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CULTURAL HERITAGE PROTECTION TREATIES SECTION

     Fight against illicit traffic of cultural property
                 in South-East Europe
        Gazientep, Turkey, 19 – 21 November 2012




                                  Fighting against
                                  illicit traffic in
                                  internet



Alberto Deregibus a.deregibus@unesco.org
CULTURAL HERITAGE PROTECTION TREATIES SECTION



The Internet is a double-edged sword
CULTURAL HERITAGE PROTECTION TREATIES SECTION


traffickers have a convenient way to sell
stolen works of art from anywhere in the
world to anyone in the world, without serious
risk of getting caught.




 Police have an easy way to monitor, track, isolate and identify
 potentially suspicious transactions.
  It can lead to greater chances of recovery for stolen pieces, as
 well as greater chances of identifying and arresting those
 individuals responsible for thefts.
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Easy way to monitor, identify and recover works of art
CULTURAL HERITAGE PROTECTION TREATIES SECTION




 But… Police don’t check online transactions
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Today, the Internet is
probably     the    easiest
method by which Police can
identify stolen or illegally
exported works of art.
CULTURAL HERITAGE PROTECTION TREATIES SECTION


It is impossible for the Police to monitor the entire
online market.




National Police units need to consult specialized web
sites and comb through vast numbers of trades to
locate stolen or illegally exported works of art, from
each nation.
CULTURAL HERITAGE PROTECTION TREATIES SECTION

Experts, archaeologists, art historians, museum curators with
their expertise are vital for the Police.
a police officer will hardly be able to identify whether a particular
piece online has been accurately described in terms of its country
of origin or its age classification.
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Police have difficulties to recognize parts of paintings
CULTURAL HERITAGE PROTECTION TREATIES SECTION




                                     Interpol
                              National Central Bureau
CULTURAL HERITAGE PROTECTION TREATIES SECTION




                 Or

          Diplomatic channels
CULTURAL HERITAGE PROTECTION TREATIES SECTION




                                      Interpol
                                      National
                                      Central
                                       Bureau
CULTURAL HERITAGE PROTECTION TREATIES SECTION




                 Or

          Diplomatic channels
CULTURAL HERITAGE PROTECTION TREATIES SECTION


            Monitor catalogue auction houses
            and specialized websites
CULTURAL HERITAGE PROTECTION TREATIES SECTION



Police have to identify not only
buyers and sellers, but also
middlemen, transporters, agents
handling cash transactions




       Investigations!
CULTURAL HERITAGE PROTECTION TREATIES SECTION


Only the national Police force (or, even better, a
specialized unit) can effectively search for your
country’s stolen works of art




Probably no one else will do it!
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Special agreements
CULTURAL HERITAGE PROTECTION TREATIES SECTION




   Special tools
CULTURAL HERITAGE PROTECTION TREATIES SECTION




INTERPOL stolen works of art database
CULTURAL HERITAGE PROTECTION TREATIES SECTION




POLICE
                               EXPERTS
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Interpol Expert Group on Stolen Cultural Property, Lione 7 – 8 Mach 2006
CULTURAL HERITAGE PROTECTION TREATIES SECTION


    Basic Actions to counter the Increasing Illicit Sale of Cultural
                    Objects through the Internet
                          ( UNESCO, INTERPOL, ICOM )
The member States of INTERPOL and UNESCO and the States with ICOM
National Committee are invited to:
Strongly encourage Internet sales platforms to post the following disclaimer on
    all their cultural objects sales pages:
“With regard to cultural objects proposed for sale, and before buying them,
    buyers are advised to:
    - check and request a verification of the licit provenance of the object,
    including documents providing evidence of legal export (and possibly
    import) of the object likely to have been imported;
    - request evidence of the seller’s legal title. In case of doubt, check
    primarily with the national authorities of the country of origin and
    INTERPOL, and possibly with UNESCO or ICOM.”
CULTURAL HERITAGE PROTECTION TREATIES SECTION




2. Request Internet platforms to disclose relevant information to
  law enforcement agencies and to cooperate with them on
  investigations of suspicious sales offers of cultural objects;

