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Marine Painting          “ The fishermen know that the sea is dangerous and the storm terrible, but they have never found these dangers sufficient reason for remaining ashore.” Vincent van Gogh
Photography  is  a  process, activity and  art  of creating still or moving  pictures  by recording  radiation  on a sensitive medium, such as a  film , or an  electronic sensor . Photography has many uses for business, science, art and pleasure.     The word "photography" comes from the  Greek   “ phos ”  -  "light" +  “ graphis ”  -  "stylus", "paintbrush“ ;  or  “ graphê ”  -  "representation by means of lines" or "drawing", together meaning "drawing with light." Traditionally, the products of photography have been called  negatives  and  photographs , commonly shortened to  photos .
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
John Singleton Copley  1738 - 1815   - an American painter, born presumably in Boston, Massachusetts - famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives - “ Watson and the Shark”  is the1778 oil-on-canvas painting. It depicts the rescue of Brook Watson from a shark attack in Havana, Cuba - The original of three versions by Copley is in the National Gallery of Art in Washington, D.C.
John Singleton Copley  “ Watson and the Shark” 1778
Winslow Homer  1836 - 1910 ,[object Object],[object Object],[object Object],[object Object]
The painting depicts a Negro, menaced by high seas, sharks, and a waterspout, stretched out in his disabled boat, helpless and resigned. “ Like the waves that toss him, he is an insignificant product of nature’s laws. His death, like the breaking of a wave, will be forgotten before the spray falls.” Winslow Homer “The Gulf Stream”
Winslow Homer “ Sunlight on the Coast”
Theodore Gericault  1791 –1824 -  one of the pioneers of the  Romantic movement -  important French painter and lithographer  -  known for  the canvas  “The Raft of the Medusa”  and other paintings ,[object Object],[object Object],[object Object],[object Object],[object Object]
Theodore Gericault “The Raft of the Medusa”
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],Claude Monet  “ Impression, Sunrise”
Claude Monet “Argenteuil”
Joseph Mallord William Turner  1775 – 1837 - British Romantic painter - phenomenal visual memory - particularly notable for his marine paintings - life-long absorption with the sea - constant observation and thorough knowledge of wave forms
[object Object],[object Object],[object Object],[object Object],“ Calais Pier”
“ The Slave Ship” -   the forces of nature which punish the guilty are represented by the  violent power of the sea and the strange sea creatures - is admired by the  use of colour and the way in which sea and sky merge around the distant ship - i n the lower  foreground  hands of  enslaved Africans can  be seen still shackled
“ Chichester Canal” “ A Disaster at Sea” “ Turner  i s the artist who could most stirringly and truthfully measure the moods of Nature…"  John Ruskin ,[object Object],[object Object],[object Object],[object Object]
“ The Battle of Trafalgar”  18 24 “ The Fighting Temeraire Tugged to her Last Berth to Be Broken Up”  18 38
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
"What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer. ” Caspar David Friedrich This scene has been described as "a stunning composition of near and distant forms in an  Arctic  image“ “ Wanderer  above the Sea of Fog ”   -  the human element  is set  in diminished perspective amid expansive landscapes  “ The Sea of Ice”
Ivan Aivazovsky  1817 – 1900 - the most famous Russian seascape painter   -  spent his childhood in poverty  - painted more than 6,000 seascapes and a large group of large paintings glorifying the Russian navy   -  spent much money for charity, especially for his native town -  opened in Feodosia the first School of Arts (in 1865), then the Art Gallery (in 1889) -  a member of Academies of Stuttgart, Florence, Rome and Amsterdam
“ View of Reval” He failed to draw landscapes, could not draw a man  that’s why one can behold the true devotion to the marine power “ Battle of Chesma”
“ The Ninth Wave” - the marinist’s most impressive and well-known work  - depicts a sea after a night storm and the people facing death in attempt to save themselves from the wrecked ship   -  warm tones   suggestive of the future survival of the people -  absolute technical perfection
“ Moonlight Seascape with Shipwreck” E volved his own method of   depicting the motion of  the sea – from memory,  without preliminary  sketches, limiting himself  to rough pencil outlines
“ Fishermen on the Shore”
“ Brig “Mercury” Attacked by Two Turkish Ships”

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Power Point Presentation "Painting"

  • 1. Marine Painting       “ The fishermen know that the sea is dangerous and the storm terrible, but they have never found these dangers sufficient reason for remaining ashore.” Vincent van Gogh
  • 2. Photography is a process, activity and art of creating still or moving pictures by recording radiation on a sensitive medium, such as a film , or an electronic sensor . Photography has many uses for business, science, art and pleasure. The word "photography" comes from the Greek “ phos ” - "light" + “ graphis ” - "stylus", "paintbrush“ ; or “ graphê ” - "representation by means of lines" or "drawing", together meaning "drawing with light." Traditionally, the products of photography have been called negatives and photographs , commonly shortened to photos .
