Still-Life Painting Professor Will Adams Valencia College Fall 2011
  • 2. BACKGROUND BAROQUE  Baroque works were produced during the 17th and 18th centuries.  The term Baroque comes from the Portuguese word “barocca”, which means “an irregular pearl”.  The first Baroque works appeared in Italy and the style spread north into Europe.  Baroque still-life was hugely popular in the Netherlands and Flemish society.  Still-life had symbolic meanings that people at the time understood, which usually taught moral lessons.
  • 3. Characteristics of Baroque Painting  Chiaroscuro  Painting from life  Extreme detail  Dynamic arrangement and lighting  Rich colors
  • 4. Famous Early Italian Baroque Paintings Caravaggio’s “The Conversion of Artemisia Gentellischi’s “Judith Saul”, c. 1600 Beheading Holofernes”, 1614-1620
  • 5. Hunting  Dead animals from a hunt were a popular subject.  They are a great way to show off technique  Be sure to look for: – Textures like feathers, tassels, velvet, etc. – Strong composition – Realism – Details (Find the fly!) – Lighting effects (chiaroscuro)
  • 6.
  • 7.
  • 8. Frans Snyders’ “Still Life With Dead Game, Fruits And Vegetables In A Market”, 1614
  • 9. FRUIT  Traditional, this is what we usually think of when we hear “still-life”.  Originally fruit was symbolic of the good, sweet things in life, abundance, sexuality, or even sin.
  • 10. Examples of Fruit Still-Life Caravaggio’s “Still-Life with Fruit”, Willem van Aelst’s “Still-Life with 1601-1605 Fruit & Crystal Vase”, 1652
  • 11. LIGHTING  Look at the way the light affects how we see the different forms –How does light affect the textures, reflections? –How does light and shadow affect the mood?
  • 12. Jan Davidsz de Heem’s “Still-Life with Fruit and Lobster”, 1648
  • 13. NOTICE THE COMPOSITION  Composition: The arrangement of elements and objects around the picture plane.  Your eye travels from one point to another around the picture in a clockwise path.  Good composition keeps your eye moving on an harmonious path.  The triangle is a traditionally strong compositional path.
  • 14. LOOK! Can you find the triangular composition?
  • 15.
  • 16.
  • 17. FIND THE BUG!  Insects were often added to a table setting within the still-life’s composition.  They symbolized the decadence of the “good life”  They also warned the viewer of the temptations of too much sweetness  “Too much of a good thing”
  • 18.
  • 19.
  • 20.
  • 21. THE FIVE SENSES  As still-life became more popular and began to evolve, its symbolism became more profound  Objects symbolizing the five human senses were arranged on a table: – Sight – Sound – Smell – Touch – Taste Objects were chosen to symbolize pleasure!
  • 22.
  • 23.
  • 24.
  • 25. DON’T FORGET ABOUT THE COMPOSITION!
  • 26.
  • 27. Ways to control eye movement  Folds of cloth  Positioning of objects, bodies  Repetition of colors  Emphasis from either highlights or shadows.  Height of objects  Details, textures, or negative space  Eyes/gazes
  • 28.
  • 29. VANITAS  This type of still life was meant to remind the viewer of the fleeting quality of life.  Life is wonderful, but goes by very quickly!  What do you think each object symbolizes?  VANITAS is about the swift approach of DEATH!
  • 30.
  • 31. Hendrick Andriezsoon’s “Still-life composition with human skull, globe, books, crown, miter, bubbles, mussel shell with bubble pipe, holly crown on skull, watch on table, candlestick (with reflection of artist’s portrait)”, 1650
  • 32. Modern Vanitas Audrey Flack’s “Marilyn (Vanitas)”, Audrey Flack’s “Queen”, 1975 - 1976 1977
  • 33. Vanitas homework  Plan and create (either by drawing,  Be sure to include the same collaging, painting, or compositional elements that photographing) a vanitas, either for yourself, someone you know, or the Dutch Masters did: someone famous. – Game – Lighting  Your still-life should be based on your own life and community, and – Compositional paths should measure no smaller than 8” – Insects x 10”. – Vanitas elements  On the back of your vanitas, list  Your still-life will be due at and explain the objects/elements the beginning of class on you included, and what they Tuesday, November 15th. symbolize/represent.