3. Establish a central authority (within national police forces or
  other), which is also responsible for the protection of cultural
  properties, in charge of permanently checking and monitoring
  sales of cultural objects via the Internet;
CULTURAL HERITAGE PROTECTION TREATIES SECTION

4. Cooperate with national and foreign police forces and INTERPOL as well as the
responsible authorities of other States concerned, in order to:
      Insure that any theft and/or any illegal appropriation of cultural objects be
        reported to INTERPOL National Central Bureaux, in order to enable
        relevant information to be posted on the INTERPOL Stolen Works of Art
        Database;
      Make information available about theft and/or any illegal appropriation of
        cultural objects, as well as about any subsequent sale of such cultural
        objects, from or to national territories, using the Internet;
      Facilitate rapid identification of cultural objects by: i) ensuring updated
        inventories with photographs of cultural objects, or at least their
        identification, for example through the Object ID standard; ii) maintaining
        a list of recommended experts;
      Use all the tools at their disposal to conduct checks of suspicious cultural
        property, in particular the INTERPOL Stolen Works of Art Database;
      Track and prosecute criminal activities related to the sale of cultural
        objects on the Internet and inform the INTERPOL General Secretariat of
        major investigations involving several countries.
CULTURAL HERITAGE PROTECTION TREATIES SECTION




5.Maintain statistics and register information on the checks
  conducted concerning the sale of cultural objects via the
  Internet, the vendors in question and the results obtained;

6.Establish legal measures to immediately seize cultural objects
  in case of a reasonable doubt concerning their licit
  provenance;

5.Assure the return of seized objects of illicit provenance to
  their rightful owners
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Six years passed since the preparation of this
document, but it seems that very little has been
done and many States have not established any
specific tool to fight illicit traffiking of cultural
goods via the internet
CULTURAL HERITAGE PROTECTION TREATIES SECTION




Alberto Deregibus a.deregibus@unesco.org

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Alberto Deregibus - Fighting against illicit traffic in internet