  • 3.
  • 4. John Singleton Copley 1738 - 1815 - an American painter, born presumably in Boston, Massachusetts - famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives - “ Watson and the Shark” is the1778 oil-on-canvas painting. It depicts the rescue of Brook Watson from a shark attack in Havana, Cuba - The original of three versions by Copley is in the National Gallery of Art in Washington, D.C.
  • 5. John Singleton Copley “ Watson and the Shark” 1778
  • 6.
  • 7. The painting depicts a Negro, menaced by high seas, sharks, and a waterspout, stretched out in his disabled boat, helpless and resigned. “ Like the waves that toss him, he is an insignificant product of nature’s laws. His death, like the breaking of a wave, will be forgotten before the spray falls.” Winslow Homer “The Gulf Stream”
  • 8. Winslow Homer “ Sunlight on the Coast”
  • 9.
  • 10. Theodore Gericault “The Raft of the Medusa”
  • 11.
  • 12.
  • 14. Joseph Mallord William Turner 1775 – 1837 - British Romantic painter - phenomenal visual memory - particularly notable for his marine paintings - life-long absorption with the sea - constant observation and thorough knowledge of wave forms
  • 15.
  • 16. “ The Slave Ship” - the forces of nature which punish the guilty are represented by the violent power of the sea and the strange sea creatures - is admired by the use of colour and the way in which sea and sky merge around the distant ship - i n the lower foreground hands of enslaved Africans can be seen still shackled
  • 17.
  • 18. “ The Battle of Trafalgar” 18 24 “ The Fighting Temeraire Tugged to her Last Berth to Be Broken Up” 18 38
  • 19.
  • 20. "What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer. ” Caspar David Friedrich This scene has been described as "a stunning composition of near and distant forms in an Arctic image“ “ Wanderer above the Sea of Fog ” - the human element is set in diminished perspective amid expansive landscapes “ The Sea of Ice”
  • 21. Ivan Aivazovsky 1817 – 1900 - the most famous Russian seascape painter - spent his childhood in poverty - painted more than 6,000 seascapes and a large group of large paintings glorifying the Russian navy - spent much money for charity, especially for his native town - opened in Feodosia the first School of Arts (in 1865), then the Art Gallery (in 1889) - a member of Academies of Stuttgart, Florence, Rome and Amsterdam
  • 22. “ View of Reval” He failed to draw landscapes, could not draw a man that’s why one can behold the true devotion to the marine power “ Battle of Chesma”
  • 23. “ The Ninth Wave” - the marinist’s most impressive and well-known work - depicts a sea after a night storm and the people facing death in attempt to save themselves from the wrecked ship - warm tones suggestive of the future survival of the people - absolute technical perfection
  • 24. “ Moonlight Seascape with Shipwreck” E volved his own method of depicting the motion of the sea – from memory, without preliminary sketches, limiting himself to rough pencil outlines
  • 25. “ Fishermen on the Shore”
  • 26. “ Brig “Mercury” Attacked by Two Turkish Ships”