  • 1. CULTURAL HERITAGE PROTECTION TREATIES SECTION Fight against illicit traffic of cultural property in South-East Europe Gazientep, Turkey, 19 – 21 November 2012 Fighting against illicit traffic in internet Alberto Deregibus a.deregibus@unesco.org
  • 2. CULTURAL HERITAGE PROTECTION TREATIES SECTION The Internet is a double-edged sword
  • 3. CULTURAL HERITAGE PROTECTION TREATIES SECTION traffickers have a convenient way to sell stolen works of art from anywhere in the world to anyone in the world, without serious risk of getting caught. Police have an easy way to monitor, track, isolate and identify potentially suspicious transactions. It can lead to greater chances of recovery for stolen pieces, as well as greater chances of identifying and arresting those individuals responsible for thefts.
  • 4. CULTURAL HERITAGE PROTECTION TREATIES SECTION Easy way to monitor, identify and recover works of art
  • 5. CULTURAL HERITAGE PROTECTION TREATIES SECTION But… Police don’t check online transactions
  • 6. CULTURAL HERITAGE PROTECTION TREATIES SECTION Today, the Internet is probably the easiest method by which Police can identify stolen or illegally exported works of art.
  • 7. CULTURAL HERITAGE PROTECTION TREATIES SECTION It is impossible for the Police to monitor the entire online market. National Police units need to consult specialized web sites and comb through vast numbers of trades to locate stolen or illegally exported works of art, from each nation.
  • 8. CULTURAL HERITAGE PROTECTION TREATIES SECTION Experts, archaeologists, art historians, museum curators with their expertise are vital for the Police. a police officer will hardly be able to identify whether a particular piece online has been accurately described in terms of its country of origin or its age classification.
  • 9. CULTURAL HERITAGE PROTECTION TREATIES SECTION Police have difficulties to recognize parts of paintings
  • 10. CULTURAL HERITAGE PROTECTION TREATIES SECTION Interpol National Central Bureau
  • 11. CULTURAL HERITAGE PROTECTION TREATIES SECTION Or Diplomatic channels
  • 12. CULTURAL HERITAGE PROTECTION TREATIES SECTION Interpol National Central Bureau
  • 13. CULTURAL HERITAGE PROTECTION TREATIES SECTION Or Diplomatic channels
  • 14. CULTURAL HERITAGE PROTECTION TREATIES SECTION Monitor catalogue auction houses and specialized websites
  • 15. CULTURAL HERITAGE PROTECTION TREATIES SECTION Police have to identify not only buyers and sellers, but also middlemen, transporters, agents handling cash transactions Investigations!
  • 16. CULTURAL HERITAGE PROTECTION TREATIES SECTION Only the national Police force (or, even better, a specialized unit) can effectively search for your country’s stolen works of art Probably no one else will do it!
  • 17. CULTURAL HERITAGE PROTECTION TREATIES SECTION Special agreements
  • 18. CULTURAL HERITAGE PROTECTION TREATIES SECTION Special tools
  • 19. CULTURAL HERITAGE PROTECTION TREATIES SECTION INTERPOL stolen works of art database
  • 20. CULTURAL HERITAGE PROTECTION TREATIES SECTION POLICE EXPERTS
  • 21. CULTURAL HERITAGE PROTECTION TREATIES SECTION Interpol Expert Group on Stolen Cultural Property, Lione 7 – 8 Mach 2006
  • 22. CULTURAL HERITAGE PROTECTION TREATIES SECTION Basic Actions to counter the Increasing Illicit Sale of Cultural Objects through the Internet ( UNESCO, INTERPOL, ICOM ) The member States of INTERPOL and UNESCO and the States with ICOM National Committee are invited to: Strongly encourage Internet sales platforms to post the following disclaimer on all their cultural objects sales pages: “With regard to cultural objects proposed for sale, and before buying them, buyers are advised to: - check and request a verification of the licit provenance of the object, including documents providing evidence of legal export (and possibly import) of the object likely to have been imported; - request evidence of the seller’s legal title. In case of doubt, check primarily with the national authorities of the country of origin and INTERPOL, and possibly with UNESCO or ICOM.”
  • 23. CULTURAL HERITAGE PROTECTION TREATIES SECTION 2. Request Internet platforms to disclose relevant information to law enforcement agencies and to cooperate with them on investigations of suspicious sales offers of cultural objects; 3. Establish a central authority (within national police forces or other), which is also responsible for the protection of cultural properties, in charge of permanently checking and monitoring sales of cultural objects via the Internet;
  • 24. CULTURAL HERITAGE PROTECTION TREATIES SECTION 4. Cooperate with national and foreign police forces and INTERPOL as well as the responsible authorities of other States concerned, in order to:  Insure that any theft and/or any illegal appropriation of cultural objects be reported to INTERPOL National Central Bureaux, in order to enable relevant information to be posted on the INTERPOL Stolen Works of Art Database;  Make information available about theft and/or any illegal appropriation of cultural objects, as well as about any subsequent sale of such cultural objects, from or to national territories, using the Internet;  Facilitate rapid identification of cultural objects by: i) ensuring updated inventories with photographs of cultural objects, or at least their identification, for example through the Object ID standard; ii) maintaining a list of recommended experts;  Use all the tools at their disposal to conduct checks of suspicious cultural property, in particular the INTERPOL Stolen Works of Art Database;  Track and prosecute criminal activities related to the sale of cultural objects on the Internet and inform the INTERPOL General Secretariat of major investigations involving several countries.
  • 25. CULTURAL HERITAGE PROTECTION TREATIES SECTION 5.Maintain statistics and register information on the checks conducted concerning the sale of cultural objects via the Internet, the vendors in question and the results obtained; 6.Establish legal measures to immediately seize cultural objects in case of a reasonable doubt concerning their licit provenance; 5.Assure the return of seized objects of illicit provenance to their rightful owners
  • 26. CULTURAL HERITAGE PROTECTION TREATIES SECTION Six years passed since the preparation of this document, but it seems that very little has been done and many States have not established any specific tool to fight illicit traffiking of cultural goods via the internet
  • 27. CULTURAL HERITAGE PROTECTION TREATIES SECTION Alberto Deregibus a.deregibus@unesco.org